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    ‘Becoming Karl Lagerfeld’ Seeks to Capture the Man Behind the Glasses

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    Set in the 1970s, the series depicts the designer’s personal and professional evolution and revolves around an intense love story.Daniel Brühl had just started shooting the series “Becoming Karl Lagerfeld” in Paris last year, and he could feel the French crew’s eyes on him. The German actor, who was playing the title role, was all nerves. After his first few days on set, he returned to his dressing room to find an enormous bouquet of, as he put it, “the biggest and reddest roses I’ve seen in my life.” There wasn’t any note.When Brühl put the flowers in a vase at home later, however, he spotted a small card tucked among them. “It said ‘For Karlito, from Jacquot,’” he recalled in a video interview. “Nothing else.”He realized the gift was from his co-star Théodore Pellerin, a Canadian actor who portrays Lagerfeld’s great love, Jacques de Bascher; Pellerin had signed the card with their characters’ nicknames. Brühl knew then that he and the series, which revolves around the intense love story between the two men, would be fine.“Becoming Karl Lagerfeld,” which premieres on Friday on Hulu, is set mostly in the 1970s, a decade that was key to Lagerfeld’s development as a fashion designer as well as his personal evolution. It was before he formed his distinctive look of a sharp-angled figure decked out in monochromatic costumes, high collars, black gloves — though the tinted glasses and signature ponytail make their appearance. Like Andy Warhol, another secretive pop-culture icon, Lagerfeld meticulously manufactured his public identity, Brühl said: “So who was the person before he was famous?”Brühl briefly met Lagerfeld, who died in 2019, about 20 years ago on a photo shoot and remembers him as “very charming.” When Brühl had to become the designer, he did a deep dive, reading up, for example, on the many artistic fields Lagerfeld had been interested in: “literature, arts, architecture, design, and fashion, of course,” Brühl said. “I wasn’t bored a single second spending time with Karl Lagerfeld.”Still, there needed to be a way in, and for the creator and showrunner Isaure Pisani-Ferry, it was de Bascher, who was 21 to the designer’s 38 when they met. “It was this moment in the ’70s when he falls in love, which means loss of control — and this is a man who needs to be in control,” Pisani-Ferry said of Lagerfeld in a video conversation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Kompromat’ Review: Escape From Siberia

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      In this thriller, a French diplomat takes to the road after being falsely imprisoned by Russian authorities.The French thriller “Kompromat” dramatizes the true story of Yoann Barbereau, a Frenchman living abroad in Russia who escaped the country in 2017 after being imprisoned under false charges. In the fictionalized version of events, Mathieu (Gilles Lellouche) works at a French cultural institution in Irkutsk, one of the largest cities in Russian Siberia. In his joie de vivre, Mathieu hosts a ballet as a show of diplomatic good will. But the erotic nature of the ballet runs him afoul of local authorities, including agents in the Russian Federal Security Service, known for continuing the practices of the once dreaded K.G.B.Suddenly, Mathieu is arrested under fabricated accusations of child pornography and abuse. Mathieu is assigned an attorney who negotiates his release from prison into house arrest. Trapped at home, he awaits trial with dwindling hopes of intervention from the French government. Mathieu’s desperation grows, and this thriller takes a turn toward action when he acquires a phone from a friendly contact and takes to the road, staying in safe houses en route to the French embassy in Moscow. But there, Mathieu finds little support for his release, and so he looks again to escape, this time with the European border in mind.The director Jérôme Salle shows interest in the realpolitik of Mathieu’s situation, and his film scopes out the grim safe rooms and fluorescent meeting halls where Russian political schemes and French political failures take place. But Salle’s approach leaves the physical details of Mathieu’s escape foggy. It’s not always clear how long Mathieu spends in hiding, or how he acquires the tools needed to sustain his flight. The politics confound the film’s sense of action; the camera sticks to the diplomats even after the protagonist has escaped from a back door.KompromatNot rated. In French and Russian, with subtitles. Running time: 2 hours 7 minutes. In theaters and available to rent or buy on Apple TV, Google Play and other streaming platforms and pay TV operators. More