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    New Pornographers Drummer Is Charged With Possession of Child Sexual Abuse Imagery

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    Joseph Seiders, who joined the band in 2014, is accused of recording boys who were using a restaurant bathroom.Joseph Seiders, the drummer for the indie power-pop group the New Pornographers, was arrested this month in Southern California on charges of possession of child sexual abuse imagery and other crimes, the authorities said.Mr. Seiders, 44, was taken into custody on April 9 after an employee at a Chick-fil-A restaurant called the police and said a man was entering and exiting the bathroom with underage boys, according to a news release from the Riverside County Sheriff’s Office.Two days earlier, the police were called to the same restaurant after an 11-year-old boy said a man had recorded him on a cellphone while he used the bathroom.After Mr. Seiders was arrested, search warrants were issued for his home, vehicle and cellphone, the police said. He was then charged with possession of child pornography, annoying/molesting a child, invasion of privacy and attempted invasion of privacy.Mr. Seiders, whose bail was set at $1 million and remains incarcerated, is due in court next week, according to jail records. It is unclear if he has a lawyer.“Everyone in the band is absolutely shocked, horrified and devastated by the news of the charges against Joe Seiders — and we have immediately severed all ties with him,” a spokesman for the New Pornographers said in a statement on Friday. “Our hearts go out to everyone who has been impacted by his actions.”The spokesman said there was nothing to report about how the arrest might change the band’s upcoming plans.Mr. Seiders joined the New Pornographers in 2014 — 17 years after the band formed — and has appeared on recent projects alongside the singer and songwriter Neko Case, the guitarist A.C. Newman and the bassist John Collins. Their latest song, “Ballad of the Last Payphone,” was released this month. More

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      Soulja Boy Is Ordered to Pay $4 Million in Sexual Assault Case

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      The rapper, known for songs like “Crank That (Soulja Boy),” was found liable of assaulting a woman who said she was his assistant over two years.A jury in Los Angeles found the rapper Soulja Boy liable for sexual battery and assault, ordering him to pay $4 million to a woman who said that he became violent toward her as their once-professional relationship turned romantic, the woman’s lawyer said.The decision on Thursday, which was also reported by The Associated Press, came after a nearly monthlong trial, in which the woman said that she had started as the rapper’s assistant.She accused him of physically and sexually assaulting her over two years. Soulja Boy — known for songs like “Crank That (Soulja Boy),” “Kiss Me Thru the Phone” and “Pretty Boy Swag” — denied the claims during the trial.“Our client is pleased with and vindicated by the verdict,” Neama Rahmani, a lawyer for the woman, whose name was not revealed in the proceedings, said in a statement. “Yesterday’s verdict is just the beginning of justice for Soulja Boy’s victims and a reckoning for the entire music industry.”Reading a statement on his phone, Soulja Boy, whose real name is DeAndre Cortez Way, criticized the verdict outside the Superior Court in Los Angeles County after the verdict.“I believe this entire process has been tainted by a system that is not designed to protect the rights of the accused,” Mr. Way said. “I want to make it clear that I am innocent.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      James Toback Is Ordered to Pay $1.7 Billion in Sexual Assault Case

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      After the former Hollywood director stopped participating in the civil case against him, a jury awarded 40 accusers $42 million each.A jury in New York awarded $1.7 billion in damages to 40 women who sued the former movie director and writer James Toback over allegations of sexual assault, lawyers for the plaintiffs said.Mr. Toback, once a Hollywood fixture known for writing “Bugsy” and directing “The Pick-up Artist,” had been defending himself against the lawsuit for a couple of years but more recently had stopped participating in the case. He has denied the allegations against him.A judge entered a default judgment against him in January and a jury trial was held to determine how much money Mr. Toback would owe each plaintiff. On Wednesday, the jurors arrived at $42 million each, said Brad Beckworth, one of the lawyers who represents the women.Mr. Toback, 80, has described himself in court papers as being “financially destitute,” and it is unclear how much of the judgment he will be able to pay.The women’s allegations span from the late 1970s to the mid-2000s. Many of their accounts involve Mr. Toback approaching them in public, setting up meetings to discuss potential acting roles and then assaulting them at the meetings.Mr. Toback, who was accused in a Los Angeles Times article of being a serial harasser toward the start of the #MeToo movement in 2017, declined to comment in a text message on Thursday. He had been representing himself in court, including taking depositions of accusers himself. But he wrote in court papers last year that persistent health problems had made it difficult for him to keep up with the case.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sean ‘Diddy’ Combs Faces New Sex-Trafficking Charge Ahead of Trial

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      Weeks before the music mogul is scheduled to stand trial, prosecutors added a more serious charge involving a woman they refer to as “Victim-2.”Federal prosecutors have amended the indictment against Sean Combs, who is scheduled to stand trial next month, to include a second major sex-trafficking charge, according to a grand jury indictment unsealed on Friday.The new charge relates to a woman described by prosecutors as “Victim-2.” They allege that she is one of three female victims whom Mr. Combs coerced into sex.Before, Mr. Combs had been charged only with sex trafficking “Victim-2” under a less serious charge that makes it illegal to transport a person “with intent that such individual engage in prostitution.” The new indictment adds a second count of a more serious sex-trafficking charge that carries a mandatory minimum sentence of 15 years in prison.Mr. Combs, 55, has pleaded not guilty to the charges against him, which include a count of racketeering conspiracy, and has vehemently denied sex trafficking anyone. His lawyers have argued that the conduct the prosecutors are targeting involves consensual sex.In a statement released on Friday in response to the new charges, the Combs defense team said: “These are not new allegations or new accusers. These are the same individuals, former long-term girlfriends, who were involved in consensual relationships. This was their private sex life, defined by consent, not coercion.”Jury selection in the trial, which will be held at Federal District Court in Manhattan, is scheduled to start in late April. Opening statements are scheduled to start on May 12.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Universal Music Calls Drake’s ‘Not Like Us’ Lawsuit ‘Misguided’

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      The label behind Drake and Kendrick Lamar filed a motion on Monday to dismiss Drake’s lawsuit, which accused it of defamation and harassment over the diss song.With the Drake takedown “Not Like Us,” by Kendrick Lamar, now officially the most celebrated rap diss ever, the record label behind both artists is seeking to dismiss Drake’s defamation lawsuit, arguing that its lyrics are merely “a series of hyperbolic insults,” the lingua franca of any hip-hop feud.In a filing on Monday in the U.S. District Court for the Southern District of New York, the company, known as UMG, provided its first substantial response to the lawsuit brought in January on behalf of Drake, the artist born Aubrey Drake Graham. He accused the label of defamation and harassment, claiming that Lamar’s track “intended to convey the specific, unmistakable, and false factual allegation that Drake is a criminal pedophile, and to suggest that the public should resort to vigilante justice in response.”Last month, “Not Like Us,” which accuses Drake of liking young girls, among other personal attacks, won five Grammy Awards, including song and record of the year, and provided the centerpiece for Lamar’s Super Bowl halftime performance.According to UMG, Drake “lost a rap battle that he provoked and in which he willingly participated” and then “sued his own record label in a misguided attempt to salve his wounds.” The label, citing in its filing lyrics by both artists tied to last year’s heavyweight fight, added that Drake had leveled “similarly incendiary attacks at Lamar” and that the tone and context of the back-and-forth made the defamation claim impossible to prove.The lawsuit, UMG said in its filing, “disregards the other Drake and Lamar diss tracks that surrounded ‘Not Like Us’ as well as the conventions of the diss track genre,” adding: “diss tracks are a popular and celebrated artform centered around outrageous insults, and they would be severely chilled if Drake’s suit were permitted to proceed.”In the suit, lawyers for Drake had argued that “Not Like Us” was beyond the pale of a typical rap beef because the song’s accusations were framed as fact — for instance, using as its cover art a map of Drake’s home with sex offender markers superimposed on top — and that it led to real world violence, citing a shooting at the residence days after the song’s release that injured a security guard, calling it “the 2024 equivalent of ‘Pizzagate.’” The claim also cited two other attempted trespassers in the days that followed.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sean Combs’s Lawyers Say Video of Hallway Assault Was Altered

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      The video, a critical piece of the prosecution’s case, shows the music mogul beating and kicking his girlfriend at a hotel in 2016.Lawyers for Sean Combs argued at a court hearing on Friday that a leaked security video showing Mr. Combs assaulting his former girlfriend was “deceptive,” and said they would request that it not be allowed as evidence at his upcoming trial on charges of sex trafficking and racketeering conspiracy.That video, recorded at a Los Angeles hotel in 2016, was broadcast by CNN last year, months before Mr. Combs’s arrest. It showed him beating, kicking and dragging Casandra Ventura, his former girlfriend and an artist once signed to his record label under her stage name, Cassie.Marc Agnifilo, a lawyer for Mr. Combs, said that a forensic analysis of the security footage aired by CNN showed that the video had been sped up from its original source, that events were depicted out of sequence and that time stamps on the original tape had been covered up.“It’s a deceptive piece of evidence,” Mr. Agnifilo argued. Mr. Combs’s lawyers, however, did not define how a change in sequencing would have affected a viewer’s understanding of what occurred.Mr. Combs’s legal team also accused CNN of destroying the original footage, and said they planned to file a motion to exclude the video from evidence at Mr. Combs’s criminal trial, which is set to begin in May.CNN, in a statement from a spokeswoman, denied the allegations. “CNN never altered the video and did not destroy the original copy of the footage, which was retained by the source,” the statement said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Inside the Sean ’Diddy’ Combs Hotline: The Makings of a Mass Tort

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      In a room full of cubicles, workers in headsets read from their computer screens, addressing callers who dialed a 1-800 number. They have a script.“Were you or your loved one sexually abused by Sean ‘Love’ Combs, known as Diddy, Puff Daddy and P. Diddy?”“If the abuse occurred at a party, please list the name of the party. What kind of party was it?”Their employer, Reciprocity Industries, is a legal services company located in a low-slung building in Billings, Mont., more than 2,000 miles from the Brooklyn jail where Mr. Combs awaits trial on federal racketeering and sex trafficking charges.For years, the company has helped seed litigation by fielding complaints from people hurt by natural disasters, weedkillers or abusive clergy.Now it’s the central collection point for sexual assault allegations against Mr. Combs.When a call related to Mr. Combs comes in, Reciprocity employees walk callers through a questionnaire that asks them to share the details of their complaints, including potential witnesses.Janie Osborne for The New York TimesSome complaints come in through the phone, others arrive online in response to ads promoted on Facebook and Instagram. (A news conference where a backdrop displayed the hotline in large red numbers made headlines last October.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Why Japanese Oscar Contender ‘Black Box Diaries’ Isn’t Being Shown in Japan

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      Shiori Ito’s searing indictment of Japan’s justice system in handling sexual assault cases is nominated for best documentary feature at Sunday’s Academy Awards.A film by a Japanese woman about her search for justice from uncooperative authorities after she reported being raped is a contender at Sunday’s Academy Awards. Yet, despite being the first full-length documentary made by a Japanese director ever nominated for an Oscar, the movie cannot be seen in her home country.In the film, “Black Box Diaries,” the journalist Shiori Ito tells the story of what happened to her after she reported being raped at a hotel by a prominent television journalist and the ordeal she says she experienced with Japan’s justice system.The film, which is up for best documentary feature, premiered in January 2024 at the Sundance Film Festival. It was released in U.S. theaters in October and can currently be seen or is slated to be shown in over 30 countries. However, those do not include Japan.The Japanese subsidiary of a major streaming service declined to distribute the film in early 2024, the filmmakers said, and theaters have so far displayed little interest in showing it. The prospects for the film’s release grew even murkier in October when Ms. Ito’s former lawyers and other previous supporters, including fellow journalists, spoke up against her, saying she had used footage without the consent of people in it.Ms. Ito with the producers of “Black Box Diaries,” Hannah Aqvilin and Eric Nyari, at the Oscars nominees dinner in Los Angeles on Tuesday.Frazer Harrison/Getty ImagesThis is not the first time that Japan has balked at showing unflattering films that were well received in Hollywood. “The Cove,” a documentary about a dolphin hunt in the town of Taiji, and “Unbroken,” a feature film about cruel treatment of Allied prisoners during World War II, both opened at least a year after their U.S. premieres. “The Cove,” which was made by an American director, won the Oscar for best documentary feature in 2010.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sean ‘Diddy’ Combs Faces Four New Sex Abuse Lawsuits, Filed in One Day

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      The suits cite the Victims of Gender-Motivated Violence Protection Law, which opened a look-back window for alleged assaults and is expiring soon.Four new sex abuse lawsuits have been filed against Sean Combs, including one from a woman who says she was assaulted while a contestant on a VH1 reality show in which people vied to be hired as the hip-hop mogul’s personal assistant.The new cases, which were filed on Thursday in New York State Supreme Court in Manhattan, join the dozens of civil lawsuits that have been filed against Mr. Combs since Casandra Ventura, his former girlfriend, made bombshell allegations against him in November 2023. Ms. Ventura’s suit was quickly settled, though at least 50 civil suits have followed hers with various accusations of sexual misconduct or violence. He has denied the allegations.In September, Mr. Combs was also indicted on federal charges of sex trafficking, racketeering conspiracy and transportation to engage in prostitution. He has denied those accusations and pleaded not guilty, and his trial is scheduled to begin in May.In one of the new suits, Kendra Haffoney says that she was raped by Mr. Combs around 2008, while she was a contestant on VH1’s “I Want to Work for Diddy,” which ran on the cable channel starting that year. On the show, various aspiring assistants tried to impress the demanding and mercurial Mr. Combs to earn a place as his right hand. Ms. Haffoney is credited with appearances on two episodes.In her suit, she alleges that she was handed a spiked drink at an after-party in the SoHo area of Manhattan, where Mr. Combs and others were partying and “many sexual situations” were underway, making her uncomfortable. She became delirious, the suit says, and Mr. Combs “guided her head down” to perform oral sex on him. She passed out and awoke later at the cast house, and “knew that she had been sexually assaulted, raped” by him, according to the court papers.Another suit was filed by Justin Gooch, who said that in 1999, when he was 16, he met Mr. Combs at the Tunnel, then a popular dance club in Manhattan. The suit says that Mr. Combs gave him ecstasy and alcohol, and they then went to a bathroom, where Mr. Combs gave Mr. Gooch more drugs and “anally penetrated” him without his consent. According to the court papers, when he finished, Mr. Combs said to him, “That wasn’t so bad, was it?”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More