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    Prosecutors Accuse Sean ‘Diddy’ Combs of Trying to Contact Witnesses From Jail

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    The government said the music mogul had been attempting to obstruct federal prosecutors by instructing others to make three-way calls and securing help from other inmates.Prosecutors accused Sean Combs of continuing efforts to obstruct the federal racketeering and sex trafficking case against him from a Brooklyn jail, alleging in court papers filed on Friday night that the music mogul had been trying to evade government monitoring by seeking to arrange three-way phone calls and to buy the use of other inmates’s phone privileges.The government’s account came a week before another hearing to decide whether Mr. Combs would be granted release on bail. Since September, he has been incarcerated at Metropolitan Detention Center in Brooklyn, inside a special housing unit where high-profile inmates are often assigned.In the court filing, the government accused Mr. Combs of “relentless efforts” to contact potential witnesses, including by attempting to use three-way calls to contact associates whom prosecutors consider part of his “criminal enterprise.” Prosecutors also accused Mr. Combs of making unauthorized calls by using the telephone accounts of at least eight other inmates, instructing others to pay them — sometimes through their commissary accounts — to secure their cooperation.“The defendant has demonstrated an uncanny ability to get others to do his bidding — employees, family members, and M.D.C. inmates alike,” prosecutors wrote.Details of the recipients and substance of the phone calls were redacted in the court documents. The calls generated using other inmates’ privileges were not identified as being directed at witnesses, but prosecutors said they were evidence of Mr. Combs’s disregard for the jail’s regulations and were part of what they described as obstruction efforts.Representatives for Mr. Combs, who is known as Diddy, did not immediately respond to the allegations about Mr. Combs’s communications. He has pleaded not guilty and vehemently denied the criminal charges, arguing that the drug-fueled sexual encounters called “freak offs” at the heart of his case were all consensual.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A New Set of Gits Releases Gives Mia Zapata Her Voice Back

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      The Seattle frontwoman was killed in 1993, as her punk band was on the cusp of a breakthrough. Remastered recordings provide a chance to rewrite her story.Here’s how I wish the story of the Gits could be told: Four hardworking musicians finally escaped the grind of underpaid gigs and indie recordings and followed such compadres as Nirvana to global fame, led by the poetic howls of Mia Zapata, heiress apparent to Janis Joplin and Patti Smith.Here’s the story you may already know, as told by shows including “Unsolved Mysteries” and “Forensic Files,” and the documentary “The Gits”: Talented singer found raped and murdered on a Seattle street just as her band was on the cusp of success.In an attempt to bring what might have been to life, the seminal Seattle label Sub Pop is releasing remastered recordings by the Gits on Nov. 13. While the band was together, Zapata, the bassist Matt Dresdner, the guitarist Andy Kessler (a.k.a. Joe Spleen) and the drummer Steve Moriarty released only one album of their complex thrash rock (Kessler calls it “five-chord punk”): “Frenching the Bully” (1992). Sub Pop’s digital releases will also include three LPs of unfinished recordings, early work and live tracks. In December a concert album, “Live at the X-Ray,” will arrive for the first time.“It’s been a long, long road to get to where we are,” Dresdner, 57, said in a video interview from Seattle with Kessler. “There were decades through which I didn’t have the bandwidth or emotional strength to attack a project like this.” As the group worked to finally make its music available, a “secondary motivation” arose, he said. “Mia’s talent as a singer — the music we were able to make together — we hope will be the first sentence, moving forward.”By 1993 the Gits had paid their dues and honed their sound. But their ascent was cut short by Zapata’s killing.David HawkesThe Gits formed after Dresdner saw Zapata perform at an open mic at Antioch College, a small liberal arts school in Yellow Springs, Ohio, in 1986. “When we started the band, it was because I fell in love with Mia’s voice,” he said. “It was so beautiful and so powerful, and so intimate.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Most of Sean ‘Diddy’ Combs’s Accusers Are Unnamed. Can They Stay That Way?

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      The debate over anonymity in civil and criminal sex abuse cases weighs the principle of a fair trial with the desire to protect accusers’ privacy.As Sean Combs faces numerous anonymous accusers in both civil and criminal court who say he sexually abused them, his lawyers have argued that such anonymity is an unfair impediment to his defense.In more than half of the 27 sexual abuse civil suits against the music mogul, the plaintiffs filed under the pseudonyms Jane Doe or John Doe, drawing opposition from Mr. Combs’s lawyers.Similarly, in his criminal case, where he has been charged with racketeering and sex trafficking, the defense has argued that prosecutors should have to reveal the names of the alleged victims who are part of their case. The only accuser listed in the indictment was identified as “Victim 1,” though prosecutors say there are multiple.“Without clarity from the government,” his lawyers wrote in a letter to the presiding judge, “Mr. Combs has no way of knowing which allegations the government is relying on for purposes of the indictment.”Sexual assault accusers have long sought anonymity in the courts and in the media. The flood of complaints during the #MeToo movement ushered in a much broader societal understanding of their fears of retribution and social stigmatization, and protocols in the American media that withhold accusers’ names became even more entrenched — a commitment illustrated last month when the country superstar Garth Brooks identified an anonymous accuser in court papers. Few, if any, media outlets published her name.Securing anonymity in civil court can be much more challenging.So far, at least two judges in Federal District Court in Manhattan have rejected requests from plaintiffs to remain anonymous in lawsuits against Mr. Combs, who has denied sexually abusing anyone.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sean ‘Diddy’ Combs’s Empire: Winnowed, but Still Weighty

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      The music mogul’s business portfolio has shrunk, in part because of multiple sex abuse allegations, but his wealth remains a critical factor as his criminal case unfolds.In arguing to keep Sean Combs in jail until his trial on federal racketeering and sex trafficking charges, prosecutors have portrayed him as a lavishly wealthy, well-connected music mogul who would be well positioned to flee. In court papers, prosecutors cited media reporting that estimated his wealth at close to a billion dollars.But as Mr. Combs’s reputation has unraveled amid a wave of high-profile lawsuits and criminal charges, so has his business portfolio. Once a major brand ambassador and chairman of a media platform, he has been forced to withdraw from those roles. In June, several months before Mr. Combs was indicted, Forbes estimated his net worth at $400 million, down from $740 million in 2019.Mr. Combs’s fortune has been at the forefront of his public persona since the 1990s, when the success of his hip-hop and R&B label, Bad Boy Entertainment, meant he was known as much for his high-flying, champagne-popping lifestyle as the music he produced.One year ago, Mr. Combs, who is known as Diddy, was at the helm of an ever-growing portfolio: He was a record label founder, a liquor promoter, a cable TV and digital media chairman, a philanthropist and a fashion executive with a label called Sean John.Mr. Combs has gained prominence as a record label executive, a liquor promoter and the founder of a cable TV and digital media platform.From left: Theo Wargo/WireImage, via Getty Images; Stan Honda/Agence France-Presse — Getty Images; Dimitrios Kambouris/Getty Images for Revolt TV“He was a larger-than-life marketer,” said Dessie Brown Jr., an entertainment consultant who long viewed Mr. Combs as a model for building a career. “He always talked about being like a ringleader in a circus.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Black Box Diaries’ Review: A Public Face for #MeToo in Japan

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      In a new documentary, Shiori Ito recounts her yearslong crusade for justice in Japan after accusing a powerful journalist of rape.Not everyone gets to be the heroine of her own story, much less a champion for others. On May 29, 2017, a 28-year-old Japanese journalist, Shiori Ito, did just that when she announced at a news conference that she had been raped in a Tokyo hotel two years earlier by a powerfully connected journalist, Noriyuki Yamaguchi. (He has denied the allegation.) Ito had decided to speak her truth despite intense pressure to remain silent. “People need to know about the horrors of rape,” she told a room of reporters, “and how deeply it affects one’s life.”Undaunted, Ito talks openly throughout “Black Box Diaries,” her moving if sometimes frustrating documentary about how she became a public face of the #MeToo movement in Japan, all while she grappled with police obstructionism, misogynist laws, sexist vitriol and fears about her safety. Going public was gutsy, and unusual. “One of the first things many Japanese women do while still shivering and bleeding at home is to read online about the experience of others — and deciding it’s just not worth pursuing,” David McNeill, an editor at Asia Pacific Journal, wrote in an interview he did with Ito after her first news conference.At the time, to protect her privacy, Ito wasn’t using her surname; not everyone in her family wanted her to speak out. Yet she soon went fully public, and her name became headline news. It remained so as she continued to seek justice in a fight that — as one year turned into another — grew into a cause, eventually becoming part of a national reckoning on sexual violence and harassment. With friends and lawyers, and buoyed by allies and sympathetic strangers, Ito fought to transform Japan’s laws and ideas relating to sexual violence. (In 2023, Japan criminalized nonconsenual sexual acts; in 2019, the United Nations had issued a statement saying the “absence of consent” should be the global definition of rape.)The documentary, based on her 2017 memoir, “Black Box,” is a chronicle of Ito’s ordeal and her fight. As the title suggests — a prosecutor, Ito has explained, called her case a “black box” because it happened behind closed doors — there’s a confessional aspect to her project. The documentary, for one, opens with some first-person statements styled as handwriting, the words running over an image of flowing water. “Please be mindful of the triggers in this film,” it reads, as cherry blossoms drift across the screen. “Close your eyes and take a deep breath if you need to.” As water and petals flow, so do her words: “That has helped me many times.”What follows is effectively a tense and tangled crime story, one in which Ito is at once the victim, lead investigator, dogged prosecutor and crusading reporter. In 2015, following the assault and after she filed a criminal complaint with the police department, Ito realized that she had to become her own advocate. She began chronicling the investigation in secret audio recordings, detailed written records and videos. After prosecutors dropped the case, despite DNA evidence and testimony from a taxi driver who dropped her at the hotel — she decided to take her personal investigation to the world.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lawsuit Accusing Roman Polanski of 1973 Rape Is Settled

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      The suit accused Mr. Polanski of giving a minor alcohol before sexually assaulting her. A lawyer for the director said on Wednesday that the case was settled over the summer but gave no details.The film director Roman Polanski will no longer face a civil trial next year over accusations that he sexually assaulted a teenage girl more than five decades ago, after reaching an out-of-court settlement with his accuser that led to the dismissal of the lawsuit, lawyers for both sides said on Wednesday.The lawsuit against Mr. Polanski, 91, was filed in the Superior Court in Los Angeles County in June 2023 and had been scheduled to go to trial in August 2025. The terms of the settlement were not immediately disclosed.In the lawsuit, the accuser, identified only as Jane Doe, says she met Mr. Polanski at a party in 1973, when she was a minor. Months later, she met him a second time at his home in Benedict Canyon, where he gave her two shots of tequila, the lawsuit says. Later they went to dinner in Los Angeles, where she was given more alcohol and eventually became sick, before going back to his house, the lawsuit says.“Plaintiff remembers waking up in defendant’s bed with him lying in the bed next to her,” the lawsuit reads. “He told her that he wanted to have sex with her.” The plaintiff, though groggy, told him, “No” and, “Please don’t do this,” the lawsuit says. He ignored her, removed her clothes, and “proceeded to rape her causing her tremendous physical and emotional pain and suffering,” according to the suit.Mr. Polanski denied the allegations when the suit was filed.Mr. Polanski’s lawyer, Alexander Rufus-Isaacs, said in a statement that the case was settled over the summer and that the lawsuit had been formally dismissed. He declined to disclose details of the settlement.Gloria Allred, the lawyer for the woman, confirmed the settlement in a brief statement, saying that the terms had been “agreed to by the parties to their mutual satisfaction.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      What to Know About the Lawsuits Against Sean ‘Diddy’ Combs

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      The music mogul, who faces federal sex trafficking and racketeering charges, has been accused in civil court of raping and drugging people. He has denied the allegations.In November 2023, the R&B singer Cassie filed a lawsuit against the hip-hop mogul Sean Combs, her former record label head and boyfriend, accusing him of rape, of forcing her to participate in sexual encounters he called “freak-offs” and of ongoing physical abuse for about a decade. Mr. Combs, who is also known as Puff Daddy or Diddy, has “vehemently” denied the allegations.Over the following months, more than 20 additional lawsuits were filed against Mr. Combs — including more than half of them after he was indicted on federal charges of sex trafficking, racketeering conspiracy and transportation to engage in prostitution in September. He has pleaded not guilty and remains detained in a Brooklyn jail; the trial is scheduled for May 5.The Lawsuits Against Sean Combs, Known as DiddyOCTOBER 202411 Lawsuits From Anonymous Plaintiffs in federal court in New YorkA legal team led by Tony Buzbee, a personal injury lawyer in Houston who has used a phone hotline, Instagram and a news conference to solicit clients with claims against Mr. Combs, filed six suits alleging sexual assaults from 1995 to 2021, followed by five additional suits alleging sexual assaults from 2000 to 2022.Tony Buzbee, a Houston lawyer, held a news conference to announce he had a large number of individuals with claims against Mr. Combs — and to solicit more.Elizabeth Conley/Houston Chronicle, via Associated PressThe accusations: In two suits from the first batch of filings, women accused Mr. Combs of raping them at parties in New York City; one plaintiff said Mr. Combs raped her in 1995 at a promotional event for a music video by the Notorious B.I.G. Four of the plaintiffs are men, including one who said he was working security at a White Party in the Hamptons in 2006 when Mr. Combs drugged him, pushed him into a van and raped him. Another man accused Mr. Combs of groping his genitals at a 1998 White Party, when the plaintiff was 16. A third man’s suit involves a 2008 encounter in a stockroom at Macy’s, where he said Mr. Combs forced his penis into the plaintiff’s mouth.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sean ‘Diddy’ Combs’s Streaming Numbers Grow as His Legal Woes Pile Up

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      The embattled music mogul is facing federal sex trafficking charges and a slew of lawsuits. Curious listeners and fans are keeping his catalog in rotation.In the 11 months since the singer Cassie accused Sean Combs in a lawsuit of sexual assault and years of physical abuse, the mogul’s once-booming music career has largely fallen apart.His songs have vanished from radio playlists. He became a pariah at the Grammy Awards, where he once held court. And his business interests — including stakes in a media network and a popular liquor brand — have collapsed. At least 17 more lawsuits have been filed against Mr. Combs alleging misconduct, and last month, he was indicted in New York on federal charges including sex trafficking and racketeering conspiracy. He has pleaded not guilty and is appealing his detention in a Brooklyn jail.But through it all, one part of Mr. Combs’s music business has remained steady, and even seen some growth: the popularity of his songs on streaming services like Spotify and Apple Music.Over the last year, as Mr. Combs, who is also known as Diddy and Puff Daddy, faced a drumbeat of negative stories in the news media — like the raids on his homes by federal agents in March, and a leaked security camera video in May that showed him brutally assaulting Cassie in a hotel in 2016 — the number of people who follow him on Spotify has steadily grown. That figure has climbed from about 1.5 million late last year to 1.8 million now, an increase of about 15 percent, according to Chartmetric, which tracks data from streaming music and social media.Recently the number of clicks for Mr. Combs’s songs have shot up dramatically. In the week before his arrest on Sept. 16, his catalog had about 3.2 million streams on services in the United States; in the weeks following, that figure rose about 50 percent to 4.8 million, according to Luminate, which supplies the data for Billboard’s charts. (In the most recent chart week, the number dipped a bit to 4.3 million.) On social media, Mr. Combs’s follower count has fluctuated, depending on the platform, but support on TikTok has been strong, where the hashtag #FreeDiddy has 12,000 uses.In the music business, this has become a familiar phenomenon of the streaming era. A household-name star — like R. Kelly, Marilyn Manson or Michael Jackson — comes under harsh scrutiny over allegations of sexual misconduct, and may temporarily suffer in the broader cultural marketplace, but maintains steady streaming numbers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sean Combs’s Legal Woes Are Growing. So Are His Streaming Numbers.

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      The embattled music mogul is facing federal sex trafficking charges and a slew of lawsuits. Curious listeners and fans are keeping his catalog in rotation.In the 11 months since the singer Cassie accused Sean Combs in a lawsuit of sexual assault and years of physical abuse, the mogul’s once-booming music career has largely fallen apart.His songs have vanished from radio playlists. He became a pariah at the Grammy Awards, where he once held court. And his business interests — including stakes in a media network and a popular liquor brand — have collapsed. At least 17 more lawsuits have been filed against Mr. Combs alleging misconduct, and last month, he was indicted in New York on federal charges including sex trafficking and racketeering conspiracy. He has pleaded not guilty and is appealing his detention in a Brooklyn jail.But through it all, one part of Mr. Combs’s music business has remained steady, and even seen some growth: the popularity of his songs on streaming services like Spotify and Apple Music.Over the last year, as Mr. Combs, who is also known as Diddy and Puff Daddy, faced a drumbeat of negative stories in the news media — like the raids on his homes by federal agents in March, and a leaked security camera video in May that showed him brutally assaulting Cassie in a hotel in 2016 — the number of people who follow him on Spotify has steadily grown. That figure has climbed from about 1.5 million late last year to 1.8 million now, an increase of about 15 percent, according to Chartmetric, which tracks data from streaming music and social media.Recently the number of clicks for Mr. Combs’s songs have shot up dramatically. In the week before his arrest on Sept. 16, his catalog had about 3.2 million streams on services in the United States; in the weeks following, that figure rose about 50 percent to 4.8 million, according to Luminate, which supplies the data for Billboard’s charts. (In the most recent chart week, the number dipped a bit to 4.3 million.) On social media, Mr. Combs’s follower count has fluctuated, depending on the platform, but support on TikTok has been strong, where the hashtag #FreeDiddy has 12,000 uses.In the music business, this has become a familiar phenomenon of the streaming era. A household-name star — like R. Kelly, Marilyn Manson or Michael Jackson — comes under harsh scrutiny over allegations of sexual misconduct, and may temporarily suffer in the broader cultural marketplace, but maintains steady streaming numbers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More