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      The N.Y. Law That Underpins Several Lawsuits Against Sean ‘Diddy’ Combs

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      The law, which underpins several civil suits against Sean Combs, is the only remaining tool for reviving older claims in New York.In New York, where state laws that extended the time to file sex abuse suits have lapsed, plaintiffs have found one remaining tool: Section 10-1105 of New York City’s administrative code.The provision, known as the Victims of Gender-Motivated Violence Protection Law, has provided the basis for recent lawsuits against the Aerosmith frontman Steven Tyler; the luxury real estate agents Tal and Oren Alexander; New York City’s Department of Correction; and the hip-hop mogul Sean Combs, who is a defendant in four.“This statute continues to provide an avenue of relief for survivors,” said Douglas Wigdor, a lawyer for a woman who sued Mr. Combs under the gender-motivated violence law, accusing him and two other men of gang-raping her in a New York recording studio in 2003. He has vehemently denied the allegations.Lawyers say they have been increasingly using the law, first passed by the City Council in 2000, since the expiration last year of the New York state law that had allowed for the filing of lawsuits over sexual abuse allegations even after the statute of limitations had passed. The state law, one of many adopted around the country in the wake of a surge in #MeToo complaints, led to more than 3,000 state court filings relating to claims that often dated back decades — in addition to thousands more filed under an earlier law for people who said they were sexually abused as children.Now plaintiffs are often relying on the city law that — because of a 2022 amendment — established a two-year window in which plaintiffs can sue over older allegations. That window closes at the start of March 2025, and the claims have to be related to events said to have occurred in New York City.In recent months, though, defense lawyers have mounted significant legal challenges to the city’s amendment. They have argued that the City Council infringed on the jurisdiction of state lawmakers, and in several cases, judges have issued decisions limiting the amendment’s scope.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      For Some Sex Assault Accusers, This Local Law Has Become a Last Resort

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      The law, which underpins several civil suits against Sean Combs, is the only remaining tool for reviving older claims in New York.In New York, where state laws that extended the time to file sex abuse suits have lapsed, plaintiffs have found one remaining tool: Section 10-1105 of New York City’s administrative code.The provision, known as the Victims of Gender-Motivated Violence Protection Law, has provided the basis for recent lawsuits against the Aerosmith frontman Steven Tyler; the luxury real estate agents Tal and Oren Alexander; New York City’s Department of Correction; and the hip-hop mogul Sean Combs, who is a defendant in four.“This statute continues to provide an avenue of relief for survivors,” said Douglas Wigdor, a lawyer for a woman who sued Mr. Combs under the gender-motivated violence law, accusing him and two other men of gang-raping her in a New York recording studio in 2003. He has vehemently denied the allegations.Lawyers say they have been increasingly using the law, first passed by the City Council in 2000, since the expiration last year of the New York state law that had allowed for the filing of lawsuits over sexual abuse allegations even after the statute of limitations had passed. The state law, one of many adopted around the country in the wake of a surge in #MeToo complaints, led to more than 3,000 state court filings relating to claims that often dated back decades — in addition to thousands more filed under an earlier law for people who said they were sexually abused as children.Now plaintiffs are often relying on the city law that — because of a 2022 amendment — established a two-year window in which plaintiffs can sue over older allegations. That window closes at the start of March 2025, and the claims have to be related to events said to have occurred in New York City.In recent months, though, defense lawyers have mounted significant legal challenges to the city’s amendment. They have argued that the City Council infringed on the jurisdiction of state lawmakers, and in several cases, judges have issued decisions limiting the amendment’s scope.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares179 Views

      in Movies

      Harvey Weinstein Indecent Assault Case Dropped by U.K. Prosecutors

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      The Crown Prosecution Service said that it had “decided that there is no longer a realistic prospect of conviction.”British prosecutors have dropped a case against Harvey Weinstein, the disgraced movie mogul, just two years after authorizing indecent assault charges against him.In a statement on Thursday, the Crown Prosecution Service said that, “following a review of the evidence,” it had decided to halt the proceedings against Mr. Weinstein.Frank Ferguson, head of the service’s special crime and counterterrorism division, said in the statement that there was “no longer a realistic prospect of conviction.”“We have explained our decision to all parties,” he added.On Thursday, a spokeswoman for the Crown Prosecution Service said in an email that the service would not be giving any further details of the reasoning behind the decision.The case dates to 2022, when British prosecutors authorized two charges against Mr. Weinstein of indecent assault of a woman in London in 1996. Under British law, it is illegal to identify potential victims of sexual assault, even after prosecutors drop a case.At the height of his powers, Mr. Weinstein, now 72, was one of the world’s most important movie producers, widely seen as able to make or break an actor’s career.In 2017, his career went into free fall after The New York Times reported that he had, over the course of nearly three decades, paid off women who had accused him of sexual assault. In the story’s aftermath, prosecutors mounted cases against him in both Britain and the United States.Last year, Mr. Weinstein was sentenced to 16 years in prison after being convicted of rape and sexual assault in California.In April, New York’s highest court overturned Mr. Weinstein’s 2020 felony sex crimes conviction, ruling that the original judge had deprived him of a fair trial. The court said that the original judge should not have let prosecutors call witnesses who said that Mr. Weinstein had assaulted them when their accusations did not form part of the case.In May, Manhattan prosecutors announced they would retry Mr. Weinstein on sex crimes charges and he is currently in the Rikers Island jail complex awaiting that case. More

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      Sean Combs Fights Lawsuit by Music Producer Alleging Sexual Misconduct

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      The hip-hop mogul’s lawyers are seeking the dismissal of a suit from Rodney Jones Jr., arguing it is baseless and “replete with far-fetched tales of misconduct.”Lawyers for Sean Combs filed court papers on Monday seeking the dismissal of a civil suit by a music producer who accused Mr. Combs of making unwanted sexual contact, arguing that the lawsuit was baseless and “replete with far-fetched tales of misconduct.”The filing, in Federal District Court in Manhattan, is the latest effort by the hip-hop impresario’s legal team to dismiss a series of recent lawsuits that accuse him of sexual assault and misconduct. The suit by Rodney Jones Jr., a music producer who worked on Mr. Combs’s most recent album, accuses Mr. Combs of groping him and forcing him to solicit prostitutes; he also alleges that Mr. Combs threatened him with violence.In their response, lawyers for Mr. Combs wrote that Mr. Jones’s claims lack basic details, including where and when the alleged groping occurred, along with how, exactly, Mr. Combs pressured him into hiring prostitutes.“Such vague allegations fall well short of federal pleading standards,” wrote one of the lawyers, Erica A. Wolff, who argued that the real purpose of the lawsuit is to “generate media hype and exploit it to extract a settlement.”One threat of violence that the lawsuit alleges was that Mr. Combs once threatened to “eat Mr. Jones’s face,” but the exact context for the comment was unclear in Mr. Jones’s suit, a 98-page document that details a litany of allegations from his time as a part of Mr. Combs’s entourage.Mr. Jones’s lawyer, Tyrone A. Blackburn, called the filing a “desperate Hail Mary attempt.”“Nothing in this complaint is far-fetched,” he said. “Nothing in this complaint is too vague.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares99 Views

      in Television

      Gabriel Olds, Los Angeles Actor, Is Arrested on Sexual Assault Charges

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      Gabriel Olds, who played the Christian broadcaster Pat Robertson in the 2021 movie “The Eyes of Tammy Faye,” has been accused of sexually assaulting three women.A Los Angeles actor was arrested on Wednesday after three women accused him of luring them into a “false sense of security” on dates and then sexually assaulting them, the police said.The actor, Gabriel Olds, 52, has had roles in television, film and stage productions since the 1990s, including a turn as Pat Robertson, the Baptist minister and broadcaster, in the 2021 movie “The Eyes of Tammy Faye,” starring Jessica Chastain and Andrew Garfield.The Los Angeles police said in a statement on Wednesday that investigators had identified three women whom Mr. Olds sexually assaulted since 2013, as well as two other women who reported “lesser violent sexual conduct.” Mr. Olds, who was charged with seven counts of felony sexual assault, was being held for $3.5 million bail.It was not immediately clear if he had a lawyer.Because Mr. Olds often traveled for work, detectives believe there may be more victims in other parts of the country who have not come forward, the Los Angeles police said.A New York native and Yale alumnus, Mr. Olds used his status as an Ivy League graduate with a long list of film credits to meet women and arrange dates, the police said. He met some of the women on dating apps, the police said.One of the three women, who was 41, reported on Jan. 19, 2023, that Mr. Olds had raped her at her home in Los Angeles, the police said. The two other women later reported similar assaults dating back to 2013, the police said.“We heard the same story again and again,” Detective Brent Hopkins, a supervisor in the special assault section of the Los Angeles Police Department, said in a statement. “Mr. Olds started off charming, but then used brutal violence to carry out these rapes. Some of these survivors suffered in silence for years before finding the strength to speak up. Now that he’s off the streets, we want to make sure everyone has a chance to be heard.”Mr. Olds’s television credits include appearances in two episodes of “NCIS: Los Angeles” and in a single episode of the NBC series “Blindspot,” according to IMDB. On the New York stage, he played Rodolpho in a 1997 production by the Roundabout Theater Company of Arthur Miller’s “A View From the Bridge.” More

    • 113 Shares129 Views

      in Movies

      The Best True Crime to Stream: Truly Random Crimes

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      Four picks across television, film and podcasting that highlight a fundamental human fear: complete lack of control.Watch or listen to any amount of true crime, and it quickly becomes evident that some of the most disturbing cases involve wrongdoers who know their victims. At times, that might be simply an acquaintance, a co-worker, a classmate or a neighbor.But most often it’s someone much closer, like a partner, former partner, friend, parent or child. Truly random crimes, in which the perpetrators have no relationship to the victims, are relatively rare, which is comforting — until it isn’t. Hearing about such crimes, where any sense of perceived control is stripped away, can prey on our greatest fears.Here are four offerings across television, podcast and film that examine these dark, disconcerting fringes.Documentary Film‘American Nightmare’This three-part 2024 Netflix docuseries about the abduction of Denise Huskins could easily top a streaming list about shockingly botched investigations. It’s stunning how quickly she and her husband, Aaron Quinn (her boyfriend at the time), were dismissed and labeled liars by law enforcement, then mocked by the news media after they had endured a horrific attack. But just as astonishing is how bizarre the crime was.The documentary, from the filmmakers behind “The Tinder Swindler,” Felicity Morris and Bernadette Higgins, incorporates interrogation footage and new interviews to illustrate the widespread reluctance to believe the victims. We witness Quinn being pressed as though he were a suspect and Huskins being branded the “real-life Gone Girl,” referring to Gillian Flynn’s 2012 novel about a woman who stages her own kidnapping and frames her husband for her disappearance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares119 Views

      in Music

      My Working Relationship With Diddy in the Music Industry

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      A thing happened between Sean Combs and me. Unlike what he has been accused of over the last eight months, what occurred between us was not sexual. It was professional — demonstrative of the way dynamic and domineering men moved in our heyday. Combs and I worked together a lot. Competed, in our way. So often I thought I came out on top. I was mistaken. I had reason to fear for my life. What happened was insidious. It broke my brain. I forgot the worst of it for 27 years.It was July 1997. In the fading smoke of the murders of Tupac Shakur and the Notorious B.I.G., I was named editor in chief of a music magazine called Vibe. Started by Quincy Jones and Time Inc. in 1992, the magazine chronicled Black music and culture with rigor and beauty, 10 issues a year, for an audience that was relentlessly underserved. When I took over, we thought hip-hop might have died with our heroes, and we were determined not only to keep it alive but also to give it the cultural credit it was due.Hip-hop was both in mourning and in marketing meetings. Combs, Biggie’s creative partner and label boss, was the personification of this dichotomy. His Bad Boy Records was having a $100 million year — much due to the work of Biggie and Mase, as well as Combs’s own debut album, “No Way Out,” which was anchored by the blockbuster Biggie tribute “I’ll Be Missing You” featuring Faith Evans. Other singles, “It’s All About the Benjamins” and “Been Around the World,” functioned as a score for hip-hop’s megawatt moment — its commercial evolution and international expansion. (“No Way Out” would go on to sell over seven million copies.) So I wanted Combs on the cover of Vibe’s December 1997/January 1998 double issue. And I wanted him to wear white feathered wings.Faith Evans and Sean Combs filming the 1997 video for “I’ll Be Missing You,” in memory of the Notorious B.I.G., Evans’s husband. Mychal Watts/Associated PressMy point of reference was the poster for “Heaven Can Wait,” a 1978 film starring Warren Beatty. The movie is about a quarterback who dies before his time and is reincarnated as an idiosyncratic and callous billionaire. Vibe’s working cover line for Sacha Jenkins’s article was “The Good, the Bad and the Puffy.” Not so elegant, but it would work if the fashion director Emil Wilbekin and I got Combs (then known as Puffy, or Puff Daddy) to put on the angel wings. And if we also got a shot that looked even slightly mischievous, we could do a split run of the cover — one with heavenly signifiers and another with hellish ones. Possible cover line: “Bad Boy, Bad Boy, Whatcha Gonna Do?”The photo shoot took place in Manhattan in September 1997. I had probably said hello to Combs at an event, but the shoot was the first time I was around him for an extended period. Either it was a crowded set or I just felt claustrophobic. I wore yoga pants and an oversize T-shirt. I remember wanting to minimize my bust more than my bra was already doing. I remember cajoling. And I remember knowing that as a Black woman, I was in a no-win situation: to fail was to live up to my male bosses’ low expectations, and to succeed was to invite their resentment. That day, Combs was begrudgingly compliant. We finally got him to shrug on the white feathered wings.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      French Director Benoît Jacquot Is Charged With Rape

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      Mr. Jacquot, 77, was accused of assaulting two actresses and barred from working with minors. He has denied any wrongdoing.The French movie director Benoît Jacquot was charged on Wednesday with the rape of two actresses, Julia Roy and Isild Le Besco, several years ago, according to the Paris prosecutor’s office.Mr. Jacquot, 77, is one of two directors facing a wave of #MeToo accusations that have roiled France’s movie industry since the actress Judith Godrèche came forward to say he had raped her during an abusive relationship that started when she was 14 and he was 39.In the wake of Ms. Godrèche’s accusations, Ms. Roy, 34, and Ms. Le Besco, 41, publicly accused Mr. Jacquot of keeping them in similarly abusive relationships and of sexually abusing them when they were much younger actresses who starred in his films.Ms. Le Besco has accused Mr. Jacquot of raping her between the ages of 16 and 25. Ms. Roy, who acted in some of Mr. Jacquot’s films between 2016 and 2021, had accused him of sexual and physical abuse.Mr. Jacquot and the other director who has been accused, Jacques Doillon, 80, were taken into police custody on Monday for questioning.Both men have denied any wrongdoing.Mr. Doillon was released on Tuesday on medical grounds and without being charged, the Paris prosecutor’s office said, although it added that it was still examining how to proceed in his case. Ms. Godrèche has accused Mr. Doillon of sexually assaulting her twice.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More