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    What Did ‘The West Wing’ Do to Us?

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    As Aaron Sorkin’s political fantasy turns 25, its romance has aged better than its politics.“‘I am the Lord your God. Thou shalt worship no other god before me.’ Boy, those were the days, huh?”Thus do we meet President Josiah Bartlet (Martin Sheen), Democrat of New Hampshire, in the pilot of “The West Wing,” which premiered on Sept. 22, 1999.Having your protagonist’s first line be the literal words of the Almighty is, shall we say, a statement. This was a series that saw politics as civic religion. It was a work of patriotic evangelism that appealed to our better angels but failed to match up to earthly reality.But before it was all that, it was a well-crafted, emotional workplace drama. The pilot finds the White House amid a number of crises, personal, political and in between. A flotilla of Cuban refugees headed for Florida is in danger. Sam Seaborn (Rob Lowe), one of the president’s aides, has unknowingly slept with a prostitute. Another aide, Josh Lyman (Bradley Whitford), may lose his job after having embarrassed a prominent religious conservative in a TV appearance. And President Bartlet has injured himself crashing a bicycle into a tree.The episode, written by the creator, Aaron Sorkin, and directed by Thomas Schlamme, establishes the show’s signature look and energy. The camera races to keep up with the staff; the dialogue has the rat-a-tat brio of a ’30s screwball comedy. The score, by W.G. Snuffy Walden, sauces the action in star-spangled emotion. Smart, smart, smart!, the pilot says. Busy, busy, busy!Above all, the pilot establishes the show’s core fantasy: That the right thing and the politically effective thing are the same thing. Josh drags himself into a forced-apology meeting with a religious group. It goes badly: His main antagonist shows herself to be a sour, meanspirited antisemite, and the meeting devolves into a shouting match, interrupted by Bartlet, who corrects a guest’s misquote of the First Commandment.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘12 Mighty Orphans’ Review: A Team Effort

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      Based on a true story of Texas high school football in the Great Depression, this film treats viewers like children.Inspired by a true story of parentless teenagers whose tenacity on the gridiron raised spirits in the late 1930s, “12 Mighty Orphans” is a plodding football drama in which the characters talk to one another like folksy social workers. The condescending tone extends to a voice-over from Martin Sheen, who plays an orphanage physician. He brings viewers up to speed on American history (“It’s hard to remember which came first, the Dust Bowl, or the Great Depression”) and the movie’s message. The team’s coach, Sheen’s character narrates, “knew that football would inevitably bring self-respect to these boys.”That coach, new to the Fort Worth, Texas, orphanage, is Rusty Russell (Luke Wilson), who bears the scars of World War I and of having grown up an orphan himself. Here, with the help of a sketch his daughter draws, he will pioneer the spread offense. His players will develop into a swift and strategic team, with Hardy Brown (Jake Austin Walker) becoming the most fearsome among them. Hardy also delivers one of the purplest halftime pep talks in memory.If the film’s version of events can be believed, F.D.R. himself (Larry Pine) intervened to help the team. But any hope that the movie, directed by Ty Roberts, might leave room for nuance is dashed by two cartoonish villains — a scheming rival coach (Lane Garrison, also one of the screenwriters) and an authority figure (Wayne Knight) who embezzles money and hits the students with a paddle. “12 Mighty Orphans” displays a similar lack of restraint when manipulating its audience.12 Mighty OrphansRated PG-13. Football violence and corporal punishment. Running time: 1 hour 58 minutes. In theaters. More