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    ‘Urinetown’ and Other Plays and Musicals to See in February

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    Also onstage in February: Calista Flockhart in a Sam Shepard revival, boldface names in Joy Behar’s “My First Ex-Husband” and a marionette made of ice.Let some brilliant theater artists — like Jeff Hiller in “Urinetown,” Susannah Flood in “Liberation” and Tonya Pinkins in “My First Ex-Husband” — tell you a story this month. Here are 10 shows to tempt you, Off Broadway and beyond.‘Urinetown’If you are allergic to bathroom humor, Greg Kotis and Mark Hollmann’s Tony Award-winning musical satire probably is not for you. Winkingly Brechtian, with echoes of Ibsen’s “An Enemy of the People,” it’s set in a dystopia where private toilets are illegal and public facilities charge for use — a situation ripe for rebellion. Directed by Teddy Bergman (“KPOP”) for New York City Center Encores!, this brief revival stars Jordan Fisher, Rainn Wilson, Keala Settle and Jeff Hiller. (Through Feb. 16, New York City Center)‘Anywhere’Ashwaty Chennatt as Antigone with a melting Oedipus in Théâtre de l’Entrouvert’s “Anywhere” at Here.Richard TermineA marionette made of ice plays a wandering, melting, disappearing Oedipus accompanied by his daughter Antigone in this puppet piece by the French company Théâtre de l’Entrouvert, which uses bits of text from Henry Bauchau’s novel “Oedipus on the Road.” Conceived and directed by Élise Vigneron, whose interest in ephemerality has led her to work repeatedly with ice puppets, it is presented with the Chicago International Puppet Theater Festival as part of Basil Twist’s Dream Music Puppetry program. Recommended for ages 11 and up. (Through March 2, Here)‘My Man Kono’The New York Times once described Charlie Chaplin’s longtime assistant, Toraichi Kono, as “the keeper of his privacy.” An immigrant from Japan who made fleeting appearances in Chaplin films, this “combination valet, bodyguard and chauffeur” is the title character of Philip W. Chung’s historically based play, which follows Kono’s fortunes as he is suspected of espionage and imprisoned in an internment camp during World War II. Jeff Liu directs the world premiere for Pan Asian Repertory Theater. (Through March 9, A.R.T./New York Theaters)‘Grangeville’This new two-hander by the Obie Award winner Samuel D. Hunter (“A Case for the Existence of God”) stars Brian J. Smith and Paul Sparks as estranged brothers with different fathers, discrete wounds and far-flung lives — one in their Idaho hometown, the other in a city thousands of miles away. But they have a shared filial task: caring for their sick mother. Jack Serio (“Uncle Vanya”) directs for Signature Theater. (Through March 16, Signature Theater)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How Christian Slater Went From Bad Boy to Good Dad

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      On a July morning, the actor Christian Slater sat on a bench at the Long Beach marina, grimacing in the California sunshine. Slater sighed, he scowled, he groaned. He looked like a man facing some terrible moral quandary. Or like a man with severe indigestion.Slater, 55, was filming a scene for “Dexter: Original Sin,” the latest brand extension of the florid Showtime serial killer series, which premiered in 2006. (“Dexter: New Blood” debuted in 2021; “Dexter: Resurrection” will air next year.) Premiering Friday on Paramount+, “Original Sin,” set mostly in the early 1990s, describes the early career of Dexter Morgan, a forensic analyst in Miami who offs serial killers that the police can’t corral.It features the same central characters as the original show, though they are now played by different, younger actors, Slater among them.That Slater should join the “Dexter” universe is no surprise. His résumé includes several killers, some accidental and some absolutely psycho. In the late 1980s and 1990s, he specialized in dark matter, playing anarchic, irresistible characters in movies like “Heathers” (directed by Michael Lehmann, a producing director of “Original Sin”), “True Romance” and “Pump of the Volume.”Slater with Patrick Gibson in “Dexter: Original Sin.” “He was definitely more gregarious and friendly and kind than I was expecting,” Gibson, who plays young Dexter, said of Slater. Patrick Wymore/Paramount+ with ShowtimeBack then, Slater didn’t know how to separate himself from his characters. “I didn’t have an identity enough of my own to really be able to separate or differentiate between the two,” he said. “I was latching onto any sort of personality that I could find.” So that darkness impinged on his personal life, too. There were arrests on charges of assault, drunken driving, attempting to board a flight with a gun in his luggage. Interview magazine once called him “the last analog bad boy.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Hollywood Is Heading for Broadway (and Off). Here’s a Cheat Sheet.

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      New York’s stages have long drawn talent from Hollywood, but this is shaping up to be an exceptionally starry season. Why? Producers have determined that limited-run plays with celebrities are more likely than new musicals to make money. And some musicals are also hoping big names will help at the box office. Here’s a sampling of stars onstage this season.This Fall★ ON BROADWAY ★Mia Farrowin ‘The Roommate’Farrow, who made her stage debut when she was 18 and had a breakout role in the 1968 film “Rosemary’s Baby,” thought she was happily retired until she read the script for this Jen Silverman comedy about two women with not much in common other than their living quarters. Now, at 79, she’s returning to the stage, opposite the three-time Tony winner Patti LuPone, for what she says may be the last time. Now running at the Booth.★ ON BROADWAY ★Robert Downey Jr.in ‘McNeal’One of Hollywood’s most successful stars, Downey has a bevy of superhero movies under his belt (he played Iron Man) and an Oscar for “Oppenheimer” (he was the antagonist, Lewis Strauss). He’s making his Broadway debut in a new Ayad Akhtar play, portraying a famous novelist with a potentially problematic interest in A.I. Now running at the Vivian Beaumont.Clockwise from top left: Nicole Scherzinger, Katie Holmes, Jim Parsons, Adam Driver and Mia Farrow (center).Photographs via Associated Press; Getty Images; Reuters★ ON BROADWAY ★Daniel Dae Kimin ‘Yellow Face’Talk about meta! This is David Henry Hwang’s play about a play about a musical, sort of. Kim, known for “Lost” and the rebooted “Hawaii Five-0,” portrays a playwright named DHH (get it?) who mistakenly casts a white actor as an Asian character in a Broadway flop inspired by his own protests against the casting of a white actor as a Eurasian character in “Miss Saigon.” Previews begin Sept. 13 at the Todd Haimes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How Hollywood Glamour Is Reviving the Endangered Broadway Play

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      George Clooney, Robert Downey Jr., Denzel Washington and Mia Farrow are coming to Broadway, where some producers see plays with stars as safer bets than musicals.Robert Downey Jr. is deep in rehearsals for his Broadway debut next month as an A.I.-obsessed novelist in “McNeal.” Next spring, George Clooney arrives for his own Broadway debut in “Good Night, and Good Luck,” and Denzel Washington returns, after a seven-year absence, to star in “Othello” with Jake Gyllenhaal.Then comes an even more surprising debut: Keanu Reeves plans to begin his Broadway career in the fall of 2025, opposite his longtime “Bill & Ted” slacker-buddy Alex Winter in “Waiting for Godot,” the ur-two-guys-being-unimpressive tragicomedy.Broadway, still adapting to sharply higher production costs and audiences that have not fully rebounded since the coronavirus pandemic, is betting big on star power, hoping that a helping of Hollywood glamour will hasten its rejuvenation.Even for an industry long accustomed to stopovers by screen and pop stars, the current abundance is striking.It reflects a new economic calculus by many producers, who have concluded that short-run plays with celebrity-led casts are more likely to earn a profit than the expensive razzle-dazzle musicals that have long been Broadway’s bread and butter.For the actors, there is another factor: As TV networks and streaming companies cut back on scripted series, and as Hollywood focuses on franchise films, the stage offers a chance to tell more challenging stories.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Christian Slater Is a Still-Life Artist

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      The former teen idol actor talks about his career comeback, being a father again and sketching his wife.John Varriano, an instructor at the Art Students League, stood behind Christian Slater’s easel, studying the lines that the 51-year-old actor had sketched. “You have chops, man,” Mr. Varriano said. “You have got to keep practicing, man.”On a steamy June morning, Mr. Slater, spruce in a white denim jacket, black slacks and green sneakers, had arrived at the art school’s home in Midtown Manhattan for a still-life tutorial.A movie star from the 1980s and ’90s — “Heathers,” “True Romance,” “Pump Up the Volume” — Mr. Slater now wears glasses and his stubble has gone gray. Behind those glasses, his eyes still have that signature twinkle — a twinkle like a floodlight — that made him crush material for misunderstood girls everywhere. When he chatted with Mr. Varriano about New York City in the 1970s or Matisse’s paper cuts, that daredevil grin surfaced, too.Back when he lived in New York, Mr. Slater wandered into the art school for the occasional drawing class. He began to pursue visual art more seriously a few years ago, at the suggestion of his wife, Brittany Lopez, who signed him up for art classes (watercolors and pastels) at Fairchild Tropical Botanic Garden, near their Miami home.“I was in between jobs and my wife was like, ‘You’ve got to do something,’” Mr. Slater said, his voice like finely milled gravel. “And I loved it. It’s great. It’s definitely meditative and relaxing.” He has to do something creative on a regular basis, he said, “or else I’ll lose my mind.”Mr. Slater never quite lost his mind, between jobs or during them, but he did have a wobbly decade or two, when the bad-boy roles he booked bled into his daily life. “You travel down certain roads,” he said. “And you realize that maybe those aren’t the roads that you want to continue to travel.”Victor Llorente for The New York TimesVictor Llorente for The New York TimesSo Mr. Slater chose other ones. He got sober 16 years ago. (When Mr. Varriano offered beer, at 11 a.m., Mr. Slater politely declined, asking for a water.) He divorced and remarried and again became a father. After years of taking whatever parts he could get (“I was working a lot but, spending a lot of time in places like Bulgaria,” he said), he is now experiencing something of a career Renaissance, thanks to his Golden Globe-winning turn on “Mr. Robot.”“I’m at a place of such utter gratitude to have people interested in hiring me again,” he said.For his latest project, he has traded a bad-boy role for a good-guy one in “Dr. Death,” a limited series on Peacock based on a true-crime podcast. Mr. Slater stars as Randall Kirby, a vascular surgeon who drives a sports car, loves opera and wears flashy surgical wraps. When he discovers that a neurosurgeon, Christopher Duntsch (Joshua Jackson), has maimed several patients, he fights to expose him.“It’s definitely not the type of character that I would typically play,” Mr. Slater said. “Like, typically, I would be Dr. Death, right? I would be the killer.” But Randall Kirby, who is quirky and ethical, is the type of character he gravitates toward now.In the paint-scarred studio, Mr. Varriano presented various options for a still life. “The flowers maybe?” Mr. Slater said, pointing at a bouquet. “Give that a go?”After arranging the flowers atop a wooden block, Mr. Varriano added a curly-haired bust to the tableau and handed Mr. Slater an assortment of charcoal sticks.“This charcoal’s nice,” Mr. Slater said.“See,” Mr. Varriano said, proudly. “He knows his stuff!”With a swooping motion, Mr. Slater laid down his first line. “That’s it,” Mr. Varriano said. “The first one is always the hardest. Well, actually the second, third, fourth and fifth are equally hard.”Victor Llorente for The New York TimesHe observed that Mr. Slater drew with his left hand (“A southpaw, I wouldn’t box him”) and gently encouraged him to rethink a few angles. Then he stepped back. “I’m not saying a word,” Mr. Varriano said. “No, no, just roll, man. Just keep rolling. Make believe no one’s in the room.”Mr. Slater laughed. “Draw like nobody’s watching,” he said, smudging a line with his middle finger.Mr. Slater sketched for 10 minutes or so. He adjusted the angles of the block and made a first pass at the spherical shape of the head. He then took a break to show Mr. Varriano some of his early work. He pulled out his phone to show his version of Matisse’s “Bather” rendered in blue painter’s tape, then Michelangelo’s “Pieta” drawn with pencils, and a sketch of his wife in charcoal. “She hates this one, he said.­Mr. Varriano didn’t. “That’s actually really good,” he said. “I’m not just saying that. I can understand why she wouldn’t like it. But so what?”The phone disappeared back into a pocket, and Mr. Slate returned his focus to the bust. The head began to take shape, the brow ridge, the nose, the ears, the curls. He drew with quick, precise strokes, squinting, chin thrust forward, a half-smile ghosting his face.“I’m wiping and drawing and having a grand old time,” he said. He added that he was renovating an apartment nearby, “so I can start to come more often.”Mr. Varriano approved. “You’ll go down the rabbit hole like the rest of us,” he said cheerfully. “You’ll ruin your life.”Mr. Slater thought that was a fine idea. The hour zipped past. Mr. Slater never made it to the flowers. He seemed pleased with what he had accomplished, though he left his sketch clipped to the easel. Until the next time. More