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    How ‘Yellowstone’ Captured America

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    When the television series “Yellowstone” began in 2018, it was with a chip on its shoulder. HBO had passed on the show, pitched by its writer-director-executive producer Taylor Sheridan as “The Godfather” on horseback, for not quite fitting its prestige-oriented lineup. It was picked up instead by the fledgling network Paramount, which greenlit 10 episodes, to be broadcast on a rebranded version of Spike TV.Since that relatively low-profile debut, “Yellowstone,” now in its fifth season, has gone from cable underdog to becoming one of the most-watched scripted shows on TV, one that has spawned prequels and spinoffs, a cottage industry of merch and a bit of internal drama among its cast members and producers. Most notably, its best-known actor, Kevin Costner, will not return as John Dutton, Yellowstone’s taciturn patriarch, for the show’s final episodes when they begin airing on Nov. 10.The neo-Western wrapped contemporary ideas of rugged individualism inside the soapy drama of a land-hoarding family’s succession planning. As “Yellowstone” prepares to finally reveal whether one of John Dutton’s kids — Beth (Kelly Reilly) or Kayce (Luke Grimes) or Jamie (Wes Bentley) — can take over the family business, we look back at how the series became both a chronicle of America’s culture wars and appointment viewing across the United States.Filling a Red State VoidFor millions of Americans, “Yellowstone” tapped into a deep unease they have about their changing communities.Emerson Miller/Paramount NetworkSometime in summer 2018, my phone rang in Los Angeles. It was my brother calling from Montana, where we both grew up and he still lives. He wanted to talk about a new Western television show called “Yellowstone.”For the first time ever, he said, Hollywood had gotten something right. Everyone in Montana was abuzz about it — his fishing buddies, the local radio hosts, the waitress at Pay’s Cafe down by the livestock auction yards in Billings. What did I think?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Days of Our Lives’ Actor, Drake Hogestyn, Dies at 70

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      Mr. Hogestyn was best known for playing John Black on the daytime soap opera and appeared in more than 4,200 episodes over 38 years.Drake Hogestyn, who played John Black, the sturdy and fiercely loyal character who by turns was a spy, private investigator and mercenary, for nearly 40 years on the long-running soap opera “Days of Our Lives,” died on Saturday, a day shy of his 71st birthday.Mr. Hogestyn had pancreatic cancer, according to a statement from his family shared by the show. He died in Los Angeles, according to a publicist for the show, Andrea McKinnon.In 1986, Mr. Hogestyn first appeared on “Days of Our Lives,” which premiered in 1965 on NBC and follows various characters in the fictional Midwestern town of Salem. For a few years, he played another character, Roman Brady, but came to be known best for his role as John Black.Mr. Hogestyn appeared in more than 4,200 episodes of the soap opera and became a fan favorite for his portrayal as the rugged, raspy-voiced and often heroic character who had the skills of an intelligence agent, a police officer and a private investigator.The character was also known for being married to Dr. Marlena Evans, a psychiatrist and the town’s de facto matriarch, played by Deidre Hall. In 2005, the actors won a Soap Opera Digest Award for Favorite Couple.“It’s, like, I’ll always love her,” Mr. Hogestyn said, at a gathering for the show’s fans in 2004, of the characters’ enduring romance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Bill Hayes, Longtime Star of ‘Days of Our Lives,’ Dies at 98

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      He logged more than 2,000 episodes on the enduring soap opera. He also rode the Davy Crockett craze to a hit single in 1955.Bill Hayes, an actor and singer whose 2,141 episodes of “Days of Our Lives” over five and a half decades constituted the daytime drama version of an ultramarathon, and whose top-selling 1955 single, “The Ballad of Davy Crockett,” remains seared into the memories of the baby boom generation, died on Jan. 12 at his home in Studio City, Calif. He was 98.His wife and longtime co-star, Susan Seaforth Hayes, confirmed his death.To soap opera fans, Mr. Hayes was a staple of weekday afternoons from the days of rabbit-ear antennas into the streaming era.He began his tenure on the long-running NBC show in 1970. His character, Doug Williams, was a suave and slippery con artist who, after leaving prison, found himself padding through the maze of the plot twists, double-crosses and big reveals that day after day drew viewers back to the fictional Midwestern town of Salem.In 1976, two years after Mr. Hayes married Susan Seaforth in real life, their characters wed on “Days of Our Lives” in an episode that drew 16 million viewers.NBC, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      David Gail of ‘Beverly Hills, 90210’ Is Dead at 58

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      Mr. Gail was known for his role as Stuart Carson on Season 4 of “Beverly Hills, 90210” and had dozens of other television show credits in the 1990s.David Gail, who played Dr. Joe Scanlon on the ABC soap opera “Port Charles” and appeared on “Beverly Hills, 90210,” has died. He was 58.His death was announced on Saturday on Instagram by Katie Colmenares. A cause and a date of death were not provided.“There’s barely been even a day in my life when you were not with me by my side always my wingman always my best friend ready to face anything and anyone w me,” Ms. Colmenares wrote, adding, “I will hold you so tight every day in my heart you gorgeous loving amazing fierce human being missing you every second of every day forever there will never be another.”Mr. Gail was a prolific television actor in the mid- to late 1990s. His biggest role was in the “General Hospital” spinoff show “Port Charles,” in which he appeared as Dr. Joe Scanlon in 216 episodes during a season in 1999 and 2000, according to IMDb. Dr. Scanlon was a love interest of one of the show’s main characters, Dr. Karen Wexler, according to a “General Hospital” fan site.David Gail, center, in a scene from “Port Charles” in 1998.Chris Sjodin/Disney General Entertainment Content, via Getty ImagesEarlier in his career, Mr. Gail was cast on eight episodes of “Beverly Hills, 90210” on Fox.He first made his way onto the show in 1991, during the first season, in a one-off role as a hotel bellhop named Tom after not getting the part for a recurring character, Mr. Gail said on the “Beverly Hills Show Podcast” in 2021.The casting directors liked him but said he was “green,” Mr. Gail said his agent told him.But a more experienced Mr. Gail would return to the show two years later on Season 4, this time as Stuart Carson, the son of a rich businessman who becomes engaged to Brenda Walsh, played by Shannen Doherty, according to IMDb.The wedding never happens, and the couple ultimately has a falling out, according to a “Beverly Hills, 90210” fan site.“When I came back it was such a shock, I was asking, ‘How could I possibly come back?’” Mr. Gail said on the podcast, alluding to his concerns about playing multiple characters on the same show.“But it worked,” he added.Mr. Gail also appeared in 22 episodes of the television show “Robin’s Hoods” in 1994 and 1995 as the character Eddie Bartlett, and in 34 episodes of the series “Savannah” in 1996 and 1997 in the role of Dean Collins, according to IMDb.A list of survivors and other details were not available on Sunday night. Messages to Mr. Gail’s representatives were not immediately returned. More

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      Ellen Holly, Trailblazing Star in ‘One Life to Live,’ Dies at 92

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      Ms. Holly was the first Black performer to play a lead role on daytime television.Ellen Holly, whose star turn in the soap opera “One Life to Live” made her the first Black actor to play a lead role in daytime TV, died on Wednesday at a hospital in the Bronx. She was 92.Her publicist, Cheryl L. Duncan, confirmed her death in a statement. No cause was given.Ms. Holly was born in Manhattan on Jan. 16, 1931, and grew up in the Richmond Hill neighborhood of Queens. Her parents were William Garnet Holly, a chemical engineer, and Grayce Holly, a writer. Relatives included several prominent figures in the civil rights movement.After graduating from Hunter College, she debuted on Broadway in 1956 in “Too Late the Phalarope,” then went on to perform in several other Broadway productions.In 1968, Ms. Holly wrote in The New York Times about the difficulty of finding roles as a Black woman with lighter skin. The column caught the attention of a television producer, Agnes Nixon, who gave Ms. Holly the groundbreaking role of Carla that would catapult her to fame after “One Life to Live” launched on ABC. She played the role from 1968 to 1980 and 1983-’85.The character for a time passed as white, before revealing that she was Black, amid a love triangle with two doctors: one white and the other Black. When her character appeared to be in an interracial relationship with a Black man, a station in Texas canceled the show, and Ms. Nixon, the producer, received hate mail, she said in an interview in 1997.“A white woman falling in love with a Black man,” Ms. Holly said in a 2018 interview, “people started looking at that soap opera because they were saying, ‘This is something new, we better see where this is going.’”She wrote about her experience in a New York Times column in 1969, writing that she found the storyline of a Black woman passing as white “fascinating.”“I felt that the unique format of a soap would enable people to examine their prejudices in a way no other format possibly could,” she wrote, because unlike a play or movie, viewers would follow the character for months.“The emotional investment they made in her as a human being would be infinitely greater,” she wrote, “and when the switch came, their involvement would be real rather than superficial. A lot of whites who think they aren’t prejudiced — are. It seemed like a marvelous opportunity to confront their own prejudices.”Ms. Holly wrote that while she called herself Black, she also had French, English and Shinnecock ancestry.Ms. Holly wrote an autobiography, “One Life: The Autobiography of an African American Actress,” which was published in 1996. Over the years, she wrote opinion columns for The New York Times about the arts, race and civil rights.After retiring from acting, she became a librarian in the 1990s, working at the White Plains Public Library for years.Ms. Holly, who never married or had children, is survived by several grand-nieces, cousins and other family members. More

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      I Survived ‘Guiding Light’

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      The long-running CBS soap opera had plenty of drama, onstage and off. A former cast member looks back on its last days.Deep inside the CBS Broadcast Center in Midtown Manhattan, I stood in a corridor observing a melee.The soap opera where I worked was going off the air, and the wardrobe department had filled an empty suite of offices with piles of designer purses and handbags. With a limit of four per person, everything was first come, first served — and free.I saw secretaries, producers, executives, actors and security guards crawling, clawing and snatching up bags. Every other person was on a cellphone, and someone shouted, “You gotta get down here!” A Daytime Emmy Award-winner dove for a purple bag with a silver clasp in the shape of a jaguar. I fled before I got trampled.It was the late summer of 2009, the final weeks of “Guiding Light,” which had started as a radio program in 1937 and moved to television in 1952. “Only love can save the world,” ran the refrain of the show’s theme song. Not true! Only ratings could save us, and we didn’t have them.People who work in daytime drama excel at suspending disbelief. It came naturally to us as we toiled in an environment where it was normal to see angels, clones and time-traveling housewives strolling the halls with a script in one hand and a coffee in the other. But now that “Guiding Light” was coming to an end, we had to face reality.It wasn’t supposed to be this way. Soap operas were supposed to be forever. They were what New York actors did between theater roles, commercials and “Law & Order” guest spots. And if you left a daytime drama, you could always come back, sometimes as your evil twin.Soaps were in their big-hair heyday in the 1980s, when I started playing an orderly on “Guiding Light.” My character was a loyal employee of Cedars Hospital, a place where paternity results were routinely switched, nobody was ever asked about their insurance and every patient had a private room.I had what was probably the smallest recurring role on the show, and I loved it. My acting responsibilities included trailing Dr. Bauer on his rounds and agreeing with every single thing Nurse Lillian said. Many of my lines consisted of one word, like “Stat!” During surgery, I sometimes yelled it extra loud, just to remind people I was there. By the end of my 26 years on the show, there wasn’t an actor alive who could beat my “Stat!”My greatest challenge had to do with the side-by-side doors to the Cedars Hospital emergency room. These were the most counterintuitive doors I had ever encountered. To go into the E.R., a “Guiding Light” player had to grab the metal bars and pull them back; to get the doors to open on the way out, an actor had to pull the metal bars ever so slightly — and then push them forward.So it was common for the show’s emergency room scenes to be ruined when someone got stuck as they tried to make their way in or out. The presence of a weeping ingénue or a flying gurney would only complicate matters. As the show’s orderly, I was the one who had to deal with this vexing issue most often.In the waning days of “Guiding Light,” the plots got zanier and the budgets got smaller. One character, who had previously starred in a story line about her struggle with menopause, miraculously gave birth. Another developed superpowers that allowed her to shoot electricity from her fingertips.In the studio, someone remarked that our last few episodes would be bittersweet. “What’s sweet about it?” a technician growled. “It’s all bitter.”To unload decades worth of props, costumes and furniture, the producers set up a tag sale in the rehearsal hall, with no item priced above $20. It was jarring to hear strangers crowing about a light fixture they had snagged for 50 cents or the Armani suit they would have bought if it hadn’t had a bullet hole in the back.One afternoon, a woman barged into the dressing room I shared with a fellow actor. She was carrying an armful of gowns and a fur coat.“Mind if I change in here?” she asked.“Yes!” I said. “This is our dressing room.”She gave us a dirty look and left. I just sighed. It was like when a family member dies and relatives you’ve never seen show up to cart stuff away.On our last day in the CBS studio, I made my way down to the set. As if it were any other episode, the wardrobe girl snapped a picture of me in my scrubs for continuity purposes. This suddenly seemed absurd. She must have had the same thought. Right after taking the photo, she shrugged her shoulders and laughed.People seemed distracted. Everyone was talking about the sale down the hall and the giveaway still taking place upstairs.“Focus, people!” the director pleaded. “We have a show to do!”An older actress approached as I sat on a gurney.“Do you think now would be a good time to say a few words?” she said.“Like what?”“Well, I feel that ‘Guiding Light’ has chronicled the emotional history of the United States and —”I interrupted her to suggest that maybe she could wait until the end of the day, when the episode was done. She looked a bit deflated as I stepped away to stand beside Dr. Bauer. He draped an arm around my shoulders in what struck me as a brotherly gesture.In the final Cedars Hospital scene, I followed Dr. Bauer as he led the show’s matriarch to the bedside of her dying brother. During their deathbed heart-to-heart chat, the doctor and I withdrew discreetly. While making our exit, Dr. Bauer grappled awkwardly with the troublesome E.R. doors, causing a loud bang, as I sneaked a look at the camera. This would normally be considered a huge no-no, but today I didn’t care. Nobody did.“Cut!” the director shouted. “Moving on!”A prop guy snatched the stethoscope off my neck. Like a thundering herd, the crew headed to the next set. Before returning to his dressing room, Dr. Bauer reminded me to be sure to come to the party later.I was now alone in Cedars Hospital. I had logged so many hours in this fictional place, through three different studios, four casting directors, nearly my entire adult life. Now it was time to say goodbye. And that is one thing that people on soap operas are absolutely, positively not good at — endings.I took a slow pass through the set, just for nostalgia’s sake. I must have been in a daze, because I exited via the E.R. doors without thinking. For the first time ever, they gave way smoothly at my touch.I resisted the urge to look back. Striding down the hallway, I tossed my CBS I.D. card into a wastebasket. Above me, the On Air sign was dark.Raul A. Reyes is a contributor to NBC Latino and CNN Opinion More

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      Lara Parker, a Memorable Witch on ‘Dark Shadows,’ Dies at 84

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      Her three-dimensional portrayal of a character who was also a vampire helped the Gothic soap opera develop a cult following.Lara Parker, who found small-screen fame in the 1960s and ’70s as a beguiling and vengeful witch on the popular Gothic soap opera “Dark Shadows,” died on Oct. 12 at her home in Topanga, Calif. She was 84.The cause was cancer, said Kathryn Leigh Scott, a friend and fellow “Dark Shadows” actress.“Dark Shadows,” seen daily on ABC from 1966 to 1971, was a departure from standard soap opera fare, blending romantic intrigue with horror and science fiction. The show chronicled a wealthy and eccentric Maine family dealing with the usual soap melodramas — but also time travel, ghosts, werewolves and vampires.With her icy beauty and elegant demeanor, Ms. Parker proved coolly seductive in her primary role among several on the show, Angelique, an 18th-century servant girl and witch who puts a curse on a wealthy shipping scion, Barnabas Collins (Jonathan Frid) after he spurns her for Ms. Scott’s character, Josette, turning him into a vampire and dooming the two to carry on a tempestuous cycle of passion and revenge as they time-hop through history.Despite the pulpy premise, Ms. Parker brought a complexity to her role. “I played her as somebody who was much more of a tragic figure, who was desperately, desperately in love,” she said in a 2016 interview with Den of Geek, a pop culture website.In doing so, Ms. Parker, whose character also dabbled in vampirism, and Mr. Frid helped expand the two-dimensional portrayals of vampires and witches seen in old Hollywood B-movies.“When you’re invited into someone’s living room in a show that is essentially bodice-ripping horror, you have to make yourself palatable to the household, which in those days mostly meant housewives and children,” Ms. Scott said in a phone interview. “Lara and Jonathan did that by bringing a dimension of vulnerability, so you cared about the characters as people, not just evil forces. In that way, ‘Dark Shadows’ was really the granddaddy for all contemporary vampire films.”As the show grew in popularity, Ms. Parker found herself continually recognized by loyal viewers on the streets — although not always in ways she expected. “I used to get on the subway platform when school let out at 3:15 in the afternoon,” Ms. Parker said during a television appearance in the early 1990s, “and instead of the fans coming up and asking for an autograph, they would run.”Ms. Parker brought a complexity to her portrayal of Angelique. She played the character, she said, as someone “who was desperately, desperately in love.”Everett CollectionLara Parker was born Mary Lamar Rickey on Oct. 27, 1938, in Knoxville, Tenn., to Albert and Anne (Heiskell) Rickey. Her lineage included the Confederate general James Longstreet and L.Q.C. Lamar, a Mississippi statesman who achieved a national profile as a congressman, senator and Supreme Court justice after the Civil War.Ms. Parker, who went by the name Lamar, grew up in Memphis, where she attended Central High School, and eventually earned a scholarship to Vassar College, where she studied philosophy, before transferring to Southwestern (now Rhodes College) in Memphis.She later studied speech and drama in a master’s program at the University of Iowa and had several lead roles at a repertory theater in Pennsylvania before moving to New York City. Within two weeks, she was in the cast of “Dark Shadows.”After the show went off the air, Ms. Parker moved to Los Angeles, where she turned her attention to prime-time television, appearing on “Hawaii 5-0,” “Kung Fu,” “Baretta,” “The Incredible Hulk” and other shows, as well as several television movies. She also had a powerful, if brief, role as a prostitute who tries to revive a client after he has a heart attack in the 1973 feature film “Save the Tiger,” for which Jack Lemmon won the Academy Award for best actor.Still, Ms. Parker’s relationship with the show that made her famous was far from over: “Dark Shadows” become an enduring cult favorite to new generations of horror fans, and Ms. Parker fed their obsession after turning her attention to writing. In 1998, she published “Dark Shadows: Angelique’s Descent,” the first of her four novels inspired by the show, which chronicled the early life of her character.She also helped revive the show on the big screen, appearing, along with her former co-stars Ms. Scott, Mr. Frid and David Selby, in a cameo role in the 2012 feature-film version of “Dark Shadows,” directed by Tim Burton and starring Johnny Depp as Barnabas, with Eva Green as Angelique.Ms. Parker’s survivors include her husband, Jim Hawkins; two sons, Rick and Andy Parker; a daughter, Caitlin Hawkins; and a grandson.In the years following her breakout role, Ms. Parker discussed the significance of the show, which in her view helped modernize — and sexualize — the vampire figure in the years before “Twilight.” To her, this seemed only natural.“The bite itself is like the act of sex,” she once said. “There is penetration, and there is pleasure and there is abandonment.”“The story of the vampire goes back to before the Egyptians, before the Greeks, and exists in every single culture,” she added. “Why is it so widespread? Not because it’s true, but because it contains the truth of our fears and our desires.” More

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      Tyler Christopher, ‘General Hospital’ Actor, Is Dead at 50

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      Christopher won a Daytime Emmy Award in 2016 for his role on “Days of Our Lives.”Tyler Christopher, an actor best known for his long-running role on the TV soap opera “General Hospital,” has died. He was 50.A former co-star, Maurice Benard, said on Instagram that Mr. Christopher had died Tuesday morning in his San Diego apartment because of a “cardiac event.” Mr. Christopher’s death was also confirmed by his manager, Chi Muoi Lo.Mr. Christopher won a Daytime Emmy Award in 2016 for best lead actor as Stefan DiMera on “Days of Our Lives,” another soap opera. He is best known for playing Nikolas Cassadine on “General Hospital” from 1996 to 2016, while also appearing in several other TV shows and movies.“Tyler was a truly talented individual that lit up the screen in every scene he performed and relished bringing joy to his loyal fans through his acting,” Mr. Benard said. “Tyler was a sweet soul and wonderful friend to all of those who knew him.”He described Mr. Christopher as a mental health advocate, adding that he spoke openly about his struggles with bipolar disorder, depression and alcohol.Mr. Christopher wrote about his struggles with bipolar disorder and alcohol abuse in Reader’s Digest. He said he regularly saw a psychiatrist and a therapist and took medications to treat his mental health conditions.In a social media post from last year, he reflected on how far he had come since turning 40.“In the decade since then my daughter was born, I won an Emmy, was the lead actor in 4 television shows, completed a dozen movies, lived in a half dozen states, relapsed and recovered, survived a traumatic brain injury,” he wrote.But he said he was looking forward to a “quieter life” with his two children.He is survived by his children and his father, Mr. Benard wrote.Mr. Lo said the news of his death “was incredibly shocking”“He was a very gifted actor, and more importantly, an amazing friend,” Mr. Lo said. “My heart goes out to his friends and family who loved him so much.” More

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      Arleen Sorkin, Soap Opera Star With a Claim to Batman Fame, Dies at 67

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      Her “Days of Our Lives” character provided a rare burst of daytime-drama comedy. She was later the voice of Harley Quinn, the Joker’s henchwoman.Arleen Sorkin, an actress and comedian who created memorable characters in two decidedly different universes — the soap opera one of “Days of Our Lives” and the crime-fighting one of Batman, where her Harley Quinn became a fan favorite after she first gave her a voice in 1992 on “Batman: The Animated Series” — died on Aug. 24 in Los Angeles. She was 67.Her husband, the producer and writer Christopher Lloyd, said the cause was pneumonia coupled with multiple sclerosis, which she had dealt with for many years.Early in her career Ms. Sorkin was best known as part of a female comedy troupe called the High-Heeled Women, which formed in 1978 and performed all over the country, mixing jokes and comic songs. One number in their repertory was a rap called “For White Girls Who Have Considered Analysis When Electrolysis Is Enuf,” a riff on the Ntozake Shange play “For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf.”By some accounts, Lilly Tartikoff, the wife of the NBC executive Brandon Tartikoff, saw Ms. Sorkin in a High-Heeled Women show and told her husband to look into signing her. In any case, in 1984 Ms. Sorkin made her debut on “Days of Our Lives,” the long-running NBC soap, as Calliope Jones (later Calliope Jones Bradford), an offbeat fashion designer who brought a rare burst of humor to the often overly earnest world of daytime drama.In an oral history recorded in 2006 for the Television Academy, Ken Corday, one of the show’s producers, said that the character was inspired by the stage persona of the singer Cyndi Lauper. In her audition, Ms. Sorkin nailed the character’s kookiness.“It was one of those things where we don’t need to read any more, we don’t need a screen test; she’s got the role,” Mr. Corday said.Calliope quickly established herself as the quirkiest thing in Soap Land.Ms. Sorkin as the outlandish fashion designer Calliope Jones Bradford in a 1986 episode of “Days of Our Lives.” “What I lack in talent,” she said, “I make up for in accessories.”Joseph Del Valle/NBCUniversal, via Getty Images“The sacrosanct dramatic aura of daytime soaps has never tolerated a giggle, much less a full-out belly laugh, in plots dealing with drug abuse, child molestation, abortion, murder, wife-swapping and worse,” Vernon Scott, who covered Hollywood for United Press International, wrote in 1985. “Then along comes Calliope Jones, a ding-a-ling character in ‘Days of Our Lives,’ who actually pokes fun at soap operas themselves. This revolutionary development is akin to electing Eddie Murphy to the Politburo or appointing Johnny Carson to the Joint Chiefs of Staff.”Viewers loved it; the fan mail began pouring in. The producers let Ms. Sorkin ad-lib some of her lines, adding a spontaneity to the usually glum proceedings. Calliope’s outlandish wardrobe augmented the comedy.“What I lack in talent, I make up for in accessories,” Ms. Sorkin told Mr. Scott.Ms. Sorkin appeared in more than 400 episodes of “Days of Our Lives,” most recently in 2010. Throughout her appearances, she sought to make viewers pay attention.“I imagine women doing housework while they watch our show, things like ironing,” she said. “It’s my job to make them scorch something.”The Calliope character helped bring about Harley Quinn, the Joker’s sidekick, who has an inexplicable romantic attachment to that archvillain even though he is abusive toward her.When the character Harley Quinn first appeared on “Batman: The Animated Series” in 1992, Ms. Sorkin provided the voice. “Arleen Sorkin’s voice certainly gave a great deal of life and dazzle to the character,” said Paul Dini, a writer for the show. Courtesy of DCHarley was introduced in a 1992 episode of “Batman: The Animated Series” called “Joker’s Favor.” Paul Dini, a writer for the show, told Entertainment Weekly in 2017 that he had been toying with creating a funny, snappy henchwoman for the Joker. Ms. Sorkin, an old friend from their days as students at Emerson College in Massachusetts, had appeared in a fantasy sequence on “Days of Our Lives” where Calliope was dressed as a sort of court jester. She had given Mr. Dini a videotape of her favorite “Days of Our Lives” moments, and the sequence was on it. Mr. Dini happened to watch the tape one day when he was sick and something clicked.“I was like, Well, there she is,” Mr. Dini said. “She should run around with the Joker dressed like that.”He and the animator Bruce Timm came up with Harley, a sidekick clad in red and black, and Ms. Sorkin provided the distinctive voice: “high-nasal, sing-song-y and filled with Brooklyn-ish inflections,” as Vulture put it in a 2015 article.“Arleen Sorkin’s voice certainly gave a great deal of life and dazzle to the character,” Mr. Dini told Entertainment Weekly.Harley wasn’t originally intended as a regular, but she became one, and then, later in the decade, made the transition to DC comic books, a rare case of a character going from TV to the page rather than the reverse. Ms. Sorkin provided her voice not only in “Batman: The Animated Series” but also in assorted video games and subsequent TV series, including “The New Batman Adventures” and “Justice League.” Among the other actresses who have taken up the role in animated or live-action productions is Margot Robbie (“Birds of Prey” and “The Suicide Squad”), who has most recently owned the box office as the title character in “Barbie.”Mr. Lloyd, in a phone interview, was asked whether Ms. Sorkin would have described herself as a comedian, an actress or what. He said her choice might have been “clown.”That, though, he said, would have been misleading, as she also had credits as a writer, including on the 1997 Jennifer Aniston movie “Picture Perfect,” and as a creator of the 1990s sitcom “Fired Up.” She was also involved in various humanitarian causes.“These are not the typical achievements of a clown,” he said. “I think that’s how she would describe herself, but she went on to do quite a bit more than that.”Arleen Frances Sorkin was born on Oct. 14, 1955, in Washington to Joyce and Irving Sorkin. Her mother held various jobs, including real estate agent. Her father was a dentist with a longtime dream of having one of his film ideas adapted into a movie. In an interview with The Los Angeles Times in 2007 on the occasion of his death, Ms. Sorkin recalled that when she was hired as an extra in the 1979 movie “And Justice for All,” when she left the family’s home in Washington headed for the assignment, he handed her a movie treatment he had written and asked her to give it to Al Pacino, the film’s star. (Dr. Sorkin’s dream was finally realized in 2004 when he received a producing credit on “Something the Lord Made,” an HBO film drawn from an idea he had long championed.)Ms. Sorkin with her husband, the producer and writer Christopher Lloyd, at an awards show in Beverly Hills, Calif., in 2004. Asked how he thought his wife, who was a writer as well as a performer, would have described herself, he said her choice might have been “clown.”Mathew Imaging/FilmMagic, via Getty ImagesMr. Lloyd, whom Ms. Sorkin married in the mid-1990s, said she pursued an education degree at Emerson, anticipating a career in teaching, but was also involved in theater there. She played Lola in a production of “Damn Yankees,” and a cast mate urged her to hold off on teaching and instead give performing a try.Lisa Pessaro, another Emerson alumna, was among the original members of High-Heeled Women and remembered her comic colleague in an interview with Emerson Today shortly after Ms. Sorkin’s death.“She was just simply an unharnessed gem,” Ms. Pessaro said. “She had incredible wit and was oozing with personality.”In addition to her husband, Ms. Sorkin is survived by her mother; two sons, Eli and Owen Lloyd; and two brothers, Arthur and Robert Sorkin. More