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      Bruce Springsteen Is Back on Broadway. The Workers Are Coming Back, Too.

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      Broadway took its first steps back with the return of Bruce Springsteen’s show, and no one is happier than Jim Barry, an usher at the St. James Theater for 20 years.Jim Barry, masked and ready, perched at the top of the theater stairs, cupping his hands around the outstretched smartphones so he could more easily make out the seat numbers.“How you doing? Nice jacket.”“Go this way — it’s an easier walk.”“Do you need help sir? The bathroom’s right there.”It was Saturday night at the St. James Theater.Bruce Springsteen was back on the stage.Fans were back in the seats.And, 15 months after the pandemic had shut down Broadway, Barry, who has worked as an usher at the St. James for 20 years, was back at work, doling out compliments and reassurance as he steered people toward the mezzanine, the restroom, the bar.“Springsteen on Broadway” is essentially a one-man show, but its return has already brought back work for about 75 people at the St. James — not only Barry, but also another 30 ushers and ticket-takers, as well as merch sellers, bar staff, porters, cleaners, stagehands, box office workers, a pair of managers and an engineer.The return of “Springsteen on Broadway” has already brought back work for about 75 people at the St. James Theater.Sara Krulwich/The New York TimesMore shows, and jobs, will return in August and September as Broadway’s 41 theaters slowly come back to life. Ultimately, a Broadway rebound promises to benefit not just theater workers but hotel clerks and bartenders and taxi drivers and workers in the many industries that rely on theater traffic, which can be considerable: in the last full season before the pandemic, 14.8 million people saw a Broadway show.Barry, a gregarious 65-year-old Staten Island grandfather, loves theater, for sure, but also depends on the job for income and basic health insurance.“This job is not for everybody, but I made it my own,” he said. Barry, a solidly built man with white hair who is often mistaken for a security officer, takes pride at being punctual, and jovial, and polite. “I can tell somebody tapping me on the back where the bathroom is, while telling somebody in front of me where their seats are, and also waving to somebody in the corner. It’s controlled insanity.”As he returned to work following the shutdown, there were a few changes to master. He had to wear a mask — they are required for employees, but not patrons — and struggled to feel comfortable making small talk through the fabric. And tickets were now all digital, which meant his signature move, which involved passing tickets behind his back as he accepted, scrutinized, and handed back the proffered stubs, was no longer useful; instead he needed to figure out how to quickly decipher all those different screen fonts.Still, he was thrilled to be back.“No matter what happens, nothing can make me feel bad, because I’m back at my house, and the Boss is at my house,” he said. “It’s where I want to be.”“No matter what happens, nothing can make me feel bad, because I’m back at my house, and the Boss is at my house,” Barry said.Sara Krulwich/The New York TimesBarry, originally from Bay Ridge, Brooklyn, took an unusual path to the theater industry. For 27 years, he had worked in banking, first as a teller, and then as a bank officer in Times Square.He saw theater, occasionally, and loved it. As a teenager he saw Danny Kaye in “Two by Two,” and later he saw “Jesus Christ Superstar.” (“I couldn’t believe it was so fantastic.”) But the production he most excitedly remembers seeing is “Grease,” at the Royale Theater; a friend got him access to walk onto the stage before the show. “It gave me the bug,” he said.So when he decided he needed to earn more money, and began looking for a second job, he reached out to one of his customers at the bank, a woman who worked in payroll at Jujamcyn Theaters, which operates five Broadway theaters, including the St. James. She asked if he’d be open to ushering.That was in 2001. The first shift he worked was at a dress rehearsal for “The Producers,” which was about to open. “You know you belong when your body just gets enveloped in euphoria,” he said.He was hooked. For years, he continued working full-time at the bank, while also working nights and weekends at the theater; in 2016 he left the bank for good, and now he works six days a week at the theater (the shifts are short — a full usher shift is 4.5 hours, but at each show half the staff gets to leave 30 minutes after curtain, which is two hours after their start time).It’s a union job, for which standard pay is $83.78 per show; Barry has the higher rank of director, so he makes about $710 a week, and supplements his income with Social Security and a small bank pension. He was kept afloat during the pandemic by unemployment; although he missed the theater, he also was glad to have more time to spend with his girlfriend.He has a bear of a commute — it can take up to two hours to get to work, depending on whether he drives or takes a bus, and how bad the traffic is. He arrives early, changes into his Jujamcyn uniform (black suit, black shirt, black tie, with a red J on the chest), and sits in a theater doorway on West 44th Street that he calls “my stoop,” enjoying coffee and a roll and greeting passers-by, sometimes posing for a picture with a passing actor.Barry has a long commute — it can take up to two hours to get to work.Sara Krulwich/The New York TimesAlthough he loves the theater, seeing shows other than the ones he’s working is hard — he’s generally on duty when other shows are running. But he usually gets to the big ones.At his own theater, he’s seen a mix of hits and flops. With the latter, he said, “you just feel bad for everybody.” And what if he doesn’t like a show he’s working? “We have the luxury of lobbies.”There are, of course, headaches to manage — intoxicated patrons, and insistent videographers — but he prides himself on doing so with civility. For the cellphone scofflaws, whose ranks have swelled since he began, he will sometimes simply hover, which usually shames people into compliance; other times he will use a flashlight or a headshake to get someone’s attention, and once in a while he’ll say something like, “Please don’t do that. If they see you, I’m going to get in trouble.” (At “Springsteen on Broadway,” no photos or videos are allowed until the bows.)How much does Barry love being part of the business? In March, sad not to be at work for his 20th anniversary at the theater, he and his girlfriend drove into Times Square, and he posed for a photograph in front of each of the 41 Broadway theaters.“There’s that old adage — when you love what you do, you never work a day in your life,” he said. “I am so lucky — I love to make people feel good about coming to our house.” More

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      On the Scene: ‘Springsteen on Broadway’ 🎸

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      On the Scene: ‘Springsteen on Broadway’ 🎸Michael PaulsonReporting on theater Even before entering the St. James Theater, the theater district was clearly more alive than it was a year ago, at the height of the pandemic. Times Square, even with all but one theater still closed, was mobbed. More

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      Bruce Springsteen Reopens Broadway, Ushering In Theater’s Return

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      On Saturday, “Springsteen on Broadway” became the first full-length show to take the stage since the Covid-19 pandemic forced performances to shut down in March 2020.I have seen the return of Broadway, and its name is Bruce Springsteen.In a city whose cultural soul had been shuttered for more than a year with boarded up windows and empty streets, it was Springsteen who called it back to life on Saturday night, his gruff and guttural rasp the first to echo across a Broadway stage to a paying audience in 471 days.Of course, “Springsteen on Broadway” is no traditional Broadway production — no mesmerizing choreographed musical numbers, no enchanted sets, no multi-page bios of cast members in the Playbill. The show consists of a man alone onstage; his ensemble a microphone, a harmonica, a piano and six steel strings stretched across a select slab of spruce wood.“I am here tonight to provide proof of life,” Springsteen called out early on. It was a line from the monologue of his original show — which ran for 236 performances, in 2017 and 2018 — and now it carried extra weight. That proof, he continued, was “to that ever elusive, never completely believable, particularly these days, us.”For the “us” that packed inside the St. James Theater — 1,721 filled seats, very few masked people, all vaccinated — that first arpeggiated three-note chord from “Growin’ Up” was indeed proof that the rhythms that moved New York City were emerging from behind a heavy, dark and weighty curtain.The 15 months that Broadway had been shuttered was its longest silence in history. In years past, strikes, hurricanes, blizzards and blackouts had managed to tamp down the lights on Broadway only for a few days, weeks or a month. But the pandemic forced the Theater District into an extensive darkness on March 12 of last year, as New York was quickly becoming the epicenter of the epidemic in the United States.And while marquee shows like “Hadestown,” “Hamilton” and “Wicked” are still awaiting their September reopenings, it was Springsteen who took one of the most meaningful strolls to center stage in Broadway history, and sang.Bruce Springsteen, left, and his wife, Patti Scialfa, taking a bow at the St. James Theater. They sang together on “Fire,” one of the new additions to the show.Sara Krulwich/The New York TimesThough the show largely hewed to the original incarnation, there were some notable additions, and new phrases, soliloquies and tales woven into the performance. Springsteen mentioned his new record, “Letter to You”; his new film of the same name; and his dismissed drunken-driving charges. (He was arrested after taking two shots of tequila with fans in Sandy Hook, a public beach that does not allow alcohol, and then hopping on his motorcycle.)But he also tried to make sense of the moment, of a long year filled with loss and isolation during the pandemic.“It’s been a long time coming,” Springsteen said to the crowd after finishing the first song, stepping away from the microphone and speaking directly to the crowd. “In 71 years on the planet, I haven’t seen anything like this past year.”He spoke at length of his mother, Adele Springsteen.“She’s 10 years into Alzheimer’s,” he said. “She’s 95. But the need to dance, that need to dance is something that hasn’t left her. She can’t speak. She can’t stand. But when she sees me, there’s a smile.”And he addressed the civil unrest throughout the country.“We are living in troubling times,” Springsteen said. “Certainly not in my lifetime, when the survival of democracy itself, not just who is going to be running the show for the next four years, but the survival of democracy itself is deeply threatened.”He then launched into one of three new songs to the show, “American Skin (41 Shots),” a ballad written about Amadou Diallo, a Guinean immigrant, who was fatally shot in 1999 by New York City police officers.Amid the new material (including a new duet, “Fire,” with his wife, Patti Scialfa), the rhythms that marked the initial run of “Springsteen on Broadway” were quickly finding their groove. Hours before the show, a crowd amassed outside the side stage door, a relic of Springsteen’s earlier Broadway run when fans clamored for a glimpse of the rock star’s arrival every night.“It’s just epic to have the Boss open us back up,” said Giancarlo DiMascio, 28, who drove down from Rochester to see the show (his 49th Springsteen concert). “It’s big for New York, its big for arts and culture here, and to have this open up is a sense of normalcy.”A line began to form at the theater and eventually snaked down 44th Street, as fans clad in vintage Springsteen paraphernalia — old concert T-shirts, Stone Pony shirts and a few Springsteen face masks — were eager to get inside and see a stage in person for the first time in months. But, true to Broadway form, plenty of theatergoers staggered in just as the house lights were dimming, including Gov. Phil Murphy of New Jersey and Steven Van Zandt, the actor and guitarist for Springsteen’s E Street Band.The transportation secretary Pete Buttigieg, standing left, and Steven Van Zandt, seated center, were among the famous faces in the crowd at Saturday night’s performance.Sara Krulwich/The New York Times“I’ve been a Broadway fan for as long as I can remember, and this has been a challenging year,” said Jacob Persily, 26, from Monmouth County, N.J. He said he had been to “hundreds” of Broadway plays but had never seen Springsteen (though he lives around the corner from Springsteen’s gym in New Jersey). “I’m also a health care worker, so it’s been a challenging year in many other ways.”Outside the theater, dozens of anti-vaccination protesters gathered, shouting and harassing attendees. A similar group had come to protest the Foo Fighters concert at Madison Square Garden last week. Both performances required proof of vaccination to attend.But for many in the audience, it felt good to be back in the theater, back to live music, and just simply “back.” But other fans, for whom music — and particularly Springsteen’s music — brings an irreplaceable form of comfort, the show felt especially important.Kathy Saleeba, 53, drove from Rhode Island for the show. A self-described “No. 1 Bruce fan,” Saleeba said she had seen 51 Springsteen shows, many with her childhood friend Jane.In 2005, Jane was diagnosed with breast cancer, Saleeba said, but the two continued to go to as many Springsteen shows as possible, and they even met the Boss in Connecticut in 2008 before his show. He ended up playing a song for her, “Janey Don’t You Lose Heart.”On Saturday, Saleeba brought a picture of Jane, who died in 2016, along with the lyrics printed out from “Land of Hope and Dreams.” She hoped to give it to Springsteen in person.A line stretched down 44th Street as ticket holders waited to enter the St. James Theater. Audience members were required to provide proof of Covid-19 vaccination, and entry times were staggered.Sara Krulwich/The New York Times“Springsteen on Broadway” is part concert, part comedy, part tragedy, part therapy, but also so much more in an undefinable sum. It’s a performance and a conversation, with a hero and an icon baring himself onstage, offering a portrait of his life through his own eyes, his own voice, and how he has seen the world.It’s a show that reckons so rawly with loss and change in an unfair world, and even Springsteen at one point choked up, tears winding down his face as he recalled all those he’s lost: his father, his bandmates, his friends.“I’m glad to be doing this show again this summer because I get to visit with my dad every night that I’m here, and it’s a lovely thing,” he said, wiping his eyes.Though through somber resilience, Springsteen also finds ways to celebrate.In paying tribute to Clarence “Big Man” Clemons, the larger-than-life saxophone player from the E Street Band who died 10 years ago this month, Springsteen recalled when “Scooter and the Big Man” took the city on and whispered rock ’n’ roll stories into the ears of millions. “He was elemental in my life,” Springsteen said, softly vamping through the chords of “Tenth Avenue Freeze-Out.” “And losing him was like losing the rain.”Like so many in the audience, I too lost a “Big Man” in the pandemic. My cousin Big Nick, who had a heart so big it could have been the inspiration for Springsteen’s “Hungry Heart,” was one of the more than 600,000 American people who succumbed to the coronavirus.And so has this city grappled with extraordinary loss, where almost every street, block and building, every inhabitant and every visitor has been forever changed by the pandemic.As I, and so many others, shared the pain of Springsteen as he recounted the death of his friend, and promised to “see ya in the next life, Big Man,” there was also comfort in seeing him onstage again, on Broadway again, and all of us, strangers and not, together again in music.And when Springsteen belted out the climactic third verse to “Tenth Avenue Freeze-Out” — “Well the change was made uptown and the Big Man joined the band” — the only audible sounds were cheers. More

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      Bruce Springsteen Will Return to Broadway in June

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      “Springsteen on Broadway” opens on June 26 at the St. James Theater; audience members will be required to show proof of full Covid-19 vaccination to enter.Bruce Springsteen is returning to Broadway.“Springsteen on Broadway,” the rock legend’s autobiographical show, which ran for 236 performances, including seven previews, in 2017 and 2018, will open on June 26 at the St. James Theater, at 246 W. 44th Street, and have additional performances through Sept. 4, according to an announcement. As of now, the show will be the first to open on Broadway since the pandemic shut down performances in March 2020. While some Broadway productions have set return dates as early as Aug. 4, most have targeted mid-September for their reopenings.Tickets go on sale Thursday at noon Eastern time through SeatGeek, the show’s official ticket seller. SeatGeek, a challenger to Ticketmaster, has a deal with Jujamcyn Theaters, which operates the St. James as well as the Walter Kerr Theater, where “Springsteen on Broadway” had its initial run.Although Broadway theaters and producers have said they plan to reopen their full lineup of shows after Labor Day, the speed of vaccination, and promising downward trend of coronavirus cases in the United States, have encouraged many performers and producers throughout the entertainment industry to move forward quickly.According to the show’s announcement, audience members will be required to show proof of full Covid-19 vaccination along with their tickets to enter the theater. Entry times will be staggered, and attendees will be required to fill out a Covid-19 health screening within 24 hours of the show.“Springsteen on Broadway” — which had its genesis in a private performance at the White House in January 2017, in the closing days of the Obama administration — is a mostly solo show by Springsteen, drawing from his catalog of hits and his 2016 autobiography, “Born to Run.” The show weaves in stories from throughout Springsteen’s career, with insights into how he wrote songs like “Born in the U.S.A.” (His wife, Patti Scialfa, joined him in some songs.)The show was a blockbuster hit, selling $113 million in tickets and playing to a total of 223,585 fans. It was also filmed for a Netflix special of the same title, which went online shortly after the last performance in December 2018.Proceeds from the opening night of “Springsteen on Broadway” will be donated to a number of charities, including the Boys & Girls Clubs of Monmouth County in New Jersey, Broadway Cares/Equity Fights AIDS and Food Bank for New York City. More

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      Barack Obama and Bruce Springsteen: The Latest Podcast Duo

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      #masthead-section-label, #masthead-bar-one { display: none }The State of PodcastingA Booming IndustryThe Medium for QuarantineThe Voices of ‘Resistance’Growing Up on MicAdvertisementContinue reading the main storySupported byContinue reading the main storyBarack Obama and Bruce Springsteen: The Latest Podcast DuoTheir new show, “Renegades: Born in the USA,” features the 44th president and the musician speaking intimately and expansively on topics like race, fatherhood and the country’s painful divisions.The new podcast hosted by Bruce Springsteen and Barack Obama is drawn from a series of one-on-one conversations at Springsteen’s home studio last year.Credit…Rob DeMartinPublished More

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      Bruce Springsteen Is Charged With D.W.I. on Sandy Hook

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      AdvertisementContinue reading the main storySupported byContinue reading the main storySpringsteen Faces Drunken Driving Charges in New JerseyA Jeep commercial the rock musician appeared in during the Super Bowl was removed from the car company’s social media sites Wednesday afternoon. Bruce Springsteen in 2019. A spokeswoman for the National Park Service said that “Springsteen was cooperative throughout the process.”Credit…Peter Foley/EPA, via ShutterstockFeb. 10, 2021Updated 6:50 p.m. ETMonths before he appeared in his first Super Bowl commercial, driving a white Jeep in an ad that urged a divided country to find middle ground, Bruce Springsteen was charged with drunken driving in New Jersey.A rock legend and favorite son of the state, Mr. Springsteen was arrested on Nov. 14 in Gateway National Recreation Area, a sprawling, 27,000-acre park that includes beaches, hiking trails and an abandoned military fort, according to a spokeswoman for the National Park Service.Mr. Springsteen, 71, was charged with driving while intoxicated, reckless driving and consuming alcohol in a closed area, the spokeswoman, Daphne Yun, said in an emailed statement.“Springsteen was cooperative throughout the process,” she said. Because the arrest occurred in a national park, federal prosecutors are handling the case. Mr. Springsteen’s first court appearance will be done by videoconference, likely toward the end of February, according to Matthew Reilly, a spokesman for the U.S. attorney in New Jersey.A spokeswoman for Mr. Springsteen could not be reached for comment.News of the arrest was first reported on Wednesday by TMZ.On Sunday, Mr. Springsteen appeared in his first commercial ever, a two-minute call for national unity. In it, Mr. Springsteen is shown driving a Jeep, a newspaper flapping in the passenger seat and a notebook propped against the steering wheel. “It’s no secret that the middle has been a hard place to get to lately, between red and blue, between servant and citizen, between our freedom and our fear,” he says in the commercial.“Now, fear has never been the best of who we are. And as for freedom, it’s not the property of just the fortunate few. It belongs to us all.”The commercial was the result of a decade-long lobbying effort by Jeep. Mr. Springsteen’s longtime manager, Jon Landau, has said that Mr. Springsteen — known worldwide as the Boss and as Bruce to adoring fans — created the Jeep ad with his own creative team. “Bruce made the film exactly as he wanted to, with no interference at all from Jeep,” Mr. Landau said in a New York Times article about the commercial.On Wednesday afternoon, Jeep announced that it would “pause” the commercial, hours after video of the ad was removed from the company’s YouTube and Twitter accounts. In a statement, a spokeswoman also suggested that Jeep had been unaware of the arrest before the much-heralded ad during the fourth quarter of the Super Bowl.“It would be inappropriate for us to comment on the details of a matter we have only read about and we cannot substantiate,” the spokeswoman, Diane Morgan, said. “But it’s also right that we pause our Big Game commercial until the actual facts can be established,” she said. “Its message of community and unity is as relevant as ever. As is the message that drinking and driving can never be condoned.”A spokeswoman for the Park Service had no comment about why it took nearly three months for the arrest to be disclosed publicly. On Jan. 20, Mr. Springsteen was the first performer to play during a televised concert celebrating President Biden’s inauguration, singing “Land of Hope and Dreams” from the steps of the Lincoln Memorial, which is also operated by the National Park Service.Mr. Springsteen, who is known for his rock anthems that celebrate the common man — warts and all — lives with his family on a horse farm in Colts Neck, N.J., about 18 miles from Gateway, a popular national park along the northernmost swath of the Jersey Shore. It is commonly known as Sandy Hook and is closed from November through March, according to the Park Service website. He grew up in Freehold, which is about 30 miles away from Sandy Hook, where he filmed a music video and parts of his 2014 short film “Hunter of Invisible Game.” The photographer Annie Leibovitz also shot the cover of his album “Tunnel of Love” on Sandy Hook.Mr. Springsteen and Patti Scialfa, his wife and bandmate, have three adult children. Their youngest son, Sam, became a firefighter in Jersey City, N.J., just over a year ago.In recent months, Mr. Springsteen has helped raise money for the New Jersey Pandemic Relief Fund and has promoted mask-wearing on highway billboards that urge people to “Wear a friggin’ mask!”AdvertisementContinue reading the main story More

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      ‘Saturday Night Live’ Sends Up Fauci and Covid-19 Vaccine Rollout

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      #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main story‘Saturday Night Live’ Sends Up Fauci and Covid-19 Vaccine RolloutThe episode, hosted by Timothée Chalamet, also featured musical performances by Bruce Springsteen and the E Street Band.Kate McKinnon added Dr. Anthony Fauci to her repertoire this weekend on “Saturday Night Live.” (With Heidi Gardner as Dr. Deborah Brix.)Credit…NBCDec. 13, 2020While the pandemic has made Dr. Anthony Fauci, the nation’s top expert on infectious diseases, a highly visible figure in American life, “Saturday Night Live” has been circumspect about satirizing him in comedy sketches. When Fauci first turned up as an “S.N.L.” character this past spring, during one of the show’s remotely produced at-home episodes, he was given a mostly glowing treatment and played by none other than Brad Pitt (after Fauci himself had made the suggestion in a CNN interview).Presumably Brad Pitt had other commitments this weekend — instead, the “S.N.L.” cast member Kate McKinnon added another role to her ever-growing roster of celebrity and political impressions and played Fauci in the show’s opening sketch.McKinnon was joined by Heidi Gardner, playing Dr. Deborah L. Birx, the White House’s coronavirus response coordinator, as they explained to CNN’s Wolf Blitzer (Beck Bennett) how Pfizer’s Covid-19 vaccine, newly approved for emergency use, would be distributed to the American public.Following some applause from the audience, McKinnon said, “Let’s try to keep the woos to a minimum, please. As you all know, woos spread droplets.”McKinnon proudly announced that “the vaccine is approved and I am officially joining the Biden administration to continue the fight against Covid.”With some hesitation, Gardner added, “And I think I’ll be joining as well, right? Remember when Trump said to inject bleach and I did a stanky little face? And I almost whispered, ‘No’? Remember?”McKinnon said that “we’re doing this vaccine World War II-style,” and further explained: “We made England go in first, see what’s what. And then we swoop in at the end and steal the spotlight. Tom Hanks will make 10 movies about it and when it’s all over you can kiss any nurse you want.”Asked by Bennett to evaluate Trump’s performance during the pandemic, McKinnon answered, “I try not to comment, but this president has done about as good a job with this rollout as I did throwing out that first pitch at the Nationals game.” “S.N.L.” played video of Fauci’s pitch from July, which markedly missed home plate. (We’re not saying we could do any better.)McKinnon’s Fauci explained that the ultimate aim was a return to relative anonymity.“If enough Americans get this vaccine, you’ll all forget who I am,” McKinnon said. “That’s my goal, to have zero name recognition with Americans. Because that means I’ll have done my job well.”She added, “You have my promise that no matter who is in charge, I’ll do everything possible to ensure that you are able to see your loved ones safely once again.”Gardner chimed in: “And I’m taller.”Celebrity Bellwether of the WeekSometimes an “S.N.L” sketch offers a helpful snapshot of which famous figures its cast members deem worthy of being impersonated at a particular moment in time. That was the primary role fulfilled by “The Dionne Warwick Talk Show,” which featured Ego Nwodim as that enduring pop singer and newly-minted star of social media.While she didn’t necessarily recognize who most of her guests were, Nwodim played host to Harry Styles (played by Chalamet), Billie Eilish (played by Melissa Villaseñor and introduced as “Ms. William Eyelash”), Machine Gun Kelly (Pete Davidson) and, in a neat bit of meta-commentary, Timothée Chalamet (played by Chloe Fineman as an exuberant goofus).Weekend Update Jokes of the WeekOver at the Weekend Update desk, the anchors Colin Jost and Michael Che riffed on the Supreme Court’s swift rejection of a lawsuit, filed by the Republican attorney general of Texas and supported by numerous G.O.P. officials, that vainly sought to undo the results of November’s presidential election.Jost began:Guys, I’ve got to be honest. I’m beginning to think that Donald Trump didn’t win this election. This week, the Supreme Court dismissed two different Trump lawsuits to overturn the election results. They were the first rulings by the Supreme Court that were just the eyeroll emoji. Don’t worry, Trump isn’t throwing in the towel because he’s been a fighter his whole life. At least that’s what it looks like on his brain scans. I just love how the media keeps telling us, OK, this time, it’s over. Nothing is ever over as long as Donald Trump can make money off it. Even when he dies his tombstone is just going to have his Venmo info. Also, he’s a billionaire and he keeps asking his supporters for five dollars. Isn’t that just sad? It’s like saying, for the price of a cup of coffee a day, you can help a desperate old man pretend he’s still president.Che continued:The Texas lawsuit asked the Supreme Court to invalidate election results in four other states. Which is a plan so crazy, only Texas would try to execute it.Many Black doctors are saying that they are having a hard time convincing their patients to take the Pfizer and Moderna vaccines. Which is weird, because Moderna Vaccine is my favorite Tyler Perry character.Fake Cable Channel of the WeekPivoting off the insurgent success of cable channels like Newsmax, which have supported President Trump’s false claims that he won the election, “S.N.L.” introduced us to a new companion channel, Sportsmax, where failing New York sports teams like the Jets and the Knicks somehow find ways to emerge victorious.As a sports anchor played by Alex Moffat explained, “A lot of mainstream sport networks like ESPN are saying that the Jets have not won a single game this year, that they’re 0 and 12.” A commentator played by Bennett added that this was “is very interesting because the truth is, the Jets have already won 11 games this season.” Revisiting an October matchup that the Jets lost to the Buffalo Bills, Bennett said, “After the first quarter, the Jets were winning the game 3 to 0. But then something very suspicious happened. The Bills start getting all these points out of God knows where. Either the Jets won, 3 to 0, or this whole game’s rigged.”Musical Performance of the WeekIt’s been a long week, a long month and an especially long year. So here, to offer a few minutes’ respite from reality, are Bruce Springsteen and the E Street Band with a rousing rendition of their song “Ghosts.” (They also came back later in the program to deliver an equally stirring performance of their song “I’ll See You in My Dreams.”)AdvertisementContinue reading the main story More