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    Democrats Cheer Hollywood Tax Breaks They Once Called ‘Corporate Welfare’

    California politicians once derided a $50 million proposal by Arnold Schwarzenegger. With the support of unions, they’re now strongly backing a $750 million subsidy.Time was running out to pass new California bills in 2005 when a power broker in the State Capitol got a request from the action movie star in the governor’s office. Gov. Arnold Schwarzenegger wanted lawmakers to give Hollywood studios $50 million in tax breaks to help prevent the movie industry from leaving.But Democrats preferred to restore funding that had been cut from schools and support for disabled people. Republicans in the governor’s own party objected to the notion of assisting one industry over others. The effort fell flat, as did similar proposals over the next few years.Among many Democrats, said Fabian Núñez, who was the speaker of the California Assembly at the time, the thinking about Mr. Schwarzenegger’s plan went: “Why does he want to give corporate welfare to rich people? That doesn’t make any sense.”Times have certainly changed.California lawmakers, most of them Democrats, approved a budget on Friday that includes $750 million to subsidize movie and television production, doubling the size of the state’s incentive program while making cuts elsewhere to help close its $12 billion deficit. A bill to make the tax credits available to more types of productions is expected to be approved in the coming days.Some economists object to film subsidies, saying they are a poor financial investment for states, while proponents say they are necessary to slow an exodus of productions. Over the past 10 years, production in Los Angeles has decreased by more than one-third, according to FilmLA data. One Hollywood studio is flying Americans to Ireland to film a game show, and “The Substance,” a best picture nominee, was filmed in France even though it is set in Los Angeles.“Expanding this program will help keep production here at home, generate thousands of good paying jobs and strengthen the vital link between our communities and the state’s iconic film and TV industry,” Gov. Gavin Newsom, a Democrat, said in October when he announced his plan to increase the tax breaks.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Curious Proposal to Fund New Hampshire’s Arts Council With $1

    New Hampshire residents pushed back, but lawmakers still plan to decimate the group, which gives grants to theaters and museums.The notice that landed in the inbox of Elliott Cunningham, the managing director of New Hampshire’s oldest playhouse, provided little explanation. But it made clear that the federal grant it had been awarded for a traveling production about a 12-year-old boy exploring backyard trails was no longer available.He expects a similar message from state funding sources to come next.Support for New Hampshire’s arts council is at risk as legislators finalize a two-year state budget this week. After one lawmaker suggested eliminating the organization, another countered with a proposal that the council should instead receive $1.The proposed cuts looked similar to President Trump’s move to eliminate the National Endowment for the Arts. In her inaugural address in January, Gov. Kelly Ayotte, a Republican, announced the formation of the Commission on Government Efficiency, a state version of the Department of Government Efficiency.The message has been clear: Reduce the size of government and trim budgets.To many state legislators, shrinking revenue means tough decisions. To arts administrators, the New Hampshire State Council on the Arts is essential to sustaining the theaters, museums and festivals that help give the “Live free or die” state its character.Last fiscal year the arts council gave the New London Barn Playhouse, where Mr. Cunningham works, a $21,250 grant to upgrade its sound system. The council also helped pay for a wheelchair-accessible lift backstage at the Capitol Center for the Arts in Concord, for broadband upgrades at the New England Ski Museum in Franconia and for new floors at a dance studio in Lebanon.“There are a million places in this country that have a million strip malls that all look exactly the same,” said Sal Prizio, the executive director of the Capitol Center for the Arts, which is blocks away from the State House. “You’re killing the things that make New Hampshire, New Hampshire.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Upper West Side Theater Is Sold After Governor Allocates $3.5 Million

    A nonprofit bought the landmark Metro Theater after receiving financial support from Gov. Kathy Hochul, the State Senate and Steven Spielberg’s foundation.A landmark Art Deco movie theater that closed 20 years ago on Manhattan’s Upper West Side was sold to a nonprofit after it received $3.5 million in discretionary grants from Gov. Kathy Hochul of New York.The nonprofit, the Upper West Side Cinema Center, used those funds and $500,000 in grants from the State Senate to complete its $6.9 million purchase of the Metro Theater on Friday. It plans to revitalize the building, on Broadway near West 99th Street, with a five-screen theater, a lobby lounge and a public cafe.Additional fund-raising of $15 million to $25 million is required to construct a new interior, replace the marquee and clean graffiti from the facade, the nonprofit says.“The Upper West Side community deserves another world-class venue for cinema and art, and that’s why I was proud to step in,” Hochul said in a news release.Assemblyman Micah Lasher, a Democrat who took office in January, grew up going to the Metro Theater and fondly remembers seeing “Ali” and “Mr. Holland’s Opus” there with his family.“Its loss for the last 20 years has been not just an eyesore, but a deeply felt scar for the neighborhood,” he said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Long, Strange Road to Alec Baldwin’s Manslaughter Trial

    On the afternoon of Oct. 21, 2021, Mary Carmack-Altwies, the district attorney for New Mexico’s First Judicial District, was driving along a lonely stretch of the mountain highway connecting Santa Fe and Taos when her cell service abruptly returned and her phone started pinging — message after message. She pulled over to the side of the road and began scrolling: Alec Baldwin had accidentally shot two people on a movie set in her jurisdiction. Carmack-Altwies had planned to spend the next couple of days alone in the mountains before celebrating her 43rd birthday with her wife, a retired investigator for the state, and their two children. Clearly that was not going to happen.Listen to this article, read by Pete SimonelliThe shooting occurred at 1:46 p.m. that day at the Bonanza Creek Ranch, a family-owned Old West movie set about 20 miles southeast of Santa Fe that had been rented out by “Rust,” an independent film that Baldwin was both starring in and producing. The bullet he inadvertently fired passed through the upper body of the film’s cinematographer, Halyna Hutchins, and lodged near the spine of Joel Souza, the director. Souza was taken by ambulance to a hospital in Santa Fe; Hutchins was airlifted to a trauma center in Albuquerque and died a short time later.Carmack-Altwies was nearing the end of her first year in office. She had been an assistant district attorney specializing in violent crimes when her boss made a bid for Congress. She ran to succeed him — her first foray into electoral politics — and won easily, inheriting a jurisdiction that covers three counties: Los Alamos, Rio Arriba and Santa Fe. She’s a Democrat in a Democratic district, though the label connotes something very different in New Mexico, a rural hunting state whose voters tend to place a high value on the Second Amendment, than it does in, say, New York or California. Carmack-Altwies turned around and went back to her office in Santa Fe, where she spent most of the night on the phone with the local police, trying to make sure that the movie set, now a potential crime scene, was properly secured. In the days that followed, reporters from all over the world descended on Santa Fe. Carmack-Altwies held her first news conference about the incident six days later outside the Sheriff’s Department. She was asked if she intended to prosecute anyone. “I do not make rash decisions, and I do not rush to judgment,” she said. “All options are on the table at this point.”Bonanza Creek Ranch, the movie set where Alec Baldwin fatally shot the cinematographer Halyna Hutchins with a prop gun in October 2021, leading to his indictment on charges of involuntary manslaughter.Roberto E. Rosales/Albuquerque Journal, via ZUMA/AlamyWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    DeSantis Vetoes All Arts Grants in Florida

    Gov. Ron DeSantis gave no explanation for zeroing out the $32 million in grants that were approved by state lawmakers.For the past 10 days, Richard Russell has been rattled, poring over budgets and working the phones in an attempt to limit the consequences of Gov. Ron DeSantis’s veto pen.Mr. Russell, the general director of the Sarasota Opera on Florida’s Gulf Coast, had expected his nonprofit organization to receive a state grant of about $70,000 once Mr. DeSantis signed a budget that state lawmakers had approved in March.But in a move that stunned arts and culture organizations, Mr. DeSantis vetoed the entirety of their grant funding — about $32 million — on June 12, leaving them scrambling to figure out how to offset the shortfall.“It’s not going to close us,” Mr. Russell said. “But it is a gap that I am going to have to figure out how to make up, and if I don’t find alternate sources of funding, that could be someone’s job.”Leaders of arts organizations in Florida, many of whom have worked in the state for decades, cannot remember a governor ever eliminating all of their grant funding. Even in the lean years of the Great Recession, at least a nominal amount — say, 5 percent of the recommended total — was approved.Established arts organizations usually know better than to overly rely on nonrecurring state dollars subject to the discretion of politicians, said Michael Tomor, executive director of the Tampa Museum of Art. But to cut funding at a time when arts organizations are still struggling to recover from the coronavirus pandemic sends a concerning message “that taxpayer dollars should not be used in support of arts and culture,” he added.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Tennessee Law Limiting ‘Cabaret’ Shows Raises Uncertainty About Drag Events

    The measure is part of a wave of legislation by conservative lawmakers across the country against drag performances. Many are wondering how it will be applied.NASHVILLE — A bill signed into law this week in Tennessee makes staging “adult cabaret” on public property or anywhere a child could see it a criminal offense. The law forbids performances in those places by topless, go-go or exotic dancers, strippers, or male or female impersonators who, as the law defines it, provides entertainment that is “harmful to minors.” The word “drag” does not appear in the legislation. And to some legal experts, the description provided in the letter of the law would not apply to drag as they know it. But many in the state are still trying to grasp how the measure will ultimately affect drag events, theater performances that involve drag, and even transgender and gender nonconforming people as they go about their lives.The law is part of a cascade of legislation across the country fueled by a conservative backlash to drag events, which has also spurred protests from far-right groups and threats directed at performers. Now that it is one of the first to succeed, with lawmakers in other states pursuing legislation with similarly ambiguous language, the law has prompted concerns about how it will be enforced and the implications it could have.“The murkiness of this law is causing a lot of people to be on edge,” said Micah Winter, a performer and board member of Friends of George’s, a theater company in Memphis whose shows are often centered on drag.Proponents of the legislation have described it as a way to safeguard children, asserting that drag events can have sexualized language and suggestive performances that may be too mature for younger viewers.“This bill gives confidence to parents that they can take their kids to a public or private show and will not be blindsided by a sexualized performance,” Jack Johnson, the Republican state senator who sponsored the legislation, said on Twitter.Gov. Bill Lee of Tennessee giving his State of the State address in February. Mark Zaleski/Associated PressStill, the legislation figures into a campaign by conservative lawmakers across the country to curb the rights of people in the L.G.B.T.Q. community. In Tennessee, one proposal would block transgender people from changing the gender listed on their drivers’ licenses, and on Thursday, the same day Gov. Bill Lee signed the adult cabaret bill, he approved legislation that prevents all puberty-delaying treatment, hormone therapies and referrals for transgender children to receive gender-affirming medical care in the state.Drag has become more mainstream in Tennessee, as in much of the country. Performers in vibrant costumes that upend gender assumptions could simply be reading a book, promoting acceptance and literacy. Or they might be “reading” — that is, playfully mocking — tourists piled onto buses rolling through Nashville or lip-syncing in variety shows in boozy brunches in Memphis or Chattanooga.“Not one of our performers on this bus has ever shown more skin than a Titans’ cheerleader on a Sunday afternoon,” David Taylor, an owner of the Big Drag Bus Tour in Nashville and bars that host drag events, said in a hearing on the legislation.Legal experts said the equivocal wording meant that the adult cabaret law was not exactly a ban on drag but could still have consequences.“It’s an anti-drag law,” said Kathy Sinback, the executive director of the American Civil Liberties Union of Tennessee, “because they passed it intentionally to try to chill and prevent people from doing drag, but that’s not really what the law says.”“It should not even touch any drag performances,” she added. But after watching public commentary and a series of legislative hearings debating the merits of the bill, she said, “it’s clear that some people think that drag in and of itself as an art form is obscene and that it should not be viewed by children.”But Ms. Sinback said the parameters set in the legislation should not apply to most drag performances, given that they would have to be considered extremely sexual or violent, lack serious literary, artistic, political or scientific values, and be considered broadly offensive and obscene to a child to warrant charging the performer with a crime.Mr. Johnson said that the law was not meant to target drag performances in general or discriminate against the L.G.B.T.Q. community. “It simply puts age restrictions in place to ensure that children are not present at sexually explicit performances,” he said in an interview with CNN.Critics said the legislation reflected what many in the gay and transgender community have described as a bleak and dangerous climate in Tennessee, threatening people who are often marginalized and already uniquely vulnerable. The law over medical care has provoked the most alarm. The Tennessee chapter of the American Academy of Pediatrics opposed the law, saying in a statement that it will “significantly limit our ability to practice to the standard of care established by numerous national medical organizations.”Sruti Swaminathan, a staff attorney for Lambda Legal, which is working with other civil liberties groups in mounting a legal challenge to the legislation barring gender-affirming care, said, “This is clearly an effort to villainize us and isolate us because they fear our resilience and our self-love and our collective power.”People protesting against the bill on cabaret restrictions in Knoxville, Tenn., in February. Jamar Coach/News Sentinel, via ReutersTennessee is one of more than a dozen states where conservative lawmakers, focusing on issues of gender and identity, have pursued legislation that explicitly or otherwise seeks to impose restrictions on drag events.Some of the bills would require venues to register as adult entertainment spaces or “sexually oriented businesses,” and others would forbid performances at schools or libraries. A proposal in Arizona would outlaw drag performances within a quarter-mile of public playgrounds and schools.The law in Tennessee has not yet spurred a legal challenge, but activists and lawyers were prepared to start one as they watched to see how it is applied. Those who violate the law will be charged with a misdemeanor or a felony for continued offenses.The drag performer Poly Tics attending a rally in Kentucky on Thursday. Bruce Schreiner/Associated PressIn Kentucky, where the State Legislature has advanced a sprawling bill to curtail health care access for L.G.B.T.Q. children, lawmakers had also considered restrictions that included prohibiting what the state classifies as “adult performances” from operating within 1,000 feet of child care facilities, schools, public parks, homes or places of worship. The legislation was amended on Thursday to limit such performances from taking place in public places or a location where the performance could be viewed by a child — a step that critics of the legislation took as a victory.“This version is much more narrowly tailored to just explicit sexual content,” said Chris Hartman, executive director of the Fairness Campaign, an L.G.B.T.Q. advocacy group in Kentucky, who acknowledged that much of his organization’s limited energy was focused on challenging the legislation on restricting gender-affirming health care.Compared with other proposals on L.G.B.T.Q. issues that advocates contend will have immediate and damaging impact, the ones that are tied to drag stir worries rooted more in uncertainty.For transgender and gender nonconforming people, who face a heightened threat of violence, some fear the law could be wielded as a tool to further discriminate against them.“The language is vague enough that it leaves it in the hands of each individual jurisdiction to define what counts as a ‘male or female impersonator,’” said Dahron Johnson, who works in community outreach with the Tennessee Equality Project. “They could say I, just going about my daily life, am an ‘impersonator.’”In theater, there is a long history of performance featuring cross-dressing and drag — Shakespeare famously employed male actors to play female roles — and many touring shows feature some variation on the practice: “The Lion King” (a male meerkat, Timon, dons a dress to dance the Charleston), “Hairspray” (the protagonist’s mother is often played by a man in drag) and “1776” (now touring with a new production in which all the male characters are played by female, transgender and nonbinary actors).“Hairspray” and many other theater productions feature drag performances.Sara Krulwich/The New York Times“We’re absolutely opposed to any legislation that restricts the rights of our producers to present stories we’ve been presenting for 4,000 years,” said Charlotte St. Martin, the president of the Broadway League, a trade association representing producers and presenters around the country. Ms. Martin said the league is “very concerned” about the legislation under consideration in multiple states.Brett Batterson, the president and chief executive of the Orpheum Theatre Group in Memphis, said that on Friday, he paused conversations about bringing to Memphis a solo show, “Dixie’s Tupperware Party,” a small, long-running and popular touring production that has played all over America and is performed by a man in drag.“We decided we would pause our discussion to see how some of the language is interpreted,” Mr. Batterson said. “I think the law will be challenged, and we want to see how it plays out.”For now, Friends of George’s was not ready to change any of its plans. “We think it’s outrageous, but we’re forging ahead with our next production in spite of everything,” said Ty Phillips, the nonprofit’s vice president.Yet uncertainty remained. Mr. Winter noted that over the years he has played Mother Ginger in “The Nutcracker” and the mother in “Hairspray.”“Can I still do that?” he asked. More

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    California Bill Could Restrict the Use of Rap Lyrics in Court

    The bill, which applies more broadly to other forms of creative expression, has unanimously passed the Senate and Assembly and could become law by the end of September.A California bill that would restrict the use of rap lyrics and other creative works as evidence in criminal proceedings has unanimously passed both the State Senate and Assembly, and could soon be signed into law by Gov. Gavin Newsom.The bill, introduced in February by Assemblyman Reginald Jones-Sawyer, a Democrat who represents South Los Angeles, comes amid national attention on the practice following the indictment of the Atlanta rappers Young Thug and Gunna on gang-related charges. Prosecutors have drawn on the men’s lyrics in making their case.The California measure, however, would apply more broadly to any creative works, including other types of music, poetry, film, dance, performance art, visual art and novels.“What you write could ultimately be used against you, and that could inhibit creative expression,” Mr. Jones-Sawyer said Wednesday in an interview. He noted that the bill ultimately boiled down to a question of First Amendment rights.“This is America,” he said. “You should be able to have that creativity.”Mr. Newsom has until Sep. 30 to sign the bill into law. If he neither signs nor vetoes the bill by that date, the measure would automatically become law. The law would then go into effect on Jan. 1, 2023, Mr. Jones-Sawyer said.When asked whether Mr. Newsom planned to sign the bill, his office said that it could not comment on pending legislation. “As will all measures that reach the governor’s desk, it will be evaluated on its merits,” it said.Though the bill’s genesis is in preventing rap stars’ lyrics from being weaponized against them, the measure loosely defines “creative expression” to include “forms, sounds, words, movements, or symbols.”It would require a court to evaluate whether such works can be included as evidence by weighing their “probative value” in the case against the “substantial danger of undue prejudice” that might result from including them. The court should consider the possibility that such works could be treated as “evidence of the defendant’s propensity for violence or criminal disposition, as well as the possibility that the evidence will inject racial bias into the proceedings,” the bill says.“People were going to jail merely because of their appearance,” Mr. Jones-Sawyer said. “We weren’t trying to get people off the hook. We’re just making sure that biases, especially racial biases toward African Americans, weren’t used against them in a court of law.”The bill would require that decisions about the evidence be made pretrial, out of the presence of a jury. For decades, prosecutors have used rappers’ lyrics against them even as their music has become mainstream, with critics and fans arguing that the artists should be given the same freedom to explore violence in their work as were musicians like Johnny Cash (did he really shoot a man in Reno just to watch him die?) or authors like Bret Easton Ellis, who wrote “American Psycho.”In other cases, though lyrics were not used as evidence, they were discussed in front of the jury, which “poisoned the well” by allowing bias to enter the court, according to Mr. Jones-Sawyer’s office. It also noted that while country music has a subgenre known as the “murder ballad,” it is only the lyrics of rap artists that have been singled out.Charis E. Kubrin, a professor of criminology, law and society at the University of California, Irvine, who has extensively researched the use of rap lyrics in criminal proceedings, said that the way prosecutors have used defendant-authored lyrics in court was unique to rap.The practice, she said, essentially treated the lyrics as “nothing more than autobiographical accounts — denying rap the status of art.” The California bill is significant, Dr. Kubrin said, because it would require judges to consider whether the lyrics would inject racial bias into proceedings. “This is bigger than rap,” she said.Among the first notable times the tactic was used was against the rapper Snoop Dogg at his 1996 murder trial, when prosecutors cited lyrics from “Murder Was the Case.” The rapper, whose real name is Calvin Broadus, was acquitted.Snoop Dogg entering a Los Angeles court in 1996, where a prosecutor cited his lyrics during a murder trial. He was acquitted.Mark J. Terrill/Associated PressMost recently, the charges against Young Thug and Gunna have called national attention to the tactic. Both men, who have said they are innocent, were identified as members of a criminal street gang, some of whom were charged with violent crimes including murder and attempted armed robbery.Young Thug, whose real name is Jeffery Williams, co-wrote the Grammy-winning “This is America” with Childish Gambino and is one of the most influential artists to emerge from Atlanta’s hip-hop scene.In November, two New York lawmakers introduced a similar bill that would prevent lyrics from being used as evidence in criminal cases unless there was a “factual nexus between the creative expression and the facts of the case.” It passed the Senate in May.In July, U.S. Representatives Hank Johnson of Georgia and Jamaal Bowman of New York, both Democrats, introduced federal legislation, the Restoring Artistic Protection Act, which they said would protect artists from “the wrongful use of their lyrics against them.”The California bill is supported by several other music organizations and activist groups, including the Black Music Action Coalition California, the Public Defenders Association and Smart Justice California, which advocates criminal justice reform.In a statement of support from June, the Black Music Action Coalition, an advocacy organization that battles systemic racism in the music business, said that prosecutors almost exclusively weaponized rappers’ lyrics against men of color.“Creative expression should not be used as evidence of bad character,” the organization said, maintaining that the claim that themes expressed in art were an indication of the likelihood that a person was violent or dishonest was “simply false.”Harvey Mason Jr., the chief executive of the Recording Academy, which runs the Grammy Awards, said that the bill was intended to protect not only rappers, but also artists across all genres of music, and other forms of creativity.“It’s bigger than any one individual case,” Mr. Mason said. “In no way, at no time, do I feel that someone’s art should be used against them.” More

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    Disney Says It Hopes Florida Anti-LGBTQ Law Is ‘Struck Down’

    Moments after Gov. Ron DeSantis of Florida signed an anti-L.G.B.T.Q. bill into law on Monday, Disney released a statement condemning it and saying that its “goal as a company is for this law to be repealed by the legislature or struck down by the courts.” Disney employs roughly 80,000 people in the Orlando area.Labeled by opponents as “Don’t Say Gay,” the law restricts classroom instruction on sexual orientation and gender identity. It also gives parents an option to sue a school district if they think the policy has been violated.This month, Disney was criticized by many of its employees for refusing to take a public stand against the legislation, leading to a series of moves from the company’s chief executive, Bob Chapek. Mr. Chapek broke the company’s silence and stated Disney’s opposition; apologized repeatedly; paused political giving in Florida pending a review; and created a task force to develop an action plan for Disney to be a more positive force for the L.G.B.T.Q. community, including through its content for families. He is going on a listening tour at Disney workplaces, both domestically and overseas, this week.On March 9, Mr. Chapek told shareholders at Disney’s annual meeting that he had called Mr. DeSantis to “express our disappointment and concern” about the bill. “The governor heard our concerns, and agreed to meet with me and L.G.B.T.Q.+ members of our senior team in Florida as a way to address them,” he said.Mr. DeSantis responded with defiance, promptly deriding the company as “Woke Disney” in a fund-raising email to supporters. On Monday, as he signed the bill, Mr. DeSantis said: “I don’t care what Hollywood says. I don’t care what big corporations say. Here I stand. I’m not backing down.”The hosts of the Academy Awards on Sunday made fun of the legislation during their opening stand-up routine.In its statement on Monday, Disney added that it was committed to the national and state organizations working to overturn the law. “We are dedicated to standing up for the rights and safety of L.G.B.T.Q.+ members of the Disney family,” the company said, “as well as the L.G.B.T.Q.+ community in Florida and across the country.” More