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    Libby Titus, Introspective Singer and Songwriter, Dies at 77

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    Her “Love Has No Pride” was widely recorded, and she had high-profile relationships with Levon Helm and Donald Fagen. But she was uneasy with life in the spotlight.Libby Titus, a singer-songwriter known for her wistful ballad “Love Has No Pride,” covered by Linda Ronstadt and Bonnie Raitt, and for her collaborations with the likes of Burt Bacharach, Dr. John and her husband, Donald Fagen of Steely Dan, died on Oct. 13. She was 77.Mr. Fagen announced her death on the Steely Dan website, but he did not cite a cause or say where she died.A highly regarded songwriter and backup vocalist in the 1970s, Ms. Titus never scaled the commercial heights as a solo artist. Still, she garnered critical praise for her first and only major-label album, called simply “Libby Titus” and released by Columbia Records in 1977, on which she was backed by an all-star cast of friends, including Paul Simon, Robbie Robertson of the Band, James Taylor and Carly Simon. Ms. Simon wrote or co-wrote four of the tracks.A showcase for Ms. Titus’s jazz leanings and her taste for torch songs, the album “immediately distinguishes her from the Hollywood cowgirls of the Ronstadt regiment,” the influential rock critic Dave Marsh wrote in a review for Rolling Stone. She is “a sophisticated pop singer,” he added, “closer to Bette Midler than anyone else.”The album included her version of “Love Has No Pride,” a heart-rending song about lost love and longing, written with her childhood friend Eric Kaz. Stephen Holden, reviewing a performance by Ms Titus for The New York Times in 1983, called it “one of the finest ballads of the rock era.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Ultimate Dad Rock Playlist

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      What is dad rock? You know it when you hear it, so listen to 10 songs from Wilco, the Grateful Dead, Steely Dan and more.Wilco’s Jeff Tweedy, the patron saint of dad rockEnric Fontcuberta/EPA, via ShutterstockDear listeners,This Sunday is Father’s Day, and I would like to celebrate the only way I know how — with a playlist of dad rock.What is dad rock? You know it when you hear it, but it’s difficult to define exactly, as I learned when I considered the supposed genre in an essay I wrote four Father’s Days ago*. One thing I want to make clear is that, while it’s an easy concept to poke fun at, I don’t consider the term “dad rock” to be an insult, per se. A lot of great music falls into the category, and you certainly don’t have to be a dad to enjoy it. Much of what I was grappling with in that essay was the fact that, in my 30s, I have come around to loving a lot of what I once dismissed as “dad music.” Perhaps, spiritually speaking at least, I am a dad.I associate dad rock with a certain laid-back, lived-in proficiency — an age and comfort level at which you no longer feel you have to prove your virtuosity but can just sit back and let it speak for itself. Accordingly, quite a few of the songs I’ve chosen here represent bands (Wilco, the Who and Pink Floyd, to name a few) in the middle years of their careers, polishing the rougher edges of their sounds while remaining indelibly themselves. Quite a few — from artists like Steely Dan, Tom Petty and the Heartbreakers and Bruce Springsteen — are straight from my own dad’s record collection, and, as you’ll see below, he even makes a cameo, offering a corrective to his only complaint about this newsletter.Last week, a website I had never heard of called Merchoid conducted a questionably scientific poll that asked 3,000 Americans, “Which band truly epitomizes dad rock today?” The names that appeared in the Top 10 responses were horrifying: Nickelback, Blink-182, Red Hot Chili Peppers … Limp Bizkit?! Sure, I get that time marches on and that the pop-punk and nü-metal fans of yesteryear are aging into fatherhood. But something about the antic scatting of the Chili Peppers or the teenage-boy humor of Blink-182 does not square with the easygoing cool I associate with dad rock.So consider this playlist a rejoinder to that list, or maybe just an argument starter. But whatever you do, make sure you consider it The Amplifier’s way of saying happy Father’s Day.Turn it up! That’s enough,Lindsay*My own father really enjoyed the article, except the part where I told the entire readership of The New York Times that he used to drive a Ford Taurus. Sorry, Dad.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      He Sang ‘What a Fool Believes.’ But Michael McDonald Is in on the Joke.

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      The voice of Michael McDonald has been compared to velvet, silk and sandpaper, melted chocolate and last year, by a besotted 11-year-old girl, an angel. He has harmonized with the best in the business. But his latest duet might cause even the most Botoxed foreheads of Hollywood to furrow.“How you like us so far?” joked Paul Reiser, the actor and comedian, from one corner of a squishy sofa in McDonald’s Santa Barbara, Calif., aerie on a recent Tuesday morning. He was there to talk about the singer’s memoir, which they wrote together and will be published by Dey Street Books on May 21.In the other corner, emanating the equanimity that’s as beloved as his baritone, was the man whose 50-plus-year career has included backup vocals for Steely Dan, Elton John, El DeBarge, Toto, Bonnie Raitt and on and on — backup so extensive and distinctive it’s inspired playlists on Apple Music and Spotify. He was wearing a paisley-patterned shirt, black trousers and, as one might expect of an angel who must tread this cursed Earth, puffy Hoka sneakers.McDonald, 72, has also spent decades in the spotlight, albeit sidlingly, often with his famous blue eyes shut. (“Singing is such an intimate act,” he explains in the book, “and like kissing, it does no real good to see what the other person is doing.”) He led the Doobie Brothers in various iterations with his gospel-inflected keyboard style; released nine solo studio albums traversing multiple genres and continues to make live appearances at venues from Coachella to the Carlyle.Paul Reiser, left, with McDonald. The actor, known for “Mad About You,” said his musical collaborator is “very introspective.”Ariel Fisher for The New York TimesThe book is titled “What a Fool Believes,” after the Grammy-winning hit McDonald wrote in 1978 with Kenny Loggins, though with some hesitation. “I thought, ‘Well, that’s just too obvious,’” he said. “I wanted it to be something clever and mind-provoking, and I couldn’t really think of anything because, you know, I have a problem provoking my own mind.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More