More stories

  • in

    ‘Succession’ Season 4, Episode 3 Recap: Long Live the King

    Connor’s wedding doesn’t go quite as planned. Neither does just about anything else.‘Succession’ Season 4, Episode 3: ‘The Wedding’Up until tonight, the succession part of “Succession” has been a lot like the Godot part of Samuel Beckett’s play “Waiting for Godot.” Over and over, Logan Roy has made plans to step down as the big boss of Waystar, either by appointing one of his children or underlings as his successor or by selling out to another company. But again and again, either Logan has changed his mind or something else has happened to scotch the deal. Godot never comes. The essential does not change.So what happens this week, with no warning? The old man dies. In an instant, everything is different — for a little while anyway.I say “with no warning,” but that is not entirely so. “Succession” has been building up to this moment since the series premiere, when Logan was felled by a stroke. From time to time in the ensuing seasons, Logan has been worryingly incoherent or sickly. Then in the first episode of Season 4, he delivered a morbid little speech to his bodyguard Colin about how when people die, nothing comes after. Clearly, the shadow of death has been chilling him for a while.As this week’s episode begins, Logan is on his way to sweet-talk Lukas Mattson, with Tom, Kerry, Frank (Peter Friedman), Karl (David Rasche) and Karolina (Dagmara Dominczyk) by his side. At the same time, much of the rest of his Waystar power structure — including Logan’s immediate family — is on a yacht in New York Harbor for Connor and Willa’s wedding. Roman, whom we saw Logan recruit once again to his side at the end of last week’s episode, receives a call from Logan on his way to Connor’s wedding. He assumes his father will be there, too, but no: Logan is calling to to test his son’s loyalty by ordering him to fire Gerri.Against his better judgment, Roman does this as soon as he sees her on the boat. (Actually he says, “It’s not official,” adding, “I’m just heads-upping you.” He also notes that, “I am, like, on a human level, obviously sad.”) More on this later.Suddenly phones start buzzing. Shiv’s rings, and it’s Tom, but she ignores it. Kendall’s does, too. Then, while Kendall and Roman are sequestered off from the rest of the guests and Shiv is elsewhere on the boat being social, Tom finally gets through to Roman. Logan is “very, very sick,” Tom says. It is “very, very bad.”The next 10 to 15 minutes of television are absolutely harrowing. All we can see of Logan is his lifeless body, stripped to his waist, as crew members aboard the plane give him CPR — even though his heart and breathing have stopped. The kids fall into a state between panic and denial. Shiv — who has to be retrieved from the party one deck below — is practically catatonic when she finds out why she has been summoned. Her first response when she gets the news is, “No, I can’t have that.”The hero of the day — though he is a complicated hero — is Tom. He maintains a sense of calm while talking with his freaked-out in-laws, reassuring them that, “The plane people are lovely.” And he has the good and humane idea to get the younger Roys to say goodbye to Logan by phone, holding the phone up to Logan’s ear even though the old man is almost certainly already dead.Granted, none of them can summon much to say. Roman starts out by trying to reassure his father — or is it himself — that he was a good dad; then he cuts himself off, says, “I don’t know how to do this,” and passes the phone like a hot potato. Kendall gives a little Logan-esque “yeah,” telling him to “Hang in there” before his complicated resentments take over and he declares, “I can’t forgive you, but it’s OK and I love you.” Shiv is reduced to utter confusion and tears, a little girl suddenly pleading with her “daddy” to, please, “don’t go.”As nerve-racking as the middle section of this episode is, the rest of the hour is often very funny, in that gallows-humor way at which “Succession” excels; the tone even brightens a bit once everybody starts shifting into post-Logan mode. Although the contingent on the jet and the folks at the wedding are in shock, both groups also know that how they react will eventually be judged by the press and the markets. As such, they do not want to make any move that, as Kendall says, “restricts our freedom of movement.” Naturally, they all blunder into further trouble.The chaos that follows is a perfect storm of Roy family greed and pettiness. Logan’s big plan to sell to GoJo and to buy Pierce Global Media might have gone off without a hitch had his children not decided to pursue Pierce themselves and tried to squeeze extra money out of GoJo — largely, whatever they might say, out of revenge, which rarely makes for smart decision-making. (And who knows? Maybe all that aggravation added some extra stress, contributing to Logan’s death.)But then there are all the questions left behind by Logan’s death — unanswered partly because of Logan’s insistence on always keeping even his closest allies in the dark. Is Gerri still fired? Do the kids have any say on what happens next? Logan’s stalwarts and the Rebel Alliance each want to get in front of the press as soon as possible — partly to shape the narrative about who is in charge and partly to protect the stock price. But no one really knows what Logan would have wanted, or what the smart play here is.Perhaps the most devastating casualty of the day is Logan’s oldest son, Connor, whom Logan never even bothered to inform that he was going to miss the wedding. Alan Ruck has been a stealthy M.V.P. of this season, wringing pathos from Connor’s realization that neither the American voters nor his family really care about him. In an uncommonly touching heart-to-heart with Willa, he admits that he is scared she will leave him — he is pretty sure she agreed to this marriage, he says, only because she wants to be rich. (Willa doesn’t exactly deny this, though her response is charming enough that they end up getting married anyway, after nearly everyone has gone.) When Kendall gives him the news about their dad, all he can mutter is, “He never even liked me.”Perhaps because of some lingering sympathy for and loyalty to Logan’s children, the Waystar execs ultimately allow the Roy kids to draft the statement to the press — with the idea that Frank or someone on the board will sign off. The statement, which Shiv will deliver, is meant to be a simple expression of fact and sorrow, leaving an impression of stability and continuity at the company. The statement should also include mentions of Karl, Frank and Gerri by name, Frank insists, for the sake of “market confidence.”Instead Shiv ignores the executive team’s edits and makes no mention of any of them. And although she said she would not take any questions, she lets it slip on the way out that she and her brothers plan to be involved with Waystar going forward. This, no doubt, will cause trouble in the weeks ahead. The stock plunges immediately.“There he is,” Roman says, pointing to a line graph on his phone that looks like a cliff. “That is Dad.”So this is the Logan Roy legacy: No clear line of succession, a company in trouble, a multi-billion-dollar deal in limbo and none of his loved ones in agreement on what to do next. Nothing is certain. Nothing to be done. Still no Godot.Due diligenceI called Tom “a complicated hero” because while he manages this particular crisis well, in private moments he reveals some of the cunning, evil side that we have seen in the past. Before Logan dies, he mocks Cousin Greg for being left out of the Mattson trip, quipping that, “I’ve got three, four people Gregging for me.” (Greg’s morose reply: “Don’t turn me into a word.”) Then, after the death he admits that he is mainly upset because he just lost his “protector” in the company, then urges Greg to “sing my song” by spreading the word that he was by Logan’s side.After “firing” Gerri — who now appears very much not fired — Roman leaves his father a voice mail message letting him know how much he hated doing it. Then when he finds out Logan died, he worries that his message was responsible. As always, Kieran Culkin is so good at playing Roman’s deep-rooted guilt and self-loathing, which often overwhelms the man so much that he just physically collapses and has to lean against whatever is handy — as though keeping his whole horrible self animated were too taxing.If nothing else, this tragedy may have just rid Waystar and ATN of its Kerry problem. Her reaction to Logan’s death is so wildly inappropriate — saying, with an awkward smirk, that the whole experience of watching Logan die was “nuts” and “weird” — that everyone quickly sidelines her from any of the post-Logan planning. (Tom notes that her grin made it look like she just “caught a foul ball at Yankee Stadium.”)Kendall, calming his siblings when they can’t wrap their heads around planning a memorial for their father: “We’ll get a funeral off the rack. We can do Reagan’s with tweaks.” More

  • in

    ‘Succession,’ Season 4, Episode 2 Recap: The Serious People

    Logan Roy does not care about any of your social norms, and he lacks the patience for apologies.Season 4, Episode 2: ‘Rehearsal’Here’s what you need to know about Logan Roy: He does not care about any of your social norms or niceties. In last week’s “Succession,” while his kids were stealthily trying to outbid him for Pierce Global Media, Logan did not bother to play their little games. He demanded that Tom call Shiv to find out what was what — and he did it in a room full of Waystar executives, so Tom could not say no. Logan never minds coming off as rude or presumptuous. Manners are a waste of time, which is a waste of money.This week, the younger Roys are at it again, weighing a pitch from the maverick Waystar board members Stewy Hosseini (Arian Moayed) and Sandi Furness (Hope Davis) to gum up the works with the impending GoJo sale. So what does Logan do? He does not wait patiently and politely to see what will happen — heavens, no. He crashes a karaoke party.Logan spends a lot of this episode in places no one wants him to be. Apparently, without telling anyone — except for maybe Kerry and Tom — Logan has made a plan for how to spend the rest of his life. Once Waystar is officially sold to GoJo, he is going to dedicate himself to “fixing” ATN, because the only part of his business that he has every really cared about is the news.He shows up unannounced at the ATN offices late one afternoon and starts “terrifyingly moseying” around, according to Greg. (“It’s like ‘Jaws’ if everyone in ‘Jaws’ worked for Jaws.”) Logan complains to Tom about how much everything costs, from the air conditioning bill for ATN’s new hangar-style bullpen to the fresh pizzas being stacked atop the unfinished cold pizzas in the break room. (“There’s a sog factor,” Greg weakly explains.)In a stirring and terrifying speech — delivered to the assembled employees from atop some boxes of printer paper — Logan proclaims his vision for ATN. A state-of-the-art election package with spiffy new graphics? Who cares? What Logan wants is for his team not just to report the news but to make it. He wants them to start giving the audience “something everyone knows but nobody says.” It is time, at last, for brutal honesty.So it is inevitable really that Logan ends his night facing some of that honesty himself from two of the people with the biggest grudges against him: Kendall and Shiv. (But not Roman. We will get back to that.)The showdown is set up by a couple of typically petty Logan moves. The kids are supposed to helicopter into New York City for Connor and Willa’s wedding rehearsal, but their father cancels their Waystar chopper privileges with no warning. This infuriates Shiv, who is already fuming because he advised Tom to tie up every notable divorce lawyer in New York, so that they are all “conflicted out” from handling her case — a classic Logan breakup move. (“I got Mommed,” Shiv grumbles.)The vibes are even worse in the city, where just as Kendall, Shiv and Roman are walking in late to the rehearsal dinner, Willa is ducking out. Connor explains that when his fiancée rose to give a speech, she said, “I can’t do this,” and then disappeared into the bathroom. Connor is now mopey and anxious, and tracking Willa’s whereabouts via a locator app on his phone. Roman, incapable of letting a prime opportunity to needle a loved one go unheeded, revels in describing what kind of decadent escapades Willa might be up to. (Connor, when the app shows Willa at an aquarium supply retailer: “Is that a drug thing?” Roman: “It is.”)To cheer Connor up, they indulge his longstanding dream to sing karaoke at a “real” bar “away from the Fancy Dans,” just like people do in the movies. But while Connor is in the middle of an impressively miserable version of Leonard Cohen’s “Famous Blue Raincoat” — an impressively miserable song — the kids get the alert that Logan is on his way.Because Logan knows everything — in this case, thanks to Connor — he knows his children are thinking about squeezing GoJo’s Lukas Matsson (Alexander Skarsgård) for more money. He is also convinced that deep down, this is personal for them not business. He needs to give them something they want more than money: an apology.But an apology for what? Logan wants to limit his regrets to some of his minor recent obnoxiousness. But Kendall and Shiv, who have had enough of their father’s pretending to atone one day then going back to being awful the next, want him to acknowledge his biggest sins: ignoring Connor, hitting Roman, weaponizing Tom against Shiv, conspiring with the kids’ mother to push them out of Waystar … everything, basically.Logan sees no point to this, so he abruptly ends his family reconciliation time with a gentle but devastating kiss-off: “I love you, but you are not serious people.” Only after he leaves the karaoke bar does Logan start raging, ranting to Kerry about how in New York there are “rats as fat as skunks.” He then pivots back into Logan mode, deciding to cancel the board meeting and to meet with Mattson again, with every major Waystar player there except Gerri (J. Smith-Cameron). He wants to skip the procedural hoo-hah and settle this person to person.Shiv and Kendall seem almost giddy that they got to tell the old man off to his face — though later as they ride home separately, only Kendall is still smiling. And Roman?Well, it turns out Roman has been texting little “hey how are you” messages to his father for weeks. So after the karaoke fiasco, he drops by his dad’s home and immediately gets roped into the big Mattson plan. Logan needs “pirates” like Roman to lead his new ATN. “Smart people know what they are,” he tells his son.This is something Shiv and Kendall have missed, as they have been dragging Roman from one Logan-skewering plan after another and treating him like their mascot. They think their brother is the George Harrison of their band. But when pushed, Roman stares them down and straightens them out, proclaiming — with a confidence that should frighten them — “I’m John.”Due diligenceThe best running gag in this episode — just edging out how Kendall keeps pestering Roman with snackable bits of Buddhist philosophy — involves Kerry’s audition to become an ATN anchor. She has produced a terrible tape. (For some reason she keeps smiling at all times, even when reporting on a child abduction.) Tom, tasked with figuring out what to do about this, gravely tells Greg that the situation is “like Israel-Palestine, except harder and much more important,” before passing the buck and offering a step-by-step guide for how Greg should handle it. But when Greg tries to follow those steps, he botches it. His best attempt to soften the suggestion that her tape is awful is to say, “It can happen that they shoot weird, the cameras.”A serious question for serious people: Why do the Roy children even want to be in the news business? News is Logan’s passion. The children, based on all available evidence, seem baffled by its appeal. While watching some PGM programming and brainstorming about how to improve it, they sound completely lost. Shiv only knows they should “broaden out and stop over-indexing to college professors.” Kendall tosses out jargon like “from global-global to hyperlocal” but when he tries to clarify what he means all he can come up with is, “Every day: What is happening in Africa?” And as a bit of possible foreshadowing, Roman comes closest to imagining something like his dad might want when he proposes info-dumps in the day and “A Clockwork Orange” at night.The younger Roys do a lot in this episode to torpedo any sympathy viewers might be nurturing for them. When they follow Connor into one of his non-Fancy Dan bars (where he sighs, “Ah, America! I’ve missed you.”), Roman mutters, “Do you think they know how to make a vodka tonic?” while Shiv chuckles, “House red? Do I dare?” Later, Roman seems bemused and repulsed by the plastic menus listing basic pub food like wings. The Roys’ contempt oozes … and it stinks. More

  • in

    ‘Succession’ Season 4 Premiere Recap: Many Happy Returns

    The Roy family is back for a fourth and final season, and everyone came out swinging. Let the humiliations begin.Season 4, Episode 1: ‘The Munsters’Have you ever noticed that “Succession” is a show about deal-makers in which hardly any deals are ever completed? Every major acquisition or transfer of power always seems to be 48 hours away. Everyone always needs to iron out a few more details, get a few more stragglers from the board into the fold, toss in a few more sweeteners for the major shareholders, et cetera. How many times over the course of this series have the principals actually signed on the dotted line?I can think of one: when Siobhan Roy (Sarah Snook) married Tom Wambsgans (Matthew Macfadyen). And even then, Shiv blew up the deal on the couple’s wedding night by telling Tom she wanted an open marriage. Given a choice between no wife and barely a wife, Tom chose to stay in the mix, hoping Shiv might one day wake up and realize she had already found her true companion. But the string of humiliations over the past few years has not been easy for Tom. As Season 4 begins, the two are on the brink of divorce.Yet even when it comes to dissolving a contract, these two cannot quite finish what they started.Tom and Shiv are at the center of both halves of this lively and highly entertaining premiere of the show’s fourth and final season. After betraying his wife and allying with Logan Roy (Brian Cox), Tom is starting to realize that his father-in-law perhaps values him mainly as a way to keep tabs on his rebellious kids. Tom even broaches the subject of a Shiv-free future, asking (after a hilariously rambling prologue), “What would happen were a marriage such as mine, and even, in fact, mine, were to falter to the point of failure?”Logan’s typically cryptic reply: “If we’re good, we’re good.”The Tom half of this episode takes place in New York, at Logan’s birthday party, which for the guest of honor is a miserable occasion. (We know this night is going to be a bummer when Nicholas Britell’s typically mournful string cadence plays as Logan mingles.) He gets so fed up with all the cheerful “Munsters” scarfing up his food that he ducks out with his bodyguard and “best pal” Colin (Scott Nicholson), escaping to a diner where he grimly ruminates on how, if you really think about it, people are just economic units, and how once we die, our place in the market dies with us. “I think this is it,” he mutters. “Realistically.”What eventually rouses Logan on this deeply depressing evening is what is happening across the country in Los Angeles, where Shiv, Kendall (Jeremy Strong) and Roman (Kieran Culkin) are plotting revenge for the vicious way Logan blocked their recent coup attempt. These “new-gen Roys” are planning to launch “a high visibility, execution-dependent disrupter news brand” called The Hundred, with insights provided by the 100 top thinkers in all the major fields usually covered by the media — business, tech, food, politics and the like.This all sounds great to Shiv — really, it does, she over-insists — until she gets a tip from Tom that in addition to Waystar’s impending megadeal with GoJo, Logan wants to land a big fish he has been salivating over for years: the left-leaning, Roy-hating Pierce Global Media, which Nan Pierce (Cherry Jones) is desperate to sell. Sure, The Hundred had potential investors lining up outside Roman’s fancy hillside house. Nevertheless, Shiv, Kendall and Roman still jet up to Nan’s palatial estate and vineyard, where they become the ones who have to line up and wait.Shiv wants primarily to be taken seriously so that Nan will stop thinking of the Roy kids as “fake fruit for display purposes only.” The younger Roys know that they can offer Nan assurances about preserving the P.G.M. brand that Logan would never honor (despite Tom’s promise to the Pierces of “a little tummy-tickle on culture”). And they are pretty sure they can line up the financing after their dad’s GoJo deal goes through and they cash out of Waystar, netting about $2 to $3 billion. The real question is: Do they want this?Kendall clearly does, because he is driven by a hunger to beat Logan. Shiv wants to do something big, which is probably not The Hundred. (I mean … it is The Hundred, not The Billions.) Roman, though, is skittish about going another round with their dad, having just been soundly whipped.Roman eventually falls into line, and with as much fake enthusiasm as he can muster, gets ready to “talk to an old lady about newspapers.” But Nan is tricky. She insists there is no way to back out of her tentative deal with Logan and groans that she is tired of hearing about numbers, while sneakily steering her new suitors toward an offer well beyond the $7 billion Waystar was planning to spend. The kids settle on $10 billion, which turns out to be a “definitive,” conversation-ending bid.Earlier, Logan’s children had gotten a call from his friend, assistant and adviser Kerry (Zoe Winters). (Who is also possibly his lover and the future mother of his child? Logan’s love life is another deal that never quite seems to close.) She suggested that maybe they could ring him up and wish him a happy birthday. Instead, Logan’s party ends with him demanding Tom call Shiv so he can growl at “the rats,” hissing, “Congratulations on saying the biggest number.”This brings us back to Shiv and Tom. They end their busy day by meeting awkwardly in their New York apartment, where Shiv has popped by to pick up some outfits Tom thought she did not want. (“I don’t want to be restricted to my favorites,” she says, a tossed-off remark that says a lot about Shiv’s whole vibe.) They bicker a bit about how Tom and Cousin Greg (Nicholas Braun) have been tomcatting around, calling themselves “the Disgusting Brothers.” She suggests they “move on” from this marriage, to which he offers a Logan-esque, “uh-huh.”Then they collapse next to each other on the bed and hold hands. They are not going to talk things out. They are not going to reconcile. They are not going to have sex. But neither of them wants to leave, so they are going to stay in the same space together a little while longer. Whatever is going to happen with them, they will figure it out tomorrow — or maybe never.Due DiligenceCousin Greg comes in hot in the season premiere, bringing an un-vetted rando named Bridget (Francesca Root-Dodson) to his uncle’s birthday party. Bridget is “a firecracker” and “crunchy peanut butter,” who at one point sneaks off with him and has “a bit of a rummage” in his pants. She also posts pics from the party on social media, asks Logan for a selfie and carries what Tom describes as a “ludicrously capacious bag” that one would slide across the floor after a bank job. So when Colin indicates that he needs to eject her, Greg does not stop him. (“I don’t want to see what happens in Guantánamo,” he says. “Do your ways, and God be willing.”)Connor Roy (Alan Ruck) is in a funk all episode because he has been told he needs to spend another $100 million on his presidential campaign just to maintain his current 1 percent in the polls. So he asks his fiancée, Willa (Justine Lupe), if she would let him drum up some free publicity by having their wedding underneath the Statue of Liberty with “a brass band” and “bum fights.” (Y’know, hoopla and razzmatazz.)You may be thinking, “What about The Hundred?” This promising start-up may have just stopped, but we will always treasure the many ways its founders tried to define it. It is “like a private members club but for everyone.” It is “an indispensable bespoke information hub” with “high-calorie info-snacks.” It “has the ethos of a nonprofit but the path to crazy margins.” (Tag yourself! I’m “Substack meets Masterclass meets the Economist meets The New Yorker.”)Always remember: Logan is not being horrible. He is being fun. More

  • in

    The Key to Gerri on ‘Succession’? ‘Inside She’s a Nervous Wreck’

    For decades the New York theater world paid homage to J. Smith-Cameron, a veteran stage actress who has often been compared to Carole Lombard for her precise timing and comic verve. When she wasn’t doing Molière or Shakespeare, she was impressing critics and her fellow actors with her performances in plays by Paul Rudnick, John Patrick Shanley and Beth Henley.Now her hard-won local fame has been eclipsed by her breakout role on “Succession,” the HBO drama about a venal Murdoch-like family locked in a “King Lear”-like power struggle. As Gerri Kellman, the long-suffering general counsel and consigliere to Logan Roy, the vicious, vacillating patriarch played by Brian Cox, Ms. Smith-Cameron has turned an ancillary player into a surprisingly complex character. It’s a grown-up role for a grown-up woman.Gerri’s cool gaze, raised eyebrows and clipped interjections, along with her shrewd analyses of corporate shenanigans, have made her an avatar of female power for women of all ages, especially young professionals who find that attaining success in their fields may require them to tiptoe around monstrous male egos. As a result, Ms. Smith-Cameron has gone from a darling of the stage to social media star, with memes galore and Twitter accounts dedicated to Gerri’s every eye roll.“Characters like hers are often written as these barracuda businesswomen or hard-boiled lady detectives, people who are impenetrable or invincible,” Ms. Smith-Cameron said. “What I like about Gerri is she’s very powerful, but inside she’s a nervous wreck. She’s not impervious to things. That’s why I think she strikes a note. There’s a vulnerability to her and a jittery, thinking-on-her-feet quality. She’s not just coming in and blasting people.”On a brisk March afternoon, Ms. Smith-Cameron, who goes by “J.,” settled in with a cup of coffee onto a squashy blue velvet sofa in her living room. Brownie, a grizzled and wary 12-year-old terrier mix, was napping, fitfully, among the pillows, occasionally rousing herself to bark at a guest.For the last eight years, Ms. Smith-Cameron and her husband, Kenneth Lonergan, the playwright, screenwriter and director, have rented this cozy, two-story apartment in a Federal-style townhouse in downtown Manhattan from the actor Matthew Broderick. Mr. Broderick and Mr. Lonergan have been pals since high school, and they and Ms. Smith-Cameron have worked together, on and off, for decades.Ms. Smith-Cameron with Mr. Broderick in a 1999 production of Emlyn Williams’s “Night Must Fall” at the Lyceum Theater in New York.Sara Krulwich/The New York Times“It’s been thrilling to watch J. cross over from a fixture on the New York stage into the collective consciousness,” Mr. Broderick said in a phone interview. “She’s so smart and her humor is so slyly funny. She doesn’t miss a joke.”There are a few Broderick touches in the apartment, notably paintings by Mr. Broderick’s mother, Patricia. “This one is called something like, ‘No matter how old or sick they are, no one likes to look a wreck,’” Ms. Smith-Cameron said, pointing out a piece above the fireplace, an expressionist image of a stately woman in disarray. “Isn’t it great? It’s so thought through.”Gerri has been good to the Smith-Cameron-Lonergan household.“She’s been supporting us for the last six years,” said Mr. Lonergan, who is known for the films “Manchester by the Sea” and “You Can Count On Me.” “No qualms with her whatsoever. Whatever she needs to get done it’s fine with me.”He mused about what, if anything, the character has in common with his wife.“J. has pointed out that Gerri is very anxious,” he said. “J. is sometimes anxious but not in a maneuvering way — she just gets anxious and overwhelmed. Her wheels are always turning. When you hug her, she’s very nicely hugging you back, but you get the sense she’s thinking of other things.”“I’m sorry,” Ms. Smith-Cameron said.It was Ms. Smith-Cameron’s rapport with Kieran Culkin, who plays Roman, the youngest, sassiest Roy, that inspired a “Succession” subplot that completely unhinged the internet. Gerri and Roman were in a jousting and affectionate mentor-mentee relationship as she took him under her wing. But the show’s writers, noting the actors’ off-camera banter, pushed the relationship further. (Off the set, the prankish Mr. Culkin teases Ms. Smith-Cameron as relentlessly as Roman does Gerri. This summer, during a cast dinner, she said, she was so exasperated with him she threw a drink in his face.)Ms. Smith-Cameron, with Kieran Culkin, in a scene from Season 3 of “Succession.” She went off script to call his character a “little slime puppy” in one episode.HBOMidway through the second season, Roman’s Gerri-baiting and his off-color jokes, and Gerri’s snappy retorts, had morphed into a queasy dominatrix-submissive scenario. During a phone call with Roman, Gerri realizes, to her horror, that her tart insults are turning the conversation into phone sex, at least on his end. Ms. Smith-Cameron found herself improvising, which was how the phrase “little slime puppy,” a put-down she coined on the spot, entered the popular lexicon. Or at least the vernacular of “Succession” fanatics.By the end of Season 3, things had gone completely off the rails. Roman tried to text Gerri a close-up of his anatomy, only to misfire, sending the photo to his father. For the first time in her career, Gerri found herself in a vulnerable position. That precariousness, and her response to it, will define her path in the show’s fourth and final season, which has its first episode Sunday.“Gerri is in a restless, insecure place through the whole season, but also, I feel, getting wise to her heft,” Ms. Smith-Cameron said. “I always felt like there was something kind of on the boil with her. I can say that it’s the first time in her career that she’s not felt on solid ground — and she’s angry about it. She’s angry with both Roman and Logan. She’s of an age and has accrued money and could easily retire, but she’s not the type. She’s a workaholic and I think she feels like she’s in her prime. People are always asking me, ‘Why does she take it?’ I think it’s thrilling for her, it’s a high, like surfing in a dangerous sea.“I don’t know that I could be Gerri in real life, and yet acting is very insecure,” she continued. “You have to go out and kill for food every time.”Ms. Smith-Cameron started acting in plays in New York in the 1980s. “I wasn’t trying to be on a big hit show,” she said.Justin J Wee for The New York TimesMs. Smith-Cameron, 65, was born Jean Isabel Smith in Louisville, Ky., the youngest of three children, and grew up in Greenville, S.C. Her father was an architect and engineer; her mother worked at Head Start and as an assistant librarian. Ms. Smith-Cameron studied at the Florida State University School of Theater in Tallahassee but dropped out, because she was working so much in regional theater and small films.She changed her name in stages: First to J. Smith, because Jeannie, as she was known, seemed too flimsy for an actor. She then exchanged Smith for Cameron, a family name, for additional heft. The hyphenate Smith-Cameron came a bit later, and by accident, after a director printed her name on a film poster that way.In the early 80s, Ms. Smith-Cameron moved to Manhattan and has worked to growing acclaim ever since. In the 1997 Off Broadway production of Douglas Carter Beane’s “As Bees in Honey Drown,” she played an irresistible con artist, delivering a manic mash-up of Auntie Mame and Holly Golightly in a role that won her an Obie. Ben Brantley called her performance “deliriously pleasurable” in his review for The New York Times.“In my 60s, to have this attention, it’s just weird,” she said. “It’s not like I didn’t have notice before, but I always did these off-the-beaten track things. I wasn’t trying to be on a big hit show.”Ms. Smith-Cameron has long been a booster of independent film. You can see her right now in “The Year Between,” by Alex Heller, a comedic drama based on the filmmaker’s own experience with bipolar disorder, which caused her to drop out of college and move back home with her parents. Ms. Smith-Cameron plays the tart Midwestern mother, and Steve Buscemi is her kindly husband. It’s not the first time they have been married onscreen. “He’s so great,” she said of Mr. Buscemi. “We both love to champion independent movies because they’re not built on the premise of making money. They’re exhausting, you have to work really hard fast, but when it fits, it’s a joy.”The actress in an ensemble scene from the 2022 film “The Year Between.”Gravitas Ventures“J. lifts people up,” said Zoe Winters, another fine stage actor scooped up by the “Succession” team who plays Kerry, Logan Roy’s immaculate assistant. “I’ll get texts from her that say, ‘You’re quite something. You’re dazzling.’ She has an endless capacity for that. Ultimately, I think what she’s always trying to do is make people feel good and make really good art.”Ms. Smith-Cameron and Mr. Lonergan met cute, as she put it, while working on a series of one-act plays in the mid-90s. She said she found him appealingly grumpy and quietly hilarious.As she recalled, “I was like, ‘Why have I never met this actor? He’s of an age, he’s really good, he’s really smart! Is he gay? Is he married?’ I began to do a little research.”She learned he was a playwright, acting in another’s scene, who had also written what she thought was the best play of the program. When they collided one night on the stairs of the theater, she complimented his work, comparing it to a William Inge play. When he looked blank, she challenged him, saying, “Don’t you know who William Inge is?”“I had been married and divorced in my 20s,” she said, “and I was going through a chilly spell. I didn’t think I’d fall in love or get married or have kids. So I was a little bitter and a little saucy. But I had never been this brazen.”The couple married in 2000; their daughter, Nellie, is 21.Ms. Cameron-Smith and Mr. Lonergan at the Season 4 premiere of “Succession” at Lincoln Center this month.Jutharat Pinyodoonyachet for The New York Times“There’s something conspiratorial about J., as if she can’t wait to let the world in on the most delicious secret,” said Mr. Rudnick, who cast her in his 1994 Off Broadway comedy, “The Naked Truth.”“She was helplessly, magnetically funny,” Mr. Rudnick continued. “I kept making this one speech longer, just so I could watch J. perform it. She developed a brilliant set of almost balletic gestures, which she informed me were called ‘puppet hands.’ And over the course of an especially long rehearsal, we developed a system where if J. performed her monologue flawlessly, I’d give her a chocolate chip cookie. She of course ended up with an entire bag of Chips Ahoy!”Frank Rich, the former New York Times theater critic and an executive producer of “Succession,” said he had taken delight in Ms. Smith-Cameron’s stage work for years. Even though she has often been known for playing more flamboyant characters, he is not surprised by the nuanced quality she has brought to her character.“For Gerri, J. found this astringent comic tone that suggests she’s in on the joke of working for these entitled jerks who think they know what they’re doing but often have no idea,” he said. “She’s their corporate babysitter even as she has to be subordinate to them. There’s a tragicomedy to her situation, and J. is an actor who can deliver on that.”Ms. Smith-Cameron at home.Justin J Wee for The New York TimesMr. Lonergan, who had been puttering in the kitchen, wandered back into the living room, still mulling over the question of whether his wife has anything in common with the Waystar Royco general counsel.“The other thing I was going to say is, J. doesn’t take full command of things but they kind of go the way she wants them to go, sooner or later,” he said. “She’s very strong-willed. At first I would have said there wasn’t any similarity between J. and Gerri, but they both have their eyes on the main point. Both are extremely observant and notice shifts in what’s going on around them. They’re both interested in substance, and neither of them needs to be the center of attention in a room — and nobody is smarter than either of them in a room.”Ms. Smith-Cameron was beaming. “Thank you,” she said. More

  • in

    ‘Succession’ Recap Ahead of Season 4: Which Rat Could Win the Race?

    Logan Roy, who compares his children to rodents, still needs a successor going into the final season. Who seemed most likely when we left off?From the start, the HBO series “Succession,” returning Sunday for its fourth and final season, has kept us dangling. The first ever episode teased a retirement announcement that never came, and ever since, the characters have fought over who should succeed the powerful media titan Logan Roy (Brian Cox) as head of the Waystar Royco empire. Should it be one of his spoiled adult children, who haven’t exactly instilled confidence, or a favored employee, whose motivations are often murky?For three seasons, the hierarchical possibilities continually shifted as the father and his heirs played out power dynamics worthy of Roman history, or Greek tragedy, or Shakespearean drama. Siblings fell in and out of favor as they tried to curry respect, or just fatherly attention. The final season should at least answer some crucial questions: Who, if anyone, will take Logan’s place? And will there even be a Waystar left to helm?Here’s a closer look at the candidates most likely to succeed Logan should he die, go to jail or otherwise abdicate his throne before a planned acquisition.ConnorOdds of succeeding: Not bloody likelyPoor, pathetic, peripheral Connor (Alan Ruck), the overlooked eldest, the witless wonder. While his younger half-siblings scheme and maneuver, his presence is never required. “Everybody thinks you’re a joke,” Logan tells him. “You’re irrelevant,” says Kendall. “Generally speaking,” Roman adds, “people don’t like you.”And yet, although he was never groomed to take over Waystar, Connor has his eye on an even bigger prize: the presidency of the United States. By the season premiere, he is barely polling at 1 percent, and even that seems tenuous. Logan could bankroll his campaign, or ATN could back him instead of Jeryd Mencken (Justin Kirk). But these things are unlikely to happen, especially given the pending company acquisition by new-media mogul Lukas Matsson (Alexander Skarsgard). It’s beginning to look as if Connor may just have to settle for being incredibly wealthy.The Rat Pack: Kendall, Siobhan and RomanOdds of succeeding: It’s an outside bet.Logan calls his other children “the rats.” We might call them nepo babies. These backbiting siblings usually work in opposition to one another — see the open letter from Shiv (Sarah Snook) about Kendall (Jeremy Strong), just for starters. For now, though, those two and their younger brother, Roman (Kieran Culkin), are presenting a united front.Might they succeed together? In the Season 3 finale, they form an alliance to prevent the sale of Waystar, but that effort fails. If they want to beat their father at his own game, there are only a few options. They could use their inherited wealth (and the billions they stand to make from the Waystar sale) to start their own media company. Or they could just buy a successful rival. But can they ever stop obsessing about their father? Dreaming of patricide — symbolically, for now — is the glue binding them together at present.Kendall (Jeremy Strong) has proved a little too volatile — and Oedipally inclined — to wind up with Waystar thus far.Claudette Barius/HBOKendallOdds of succeeding: Not the family favoriteOnce Logan’s likeliest successor, Kendall, a recovering drug addict, has proved to be too much of a Ken doll: too easily played with, manipulated and broken. He is a lost soul, still tormented by the accidental killing of a waiter at his sister’s wedding. (Word of that could still surface.)The only thing that seems to give Kendall a purpose — or pleasure — is making moves on Logan. He has made three tries so far, with the bear hug (Season 1 finale), the news conference (Season 2 finale) and the failed coup (Season 3 finale). Will a fourth do the trick? It takes a killer instinct — and success — to earn Logan’s respect.RomanOdds of succeeding: The best value on the boardRoman is the neediest of the Roy children, and his insecurity has led him to make some stupid moves. Lately, though, he has gotten smarter — or at least feels he has. (“I think I might be the best businessman in America,” he tells himself.) When he is actually working (and not engaging in self-destructive psychosexual dalliances), he has proved himself to be capable, although still morally weak. (Supporting Mencken might be good for ATN, but is it good for the country?)Roman’s strong ties to both Mencken and Matsson also put him in the best position to return to Waystar’s inner sanctum — he now has something his father needs, if he’s willing to put the sibling alliance aside. But he is still vulnerable, thanks to those inappropriate photos he meant to send to Gerri (J. Smith-Cameron). Don’t send nudes to your dad, especially if your dad is Logan Roy. It’s just ammunition.Shiv (Sarah Snook) may in many ways be the best suited to take over, but she also seems a little too willing to sell out her own principles.Claudette Barius/HBOSiobhanOdds of succeeding: Coin flipLogan once offered his daughter, Shiv, the top job, but he had second thoughts: “You’re a young woman with no experience.” She might not have run a global media company before, but she has proved herself capable — brokering deals and fending off a hostile takeover. The real problem was that Logan wanted a female face to represent the company only while it was facing allegations of sexual abuse. He doesn’t really recognize Shiv’s acumen. And doing his bidding, and suppressing her own liberal values, hasn’t earn her points, or respect. It only contributed to her getting stabbed in the back. If Shiv wants to prevail, she will have to start doing some shivving of her own.TomOdds of succeeding: A close front-runnerFaced with a difficult choice between his wife Shiv and his father-in-law, Tom (Matthew Macfadyen) chose Logan. It’s a decision that will likely destroy his marriage. Worse yet, a divorce could also affect his future standing with Logan. Right now, though, Tom is the head of the broadcast news division, he is Logan’s son-in-law, and he has put Logan in his debt by saving the merger deal (and by offering to serve prison time for the cruise line scandal).But Logan has a short memory for the favors he owes, and he doesn’t respect obsequious yes-men. So Tom will have to continue to prove himself.Cousin GregOdds of succeeding: LongTom’s accomplice and protégé, Cousin Greg (Nicholas Braun), is a bit of a dark horse, but he has come a long way from the days when he had to beg the doorman to cover his cab fare. Greg isn’t immediate family, but he somehow manages to be at all the important family events and becomes privy to much dangerous information. While he once seemed the most morally grounded member of this bunch, he was willing to sell his soul to Tom. What might he do if Logan asks?Granted, Logan would probably have to remember Greg’s name and existence before that happened, and even then, he would be more likely to grant control of a theme park than of Waystar. It’s still possible that Greg’s aged grandfather, Logan’s brother (James Cromwell), might change his mind again and bequeath his estate to Greg, which would give Greg a controlling stake in Waystar.Gerri (J. Smith-Cameron) has already been acting as chief executive. Her odds of taking over seem decent.Macall B. Polay/HBOLogan’s Lackeys: Gerri, Frank, Karl and HugoOdds of succeeding: Gerri alert!Logan doesn’t trust most of his C-suite colleagues — namely, Frank (Peter Friedman), Karl (David Rasche) and Hugo (Fisher Stevens) — enough to give them the keys to the kingdom. Gerri is the exception: He does recognize her business skills and wisdom. Gerri is cool and unflappable, and if she plays it smart, her current interim position as chief executive could become permanent, depending on how Matsson rates her. And whether she takes action against Roman for sexual harassment.The WivesOdds of succeeding: The juice is worth a squeeze.Each of Logan’s wives is a bit of a mystery. What do we know about the first one, other than that she was Connor’s mother? Does she have a stake in the company? Logan’s second wife, Caroline (Harriet Walter), did, but she gave up her claim — and her children’s supermajority of votes — in exchange for a London flat.And his estranged third wife (soon to be ex?), Marcia (Hiam Abbas), seemed to have a stake in the company — or at least Logan wanted her to — along with an extra vote on the board when he dies. It’s unclear exactly how that was resolved, but she did get a larger financial stake when he cheated on her. There’s also the matter of her son Amir (Darius Homayoun), who can implicate Kendall in the waiter’s drowning. So Marcia, as Logan would put it, has some juice.KerryOdds of succeeding: All bets are off.Logan’s friend, assistant, and adviser — and probably new lover — has managed to get very close to the tycoon in record time. And we know what sometimes happens with Logan’s mistresses — they are offered top positions. Remember Rhea Jarrell (Holly Hunter)? Kerry (Zoë Winters) may have growing ambitions, so she is one to watch, and not just for a baby bump. If she continues to smirk at and mock various members of the Roy family, it could be because she knows something we don’t. More

  • in

    Matthew Macfadyen Has Mixed Feelings About the End of ‘Succession’

    Could there be a more excruciatingly awkward TV character than Tom Wambsgans in “Succession”? Played with understated comic glee by the British actor Matthew Macfadyen, Tom manages to simultaneously exist on all points of the show’s power spectrum: bullied, bullying and wafting helplessly in between.Over most of three seasons, Tom has stayed one and a half steps behind the machinations at Waystar Royco, the company run by his imperious father-in-law, Logan Roy (Brian Cox), while being treated with casual contempt by his wife, Shiv (Sarah Snook).So it came as a shock when Tom pulled himself together at the end of Season 3 to orchestrate a stunning power play, teaming with Logan against Shiv and two of her brothers in an epic battle over Waystar’s future.Not that this guarantees Tom will end up on top in the fourth and final season of “Succession,” which begins Sunday on HBO. (Whatever “on top” really means when the pole is as greasy and compromised as this one.)“Tom may be in Logan’s camp, but it’s not an easy camp to be in,” Macfadyen said on a February afternoon, sipping a bitters and soda in Bemelmans Bar at the Carlyle Hotel. “He still doesn’t feel particularly secure, and he’s still worrying about his relationship with Shiv. And everyone else is still maneuvering and jockeying and competing.”If Macfadyen is operatically ill at ease in “Succession,” in reality he is the opposite: relaxed, easygoing and affable, his voice deep and self-assured, with none of his character’s nervous tics or frantic efforts to read his fate in others’ eyes. While Tom is beset by inner demons and crippling insecurity, Macfadyen comes across as remarkably well adjusted, someone happy to do his job and not get too wound up about it. He uses the word “lovely” a lot.Long a familiar face to British viewers, Macfadyen had been mostly under the radar on this side of the Atlantic before “Succession.” If Americans knew him at all, it was likely in his guise as a different Tom — Tom Quinn, an arrogant yet vulnerable spy in the first two seasons of the British series “Spooks” (known in the U.S. as “MI-5”), starting in 2002. Or they might have seen him playing a brooding, tortured Mr. Darcy in Joe Wright’s “Pride and Prejudice” (2005), or a Victorian detective in the BBC series “Ripper Street.”Macfadyen and Nicholas Braun, who plays Cousin Greg, in the new season of “Succession.” The actors have teamed in some of the show’s funniest scenes.Macall B. Polay/HBOIn “Stonehouse,” from earlier this year, Macfadyen teamed with his wife, the British actor Keeley Hawes. “It was fun to get a chance to see Keeley at work,” he said. BritBoxIt was a different role that won over Jesse Armstrong, the “Succession” creator: Macfadyen’s turn as the drunkenly bumptious Sir Felix Carbury in “The Way We Live Now” (2001), a British mini-series based on the Trollope novel.“He’s well known in the U.K. as being able to play all sorts of parts, though most people wouldn’t necessarily know him as a comic actor,” Armstrong said.While Tom began “Succession” largely on the fringes, “I knew this role would be significant and important,” Armstrong said. As the series went on, the writers played to Macfadyen’s antic comic skills and ability to show Tom’s poignant vulnerability in quieter moments.“In a show that’s about power and its manifestations, Matthew is very good at playing a character who is the crux of a number of different power relationships,” Armstrong said. “He’s good at showing Tom’s willingness to shape and adjust his personality to fit into the power structure.” (As Macfadyen explained recently on “The Tonight Show,” one way he does this is by raising and lowering the pitch of Tom’s voice depending on who else is in the scene.)Macfadyen, 48, was born in England but raised abroad, including for several years in Jakarta, Indonesia, because of his father’s job in the oil business. He went to boarding school back home, skipped college and enrolled instead at the Royal Academy of Dramatic Art. After graduation, he toured internationally in the Cheek by Jowl theater ensemble, performing in plays like “The Duchess of Malfi” and “A Midsummer Night’s Dream.”He had a breakthrough when he was cast as Hareton Earnshaw in the 1998 British TV adaptation of “Wuthering Heights,” followed quickly by a two-part BBC film, “Warriors,” in which he played a U.N. peacekeeper in Bosnia. He has worked steadily since. “You just get a momentum,” he said.Macfadyen has a tendency, common to English actors, to downplay his own work, as if it all flows effortlessly from him. He also has a predilection for supporting roles.“I feel sometimes you can get in a rut when you play leading men,” he said. “It’s much more fun being the baddie or the clown.”Tom has stood out from the start of “Succession,” but Macfadyen has never felt compelled to demand more airtime. “I don’t feel like it’s my character,” he said. “It’s Jesse’s, and I’m the conduit for it.”Mark Sommerfeld for The New York Times“Succession” is full of big names and memorable characters, including the three Roy boys: Kendall (Jeremy Strong), Roman (Kieran Culkin) and Connor (Alan Ruck), each appalling and damaged in his own special way. But Tom Wambsgans — mercurial yet sensitive, diabolical yet almost constantly hapless — stood out from the beginning.There is the matter of his strange last name, its awkward B bristling aggressively in a string of consonants, defying casual pronunciation. There is his status as a Roy punching bag, a man whose wife announced on their wedding night that she wanted an open marriage and whose father-in-law dangles power before him but uses him as a scapegoat and bagman. There is his loopy relationship with Cousin Greg (Nicholas Braun), a sadomasochistic romp that Armstrong describes as a “homoerotic power play.”While Tom is no dummy, his awkwardness is so easy to mistake for stupidity that sometimes even Macfadyen does it. “Jesse will remind Nick and me, ‘He’s running a billion-dollar wing of this company; he’s not a total moron,’” he said.Over four seasons of filming in New York City, the “Succession” cast became particularly close, and it was not unusual to see them dining around town in various configurations in what Macfadyen called “the ‘Succession’ supper club.” He often had dinner with Snook, his fictional wife, and other cast members.“I don’t know how he’s managed to make such an obsequious and bullying character likable, but he has,” Snook said. “He’s one of those actors who’s got such love and empathy and compassion and curiosity for the world that he can really fashion a character into anything he wants.”Macfadyen seems to be that rare thing: an actor without a huge ego. (Or perhaps he is such a good actor that he can hide his egotism.) Among other things, he said, he has never felt compelled to demand more airtime or a better story arc for Tom.“I’ve seen actors get very proprietorial about their ‘journey,’” he said. “But I don’t feel like it’s my character — it’s Jesse’s, and I’m the conduit for it.”Also, he added, “You don’t want to get attached to a possible story line, because they may change their minds.”Braun said that Macfadyen has a genuine selflessness, a helpful quality in a series in which numerous actors are often in a single scene. He also praised Macfadyen’s uncanny ability to stay in the moment while performing, and to do so with an un-showy absence of vanity.“He doesn’t expend a lot of extra energy before a scene,” Braun said. “He’s not, like, ruminating or taking a lot of private time or ‘staying in the energy’ of Tom.”(In this way, Macfadyen would seem to be the opposite of his co-star Strong, whose intensity and extreme immersion into his characters have been extensively chronicled in The New Yorker and elsewhere. Macfadyen was loath to discuss this topic. “I think enough has been said about that,” he said.)Though “Succession” is carefully scripted, the actors are encouraged to improvise and play around with alternative dialogue. Braun and Macfadyen, who have shared some of the show’s funniest scenes, were famous on set for cracking each other up. “The guy is abusive in a way that isn’t super on the nose,” Braun said, of Tom.“They evidently just find each other amusing,” Armstrong said dryly.Macfadyen is married to the British actor Keeley Hawes, whom he met when both played spies in “MI-5.” They had a highly public affair — she had a husband and a baby at the time — but married in 2004, after her divorce, and had two more children together. Macfadyen said that everyone has become great friends and co-parents. “It was a bit bumpy at the time, but it’s fine now,” he said.“It was a really lovely bunch of actors,” Macfadyen said about his “Succession” colleagues. “It’s a weird thing, the grief when you finish a job.”Mark Sommerfeld for The New York TimesMacfadyen missed his family when he was off shooting “Succession,” and often flew home to England when he had a break in filming. But he sounded wistful about the end of the show.“It was a really lovely bunch of actors,” he said. “It’s a weird thing, the grief when you finish a job. It’s sort of awful and heartbreaking but at the same time, there’s a slight relief — a complicated mélange of feelings.”Macfadyen has worked steadily on other things between seasons. In the British series “Stonehouse,” which debuted in January, he starred as the real-life 1970s Conservative politician John Stonehouse. It was a juicy role: Stonehouse spied (badly) for Czechoslovakia, got involved in dodgy business schemes, cheated on his wife, faked his own death and turned up under a false name in Australia.Mrs. Stonehouse was played by Hawes, whose character soon gleans that her husband is not all that he seems. “It was fun to get a chance to see Keeley at work,” Macfadyen said, “especially her withering looks.”Macfadyen’s next project, with Nicole Kidman, is “Holland, Michigan,” an Amazon thriller about the secrets that lurk in a small town. He seems deeply unfussed about what comes next. Unlike Tom Wambsgans, Macfadyen is very much content with his place in the world.“The whole art of being an actor is to imagine what it’s like to be someone else with sympathy and empathy, to not make it about you,” he said. “The job is great. I like the old-fashioned thing of putting on a costume and sounding different and doing things you would never dream of doing in real life.” More

  • in

    Alexander Skarsgard’s Viking Dream

    LONDON — In Alexander Skarsgard’s telling, the idea for what eventually became his latest film, “The Northman,” has its roots on a long, slender island off the coast of Sweden called Oland, where his great-great grandfather built a wooden house a hundred years ago.“Some of my earliest memories are from walking around with my grandfather on Oland and him showing me these massive rune stones and the inscriptions,” he explained on a recent rainy Monday over lunch at a hotel tucked away in central London. “Telling tales of Vikings that sailed down the rivers, down to Constantinople.“So, in a way,” he continued, “you could say that the dream of one day making or being part of a Viking movie was born in that moment.”Wearing a gray crew-neck sweater and dark jeans, he was centuries away from the bloody, muddy berserker he plays in “The Northman,” the much-anticipated action-adventure that marks the director Robert Eggers’s leap into big-budget filmmaking.Six-four, blond and indisputably handsome, Skarsgard would seem a no-brainer to launch a Viking film, but getting this film made took awhile. Skarsgard said he spent years working with the Danish film producer Lars Knudsen trying to determine what shape the project would take. Then, in 2017, he met with Eggers, who had fallen in love with Iceland during a visit two years earlier, to talk about another project.Skarsgard and Eggers both describe that meeting as “fated,” and it eventually led Eggers, along with the Icelandic poet and author Sjon, to write “The Northman.” Eggers, who said he had $70 million to make the film, took some inspiration from the 1982 “Conan the Barbarian,” which he watched as a kid.The actor in full Viking mode in “The Northman.”Aidan Monaghan/Focus FeaturesSkarsgard’s character is a Viking prince, Amleth, bent on vengeance after his father is murdered. Skarsgard is a producer of the new film, which opens on April 22 and also features Anya Taylor-Joy, Nicole Kidman and Björk, among others.“It was a real treat as an actor to be part of the project from the genesis,” Skarsgard said. “To be part of that journey and to be able to continuously have these conversations with the screenwriters as they are shaping the story, talk about the arc of Amleth, the story, the essence of it — that was very inspiring to me.”The star, 45 and unfailingly polite, has played a Viking before. In fact, he’s played a Northman before: Eric Northman, the proudly undead, ultrasexy Viking vampire on the HBO series “True Blood.” But the title character of “The Northman” is a Viking after Skarsgard’s own heart — one faithful to the medieval lore of the Icelandic sagas, one who doesn’t question fate or faith. And one who, by design, doesn’t have a lot to say.The sagas on which the film is based are “very laconic,” he said. And the characters “don’t really speak unless absolutely necessary.”Skarsgard himself is open, with an easy smile. He’s aware of the world around him, including being up-to-date on the latest news from Ukraine and knowing that asparagus season is upon us. He gave questions his full attention, pausing to gather his thoughts before answering — and not once glancing at a cellphone.Though he grew up hearing Viking stories, Skarsgard read books and watched lectures on them to prepare for his role. He said the most interesting thing he learned was that Vikings believed each person had a female spirit guiding them.“I thought that was quite fascinating, the juxtaposition between that and the brutality you see when you first meet Amleth,” Skarsgard said. He added, “That he would have believed that there’s a female spirit inside of him that guides him, I really liked that idea.”Though he grew up hearing Viking stories, Skarsgard read books and watched lectures on them to prepare for his role.Robbie Lawrence for The New York TimesHis preparation complete, it looked as if everything was coming together on the film. Just as shooting was set to begin, the pandemic hit.“For about 48 hours we were still moving forward, but everyone was like, ‘Is this happening? Are we doing this? What’s going on?’ And then finally, they pulled the plug and said we have to break and that we’re going home.”Though Skarsgard considers New York his base, going home meant heading to his hometown, Stockholm.He holed up with his large family at his mother’s country house. He’s the oldest son of the actor Stellan Skarsgard and his first wife, My, and one of eight siblings. Three of his brothers are also actors, including Bill Skarsgard, who played Pennywise, the creeper clown in the “It” movies; another brother is a doctor who kept them apprised of developments in the Covid crisis. Skarsgard said that despite the frightening circumstances, he enjoyed getting to spend time with his family.“We cooked dinners and hung out, worked in the garden,” he said, adding that gathering the whole family can be difficult because work gets in the way. “I really enjoyed it. Then I felt almost guilty because it was a pandemic and people were dying.”Family and Sweden, where Skarsgard grew up and spent some time in the military, are important themes in his life.“We’re all a very tight group,” he said. “Everyone lives within two blocks of each other in South Stockholm and we see each other all the time when I’m home.” (He is not married but answered with a resounding “no” when asked if he was single.)He started out as a child actor but took a break beginning in his early teens before fully embracing an acting career in his 20s. He has said in the past that he didn’t like the attention acting brought him when he was young.His path to “The Northman” runs through dozens of roles in film and TV, some seemingly different sides of the same coin. He’s played an Israeli spy (“The Little Drummer Girl”) and a German man coming to terms with life after World War II (“The Aftermath”). A young Marine who helps the United States invade Iraq (“Generation Kill”) and a sadistic Army sergeant who leads young recruits astray in Afghanistan (“The Kill Team”). An abusive husband (“Big Little Lies”) and an achingly sweet stepdad who steps in to care for his neglected stepdaughter (“What Maisie Knew”).Skarsgard won several awards, including an Emmy, for his turn as an abusive husband opposite Nicole Kidman in “Big Little Lies.”HBOHe also snagged a small but pivotal role in HBO’s prestigious dramedy “Succession,” playing Lukas Matsson, a Swedish tech billionaire.Mark Mylod, an executive producer on the show who directed Skarsgard in two of the three episodes in which he appears, said the actor “was really the only choice for the character because of the intelligence of his work.”The makers of “Succession” had envisioned a character with “that kind of Elon Musk” charisma but not necessarily based on the Tesla chief executive. The Matsson character had to have the gravitas to be a genuine rival to the family behind Waystar Royco, the fictional company at the heart of “Succession,” Mylod said.“He found a way to make that character so fantastic and watchable and totally credible,” Mylod said. “With a small number of scenes, he made such an impact.” (Mylod wouldn’t say if Matsson is returning in Season 4.)Rebecca Hall, an actor who had worked with Skarsgard on “Godzilla vs. Kong,” said she had struggled to get financing for her own passion project, “Passing,” her adaptation last year of the 1929 Nella Larsen novel about the friendship between two Black women in New York, one of whom is passing as white.While working on “Kong,” Hall got up the courage to ask Skarsgard to read her script. He did and agreed to play the part of a racist husband. “I got the sense that he cares about good art being in the world and will do what he can to support that,” Hall said in an interview, adding that the character was the kind he had played well. “He’s no stranger to complicated characters who do bad things.”For Skarsgard, “there is zero strategy or plan” to his career. “The sweet spot is when I’m intrigued by the character, and I understand aspects of him and he makes me curious to learn more,” he said. “That’s superfun because then that means that I’ll probably enjoy diving in and exploring that a bit deeper.”On “The Northman,” diving in meant bulking up. He is also reunited in the film with Kidman, who played his wife in “Big Little Lies,” for which he won an Emmy, a SAG Award and a Golden Globe. This time she’s his mother.The two actors traveled with the rest of the cast to Northern Ireland, Ireland and Iceland for the grueling “Northman” shoot. Skarsgard described it as “seven months in the mud.”Eggers, an exacting and meticulous director, said that he was “not a sadist to be a sadist,” but that he was dead serious about detail and accuracy, which will come as no surprise to viewers of his earlier films, like “The Witch” and “The Lighthouse.”Skarsgard has spoken in interviews about being shackled and dragged through the muck. But Eggers said that, like him, Skarsgard wanted the best result. “When we embarked on this together, he was after nothing but perfection.”Eggers added, “Alex has sort of talked about me driving him to the edge, but there were many times that I can remember him asking for another take because he’s just as much of a perfectionist as I am.”The director acknowledged that the working conditions were difficult. “I am not trying to make things hard for us,” he explained, “but when you’re telling the story of the Viking Age in Northern Europe, you’re going to seek punishing locations, with extreme weather and terrain. And that’s just what it needs to be to tell this story.”When shooting was delayed, Skarsgard returned to Stockholm, where he enjoyed time spent with his family. “I felt almost guilty because it was a pandemic and people were dying.”Robbie Lawrence for The New York TimesWorking with such a large budget and cast were perks, Eggers said, but also meant a great deal of pressure. “If this movie doesn’t perform, that will be a problem,” he said.After all of the work, Skarsgard said, “I just want people to see the movie, that’s it,” adding, preferably on the big screen.As is pretty standard fare for a Skarsgard project, he’s naked in parts of “The Northman,” including during a fight scene in a volcano.Does he ever just say no to taking off his clothes? He said he had recently done just that at a photo shoot after being asked to take his shirt off, saying, “I think there’s enough nudity in the movie.”Skarsgard, who had spent the morning doing press by Zoom and had traveled around Europe promoting in the days before we talked, had by the end of the interview kind of slid down the banquette, resting his head against the cushion. He said he realized his films tend to be heavy. “I might have to do a comedy soon,” he said, adding that he would like to work with the satirist Armando Iannucci or the British comic actor Steve Coogan.“The Northman,” he said, “was so intense. It was the greatest experience of my career but, God, it was intense.” More

  • in

    Actress Dagmara Dominczyk Burns Bright in ‘Succession’ and 'The Lost Daughter'

    The Polish actress also stars in “The Lost Daughter,” directed by Maggie Gyllenhaal.Evening Leather? Too leathery. Bahama Mama? Too beachy. Peaches and Cream? Out of season. Sweet Kitty? No.On the Sunday before Christmas, in a windowless basement under a braiding salon in Downtown Brooklyn, the actress and novelist Dagmara Dominczyk searched for the perfect aroma. A candle devotee since her undergraduate days at Carnegie Mellon University (“I burn them morning to night,” she said), she had arrived for a “Sip & Smell Experience”: a free two-hour workshop hosted by Kately’s Candles that she had found on Eventbrite.Upon arriving, Kevin Pierre-Louis, the organizer, seated her on a greige vinyl sofa and presented her with a caddy of about 50 small bottles with hand-printed labels. His assistant handed her a glass of sparkling rosé, which she sipped with care.“I’m a spiller,” she said. “I spill. I stain.”“You’re too pretty,” Mr. Pierre-Louis said. “I don’t see you spilling.”“I’m pretty because I did my makeup,” Ms. Dominczyk, 45, replied.He brought her more bottles and she sniffed them, rejecting most. “Not Mistletoe,” she said. “I used to like candles that smelled like a Christmas tree, now it’s too much.” She reached for another bottle and read the label out loud. “Creamy Nutmeg — that’s what they used to call me in high school,” she said jokingly.Ms. Domińczyk sniffs scents for her candle.OK McCausland for The New York TimesEarthy and elegant, Ms. Dominczyk, the eldest of three daughters, immigrated to the United States from Poland when she was 6. (Her father, active in the trade unions movement, had become a persona non grata.) Encouraged by a friend, she auditioned for the Fiorello H. LaGuardia High School of Music & Art and Performing Arts, where she blossomed as an actress. After graduating from Carnegie Mellon, she booked the female lead in a lush 2002 film adaptation of “The Count of Monte Cristo.”Her career seemed assured.Instead, she spent the next few years staying out, sleeping in, eating Polish food and working only sporadically — a movie here, a television episode there. She dated the actor Patrick Wilson (they briefly overlapped at college), married him the next year, had their first son the year after, and a second son three years later. They live in Montclair, N.J.Work remained occasional. Her body had new curves. When her husband appeared in a 2013 episode of “Girls” as Lena Dunham’s sex interest, some online trolls suggested that a conventionally attractive man like Mr. Wilson would never have a tryst with someone like Ms. Dunham. Ms. Dominczyk snapped back on Twitter, saying: “Funny, his wife is a size 10, muffin top & all, & he does her just fine.”Casting directors — some of whom asked her if she could lose 20 pounds — didn’t know quite what to do with her silky surface, steelier interior and obvious intelligence.That changed in 2018, when she was cast as Karolina Novotney, the unflappable public relations executive on the HBO drama “Succession.” She was quickly upgraded from a recurring role to a series regular.She has asked the producers if Karolina could act out in ways that the Roy siblings do, but they have so far declined. “I want to play,” Ms. Dominczyk said. “I want to have sex with one of the brothers. Or Shiv? I don’t know. But the role is such that Karolina stays in her lane. She’s there to do the job.”Ms. Dominczyk, seen here with Jeremy Strong, plays an unflappable public relations executive in “Succession.”Craig Blankenhorn/HBOShe also stars in “The Lost Daughter,” a film directed by Maggie Gyllenhaal.NetflixMs. Dominczyk can also be seen as a waspish mother-to-be in the much-lauded Netflix film “The Lost Daughter,” directed by Maggie Gyllenhaal. And she has recently wrapped the lead role in the HBO limited series “We Own This City,” in which she plays an F.B.I. agent investigating police corruption. “The more settled I became and the less apologetic for it, the less thinking I had to look a certain way or act a certain way, that was exciting for people,” she said.If she prefers complicated characters, her taste in fragrance skews simpler. “I’m much more of a sweet, cozy, pumpkin pie, fall candle person,” she said.A bottle labeled Dulce de Leche made the cut. And Pumpkin Patch and Pumpkin Rum Cake. Also Smoked Chestnut. (“Chestnut is a very Polish thing,” she said.) And Holiday Basket, though she joked that Mr. Pierre-Louis should have named it Holiday Basket Case. She sniffed the mixture with approval.“I want to down this like a shot,” she said.She brought her choices to the back of the room, where Mr. Pierre-Louis was melting coconut wax and castor oil in a cauldron set over a camping stove. He turned a spigot and the wax pooled into a pineapple shaped mold. Ms. Dominczyk measured out a spoonful of each chosen scent, then added burnt orange coloring and a smattering of dried flower petals.“I don’t cook,” she said. “This is the closest I’ve gotten to cooking all holiday season.”Ms. Dominczyk decorated her candle with flower petals and orange dye.  OK McCausland for The New York TimesMr. Pierre-Louis told her to name her scent and after a moment she settled on Smoked Dag. “That’s also the name of a sausage in Poland,” she said. “Just kidding.”While the wax set, she went back up the creaky wooden stairs and out onto a commercial stretch of Livingston Street to stretch her legs and vape a mint-flavored Juul. Was she ready for the holidays?She reached for her phone and pulled up a picture of her decorations — an orgy of lights, trees and tinsel. “It’s like Christmas vomited all over,” she said happily. That night she would meet friends and family for dinner, then she would help with a Feast of the Seven Fishes and a Christmas dinner that mixed Polish and American traditions.“Last year, we were like, Patrick has been in the family for 15 years — if he wants a Christmas ham, let’s give it to him,” she said, using an expletive.Back in the basement, the wax mostly set, Mr. Pierre-Louis presented her with a pair of scissors so that she could snip the wick. “Like an umbilical cord,” she said.Ms. Dominczyk sniffed, delighted. “Oh my God, it smells so good,” she said. “Bottle it. I don’t even need any commission.” More