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      Doja Cat’s Hit and 7 More Ways of Seeing Red

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      Hear songs by Willie Nelson, TLC, King Crimson and more.Doja Cat, painting the MTV Video Music Awards stage red.Dia Dipasupil/Getty ImagesDear listeners,This Friday, the rapper and singer Doja Cat will release her highly anticipated fourth album “Scarlet,” which features the ubiquitous No. 1 hit “Paint the Town Red.” That is, to quote Playboi Carti, a whole lotta red.Doja Cat’s crimson era got me thinking about all the other musicians who have used that evocative color to conjure all sorts of images — wine, ballet shoes, luftballoons. Red sometimes signifies love, but it also suggests anger, passion and danger. Red is the color of blood and roses. It’s the musical connection between artists as disparate as Taylor Swift and King Crimson. Clearly, it calls for its own playlist.Doja Cat’s vampy hit kicks off this mix, but you hardly need to be familiar with her music to listen. (My boyfriend has admitted that, until recently, he thought Doja Cat was “a cryptocurrency.”) It pulls from a variety of decades and genres, featuring artists including TLC, Willie Nelson and Nick Cave & the Bad Seeds. I omitted some of the more obvious choices, like “Lady in Red” or “Red Red Wine,” because I assume we’ve all heard those enough for several lifetimes. I couldn’t resist adding a well-known Prince song, though, because, well … it’s Prince!So pour yourself a glass of cabernet or cranberry juice, cue up this playlist, and get ready to paint the town red.Listen along on Spotify as you read.1. Doja Cat: “Paint the Town Red”Built around a sample of Dionne Warwick’s wistful 1963 hit “Walk on By,” which was co-written and produced by Burt Bacharach, Doja Cat’s first solo No. 1 has a strutting swagger and a puffed-chest confidence. It’s the perfect soundtrack for striding off into the sunset, leaving doubters in the dust — or perhaps performing a viral TikTok dance that has added to the song’s popularity. (Listen on YouTube)2. Prince: “Little Red Corvette”The second single from Prince’s 1983 album “1999,” “Little Red Corvette” hit No. 6 on the Billboard Hot 100 — making it his highest charting pop hit up until that point. While red isn’t the color most commonly associated with Prince, here it provides a memorably vivid image, suggesting passion, excitement and even a little danger. (Listen on YouTube)3. Willie Nelson: “Red Headed Stranger”Willie Nelson’s 1975 breakthrough album was more than just a commercial and critical success: It also gave the Red Headed Stranger his enduring nickname. This plaintive, sparsely arranged title track reworks “The Tale of the Red Headed Stranger,” a 1953 story-song written for Perry Como, and imbues it with Nelson’s own inimitable melancholy. (Listen on YouTube)4. Taylor Swift: “Red (Taylor’s Version)”This 2021 reworking of the country-rocking, lightly synesthetic title track from Swift’s 2012 release “Red” — still my favorite of her albums — contrasts the cool, muted hues of heartbreak (“Losing him was blue like I’ve never known/Missing him was dark gray, all alone”) with the bright, Technicolor memories of better times: “Loving him was red.” (Listen on YouTube)5. The Cyrkle: “Red Rubber Ball”Co-written by a not-quite-yet-famous Paul Simon, this bouncy folk-pop hit from 1966 finds optimism — and a memorably colorful simile — at the end of a bad relationship: “The worst is over now/The morning sun is shining like a red rubber ball.” (Listen on YouTube)6. TLC: “Red Light Special”If you thought the Prince song was going to be the sultriest moment of this playlist … think again! (Listen on YouTube)7. King Crimson: “Red”“Red”? From the album “Red”? By King Crimson? This six-minute prog-rock epic from 1974, written by Robert Fripp shortly before he disbanded King Crimson, just might be the reddest song of all time. (Listen on YouTube)8. Nick Cave & the Bad Seeds: “Red Right Hand”This slinky, atmospheric single from the Australian art-rockers’ 1994 album “Let Love In” takes its title from a line in John Milton’s “Paradise Lost.” Used prominently in the “Scream” movie franchise and later as the theme song to the TV show “Peaky Blinders,” “Red Right Hand” has a dark, cinematic quality. It also brings this playlist full circle: Like Doja’s “Paint the Town Red,” it’s the perfect soundtrack for slowly sauntering down the street. (Listen on YouTube)I said what I said,LindsayThe Amplifier PlaylistListen on Spotify. We update this playlist with each new newsletter.“8 Red Songs” track listTrack 1: Doja Cat, “Paint the Town Red”Track 2: Prince, “Little Red Corvette”Track 3: Willie Nelson, “Red Headed Stranger”Track 4: Taylor Swift, “Red (Taylor’s Version)”Track 5: The Cyrkle, “Red Rubber Ball”Track 6: TLC, “Red Light Special”Track 7: King Crimson, “Red”Track 8: Nick Cave & the Bad Seeds, “Red Right Hand” More

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      Popcast (Deluxe): Olivia Rodrigo’s ‘Guts,’ Part 2

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      Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicThis week’s episode of Popcast (Deluxe), the weekly culture roundup show on YouTube hosted by Jon Caramanica and Joe Coscarelli, includes segments on:“Guts,” the new album by Olivia Rodrigo, who two years ago catapulted from midlevel Disney teen star to pop supernova with her single “Drivers License.” Rodrigo has become part of pop’s elite, and her new album reckons with what that means, for her and for everyone watching her.Zach Bryan, whose new self-titled album is currently the No. 1 album in the country, and who has carved out an idiosyncratic path through country, bar rock and roots music. He was also arrested last week for interfering with a police investigation in connection with a traffic stop.The rapper Cam’ron’s rebirth as a risqué sports podcaster on his show with Mase, “It Is What It Is”New songs from Emilia, and Lil Peep & iLoveMakonnenSnack of the weekConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      MTV Video Music Awards Recap: Taylor Swift, Doja Cat and More

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      Nicki Minaj hosted and helped close out a nearly four-hour show heavy on performances and reaction shots of Taylor Swift in the audience.The MTV Video Music Awards returned to the Prudential Center in Newark on Tuesday night, as Nicki Minaj hosted a nearly four-hour show that included the members of ’N Sync coming together to present a Moon Person trophy to Taylor Swift (who gushed directly to the boy band, “I had your dolls”) and Sean Combs receiving a global icon honor (and telling the crowd his career had humble beginnings, as a paperboy). The Brazilian pop star Anitta delivered one of the event’s most solid one-liners — “I want to thank myself because I worked so hard,” she said in an acceptance speech — which she also proved onstage, performing both a solo medley and a collaboration with the K-pop group Tomorrow X Together. At the end of the night, the following five moments stood out.Most Memorable Performance: Doja CatOne of pop-rap’s most unpredictable voices turned out the night’s most polished and high-concept performance, capturing the anxiety of return to office in a look perhaps best described as “business sexual” while surrounded by dancers doused in ghoulish red paint. The audience looked confused and a little terrified as Doja Cat glided around the stage nailing her marks, the calm in an increasingly hectic storm.Most Memorable Fake-Out: Olivia RodrigoOlivia Rodrigo’s “Vampire” video dramatizes an awards show performance gone wrong, and though it has 54 million YouTube views, none of those evidently came from V.M.A.s audience members like Selena Gomez, who looked stricken when Rodrigo partly recreated the clip Tuesday night. After the song’s first section, lights seemingly burst onstage and a curtain fell as a “stagehand” ushered the singer away — only to return seconds later grinning and performing another song from her new album, “Guts,” the bouncy “Get Him Back!”Most Memorable Return That (Likely) Didn’t Attract F.C.C. Attention: Cardi B and Megan Thee StallionCardi B and Megan Thee Stallion’s first televised performance of their hit “WAP” came at the 2021 Grammys, and their salacious choreography caught the attention of over 1,000 viewers who complained to the Federal Communications Commission, Rolling Stone reported. The duo reunited last week with a fresh collaboration called “Bongos,” and played it relatively safer on the V.M.A.s stage. The censors caught most of the profanities and the audience camera caught one of the night’s many shots of Swift dancing along.Most Memorable 10-Minute Performance Involving Knives: ShakiraPerforming a mega medley to celebrate receiving the video vanguard award, the Colombian pop star didn’t appear to be doing much live singing, but her lengthy number included plenty of choreography, hair flipping, microphone stand tossing, guitar playing, a quick wardrobe adjustment, crowd surfing and a lift bringing her high above the crowd. But a truly eye-grabbing moment came halfway through, when she wielded two knives, dramatically running one across her torso before tossing them aside.Most Memorable Flashback to MTV’s Past: Hip-Hop Anniversary MedleyThe Grammys went big with a tribute to 50 years of hip-hop earlier this year, but MTV’s celebration of rap’s anniversary had some highlights, too: After Grandmaster Flash and the Furious Five, Slick Rick and Doug E. Fresh gave the crowd a lesson on the genre’s beginnings, Minaj emerged with “Itty Bitty Piggy,” one of her beloved early mixtape tracks, then reunited with her mentor Lil Wayne for “A Milli.” LL Cool J commanded the stage for two of his own songs, then went (shell) toe to toe with Run-DMC’s Darryl McDaniels on “Walk This Way.” (The performance mostly elided the 1990s, but Diddy’s eight-minute performance earlier in the night covered that era.) It was a reminder that MTV was once the home of “Yo! MTV Raps,” and used to spend a lot more time on music. More

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      A 20-Minute Cleaning Playlist

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      Banish dust to the sounds of Outkast, Mitski and more.Outkast onstage in 2014: fresh, clean, etc.Chad Batka for The New York TimesDear listeners,Over the weekend, I got my first cordless vacuum — a truly game-changing invention — and embarked upon an epic cleaning spree of my entire apartment. Free from the tangle of a cord or tether of an electrical outlet, I crept from room to room, hunting down anything that could be sucked up in this gleaming hand-held machine, feeling a lot like a Ghostbuster wielding a Proton Blaster. Dustin’, for once, made me feel good.I do not usually enjoy cleaning, so I often need some sort of trick or extra motivator to push me to do it: a fun new appliance, an upcoming gathering, an unending sneezing fit that reminds me it’s been way too long since I dusted. Or — I think you see where I’m going with this — a cleaning playlist.Today’s playlist is short by design: just six songs, clocking in at a little over 20 minutes. Most of us don’t always have the time to do a thorough deep cleaning of our living space — hey, I’ve got a newsletter to put out twice a week! — but we probably have a few increments of 20 spare minutes to squeeze in a little tidying up to stay ahead of mess and its accompanying anxiety.Last year, in a post on the website Apartment Therapy, Marlen Komar wrote about a similar rule she’d created for herself to ensure she didn’t spend her entire weekends cleaning: A few times throughout the week, she sets a timer for 20 minutes and cleans as much as she can for that duration. No more, no less. You know what’s even better than a 20-minute timer, though? A 20-minute playlist.A good cleaning playlist should be light, buoyant and — if you really want to have some fun with it — thematically focused on the task at hand. Eminem’s “Cleanin’ Out My Closet”? Technically on topic, yes, but in my opinion way too intense to soundtrack the actual cleanin’ out of one’s closet. I prefer the cool, weightless sheen of Outkast’s “So Fresh, So Clean” or the helpfully instructive groove of Parquet Courts’ “Dust”: “Dust is everywhere/Sweep!”May this playlist inspire you to do just that. And if you play it so much that you get sick of it, that probably means that your space is spotless. Reward yourself by crafting a 20-minute cleaning playlist of your own.Listen along on Spotify as you read.1. Parquet Courts: “Dust”“It comes through the window, it comes through the floor,” the members of the New York rock band Parquet Courts intone on this ode to those menacing, omnipresent particles of ick, from the 2016 album “Human Performance.” The tune is so upbeat, though, that it plays like a call to action against dust. Warning: This song may cause you to dance with your broom. (Listen on YouTube)2. The Cleaners From Venus: “Time in Vain”Time spent cleaning — or listening to the great, quintessentially jangly English band the Cleaners From Venus — is never time spent in vain. Bonus points for the title of the fantastic 1982 album on which “Time in Vain” appears: “Midnight Cleaners.” (Listen on YouTube)3. The Clean: “Thumbs Off”And here’s another pristinely titled, jangly post-punk group that took off in the early ’80s: New Zealand’s own the Clean. The pogo-ing beat, revving propulsion and catchy chorus melody of the 1983 single “Thumbs Off” prove, once again, that cleanliness is next to tunefulness. (Listen on YouTube)4. Mitski: “Washing Machine Heart”With its clomping, shoes-in-the-washing-machine percussion, this infectious 2018 Mitski single is the perfect soundtrack to unloading the laundry or — if you are a long-suffering New Yorker like me — sweatily lugging a sack of dirty clothes to the laundromat, silently cursing your decision to reside in an otherwise lovely city in which “in-unit washer/dryer” is considered a luxury amenity. Why?! (Listen on YouTube)5. Outkast: “So Fresh, So Clean”By the end of this playlist, no one will be referring to your home as “Stankonia.” (Listen on YouTube)6. Taylor Swift: “Clean”This sleek, serene closing number from Taylor Swift’s “1989” provides an opportunity to step back and appreciate what you’ve accomplished — and to give yourself permission to move on with your day. Vacuums down! I think you are finally clean. (Listen on YouTube)YKK on your zipper,LindsayThe Amplifier PlaylistListen on Spotify. We update this playlist with each new newsletter.“A 20-Minute Cleaning Playlist” track listTrack 1: Parquet Courts, “Dust”Track 2: The Cleaners From Venus, “Time in Vain”Track 3: The Clean, “Thumbs Off”Track 4: Mitski, “Washing Machine Heart”Track 5: Outkast, “So Fresh, So Clean”Track 6: Taylor Swift, “Clean”Bonus TracksI’ve thoroughly enjoyed all of the albums that the Chicago-based songwriter and poet Jamila Woods has released — and I’ve even included a few of her songs in previous Amplifiers — so it was such a treat to get to profile her ahead of her forthcoming third album, “Water Made Us.” A lot of artists go into turbo-promotional mode before dropping a new album, but it was refreshing to find that Woods was spending six weeks right before her album’s release on a writing retreat in Italy. (Also: I am jealous.) If you’re looking for an introduction to Woods’ personal, poetic take on R&B, I’d highly recommend the first single from “Water Made Us,” “Tiny Garden.” More

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      Taylor Swift’s Eras Tour Speed Round, Part 2

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      Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicThe first leg of Taylor Swift’s Eras Tour has come to a close, with the pop superstar having performed in stadiums across North America for several million people.A few of those people are friends of Popcast. This week and next, we’ll speak with a few of them about their experiences at the show.On this week’s Popcast, conversations about Swift’s relationship to the broader hierarchy of celebrity, the tour date as destination event, how fans dressed up for the show, and ways in which Swift is extremely deliberate in the manner that she deploys sexuality.Guests:Caryn Ganz, The New York Times’s pop music editorVrinda Jagota, a freelance writer for Pitchfork and othersJosh Duboff, a freelance writer for Vanity Fair and othersConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Taylor Swift Eras Tour Concert Film Coming to Movie Theaters

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      A theatrical version of the billion-dollar tour — a cultural juggernaut that just ended its North American leg — opens Oct. 13.Taylor Swift’s Eras Tour, the billion-dollar juggernaut that has dominated the cultural calendar this year, may be on a break before picking up internationally, but its momentum will only rest so long: The show is coming to movie theaters this fall.“Taylor Swift: The Eras Tour” concert film will be released in the United States, Canada and Mexico on Oct. 13, Swift announced on social media Thursday, with U.S. AMC Theaters promising at least four showtimes per day from Thursday to Sunday upon opening.“The Eras Tour has been the most meaningful, electric experience of my life so far and I’m overjoyed to tell you that it’ll be coming to the big screen soon,” Swift said. “Eras attire, friendship bracelets, singing and dancing encouraged.”Anticipating the white-hot demand that has followed the tour since its announcement, crashing ticketing systems around the world, AMC promised in a news release that it had “bolstered its ticket server capacity to handle traffic at more than 5 times the current record for the most ever tickets sold in an hour.” (The company added, however, that it was “also aware that no ticketing system in history seems to have been able to accommodate the soaring demand from Taylor Swift fans when tickets are first placed on sale.”)Tickets are on sale now. Prices start at $19.89 for adults and $13.13 for children, substantially less than what fans paid for the tour itself — especially on the robust secondary market — as the concert industry adjusts to sometimes prohibitively high costs for its biggest events.Swift, 33, wrapped this year’s North American dates with four shows in Mexico last week. Her downtime, though, will be brief. In addition to the movie version of the concert, the singer will release “1989 (Taylor’s Version),” the fourth of rerecorded original albums, two weeks later, on Oct. 27. By November, the Eras Tour will pick up in Argentina before traveling around the world in 2024, with dates — including nine additional U.S. shows — continuing into November 2024.“1989 (Taylor’s Version),” the new edition of her 2014 pop blockbuster, marks Swift’s seventh release in barely three years, a period of artistic productivity that has fueled pent-up, post-pandemic demand for the singer’s live show. Jon Caramanica, a critic for The New York Times, said in a review of the first concert in March that the Eras Tour put on display “how many pivots Swift has undertaken in her career, and how the accompanying risks can have wildly different consequences.”The trade publication Pollstar has estimated that the singer sold about $14 million in tickets for each show so far. By the end of next year, the 146 stadium dates could reach $1.4 billion or more in sales. More

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      Taylor Swift’s Eras Tour Speed Round, Part 1

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      Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicThe first leg of Taylor Swift’s Eras Tour has come to a close, with the pop superstar having performed in stadiums across North America for several million people.A few of those people are friends of Popcast. This week and next, we’ll speak with a few of them about their experiences at the show.On this week’s Popcast, conversations about the consonances between the Eras Tour and Beyoncé’s Renaissance World Tour, the way Swift does (and does not) deploy dance as part of her arsenal and the thrills of seeing Swift perform for the first time.Guests:Wesley Morris, a critic at large for The New York TimesBrian Seibert, who writes about dance for The New York Times and othersYasi Salek, host of the Bandsplain podcastConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      A Summer of Live Music, From Stadiums to Clubs

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      Hear songs from Beyoncé, Alvvays, Mdou Moctar and more.Beyoncé, a master of ballads and addition.The New York TimesDear listeners,I sincerely hope I am not the first person to break this news to you, but it’s true: Summer is almost over.Let us not mourn what is lost, though. Let us celebrate the summer that was. And what it was, for me at least, was a time to go to a lot of concerts. Most of them outdoors!While the post-lockdown summer concert has made its gradual, necessary return over the past two years, this season it felt back in full bloom. The news was, of course, dominated by a few extremely high-profile ones (Taylor Swift’s cultural juggernaut Eras Tour; Beyoncé’s first solo outing in seven years, the Renaissance World Tour) but there were plenty of simpler (and cheaper) pleasures to be had, too. I caught some incredible free shows over the past few months in New York City parks, from the likes of Mdou Moctar and John Cale. And in a smaller club environment, I was introduced to the up-and-coming singer-songwriter Blondshell.Today’s playlist is a kind of sonic scrapbook of my summer of shows. I’d encourage you to make your own, too; even as this season fades out (sob), it’s a great way to hold onto its most tuneful memories.Listen along on Spotify as you read.1. Alvvays: “Easy on Your Own?”Let’s start with the most recent one: Last Wednesday, I caught an excellent double bill in Prospect Park, as a part of BRIC Arts Media’s annual Celebrate Brooklyn! Festival. The Canadian dream-pop band Alvvays played first; its last album, “Blue Rev,” was one of my favorites of 2022, and I especially love this fuzzed out, gently melancholic second track. (Listen on YouTube)2. Alex G: “Gretel”And here’s the other half of that double bill, the Philadelphia indie musician Alex G, who also released one of my favorite albums of last year, the strange and poignant “God Save the Animals.” Alex’s live shows are always a bit louder and more raucous than his records would lead you to believe; I have actually seen mosh pits break out when he plays this seemingly subdued standout from his great 2019 album, “House of Sugar.” (Listen on YouTube)3. Taylor Swift: “The Archer”I have been known to refer to this one as “The Sagittarius National Anthem.” The more I think about Taylor Swift’s Eras Tour — and there are plenty of opportunities to do so; it’s still all anybody wants to talk about — the more I think my favorite stretch of the concert was the first one, when she finally got to play some songs from her 2019 album “Lover.” Here she is at her most minimalist, and her most antiheroic, as she punctures her own good-girl image on “The Archer”: “I see right through me, I see right through me.” (Listen on YouTube)4. Tanya Tucker: “Delta Dawn”When I traveled to the Gorge in Washington earlier this summer to catch Brandi Carlile’s Echoes Through the Canyon festival — and, you know, a certain very, very special headliner — I was lucky enough to catch an early evening set by the country icon Tanya Tucker. My second favorite part of the show was when she played “Delta Dawn,” which she recorded at age 13, and every single person there sang along at the top of their lungs. My first favorite part was when Tucker uncorked a bottle of her signature tequila and passed it around the front row. (Listen on YouTube)5. Amanda Shires & Bobbie Nelson: “Always on My Mind”The headliners that final night of Echoes Through the Canyon were the Highwomen, a country supergroup that features Carlile, Maren Morris, Natalie Hemby and the fiery fiddle player and singer-songwriter Amanda Shires. Each Highwoman played a solo cover during the set, and Shires wowed me with a poignant rendition of “Always on My Mind,” which she dedicated to Bobbie Nelson. Luckily, you didn’t just have to be there: The studio recording of the song, on which Nelson played piano shortly before she died last year, is gorgeous, and quite close to the version Shires played live. (Listen on YouTube)6. John Cale: “Heartbreak Hotel”Another brilliant show in Prospect Park: Earlier this month, 81-year-old John Cale treated Brooklyn to a spellbinding concert on one of the most temperate evenings of the whole summer. His set pulled from decades of his own material, but one of the most memorable moments was when he played an eerily deconstructed reimagining of “Heartbreak Hotel,” similar to this version that appeared on his 1992 live album “Fragments of a Rainy Season.” (Listen on YouTube)7. Blondshell: “Dangerous”I already knew, from listening to her 2023 self-titled debut as Blondshell, that Sabrina Teitelbaum was a sharp songwriter with a distinct take on the dark side of young adulthood and an easy way with minor-key melodies. What I didn’t realize until I saw her live this summer, though, is that she can really sing. She belted out “Blondshell” highlights like “Salad” and “Sepsis” (two great titles for songs), but the finely calibrated pathos she brought to the haunting “Dangerous” lingered with me long after the show. (Listen on YouTube)8. Mdou Moctar: “Tarhatazed”Mdou Moctar, the Tuareg guitar wizard whose last few albums have gained him much-deserved recognition in the West, leads what I believe to be one of the best rock bands in the world right now. I’ve seen them live a few times, and they’ve never sounded tighter than they did at the free — what a bargain! — show they played in July at Central Park’s SummerStage Festival. The new material was amazing and has me very excited for whatever the group decides to release next, but in the meantime, here’s an epic jam from the band’s 2019 album “Ilana the Creator.” (Listen on YouTube)9. Beyoncé: “1+1”As I pointed out in my review of the North American opening of her dazzling Renaissance World Tour, Beyoncé began a show that honors the vast history of dance music with, unexpectedly, a mini-set of slow, piano-driven torch songs. I confess I was getting a little impatient with the Queen — didn’t we come to dance?! — until she played a transcendent “1+1,” one of her greatest ballads. Then I had no choice but to bow down. (Listen on YouTube)I’ve got a hundred thrown-out speeches I almost said to you,LindsayThe Amplifier PlaylistListen on Spotify. We update this playlist with each new newsletter.“A Summer of Live Music” track listTrack 1: Alvvays, “Easy on Your Own?”Track 2: Alex G, “Gretel”Track 3: Taylor Swift, “The Archer”Track 4: Tanya Tucker, “Delta Dawn”Track 5: Amanda Shires & Bobbie Nelson, “Always on My Mind”Track 6: John Cale, “Heartbreak Hotel”Track 7: Blondshell, “Dangerous”Track 8: Mdou Moctar, “Tarhatazed”Track 9: Beyoncé, “1+1”Bonus tracksI purposely left off the summer concerts to which I’d already devoted entire playlists, but in case you missed those, the Cure and the Pretenders were both amazing.Also, my beleaguered New York Mets are still giving me little to cheer about, but I continue to be amused by the special walk-up songs they choose for “Women’s Day” (which was March 8 everywhere else in the world but, for some reason, was Aug. 26 at Citi Field). Each player changed his walk-up song to one by a female artist, and for the second year in a row, Daniel Vogelbach’s pick was the one to beat. This year he chose Vanessa Carlton’s “A Thousand Miles,” and last year, he went with Kelis’s “Milkshake.” Daniel Vogelbach, I salute you. More