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      Late Night Chides Donald Trump for His Pick for the R.N.C.

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      “Oh man, poor Eric,” Jimmy Kimmel said after Trump recommended that his son’s wife, Lara, be named co-chair of the Republican National Committee.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.The Best Trump for the JobIn a statement released on Monday, former President Donald Trump endorsed his daughter-in-law, Lara Trump, becoming co-chair of the Republican National Committee, saying, “Lara is an extremely talented communicator and is dedicated to all that MAGA stands for. She has told me she wants to accept this challenge and would be great.”“Oh man, poor Eric,” Jimmy Kimmel said about Trump’s son. “His wife got more compliments in one post than his father gave him in his entire life so far.”“You know what? His son-in-law totally fixed the Middle East. Why not let his daughter-in-law fix the Republican Party?” — JIMMY KIMMEL“Yep, that had to be an awkward phone call. It’s like, ‘[imitating Trump] Eric, I need a smart family member for this job — put your wife on the phone.’” — JIMMY FALLON“In the same statement, former President Trump said that his daughter-in-law Lara Trump should be the co-chair of the R.N.C. and that her husband Eric should be ‘ambassador to wherever’s farthest.’” — SETH MEYERS“They’re entrusting the party’s future to the wise judgment of someone who married Eric.” — JIMMY FALLON“When asked how he landed on Lara, Trump was like, ‘Ivanka said no.’” — JIMMY FALLON“I say, why stop with Lara? A future Trump administration could have Jared as chief of staff, Ivanka as ambassador to the U.N., and Don Jr. as the head of the D.E.A., the Drug Enjoyment Agency.” — STEPHEN COLBERTThe Punchiest Punchlines (Super Numbers Edition)“According to the latest numbers, Sunday night’s Super Bowl surpassed the moon landing to become the most-watched U.S. broadcast of all time. And it can’t be a coincidence that the two biggest broadcasts of all time were faked by the C.I.A.” — SETH MEYERS“That’s right, 123.4 million people watched the Super Bowl, making it the most watched television broadcast ever. Yet another successful boycott by Trump supporters.” — SETH MEYERS“The game was watched by 123.4 million average viewers, and who knows how many really hot ones.” — STEPHEN COLBERTThe Bits Worth WatchingJordan Klepper spent time with supporters of former President Trump and the presidential hopeful Nikki Haley for Tuesday’s “Daily Show.”What We’re Excited About on Wednesday NightThe comedian and actor Fortune Feimster will appear on Wednesday’s “Jimmy Kimmel Live.”Also, Check This OutJeffrey Wright, center, with Sterling K. Brown, left, and Erika Alexander.Claire Folger/Orion PicturesThe veteran actor Jeffrey Wright finally gets his due with his starring role and Oscar-nominated performance in “American Fiction.” More

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      ‘The Vince Staples Show’ Is Part Art House, Part ‘Home Improvement’

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      The hip-hop star’s wit has long shone in his critically acclaimed music and on social media. Now, it is the center of his new Netflix sitcom.Vince Staples is not someone you would describe as “excitable.” During a recent conversation about his new Netflix sitcom, “The Vince Staples Show,” his deliberate drawl remained steady throughout. But his clear pride in the series, out Thursday, broke through his placid exterior a few times, such as when he talked about the cameo by the high-living rapper Rick Ross or the show’s Swedish film influences. He also knows that the mere fact of its existence is exceptional.“I don’t think there are many people who have been able to write and produce and star in their first television show, on a network that’s this big, that comes from where I come from,” Staples, 30, said in a video interview from his home in Los Angeles.Staples said he had ambitions to make his own show since he released his debut album, “Summertime ’06,” in 2015. On that LP and the four that followed, Staples wove stories about his upbringing in Long Beach with a sardonic delivery — a perspective that proved to be his through line between multiple mediums. His interviews and social media posts, in which he casts off irreverent one-liners and blunt social critique, have generated enough material for greatest hits collections.Staples made his acting debut in 2015 playing an inept sidekick in the comic coming-of-age film “Dope”; he has since starred in other movies, including the 2023 “White Men Can’t Jump” reboot, and in series like “Lazor Wulf,” an animated comedy on Adult Swim. He’s been able to incorporate some of his wit and other aspects of his personality in more recent roles, like the deadpan but well-meaning romantic interest he plays in “Abbott Elementary,” opposite the show’s creator Quinta Brunson.Staples, right, has acted in films including the 2023 reboot of “White Men Can’t Jump.”Hulu“The Vince Staples Show,” which counts Staples and Kenya Barris (“black-ish”) among its executive producers, is a more idiosyncratic kind of sitcom. In the world of the series, in which Staples plays a fictionalized version of himself wiggling through day-in-the-life predicaments, a trip to the amusement park becomes a treacherous sojourn and gun-culture satire runs alongside physical comedy. It’s part art house, but Staples insists it’s also just him.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jon Stewart Returns to ‘The Daily Show’ Telling Jokes You Might Not Want to Hear

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      The comedian returned to “The Daily Show,” claiming the prerogative to tell his audience jokes they don’t want to hear.“Why am I back?” asked Jon Stewart, returning to “The Daily Show” chair as Monday night host after leaving the program in 2015. It was a fair question.He was there in part because Comedy Central ended a yearlong search unable to pick a full-time replacement for Trevor Noah. He was there because his Apple TV+ show “The Problem” ended, after Apple discovered that when you hire a famous political comedian, he’ll want to talk about topics that upset people.And he was there because his fans — including a studio audience that greeted him with a standing ovation — have spent eight years and change wondering what he would have said about all the hell that broke loose since he left.His timing was so sharp, his comic exasperation so familiar, you’d think he’d been away for a long weekend instead of more than two presidential terms. Now he was back to tell us that the two likely candidates for president are super, super old.It was not exactly the most daring, outside-the-box topic. Stewart, who has adopted a plant-based diet, apparently has a particular taste for low-hanging fruit.More interesting, however, was the implicit message his first new monologue built to. You may have spent years wishing that Stewart would come back to dunk on your antagonists, but he considers himself free — and maybe obligated — to joke about things you wish he wouldn’t.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How Taylor Tomlinson Nailed the Closing Joke in her Netflix Special

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      Images: The New York Times (Taylor Tomlinson in Boston, Dallas, Tucson and Seattle); Margaret Norton/NBCUniversal, via Getty Images (Bob Newhart); Martin Mills/Getty Images (Shelley Berman); Cable Stuff Productions (George Carlin “Complaints and Grievances”); Columbia Pictures (Richard Pryor “Live on the Sunset Strip”); Netflix (Taylor Tomlinson “Have It All”).Produced by: Tala Safie and Josephine Sedgwick. Video editor: Caroline Kim. Senior video producer: Jeesoo K. Park. Production manager: Caterina Clerici. Additional production: Shane O’Neill, Rumsey Taylor, Josh Williams and Lucky Benson. Cinematography: Allie Humenuk, April Kirby, Stephanie Rose and Emily Rhyne. Additional cinematography: Manuel López Cano and Alex Miller. Additional editing: Stephanie Goodman and Alicia Desantis. More

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      in Movies

      Jeffrey Wright on ‘American Fiction’

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      A couple of years ago, Jeffrey Wright got an email from the screenwriter Cord Jefferson, who was preparing to direct his first film. Jefferson wanted Wright — a cerebral actor known for his commanding, indelible presence even in supporting roles — to star in “American Fiction,” his adaptation of Percival Everett’s mordant 2001 novel, “Erasure.”“In the letter, Cord described how immediate and personal he found ‘Erasure’ to be,” Wright recalled recently. “And he said that he had begun to hear my voice in his head as he read the book. And then he said, ‘I have no Plan B.’”Wright, who is 58, took the job. His exquisitely calibrated performance as the irascible novelist Thelonious Ellison, known as Monk, recently earned him his first Oscar nomination. It is a recognition, among other things, of his ability to elevate any movie or TV show simply by appearing in it. He has a way of burrowing so deeply into his characters that he seems almost to be hiding in plain sight.From the bracing opening scene of “American Fiction,” in which a slur appears on a blackboard as part of the title of a Flannery O’Connor short story Monk is teaching to a class of college students, the film wades into thorny issues of race, authenticity and what white audiences demand from Black artists — and has great satirical fun doing it.“It’s a conversation that’s at the center of the national dialogue right now, but we lack a fluency in how we discuss race — gasp! — and history and language and context and identity,” Wright said. He was being interviewed at the Four Seasons in Manhattan before flying to Britain to receive the London Film Critics’ Circle’s top award.While (obviously) the film doesn’t solve the problems it identifies, he said, at least it’s willing to engage with them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jon Stewart Returns to Form on ‘The Daily Show’

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      Nearly nine years after signing off as host of the late night show, Stewart returned to his seat. “We’re going to have so much we are going to talk about this year,” he said Monday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘Now, Where Was I?’Jon Stewart returned to “The Daily Show” on Monday, nearly nine years after he signed off as host.“Welcome to ‘The Daily Show.’ My name’s Jon Stewart,” said Stewart, who will host Monday nights for the foreseeable future. “Now where was I?”“Why am I back, you may be asking yourselves. It’s a very reasonable question. I have committed a lot of crimes. From what I understand, talk show hosts are granted immunity — it doesn’t make a lot of sense, but take it up with the founders.” — JON STEWART“We’re going to have so much we are going to talk about this year. Obviously, the elections, maybe we’ll talk about China, maybe we’ll talk about A.I., maybe something a little lighter, Israel-Palestine. Who knows?” — JON STEWARTStewart, who received a warm welcome from the studio audience, addressed the state of the presidential election, with a focus on differentiating between President Biden and former President Donald Trump, who both face questions about their age and ability to lead. The next nine months, Stewart said, “they’re going to suck.”“Look, Joe Biden isn’t Donald Trump. He hasn’t been indicted as many times, he hasn’t had as many fraudulent businesses or been convicted in a civil trial for sexual assault or been ordered to pay defamation, have his charities disbanded, or stiffed a [expletive] ton of blue-collar tradesmen he hired.” — JON STEWART“We are not suggesting neither man is vibrant, productive or even capable, but they are both stretching the limits of being able to handle the toughest job in the world. What’s crazy is thinking that we’re the ones, as voters, who must silence concerns and criticisms. It is the candidates’ job to assuage concerns, not the voters’ job not to mention them.” — JON STEWART“I’ve learned one thing over these last nine years, and I was glib at best and probably dismissive at worst about this: The work of making this world resemble one that you would prefer to live in is a lunch pail [expletive] job, day in and day out, where thousands of committed, anonymous, smart and dedicated people bang on closed doors and pick up those that are fallen and grind away on issues until they get a positive result, and even then, have to stay on to make sure that result holds. So, the good news is, I’m not saying you don’t have to worry about who wins the election. I’m saying you have to worry about every day before it and every day after, forever. Although, on the plus side, I am told that at some point, the sun will run out of hydrogen.” — JON STEWARTThe Punchiest Punchlines (Super Long Super Bowl Edition)“Last night was just the second Super Bowl to ever go into overtime. Yeah. Once the game passed four hours, everyone hosting a party was like, ‘This was a mistake.’” — JIMMY FALLON“Last night’s game was over four hours long. Fans were like, ‘Who directed this, Martin Scorsese?’” — JIMMY FALLON“This was only the second overtime in Super Bowl history. It was a disappointing night for the 49ers and their quarterback, Brock Purdy, who played very well, especially considering the fact that Brock Purdy is only 12 years old. He really wanted to go Disneyland, but it was not to be.” — JIMMY KIMMEL“The game was so long that people were drunk in the first quarter and hung over by the trophy presentation.” — JIMMY FALLONWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jon Stewart Returns to His Old ‘Daily Show’ Seat

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      On Monday night, the longtime host of the Comedy Central news satire kicked off his new tenure in classic form.Jon Stewart returned on Monday night as host of “The Daily Show,” the Comedy Central news satire he turned into a cultural force before leaving in August 2015. It was the beginning of a plan, announced in January, that will bring Stewart back to the show on Mondays through the presidential election. He will also serve as an executive producer.“Why am I back?” he said. “I have committed a lot of crimes. From what I understand, talk show hosts are granted immunity — it doesn’t make a lot of sense, but take it up with the founders.”Stewart’s first night back found him grayer — at one point he used his own wizened face as a prop in a joke about the presidential candidates’ ages. But he was otherwise in classic form.Opening with “Now where was I,” Stewart mixed silliness and absurd, often self-deprecating, jokes with righteous indignation as he kicked off the 2024 edition of one of the show’s signature franchises, its “Indecision” election coverage. Proposed titles, he said, included “Indecision 2024: American Demockracy”; “Indecision 2024: Electile Dysfunction”; and “Indecision 2024: Antiques Roadshow.” He riffed, from his familiar left-leaning perspective, on the Super Bowl and the Taylor Swift conspiracy theories that surrounded it.“It’s almost like the right’s ridiculous obsession with politicizing every aspect of American life ruins everything,” he said.Later he anchored a bit that found the show’s correspondents Ronny Chieng, Desi Lydic, Michael Kosta and Dulce Sloan reporting from the same diner, a goof on the campaign coverage trope. They and Jordan Klepper, who did a desk bit, will take turns hosting the show Tuesdays through Thursdays. The guest was Zanny Minton Beddoes, editor in chief of The Economist.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Mr. and Mrs. Smith’ Creator Finds Poetry in Oddity

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      The showrunner and former “Atlanta” writer, re-teaming with Donald Glover, made the film’s famously flawless heroes fallible.Francesca Sloane loves those scenes in spy movies when a man and a woman on the run evade their pursuers with an impromptu kiss. With little warning, the man draws the woman close to him, plants one on her lips and — just for as long as it takes for the bad guys to lose their trail — awakens the dormant passion between them.Given the chance to write her own version of this scene, Sloane made a few alterations. It appears in the second episode of “Mr. & Mrs. Smith,” her new Amazon series, created with Donald Glover and based on the Brad Pitt and Angelina Jolie film from 2005.Rather than have the typical embrace in a dark alley, John Smith (Glover) and Jane Smith, played by Maya Erskine, share their first kiss while crawling on all fours in a brightly lit parlor, with a looming, perverted billionaire (John Turturro) commanding them to lick and sniff each other like dogs.“I thought, ‘What is the grossest, most awkward, weirdest way to give them their first kiss,’” Sloane said in a recent video call from her home in Los Angeles. “It just felt like a really fun and silly way to play with the trope.”Though “Mr. & Mrs. Smith” is Sloane’s first production as a showrunner, she has a record of turning familiar story conventions on their head. For Glover’s breakout series, “Atlanta” — a show never afraid to zig where others would zag — she wrote or co-wrote three mold-breaking episodes: “The Big Payback,” about a world where reparations become reality; “The Goof Who Sat by the Door,” a mockumentary about the rise and fall of a Black Disney executive; and “Snipe Hunt,” in which the show’s central will-they-or-won’t-they relationship is resolved.“If there’s something that she believes in, she is kind of relentless,” Glover said in an interview. “In a writers’ room, it’s easy to just throw up your hands when you get stuck and move on, but she never really allowed us or herself to do that.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More