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      Late Night Tackles the U.S. House Bill That Could Ban TikTok

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      “This is like iPhone ‘Footloose,’ and there’s no Kevin Bacon to save us,” Jimmy Kimmel joked.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.The Final CountdownOn Wednesday, the House passed a bill to ban TikTok in the United States unless the app’s parent company sells it to a non-Chinese owner in the next six months.“So now, the bill goes to the Senate, which means the fate of every tweenaged TikToker is in the hands of a bunch of old white people with Hotmail accounts,” Jimmy Kimmel said.“This is a big deal. This is like iPhone ‘Footloose,’ and there’s no Kevin Bacon to save us.” — JIMMY KIMMEL“But, yes, obviously, there is a problem with a Chinese app spying on Americans and feeding us propaganda. You want American apps doing that.” — MICHAEL KOSTA“Well, if you guys are worried about the Chinese gathering data on Americans, wait till you find out who makes the phones.” — SETH MEYERS“Only 50 Democrats and 15 Republicans voted ‘no.’ Three-hundred fifty-two voted ‘yes,’ which almost never happens anymore. Who would have guessed that this would be the thing that brings both sides together?” — JIMMY KIMMEL“I mean, Republicans voted against their own border bill because they were afraid it would make Joe Biden look good. They can’t even get it together to stand up to Vladimir Putin. But, by God, they will stand up to Charli D’Amelio and then some.” — JIMMY KIMMEL“Just to give you an idea of the pull this app has, they did a poll, and half the people who use TikTok said they do believe it poses a threat to national security but they still use it and keep it on their phones. I guess at this point, what the hell, right? I mean, half the country supports a national security threat for president, might as well dance.” — JIMMY KIMMEL“Well, apparently, both Democrats and Republicans are worried that China will steal the secrets of the tortilla slap.” — JIMMY FALLON“I don’t think we fully understand how crazy these kids are going to go if they kill TikTok. I mean, for teenagers today, losing TikTok is a bigger deal than losing your virginity. I’m not kidding, either. This is like taking away all of their imaginary friends at once.” — JIMMY KIMMEL“Can you imagine if TikTok was banned? I mean, just picture lying down in bed and then actually going to bed, you know what I’m saying?” — JIMMY FALLONThe Punchiest Punchlines (Losing Teams Edition)“Apparently, R.F.K. Jr. is seriously considering Aaron Rodgers and Jesse Ventura as potential picks for vice president. Yep, Kennedy confirmed that Rodgers and Ventura are at the top of his list, which really makes you wonder who’s at the bottom.” — JIMMY FALLON“Yesterday, we learned that he is reportedly considering Aaron Rodgers for veep. Now that is a risky move to pick Rodgers, because if we’ve learned one thing, it’s that the minute he starts running, he’s going to snap his Achilles’.” — STEPHEN COLBERTWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sofie Grabol Is TV’s Savior of Denmark

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      Hunting murderers, delivering babies or guarding inmates, Sofie Grabol plays women who try to keep their country safe.If you watch much Danish television — and that is an option these days, wherever you happen to live — a question rises: How would Denmark function without Sofie Grabol?In “The Killing” (“Forbrydelsen”), which put Danish TV on the map and made Grabol a star back in 2007, the country’s justice system was held together by her morose detective, Sarah Lund. In her two most recent series, Grabol expands her public-service portfolio. In “The Shift” she plays Ella, the head midwife at Copenhagen’s best public pediatric hospital. And in “Prisoner” she’s Miriam, a reform-minded guard at a prison threatened with closing. Whether she is catching Denmark’s murderers, delivering its babies or minding its inmates, Grabol is indispensable.To follow Grabol’s progress through the Danish infrastructure, the American viewer will need the streaming service MHz Choice (free trials currently available), which carries “The Shift” (2022) and premiered “Prisoner” (2023) this week. The three seasons of “The Killing” are on the streamer Topic, which will merge with MHz Choice on April 1, consolidating this segment of Grabol’s catalog. (She also plays a public official in the eerie British series “Fortitude,” available on multiple streamers.)The shows centered on Sarah, Ella and Miriam are quite different — “The Killing” is a lurid crime thriller, “The Shift,” a big-hearted medical soap opera, “Prisoner,” a grim social-problem drama — but the characters have much in common.Each is aggrieved but indomitable, a working-class Sisyphus pushing ahead through institutional neglect and cowardice — a very squeaky wheel at work — while weighed down by personal trauma. Each is estranged from the only close family member still in her life; two become reluctant surrogate mothers to the women their troubled sons get pregnant. Perhaps Grabol has been typecast over the years, or has typecast herself. Or maybe the grouchy, standoffish, self-righteous pain in the butt is a character that resonates in Denmark.Grabol is an economical actor, able to communicate a world of emotion through her liquid eyes and seemingly offhand movements. (She’s also blessed with a notably dramatic pair of eyebrows.) She makes all of these bottled-up, difficult women believable and, even when they push everyone away, sympathetic — you can see the layers of pain and weariness that they shelter behind and occasionally break through.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Apples Never Fall’ Review: A Drama Wrapped in a Mystery Inside a Formula

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      This Peacock mini-series about a bitter family and a missing woman is TV’s latest adaptation of a novel by the author of “Big Little Lies.”“Apples Never Fall,” premiering Thursday on Peacock, is the third Liane Moriarty book to be adapted for television, following HBO’s “Big Little Lies” and Hulu’s “Nine Perfect Strangers.” But if you told me it was the 10th, I’d believe you, given how familiar it all feels. The seven-episode mini-series is so well-oiled and unsurprising, it just glides on by.Annette Bening and Sam Neill star as Joy and Stan Delaney, pillars of West Palm Beach, Fla., who are, as the central couples in these kinds of shows always are, seemingly perfect but secretly damaged. They’ve just sold their tennis academy and are balking at the alleged freedoms of retirement, which Joy thought she’d spend with her four adult children.However, the kids don’t want to hang out with their hovering mom and volatile, bitter dad; they want to have their own lives of not-very-quiet desperation. Troy (Jake Lacy) is the clenched-jaw rich brother, at the tail end of a divorce from a woman everyone else really liked. Amy (Alison Brie) is the “searcher,” as her mother puts it, an aspiring life coach who would be perfectly at home on any show set in California. Logan (Conor Merrigan Turner) wants to be beachy, not sporty, so he works at a marina and does yoga. Brooke (Essie Randles) is a high-strung physical therapist who is supposed to be planning her wedding but may be getting cold feet.They probably would have kept on like that, except Joy has disappeared. And hmm, now that you mention it, there was that weird con artist, Savannah (Georgia Flood), who ingratiated herself into Joy and Stan’s life under very dubious circumstances. She couldn’t have something to do with it, could she? Well, we better bounce between two timelines to make sure: The days since Joy’s disappearance tick ahead in one timeline as we excavate all the mean family dinners from eight months ago in the other.The show hits its steady simmer with tense competence and with some good lines. “I didn’t know how to fix it, so I broke it,” Troy says of his marriage, though it applies to all the siblings and their behaviors pretty equally.Annette Bening plays a mother whose disappearance sparks suspicion and resentment within her family.Jasin Boland/PeacockWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Stephen Colbert Slams Former Special Counsel’s Conclusions

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      Colbert objected to Robert K. Hur calling President Biden a “well-meaning, elderly man with a poor memory” in a report on the handling of classified documents.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Thanks for the MemoriesOn Tuesday, the former special counsel Robert K. Hur testified before the House Judiciary Committee, answering questions about his investigation into President Biden’s handling of classified documents. In his report, Hur referred to Biden as a “well-meaning, elderly man with a poor memory.”“Yes, Biden has been dangerously forgetful, unlike Trump, who always remembers that he’s running against Obama, and unopposed, at that, since Nancy Pelosi dropped out,” Stephen Colbert said on his show Tuesday night.“Democrats were, like, ‘Well, that five days of momentum from the State of the Union was fun while it lasted.’” — JIMMY FALLON“That kind of assessment is sort of outside the normal job description of a special counsel. It’d be like your doctor saying, ‘Well, we ran some tests, Mr. Johnson, and your cholesterol looks very good, but I am worried about how ugly you are. I’m going to write you a prescription for bag over your head. Unlimited refills.’” — STEPHEN COLBERT“Hur refused to engage in hypotheticals, but today, he did release the full transcript of his interviews with the president, and, what do you know? It’s not as ‘old-man-forgets-a-lot’ as his summary made it out to be. At one point, Hur even complimented Biden’s memory, specifically saying: ‘You appear to have a photographic understanding and recall.’ So the exact opposite of his report summary. At this point, I’m worried about Hur’s cognitive ability. Did anyone ask him to identify a whale?’” — STEPHEN COLBERTThe Punchiest Punchlines (Bye-Bye, TikTok Edition)“Angry TikTok users are reportedly calling congressional offices ahead of the week’s vote on a bipartisan bill that would ban the platform. Well, it’s more mature than what angry Facebook users did.” — SETH MEYERS, referring to Jan. 6“Banning one of the most popular social media apps in the entire world would set a huge precedent and have a massive impact on American life. Without TikTok, where else would I learn about actual trends like cooking chicken in NyQuil or future trends like calling the ambulance after someone cooks chicken in NyQuil?” — STEPHEN COLBERT“The bill is a response to fears that TikTok’s owner company, ByteDance, could share user data, such as browsing history, location and biometric identifiers, with China’s authoritarian government. Oh, God. China could spy on us or brainwash our youth with propaganda, or, worst of all, put us on a mailing list.” — STEPHEN COLBERTThe Bits Worth WatchingWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Shogun’ Episode 4 Recap: Fire Away

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      Lord Yabushige has managed to split his loyalties between Ishido and Toranaga. A play by younger lords will force his hand.Episode 4: ‘The Eightfold Fence’Last week’s episode dropped the ball when it came to depicting visceral combat. This week’s fired it straight at the enemy and pulped them.In the bloody climax of this episode, Lord Nagakado (Yuki Kura), the untested young son of Lord Toranaga, decides to make a name for himself by blowing the visiting enemy forces of the Lord Ishido to bits with John Blackthorne’s frighteningly precise cannons. Virtually every witness to the slaughter, including Blackthorne and Lady Mariko, is aghast, the double-dealing Lord Yabushige most of all.The exception is Yabushige’s equally calculating but somewhat less comical nephew, Lord Omi, who was by Nagakado’s side when he made the fateful decision to ambush the Ishido samurai, a distraction that keeps his dad’s battle plans under wraps. The young lords have drawn first blood in a war that threatens the entire nation — Nagakado for family pride, Omi for pure ambition.Where this leaves Blackthorne is anyone’s guess. He’s fulfilling the bargain he made with Lord Toranaga to train a regiment in the Western ways of war. To the best of his abilities, anyway. Since he doesn’t know anything about infantry tactics, he shows them how to use English cannons instead, arguing that a naval bombardment can breach walls faster than any besieging army can.But Toranaga does not appear to be honoring his end. He departs Lord Omi’s village almost as soon as he arrives, leaving Blackthorne without the access to his men and his ship that Toranaga promised.Blackthorne can hardly believe what he’s offered instead. Befitting his status as hatamoto, he’s granted a house of his own — a prison with better accommodations, he says — and a consort in the form of Fuji, the bereaved mother and widow. Neither is thrilled by the arrangement, but they make the best of it, culminating in an exchange of gifts — his best pistol, her father’s swords — that leaves them both fumbling for words.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jimmy Kimmel Explains His Run-In (Sort of) With Trump at the Oscars

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      Why did Donald Trump go online during the Oscars to criticize Kimmel’s performance as host? Kimmel thinks he was upset because no one had mentioned his name. Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.OscarworthyFresh from hosting the Oscars on Sunday, Jimmy Kimmel detailed on Monday night how he’d come to poke fun in real time at one viewer: Donald Trump, who posted criticism of Kimmel’s performance during the broadcast. (“Isn’t it past your jail time?” Kimmel asked the ex-president from the stage.) “We were backstage, the show was almost over, and one of our writers was like, ‘Hey, look at this,’ and I was like, well, to quote Al Pacino, ‘Just when I thought I was out, they pull me back in,’ and I had to read it,” Kimmel said.“Donald Trump — you remember that guy? He used to be, yeah — wrote ‘Has there ever been a worse host than Jimmy Kimmel at the Oscars? His opening was that of a less-than-average person trying too hard to be something which he is not and never can be.’ This was also his wedding toast to his son Eric, by the way.” — JIMMY KIMMEL“So after the show, almost everyone I ran into was asking me, ‘Was that real? Did Donald Trump really?’ It’s like yeah, of course, it was real. And it kind of tells you all you need know about Donald Trump.” — JIMMY KIMMEL“He wrote this because he was upset I didn’t mention him on the show, and no one mentioned him on the show. He wasn’t getting any attention. He couldn’t stand it. And so then the Adderall McFlurry kicked in, and he went right on.” — JIMMY KIMMEL“Funny — we had John Cena onstage naked, and somehow Trump still managed to be the biggest [expletive] of the night.” — JIMMY KIMMELThe Punchiest Punchlines (Pushing the Envelope Edition)“‘Oppenheimer’ was the big winner, taking home seven awards, including Best Picture, while the award for Most Paused Picture went to John Cena.” — JIMMY FALLON“I mean, God bless, John. I could never do something like that. If I did, I’d win the Oscar for Best Short.” — JIMMY FALLON“Good thing he held onto that card, ’cause we might have seen his Maestro, if you know what I’m saying? His Poor Thing, if you catch my drift.” — STEPHEN COLBERT“They kept demanding that we make the envelope bigger and bigger, which, well, first, I have to say congratulations to John Cena, the commotion you caused. Very rarely does an idea literally push the envelope, and this one did.” — JIMMY KIMMELThe Bits Worth WatchingKristen Stewart defended her racy Rolling Stone cover while on Monday’s “Late Show.”What We’re Excited About on Tuesday NightThe journalist Jane Marie will discuss her new book “Selling the Dream: The Billion-Dollar Industry Bankrupting Americans” on Tuesday’s “Daily Show.”Also, Check This Out“I still like looking at the world around me with softness and an open heart,” Adrianne Lenker said.Erinn Springer for The New York TimesThe singer-songwriter Adrianne Lenker of Big Thief fame projects resilience on her fifth solo album, Bright Future. More

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      Cillian Murphy, Oscar Winner and ‘Oppenheimer’ Star: Get to Know His Work

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      “Oppenheimer” wasn’t the first time he’s played a physicist. In “Sunshine,” “28 Days Later” and more, you can get a sense of just how wide his range is.The first thing you notice about Cillian Murphy is his eyes. As a young filmgoer, I clocked them in the historical drama “Girl With a Pearl Earring” (2003), when he was romancing Scarlett Johansson. But over the years I came to find myself more and more taken by the rarity of Murphy’s transmutable talent as he tackled everything from horror movies to comic-book fare to war pictures.Even as he gained popularity as one of Christopher Nolan’s favorite actors and as the star of the television drama “Peaky Blinders,” somehow Murphy still felt underrated. Well, that was until last year, when “Oppenheimer” came out. In recent months more and more people have found themselves captivated by Murphy thanks to his now Oscar-winning performance as J. Robert Oppenheimer, the father of the atomic bomb and the central force of Nolan’s best picture-winning film.“Oppenheimer” serves as an excellent overview of what Murphy is capable of onscreen — his take on the scientist is alternately seductive, cerebral and tortured. Still, it’s just his most recent triumph. If you’re now looking to expand your knowledge of Murphy’s work, here are some excellent options.2003‘28 Days Later’Stream on SlingIt’s frustrating for many cinephiles that Danny Boyle’s zombie masterpiece “28 Days Later” isn’t more easily available to stream. (Currently, it’s only on Sling.) Not only is this film one of the most haunting depictions of the way society quickly crumbles when faced with an apocalyptic scenario, it also offers a look at Murphy’s breakout moment, wandering through London’s ravaged streets in nothing but ill-fitting scrubs, a large scar across his head. Nolan uses the natural sunken quality of Murphy’s cheeks to great effect in “Oppenheimer,” where his gauntness also conveys a mind that cannot stop racing as he considers all the terrifying outcomes of his deeds. But Boyle employed Murphy’s physicality much earlier, casting him as Jim, a man who wakes up naked in a hospital bed 28 days after the onset of a monstrous virus known as the Rage. Jim is no one special, someone who survived by mere luck, but he wears that like a burden. Early on, you watch his newly revived brain process the horrors he is witnessing. Later, you see him fully embrace the fury this world requires. This is the film that demonstrated why Murphy is the actor to cast when you want someone to play haunted. There’s no one who does it like him.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Missing the Gay Best Friend

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      In film and on TV, he was a sign of cultural progress. Then he was a tired stereotype. Then he disappeared. So why do we want him back?SOMETIMES, YOU DON’T know how much you’ve been missing something, or even that you’ve been missing it, until you have it back. That may explain the unexpected nostalgic pang I felt while watching Nathan Lane connive and conspire with an array of imperiously behatted women on the second season of Max’s real housewives of New York costume drama “The Gilded Age.” Or the similar pang I felt while watching Mario Cantone reprise his role as the embittered confidant Anthony Marentino on the second season of Max’s other real housewives of New York costume drama “And Just Like That …” In both instances, it seemed suddenly clear that, for a long time now, popular culture has been moving forward without a once-essential style accessory: the Gay Best Friend. We’re not supposed to mourn his absence; we’re not supposed to want him back. But I kind of do.Listen to this article, read by Ron ButlerOpen this article in the New York Times Audio app on iOS.Sardonic and supportive, caustic and self-deprecating, alternately the angel and the devil on the shoulders of countless heroines, the Gay Best Friend — always free, always available, there when he’s needed and invisible the minute he isn’t — had been a staple of women-driven, gay-friendly movies and television shows since I was a teenager in the early 1980s, at the dawn of the representation-matters era. As our designated representative, the homosexual confidant wasn’t ideal, but he was better than nothing. He could serve as a pet, a provocateur or a sob sister; a servile, wince-inducing stereotype or a sly underminer of various heterosexual norms. For gay audiences, his existence, rarely in the thick of the action but rather just next door to it, offered, at its best, a brief glimpse into a universe of possibilities — a universe that mainstream culture was still unwilling to enter more immersively. Over the next couple of decades, the Gay Best Friend’s development could be traced alongside the overall arc of gay culture as it bent toward justice.And then, seemingly without anybody noticing, he ghosted, disappearing from the scene with barely an acknowledgment that he’d been there at all. (The momentary appearance of Earring Magic Ken in 2023’s biggest film hit, “Barbie,” is the last known sighting.) Was the cultural demise of the Gay Best Friend a defeat, or was it a sign of progress? And either way, whatever happened to that guy? He was fun to have around and, all in all, good company.IT MAKES SENSE that, in the 2020s, the Gay Best Friend is not only virtually extinct but even frowned upon as démodé, a quaint form of minstrelsy. In an era in which everybody is determined to live life as the star of their own show, the G.B.F., a member of a sexual minority who accepts that his destiny is to serve as a tangential character rather than a central figure, feels self-abnegating in a way that renders him politically suspect. Why would any self-respecting gay man choose to define himself primarily as a woman’s ornamentation? The trope is by now so familiar that it can be spoofed: A 2023 “Saturday Night Live” sketch, “Straight Male Friend,” shrewdly posits that being the Gay Best Friend (as embodied by Bowen Yang) is essentially uncompensated emotional labor, and that after a long day (or at least a long brunch) of listening and supporting and encouraging, what gay men really need is a dude-bro buddy with virtually no emotional intelligence who just wants to hang.Has the character simply outlived its questionable-in-the-first-place value? The inverse of the Gay Best Friend is the Fag Hag, and the minefields of that particular stereotype announce themselves right in the label (twice in just six letters). Forever bemoaning her rejection by the straight world, often the first to announce that she considers herself overweight or unattractive and viewed by her gay friends as a kind of rescue case, the Fag Hag character can be predicated on affection, condescension or both, but the general sense is that her time has passed. The character has also come under fire for reasons that lie outside of popular culture, as frustration has increased over the minimization of the role of women, both straight and lesbian, in the struggles and movements that have defined the past 60 years of gay history.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More