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      ‘Shogun’ Remake: This Time, the White Man Is Only One of the Stars

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      A 1980 adaptation of the best-selling novel cast it as the tale of a white hero in an exotic Japan. A new version tells a more kaleidoscopic story.Gina Balian, a television executive who had worked on the hit series “Game of Thrones” for HBO, had just left to help FX start a new limited series division when an agent sent her a nearly 1,200-page novel.It was “Shogun,” James Clavell’s 1975 best-selling chronicle of a hardened English sailor who lands in Japan at the dawn of the 17th century looking for riches and ends up adopting the ways of the samurai. Balian’s first reaction was that she had already seen this book on television — back in 1980, when NBC had turned the novel into a mini-series that earned the network its highest Nielsen ratings to date.Most of what she remembered about the first adaptation was Richard Chamberlain — its white, male star. But as she started reading, she discovered the novel had a much more kaleidoscopic point of view, devoting considerable pages to getting inside the heads of the Japanese characters.“I thought that there was a story to be told that was much wider and deeper,” said Balian, who is co-president of FX Entertainment. It didn’t hurt that something about it also reminded her of “Game of Thrones,” in terms of the “richness of so many characters’ lives.”It took 11 years, two different teams of showrunners and a major relocation to bring “Shogun” back to the screen. The 10-part series debuts on Hulu on Feb. 27 with the first two episodes, followed by new ones weekly, and will premiere on Disney+ outside of the United States and Latin America.Both Hollywood and Western audiences largely have moved beyond viewing the world as a playground where (mostly) white protagonists prove their mettle in exotic lands. Shows and films like “Squid Game” and “Parasite” have shown that audiences can handle Asian characters speaking their own languages.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Netflix’s ‘Avatar: The Last Airbender’ Can’t Match the Original

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      Netflix’s latest attempt to capture the magic of a beloved animated series has some strong performances but falls well short of the original.Nickelodeon’s 2005 series “Avatar: The Last Airbender” was a sprawling odyssey that combined intricate world-building, meticulous references to Asian and Native cultures, lively humor and sharply plotted drama, all animated in a charming, anime-inspired style. It was an unqualified success, attracting millions of viewers and heaps of critical praise. The series introduced a world so rich, complete and full of its own histories and myths and traditions that it never needed a follow-up.But we know that’s not how things work.In 2010 there was the famously whitewashed live-action film “The Last Airbender,” which was, deservedly, met with a ferocious torrent of fan-fury. The sequel series, “Avatar: The Legend of Korra,” was more in touch with the original, but still unnecessary. And the same can be said for Netflix’s “Avatar: The Last Airbender,” the streamer’s latest big money, live-action adaptation that proves just how difficult it is to capture the magic of a beloved original.Like the original series, Netflix’s “Avatar: The Last Airbender” also takes place in a fictional Eastern world of four nations: Air Nomads, Water Tribe, Earth Kingdom and Fire Nation. In this world a select group of people from each nation are “benders,” able to manipulate their element. For a century the Fire Nation has waged a winning war against the others — during which time the only hope for peace, the avatar, the sole master of all four elements, disappeared. When two Water Tribe siblings, Katara (Kiawentiio) and Sokka (Ian Ousley), discover the prodigal avatar, a 12-year-old Air Nomad named Aang (Gordon Cormier), the three embark on a journey to complete Aang’s training so they can save the world from the threat of the Fire Nation.This “Avatar” attempts to condense several story lines, many of which are spread out across dozens of episodes in the robust sprawl of the original, into a tight eight episodes. Some of the economies the adaptation uses in fusing certain narratives — making new connections and throughlines among stories that were originally set in different locales, for example — are neatly done. And thanks to the involvement of the creators, Michael Dante DiMartino and Bryan Konietzko, each subplot, even when moved or modified, remains faithful, if not exactly in detail then absolutely in spirit, to that of its animated counterpart. The show is also full of carefully placed Easter eggs from the original. Something as minor as a background character’s passing mention of the Avatar encountering some “canyon crawlers” in an episode will immediately clue fans in to the dangerous beasts Team Avatar faced in Episode 11 of the Nickelodeon version.But “Avatar” also tries so desperately to rework its stories that the pacing often suffers; adventures become a bit too convoluted, and there’s so much stacked action that it’s easy to lose track of the stakes and sense of urgency in any one plotline.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      What to Watch This Weekend: A Dysfunctional Family Dramedy

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      “Moonshine,” a Canadian series about a family selling drugs and hospitality in Nova Scotia, is overstuffed but exciting.Jennifer Finnigan, far left, in a scene from “Moonshine.”Michael Tompkins/Entertainment OneAh, the recurring fantasy of moving to vacation. I mean, someone lives at the shore, someone makes the lobster rolls, someone owns the family estate that doubles as a resort. Why not you? “Moonshine,” a Canadian dramedy available on the CW’s website, has enough dysfunction and wild behavior to largely disabuse one of this dream … but enough Canadian charm that it still holds a certain appeal.“Moonshine” follows the Finley-Cullen clan, mostly artsy-earthy types except for Lidia (Jennifer Finnigan), the big-city sister who returns home to the family’s Nova Scotia compound when her aunt dies. Her parents and some of her siblings run the Moonshine, a shabby but endearing collection of beachy cottages and various outbuildings, but only to the degree that hippies ever really “run” anything. So when the aunt’s will makes Lidia the primary owner, she decides to make a go of it, bringing her sullen teenagers and ditching her crummy husband. Haphazard management of the hotel turns out to be the least of her troubles, though. The Finley-Cullens also dabble in drug-dealing, scandalous secrets, shady police behavior, substance abuse and generation-spanning rivalries. “This is how the war starts,” one sister says, not joking.In more doleful hands, this becomes “Ozark.” Here, though, it’s closer to “Gilmore Girls,” “Schitt’s Creek” or “Northern Exposure,” a festival of small-town oddballs with the characters’ pain buffeted by warmth. Oh sure, tempers run high and criminal activity abounds. But it all unfolds in a fun, beachy way rather than as part of an anguished plumbing of the darkness within.“Moonshine” can feel a little overstuffed, as if all the squabbling siblings had each lobbied to get a fair amount of story for themselves — and their offspring and their plus-ones. OK, OK, fine: Everyone’s invited to the plot! The snappy dialogue sometimes feels too forced and cutesy, and there’s a fine, occasionally crossed line between quirk and contrivance. This too-muchness is an asset, though, when group arguments crest into chaos, which they often do.Three seasons of the show have aired in Canada; two seasons are available to stream in the United States. Season 1 aired on the CW last summer, which might give the incorrect impression that “Moonshine” is hokey or aggressively wholesome. It is not. If you’re between major shows and want something bright and exciting, watch this. More

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      Wendy Williams Has Frontotemporal Dementia and Aphasia, Representatives Say

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      Representatives for the former daytime talk show host announced her diagnoses two days before the release of a two-part documentary about her health issues.Wendy Williams, the former daytime talk show host, has been diagnosed with frontotemporal dementia and aphasia, a disorder that makes it difficult or impossible for a person to express or comprehend language, according to a statement from her representatives.Ms. Williams, 59, who hosted “The Wendy Williams Show” on Fox for more than a decade, was officially diagnosed last year after “undergoing a battery of medical tests,” according to a statement released on Thursday.The tests show that Ms. Williams has primary progressive aphasia, a type of frontotemporal dementia, her representatives said, adding that she was receiving the necessary medical care.“Over the past few years, questions have been raised at times about Wendy’s ability to process information,” the statement said, “and many have speculated about Wendy’s condition, particularly when she began to lose words, act erratically at times, and have difficulty understanding financial transactions.”The statement was released before the premiere this Saturday of “Where Is Wendy Williams?” a Lifetime network two-part documentary about Ms. Williams.The project stopped filming in April, when, according to the documentary, Ms. Williams entered a care center where she has been ever since, People magazine reported on Wednesday. Ms. Williams’s son, Kevin Hunter Jr., says in the documentary that doctors have connected her cognitive issues to alcohol use, People reported. Ms. Williams’s family told People that a court-appointed legal guardian was the only person who had “unfettered” access to her.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ewen MacIntosh, Comedian on British Sitcom ‘The Office,’ Dies at 50

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      Mr. MacIntosh was known for his role as Keith Bishop, a dry, blunt accountant on the original version of “The Office.”Ewen MacIntosh, a British actor and comedian known for his dry portrayal of Keith Bishop, a lackluster accountant in the acclaimed British sitcom, “The Office,” has died. He was 50.He died on Monday, his management company, Just Right Management, said, but it did not give a cause of death. The company said in a social media post that Mr. MacIntosh received support from a care home before he died.Mr. MacIntosh had parts in several comedic series, including the British sitcom “Miranda” and the sketch series “Little Britain.” But it was “The Office” that would be his most famous role, as a socially inept accountant working at a boring branch of a paper company.Created by the comedians Ricky Gervais and Stephen Merchant, the mockumentary series began airing in 2001 and focused on the horrors and trivial lives of office workers. It included two series and a Christmas special, and its comedic approach was praised by critics and audiences alike.The show later inspired an Emmy-winning American counterpart that ran for nine seasons and also attracted an avid audience.Referring to Mr. MacIntosh as “Big Keith,” one of his nicknames on “The Office,” Mr. Gervais called him “an absolute original” in a social media post Wednesday.This is a developing story. More

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      ‘Constellation’ Review: Alice in Wonderspace

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      A sci-fi mystery from Apple TV+ turns quantum physics into a dark fairy tale.In “Constellation” on Apple TV+, the Swedish actress Noomi Rapace stars as Jo Ericsson, an astronaut whose time on the International Space Station takes a tragic and mysterious turn. The superbly capable Jo battles overwhelming odds to get back to Earth and to decipher why she feels so out of place once she’s there. But the real hero of the story — its emotional center and vigilant conscience — is Jo’s young daughter, a solemn girl with a significant name: Alice. To understand what’s up with her mom, she’ll have to go through the looking glass.The uneven but seductively spooky “Constellation,” which premieres with three of its eight episodes on Wednesday, is a space adventure, mystery and family drama spun from the unstable fabric of quantum physics. People, places and events look different from episode to episode and scene to scene; when a NASA scientist tells Jo that curiosity killed the cat, he is definitely referring to the poor animal inside Schrödinger’s box.In storytelling terms, though, the real quantum entanglement is that of straight science-fiction action with dark fairy tale. The show’s creator and writer, Peter Harness, working with the directors Michelle MacLaren, Oliver Hirschbiegel and Joseph Cedar, carries off both with aplomb, and maintains a dry tone and an appealing atmosphere of foreboding. The mechanics of the narrative, as “Constellation” shifts through its different gears, can be creaky, but the show continually draws you in.The main action begins with a bang, as an unidentified bit of debris cripples the space station during an experiment that seeks “a new state of matter.” Across two episodes the echoes of Alfonso Cuarón’s “Gravity” are heavy as Jo, left alone in the station, deals with a cascade of problems while trying to escape in a Soyuz capsule. Where “Gravity” ended, though, “Constellation” is just getting started. The resourcefulness and sanity Jo displays in space define her for the audience, so that we stay on her side when things start to go wrong on Earth.Jo’s memories — of names, cars, relationships — do not completely jibe with what she finds when she gets home to Sweden, and the show slides from adventure into increasingly paranoid thriller, smoothly though perhaps with more time-jumping confusion and open questions than some viewers will have patience for. It plays fair, however — by Episode 6 things begin to come clear. At which point Jo and Alice head into the dark northern woods.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      For Carla Hall, It’s Been a Bumpy Climb to a ‘Top Chef’ Life

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      Carla Hall’s tarot card reading was running long. Astrology, numerology, psychics, the Chinese zodiac — she’s open to all manner of metaphysical messaging.I slipped off my shoes in the foyer of her century-old house in the Takoma neighborhood of Washington, D.C., out of respect for a recent million-dollar gut renovation. Then I went to wait in her airy kitchen, which happens to have the most expertly arranged, hand-labeled spice drawer I have ever encountered.Ms. Hall finally bounded down the stairs with news from the reading. “Oh, my God,” she said. “It was so good. All stars point to ‘this is your year.’’’Indeed, Ms. Hall seems to be everywhere. She’s selling $88 carrot cakes and nesting bowls decorated with okra flowers from her Sweet Heritage line on QVC. She made croquettes from Doritos at the Super Bowl’s Taste of the N.F.L. event. She is luminous in a recent People magazine spread marking her 60th birthday, which arrives in May. (She’s a Taurus.)And of course, she’s on TV, the medium that made her a food star almost from the moment she was introduced to the world as “kooky Carla” in the fifth season of “Top Chef” in 2008. This year, she’ll judge Food Network baking championships, appear on “Beat Bobby Flay” and serve as a guest judge when “Top Chef” returns in March.Ms. Hall shot to fame as contestant who meditated regularly and sang a lot on the fifth season of “Top Chef.”Giovanni Rufino/Bravo/NBCUniversal via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jon Stewart Takes Notes from Tucker Carlson’s Russia Coverage

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      “I have much to learn,” Stewart said. “‘Disguise your deception and capitulation to power as noble and moral and based in freedom.’ Yes, master.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘The Literal Price of Freedom’Jon Stewart was back on “The Daily Show” on Monday, a week after returning to the desk for the first time in nine years. He called the response to his first show back “universally glowing” before playing clips of Democrats panning his jokes about President Biden and saying they would not watch him host.“I just think it’s better to deal head-on with what’s an apparent issue to people,” Stewart said, defending himself. “I mean, we’re just talking here!”“It was one [expletive] show! It was 20 minutes! I did 20 minutes of one [expletive] show! But I guess, as the famous saying goes, democracy dies in discussion.” — JON STEWART“Where do I go to study the particulars of unquestioning propaganda? I would need mentorship!” Stewart said before rolling a clip of Tucker Carlson’s interview with President Vladimir V. Putin of Russia.“Saints be praised, for Professor Tucker Aloysius Mayflower Kennebunkport Backgammon Carlson III has arrived.” — JON STEWARTStewart took notes about Carlson referring to himself as a journalist (“Lie about what your job is,” Stewart said as he scribbled) and saying his duty was to “inform people” (“Lie about what your duty is.”)“I have much to learn — ‘Disguise your deception and capitulation to power as noble and moral and based in freedom.’ Yes, master.” — JON STEWARTCarlson’s coverage of Russia included a trip to a grocery store, where he said the low price of food would “radicalize” viewers against American leaders.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More