Television

Subterms

    More stories

    • 125 Shares169 Views

      in Television

      ‘UnPrisoned’ Depicts the Burden of Incarceration With a Light Touch

      by

      Delroy Lindo and Kerry Washington discuss their series, which finds humor and struggle in a father and daughter repairing their relationship after a long prison term.“UnPrisoned” on Hulu is the rare show to focus on the aftermath of incarceration and its ongoing effects on families rather than on imprisonment itself.Created by Tracy McMillan and loosely based on her 2011 memoir, “I Love You and I’m Leaving You Anyway,” the series stars Delroy Lindo and Kerry Washington as Edwin and Paige, a father and daughter trying to repair their relationship when Edwin comes back into Paige’s life after serving 17 years in prison.The first season explored the emotional injury that Edwin’s long absence inflicted upon Paige, an avid Instagrammer, therapist and single mother who struggles with a string of unhealthy romantic partners. Season 2, premiering Wednesday, delves deeper into how the issues of abandonment, anxiety and mistrust have been passed down through three generations, and it depicts the hard work it takes for the family to break the trauma cycle and begin to heal.Though the show spotlights a serious societal problem — mass incarceration — it does so with a light touch, finding humor as well as difficulty in the challenges of re-entry. Such nuance is what drew both Lindo and Washington to this story about, as Lindo put it, “the problems of families that have been decimated by the penal system and their trying to reconnect.”“Shining light on that process and on one individual who has been imprisoned for as long as my character was, while also doing it somewhat comedically, was genuinely very, very interesting to me,” he said.Washington helped develop “UnPrisoned” through her production company, Simpson Street. She said Lindo was her only choice for Edwin because she needed someone who could handle the comedy while also being able to convey the complexity and charisma of McMillan’s father, who inspired the character.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 163 Shares129 Views

      in Television

      Trump Returns to RNC With a Different Look, but Some Things Were Familiar

      by

      The first night of the Republican National Convention sought to strike a new note. But some of the lyrics were familiar.Donald J. Trump, a former reality-TV star, has always been conscious of his set dressing as a presidential candidate. At the 2016 Republican National Convention, he made a pro-wrestling-style walk-on in front of blinding lights. In 2020, he used the White House itself as the backdrop for his acceptance speech.But on the first night of the 2024 convention, Mr. Trump — in a way that he could not have anticipated before Saturday — was his own biggest prop.Just as the major networks’ prime-time coverage began, Mr. Trump entered the V.I.P. box in Milwaukee with a large white bandage on his injured right ear, the result of a close call on Saturday with a would-be assassin’s bullet at a rally in Pennsylvania. A reminder of mortality, a badge of survival — it was a blank rectangle on which the crowd could read what it wished, and that made it the most potent placard in the hall.Mr. Trump’s rallies and appearances have always been about firing up big feelings: rage, fear, grievance, defiance. This, as Mr. Trump walked out to the sounds of Lee Greenwood performing “God Bless the U.S.A.,” was something a little different.The mood of the moment was emotional and warm. Much of the night felt like a merger of political rally and gospel service, full of exhortations for divine protection, not simply for the country but also for the party’s returning leader.And Mr. Trump, who has said in interviews that he does not cry, looked as close to misty as I can remember in decades of seeing him onscreen.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 88 Shares129 Views

      in Television

      What to Expect From Wednesday’s Emmy Nominations

      by

      The top nominees are announced at 11:30 a.m. ET. “Shogun” and “The Bear” are poised to have a big day.Just six months after a strike-delayed ceremony, the Emmys are back.Nominations for television’s most prestigious award show will be unveiled on Wednesday morning. “Shogun,” the lush period drama, and “The Bear,” the anxiety-inducing comedy, are poised to have a big day. Netflix’s “Baby Reindeer” is expected to stand out among limited series.There is a considerable cloud hanging over Emmy nomination day this year. Last year’s double strikes, along with several years of cost cutting, have put the industry in the throes of a contraction. The Peak TV era is now firmly in the rearview mirror. To wit, the number of shows submitted for Emmy consideration this year plummeted.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares129 Views

      in Television

      A Somber Late Night After the Attack on Donald Trump

      by

      Stephen Colbert and Seth Meyers offered sober reflections about democracy. So did Anthony Anderson, though he found some humor in the reaction to the shooting.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Not FunnyLate night was more subdued than usual on Monday, two days after a gunman tried to kill Donald Trump at a rally.“The Daily Show” canceled its plans to cover the Republican National Convention from Milwaukee, skipping its Monday show. Jimmy Fallon avoided the topic altogether on “The Tonight Show,” while Stephen Colbert and Seth Meyers addressed it with solemnity at the top of “The Late Show” and “Late Night.”Colbert expressed “horror at what was unfolding, relief that Donald Trump had lived, and, frankly, grief for my beautiful country.”“So as we’ve done many times in the past when some tragic event has shocked the nation, I’m starting the show tonight talking at the desk. Though I could just as easily start the show moaning on the floor, because how many times do we need to learn the lesson that violence has no role in our politics? That the entire objective of a democracy is to fight out our differences with, as the saying goes, ballot not a bullet?” — STEPHEN COLBERTSeth Meyers said it was “worth saying that there is no autopilot for democracy.”“Every generation before us has had to do the difficult work of safeguarding this cherished enterprise, and now we’re called upon to do the same.” — SETH MEYERSAnthony Anderson, guest-hosting “Jimmy Kimmel Live,” said he hoped that “we can all take a step back from the hatred and vitriol in our politics.” He was the only host who attempted a few jokes around the incident.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares99 Views

      in Television

      In ‘Beverly Hills, 90210,’ Shannen Doherty Redefined Teen TV Drama

      by

      As Brenda Walsh, Doherty was the engine of the series that set the template for what a modern teen drama would look like on television.If you liked watching TV on Thursday nights in 1990, you could have spent your spring with Audrey Horne and Donna Hayward, in “Twin Peaks,” and your fall with Brenda Walsh in “Beverly Hills, 90210.” And Brenda, as played memorably by Shannen Doherty, who died on Saturday, knew who her peers were. When she dons a (hideous) hat in Season 1, she is met with derision. “Hippie witch is out,” sneers Kelly (Jennie Garth).“It’s not hippie witch; it’s ‘Twin Peaks,’ and it’s very in,” Brenda snaps back. Ah, back then we were so rich in pouty, put-upon brunettes with brooding motorcycle boyfriends, fraught taste in companions and a desire to listen to the same song over and over.No, Brenda’s outfit is not “Twin Peaks” in any way, but her affection and affectation create a fun hall of mirrors. Brenda herself was a character whose style many sought to emulate, though sadly, God blesses so few of us with such magnificent bangs. Still, it was far easier to incorporate a Walshian choker or silver belt buckle than to pull off an arch “Twin Peaks” saddle shoe.Teens were all over prime-time in 1990. “Parker Lewis Can’t Lose” and “The Fresh Prince of Bel-Air” also debuted that season, and shows like “Growing Pains,” “Who’s the Boss,” “A Different World” and “Doogie Howser, M.D.” were already airing.But it was “Beverly Hills, 90210” that established the blueprint for what a modern teen drama would be: glossy, aspirational, tackling the topics of the day but bending inexorably — if they lasted — toward soapiness. It was a template followed by series like “Dawson’s Creek,” “One Tree Hill,” “Gossip Girl” and “The O.C.,” among many others.And of all the young beautiful people who populated West Beverly Hills High, it was Brenda who made the show go. As she went from naïf to vixen, from humble Minnesotan to globe-trotting romantic, her transformations transformed the show itself. Grander tragedies befell other characters, but no one suffered heartbreak or betrayal with more intensity than Brenda, the show’s most authentically teenage character. In Doherty’s hands, Brenda was both vulnerable and vituperative, delivering the sharpest insults but in the most pain.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares99 Views

      in Television

      Anthony Hopkins on Playing a Roman Emperor in ‘Those About to Die’

      by

      In an interview, the actor discusses his new series, humble origins and the freedom age brings. “That gives me a tremendous amount of energy to move forward,” he said.Anthony Hopkins has advice for any aspiring actor: Speak clearly.“If you whisper, you sound sexy,” he said during a recent video call. “But I can’t hear you. What’s the story? Tell the story. Stop mumbling.”Though Hopkins, 86, has won two Oscars (“The Silence of the Lambs,” “The Father”), a pair of Emmys and a Laurence Olivier award, he still insists that acting is mostly just enunciating. “It’s just showing up,” he said. This summer, he can be heard, clearly, in “Those About to Die,” a 10-episode series set amid the blood and sand of a Roman amphitheater. It premieres on Peacock on July 18. Hopkins plays Vespasian, a general-turned-emperor who ordered the construction of what would become the Roman Colosseum.“Those About to Die” allowed Hopkins to return to Cinecittà, the famed Italian studio where he filmed “The Two Popes.” And it continues his interest, demonstrated in projects such as “Freud’s Last Session,” “The Father,” “Westworld” and even as far back as “Nixon” and “The Remains of the Day,” in playing men in the waning of their power.Though Hopkins appears in few scenes of “Those About to Die” (anyone familiar with the ancient Roman timeline can guess why), he is fully in command of his own capacities. His Vespasian is infirm of body, not purpose. Facing down his legacy, Vespasian scolds his sons (played by Jojo Macari and Tom Hughes), dismissing their advice and praise.“I had to be tough on them and no nonsense,” Hopkins said.Roland Emmerich, the show’s director, wanted Hopkins for that sternness. “He plays a little bit like a gruff guy,” Emmerich said in a recent interview. He also suspected that Hopkins could play Vespasian’s canniness as he contends with both the aristocracy and the people. And that he could make that realpolitik pleasurable.“He has this likability,” Emmerich said. “He played Hannibal Lecter and was still lovable.”During the video call, Hopkins was only occasionally gruff and, yes, often lovable. (A man who has a way with a twinkle, he has amassed millions of followers on TikTok.) These days, he views his career, he said, “with a sense, not of self-congratulation, but a sense of fun.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares149 Views

      in Television

      What’s on TV This Week: Olympic Specials and ‘Big Brother’

      by

      ABC and CNN gear up for the Games. CBS airs the season premiere of the reality competition show.For those who still enjoy a cable subscription, here is a selection of cable and network TV shows, movies and specials that broadcast this week, July 15-21. Details and times are subject to change.MondayTHE REPUBLICAN NATIONAL CONVENTION starting at 8 p.m. on various channels. Republican delegates will be gathering in Milwaukee through Thursday to nominate the party’s candidate for president. Former President Donald Trump is the only candidate since Nikki Haley, Ron DeSantis and Vivek Ramaswamy dropped out of the race. The Democratic National Convention will be held in mid-August.TuesdayCATFISH 8 p.m. on MTV. Nev Schulman and Kamie Crawford have another successful season in the books after doing what they do best — catching people who are lying about who they are online. And it truly never gets old — anyone who watches the show can immediately tell you their favorite episode (mine is a tie between the infamous Kelly Price one or the one with the slow-clapper on crutches).WednesdayBIG BROTHER 9 p.m. on CBS. As “Love Island USA” is wrapping up its run this year, this prototypical reality show is coming back for its 26th season. In a somewhat haunting, “Black Mirror” type twist, the theme will be artificial intelligence, or what the producers are referring to as “B.B.A.I.” In the newly redone house, each room is designed based on a prompt like “sci-fi rocky planet setting” or “futuristic bedroom for the year 2500.” I’m a little creeped out, but at least it’s inventive.A scene from “Wild Wild Space.”Courtesy of HBOWILD WILD SPACE 9 p.m. on HBO. With the rom-com “Fly Me to the Moon” newly released and the 55th anniversary of the lunar landing looming, the moon is on our minds. But, as this documentary points out, the new and more valuable frontier is low Earth orbit. This area, at an altitude of 1,200 miles or less, could serve as the future of communication, transportation and observation. This documentary follows Chris Kemp and Peter Beck and their rocket companies, which are competing to be the overlord of L.E.O.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 163 Shares119 Views

      in Television

      ‘House of the Dragon’ Season 2, Episode 5 Recap: The Eye Has It

      by

      Prince Aemond makes a move — another move, that is, after the one where he blasted his own brother with dragonfire.In his series of epic fantasy novels A Song of Ice and Fire, the author George R.R. Martin has based a trio of men-at-arms on Curly, Moe and Larry, the Three Stooges. He has used the superheroes Blue Beetle and Green Arrow as the basis for noble houses’ emblematic sigils. During the events depicted in “House of the Dragon,” the important House Tully is variously ruled over by Lords Grover, Elmo, and Kermit, with a Ser Oscar thrown in for good measure, as if “Sesame Street” had come to the Seven Kingdoms.So do I think it’s possible that in his book “Fire and Blood,” the basis of “House of the Dragon,” Martin put Prince Aemond Targaryen in control of Westeros just as a cheeky way to illustrate the maxim “In the land of the blind, the one-eyed man is king”? I wouldn’t put it past him.Compared to the all-out dragon warfare of last week’s outing, this week’s episode was a low-key affair, though not an inconsequential one. Aemond One-Eye’s ascension to the regency as his comatose brother, Aegon, clings to life in a burned and battered body is an alarming development in several respects. Already in possession of the Targaryen civil war’s deadliest weapon, the ancient dragon Vhagar, Aemond now has the political power to match his firepower. That sort of consolidation of control can’t bode well for any of the other prominent voices on the small council, particularly that of Aemond and Aegon’s increasingly marginalized mother, the dowager Queen Alicent.Even his nominal supporters visibly chafe at their choice of regent, though they feel that choice is limited at best. Ser Criston Cole saw firsthand how Aemond tried to kill his brother, first with Vhagar and then up close and personal, but he tells none of this to Alicent. He goes along with Aemond’s rise not despite the horror he witnessed but because of it. This is now a war of dragons, he tells Alicent, and as such they must be led by a dragon rider.The logic of Ser Larys Strong is more political than martial. How would it look, he asks, if they rejected the claim of Rhaenyra on the grounds of her sex, only to raise up another woman, Alicent, as Queen Regent? The legal and sociopolitical waters would be muddied considerably, and support put at risk. With the exception of Grandmaester Orwyle (Kurt Egyiawan), a habitual voice of reason, the men of the council all back the male candidate over the female.The episode’s director, Clare Kilner, lets the camera linger on the face of the actor who plays Alicent, Olivia Cooke, at this point. As the music of the composer Ramin Djawadi strikes an ominously modern tone, the camera draws ever closer, as Queen Alicent struggles to contain her … anger? Embarrassment? Fear? Pain, especially over her abandonment by both her lover and her son? All of the above are visible in Cooke’s extraordinarily communicative eyes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More