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      Sebastian Maniscalco’s Toughest Audience Is His Kids

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      “When they laugh, it blows away the feeling of 20,000 people,” says the comedian, who stars in the new Max series “Bookie.”Sebastian Maniscalco sells out theaters riffing on his tight-knit Italian American family. Earlier this year, in the movie “About My Father,” Robert De Niro played his hairstylist dad — who tutored the actor in the art of applying highlights. He even pitched a series centered on his life to the sitcom creator Chuck Lorre.But Lorre had another idea. Would Maniscalco be game to portray a Los Angeles bookie adjusting his business plan as the legalization of sports gambling looms?“I said, ‘Yeah, that sounds like an interesting world to live in,’” he recalled. The clincher: “I liked not playing me.”“Bookie,” out Thursday on Max, caters to the antics that Maniscalco, with his elastic body and malleable face, excels in.“I love not only telling a story, but kind of acting it out,” he said in a video interview from Atlantic City, N.J., where he was wrapping up a residency.Onstage, Maniscalco is every bit the exasperated son, husband and father who finds even a trip to the grocery store a painful undertaking. But in real life, he revels in Sundays at the farmers’ market with his young daughter and son, admiring the art of his wife, Lana Gomez, and Whirley Pop movie nights with the whole family.These are edited excerpts from the conversation.1My TheragunI love massage, and I try to get one once a week. But when I’m on the road it’s hit or miss. And I like a really, really deep-tissue massage. So that’s what the Theragun provides for me.2Farmers’ MarketsIt’s not necessarily shopping for fresh ingredients, but for me now with kids, to watch them walk around the farmers’ market and get excited about seeing that they’re making caramel corn, or you could feed the goat or the rabbits, or that there’s a whole pistachio stand. It’s a family tradition that we do on Sundays when I’m in town.3My Wife’s ArtMy wife is unbelievably positive and cheerful, and her art reflects her personality. It’s abstract, it’s colorful, it’s happy. I wasn’t a big art guy prior to meeting my wife, but I have a different appreciation now about what goes into creating a piece of art. We have this huge piece in the living room that she just put up, and it’s different shades of green. It reminds me of her every time I see it.4Megaformer PilatesI thought Pilates was on the floor. And then next thing you know, I’m strapped into a machine, and I’m doing these movements that I haven’t ever done before, and my body is becoming elongated. If you do it on a consistent basis, you really start to see the muscles that are being used.5Whirley Pop Movie NightsWe love making popcorn, and my wife turned me on to this machine, which has that crank on the side that stirs the kernels. Just canola oil and salt — that’s all you need. And we sit and watch movies. Now that the kids are getting older, they’re starting to get into movies that I grew up with, like “The Wizard of Oz” and “Willy Wonka & the Chocolate Factory.” My daughter is into doing all the songs from “Grease.”6EatalyThey have lobsters in an aquarium where the kids can look, and they have big whole fish with the eyeballs. They have a little pasta station, and I ask them, “OK, pick out the pasta that you want Daddy to make you tonight.” I feel like they have more of an appreciation of the food because they’re invested in it. I also want to open up their palates to different sauces on the pasta other than butter and cheese.7Cooking to Relax, Sort OfSome guys go golfing. I like cooking for people. It’s a little nerve-racking because something could go wrong and you’ve got 13 people over. The problem with me is I like to do too much. I like people to be full before they even start eating the entree.8Surprise Date NightsSometimes you become ships passing in the night, and you need that time together as a couple. So she picks a night and surprises me where we’re going to go. And then the next week I’ll pick a night and surprise her. I think it’s very important to have those date nights in a marriage that let you reconnect.9‘Succession’It is more of a comedy for me because I find myself laughing at a lot of the things they say, particularly Brian Cox, who was hysterical in this thing, and Kieran Culkin, the zingers that they throw out. I think I’ve got about four episodes left.10My Toughest AudienceThere was nothing better for me than making a room full of strangers laugh — until I had kids. When they laugh, it blows away the feeling of 20,000 people. If I get my daughter rolling on a laugh, for me it’s gold. They’re my toughest audience, but the most rewarding. More

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      ‘Doctor Who’ is Back. Here’s What You Need to Know.

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      The British sci-fi show is celebrating its 60th anniversary with three specials featuring some familiar faces.It’s rare for a television show to celebrate its 60th anniversary. It’s even rarer for a show to be entering a new era on its 60th anniversary.But “Doctor Who,” the British sci-fi show that began airing on the BBC in 1963, is in a period of expansion. Three upcoming specials, celebrating the show’s latest milestone, will arrive weekly on Disney+ in the United States from Saturday, as part of a deal between the streamer and the BBC.And then a new season, starring Ncuti Gatwa (“Sex Education”) in the title role, will arrive next year on Disney+ (and the BBC in Britain) following an extra Christmas Day episode. Russell T Davies, who relaunched the show in 2005, is the showrunner for them all.“Doctor Who” has decades of adventures, villains and complex story lines for dedicated fans to immerse themselves in. But if you’re new to the show, here’s what you need to know before tuning into the upcoming specials.A Quick RecapDavid Tennant, right, as the Doctor in Season 4 of “Doctor Who.” Tennant will rejoin the show for the 60th anniversary specials. Adrian Rogers/BBCThe Doctor is a Time Lord from a planet called Gallifrey, who travels across time and space in a Tardis, an unassuming spacecraft that looks like an old British police box, which members of the public used to call the authorities. His mission is to protect Earth, and the humans who live there, from a variety of threats.“The Doctor is the nerd, the well-read misfit, who isn’t particularly physical, who still wins the day,” said Toby Hadoke, an actor who hosts a podcast dedicated to the show. “The Doctor always offers hope for the person who feels slightly left out.”David Tennant, who played the Doctor between 2005 and 2010, and will be back as the star of the 60th anniversary specials, said that he thought the show’s appeal was “the way the domestic and the simplistic and everyday meets the fantastical and the absurd.” In the show’s world, “the most extraordinary things become very relatable,” he said.The show’s longevity is partly thanks to the fact the Doctor can “regenerate,” meaning a new actor can step into the role, but the show also experiments with genre, and the same season can include a historical drama one episode and a modern political satire the next.“Every time the Tardis door opens and the team steps out to a new planet, or a new time, or a new story, then it begins again,” Davies, the showrunner, said.The Doctor usually travels with a regular human companion, who in the 60th anniversary specials is played by the comedian Catherine Tate.Where Are We With the Plot?Jodie Whittaker became the first woman to play the Doctor in Season 13.BBCAt the end of the last season, Jodie Whittaker, the 13th incarnation of the Doctor, regenerated.Traditionally, a new actor plays each incarnation, and Gatwa is confirmed to be the 15th Doctor. But for the upcoming 60th anniversary episodes, Whittaker has turned back into Tennant, who was the 10th Doctor from 2005 to 2010, and then again for a 50th anniversary special in 2013.Rather than reprising the 10th Doctor, in the upcoming specials, Tennant will portray a 14th Doctor, the first time an actor has played two distinct Doctors. (Keeping up?)“Who is to say you can’t do this?” Davies said. “There’s absolutely no doubt that it can happen.”Tate will also reprise her role as Donna Noble, the Doctor’s companion. But in their last adventure together, which aired in 2008, the Doctor wiped Donna’s memory, and with it all recollection of their time together. If Donna remembers him, she will die. And yet they will reunite in the upcoming specials.“I had left our heroes in a tragic situation separated forever, unable to ever be happy again,” Davies said. “That’s begging for a final act, isn’t it?”How to Watch in the U.S.Ncuti Gatwa will star as the Doctor in the show’s upcoming season.Tolga Akmen/EPA, via ShutterstockWhile “Doctor Who” has aired in the United States for a number of years, including on PBS, the Sci Fi Channel and BBC America, the new international distribution deal with Disney+ could make the show more accessible to a casual audience. For new viewers, the 60th anniversary specials will begin with a prologue recapping the Doctor and Donna’s story.If you would like to dive deeper into the back catalog, older “Doctor Who” episodes are available to stream in the United States on Max or BritBox.An Inclusive Sci-Fi ShowYasmin Finney will join the cast of “Doctor Who” in the new season.Gareth Cattermole/Getty Images“Doctor Who” has long been notable among sci-fi franchises for its onscreen diversity. Whittaker became the show’s first female Doctor in 2017, and in 2020, Jo Martin played an incarnation of the Doctor known as the Fugitive Doctor, the show’s first Black doctor. And Yasmin Finney, a trans actor who played Elle in the Netflix show “Heartstopper,” is also joining the cast.“The show has always been good at appreciating inclusivity, and cherishing the different,” said Tennant, who added that he grew up as a “skinny bloke with specs in Scotland, who didn’t feel like the coolest person in the room.”But “the Doctor celebrates uncoolness,” he added. “And that was something I appreciated.” More

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      ‘The Curse’ Season 1, Episode 3 Recap: Missing Chicken

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      This week, Asher and Whitney inflict their chaos upon people who never asked for their charity but are now reliant on it.Season 1, Episode 3: ‘Questa Lane’Near the beginning of this week’s episode of “The Curse,” a scene opens in an elementary school classroom. At the center of the frame is a boy we have never seen before. He is white and attentive, and the camera zooms in on him. He raises his hand, and gets permission to seemingly go to the bathroom.When he stands we realize he was never the focus of this shot. Behind him sits Nala (Hikmah Warsame), the girl from the parking lot. She has been relegated to the “calm corner,” an area designated by bright colored paper. The teacher comes over: “Nala, do you think you’re feeling better and you’re ready to join the class?” She nods her head.It is a bit of staging on the part of directors David and Nathan Zellner that is meant to both surprise and challenge the viewer. By lingering a beat too long on the boy, they push you to wonder whether you’re supposed to know him, only to reveal that a character you’ve already met has been there all along. When Dougie encouraged Asher to give money to Nala in the series premiere, she was supposed to be a prop for their HGTV show. But she’s not going to fade into the background of this story anymore.Titled “Questa Lane,” the episode thrusts Asher and Whitney back into the orbit of Nala, her sister, Hani (Dahabo Ahmed), and their father, Abshir (Barkhad Abdi). While Asher is still unclear whether there is any sort of real “curse” going on, fate has brought them back together.Asher buys what he assumes is a dilapidated house, planning to wait for the land’s value to increase. But when he drills open the door, Nala and Hani are inside. This is where they have been living.Asher’s entrance into their home plays like a horror sequence from the perspective of the girls. They are bickering and doing their homework they hear a knock at the door. They freeze. When they don’t answer, a drilling noise starts. Nala looks petrified. As soon as Asher enters they start to run. Asher is a threat invading their space, a weapon in hand in the form of the drill.As he follows them out into the street, he is the one who looks suspicious: A strange white man chasing two young Black girls. A neighbor restrains him, but when the police arrive, Asher regains his position of power. While the officer is willing to evict the girls and their father immediately, Asher allows them to stay.This apparent act of compassion finally gives Asher some credibility with Whitney, who dives into the project of assisting the family, suggesting that they renovate the house. When they return with a new lock, Whitney wants to play the perfect altruist but she constantly tells on herself, allowing her prejudices to seep through in small ways.She asks what Abshir is cooking and when he simply replies hot dogs, she wonders if he’s serving them with rice — assuming because of his foreignness that might be the case. He replies that he’s just putting them in buns. Nala asks if her name is Whitney and she is taken aback, seemingly thinking the girl who cursed Asher might be some sort of clairvoyant. Nala replies that Asher mentioned her name when she walked in.Whitney’s cringeworthy attempts at buddying up to the girls, however, reveal crucial information. She learns that Nala’s “curse” was actually a “tiny curse,” part of a TikTok trend where kids put “tiny curses” on people. Nothing major, just ostensibly inflicting little inconveniences upon their enemies.This should be a comfort to Asher and Whitney. All their (completely unjustified) fears could be explained away by social media. Instead, the specificity of what Nala wished on Asher sends him spiraling. She cursed him so that his dinner wouldn’t have chicken — specifically his chicken spaghetti. And the night of the curse Asher discovered there was no chicken in his chicken penne.Hikmah Warsame, left, and Emma Stone in “The Curse.”A24/Paramount+ with ShowtimeAsher refuses to write this off as mere coincidence, and keeps dwelling on it even as, back home, Whitney tries to orchestrate a cute moment for Instagram. He thinks the girls might have somehow been spying on him or going through the garbage and mentioned the missing chicken to mess with him. Whitney charges him with thinking that “that every disadvantaged person is just like a wild animal going through our garbage,” which sets off a screaming match in which they both accuse the other of making racist assumptions.It is Asher who is more furious, however, shouting about Whitney’s refusal to “validate” him. In the middle of the fight, they realize her phone is still recording. This is the real version of Asher and Whitney — a broken couple who invoke who I assume is a therapist named Lisa during their battles.But now their messy lives are intertwined with the lives of Nala, Hani and Abshir. They have inflicted their own chaos upon people who never asked for their charity but are now reliant on it, because Asher and Whitney literally own their home. And while Asher is suspicious of Nala and her “tiny curse,” Nala has far more reason to be suspicious of this man who can put her out on the street if he feels like it.Notes from EspañolaI wonder how much fun was had coming up with the insults directed toward Asher for the focus group. I would guess a ton.Asher discussing Whitney’s menstrual cycle with her doctor while she is in the room is him at his ickiest.Dougie is absolutely obnoxious — eating frozen blueberries on a white couch — but I feel terrible for him. All he wants to do is hang out, and when Asher rejects him he just cries.Whitney, once again trying to prove her Jewish bona fides, confuses “mitzvah” and “mishegas.”The episode ends on a freeze frame of Fernando, gun on his back, settling into his new job as a nighttime security guard at Whitney and Asher’s plaza. It is almost as if he’s staring down the audience, and I’m curious as to what it portends. More

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      Suzanne Shepherd, Actress Known for Playing Mothers, Dies at 89

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      After establishing herself as a teacher, she started a prolific screen acting career in her 50s that included roles in “Goodfellas” and “The Sopranos.”Suzanne Shepherd, an influential New York acting teacher who found success in midlife as a character actress, including memorable turns as the mothers of Edie Falco’s character on “The Sopranos” and Lorraine Bracco’s character in “Goodfellas,” died on Friday at her home in Manhattan. She was 89.Her daughter, Kate Shepherd, said the cause was chronic obstructive pulmonary disease and kidney failure.After establishing herself as a stage actress and director, Ms. Shepherd became well known as an acting instructor — her students included Gregory Hines, Bebe Neuwirth and Christopher Meloni — before she began acting in film and on television when she was in her mid-50s.She began her big-screen career with two 1988 romantic comedies: “Working Girl,” in which she secured a role from its director, her old friend Mike Nichols, appearing alongside Melanie Griffith and Harrison Ford; and “Mystic Pizza,” playing an aunt of Julia Roberts’s character. She would accumulate about 40 film and television credits in the decades to come, with maternal roles a signature.In Martin Scorsese’s “Goodfellas” (1990), Ms. Shepherd turned in a fiery performance as a protective suburban Jewish mother who is horrified when her daughter Karen (Ms. Bracco) starts dating Henry Hill (Ray Liotta), a charming young associate of Italian American mobsters from Brooklyn. “You’re here a month, and sometimes I know he doesn’t come home at all,” her character seethes to Karen in a memorable scene in the family’s living room. “What kind of people are these?”Her other films include the John Candy comedy “Uncle Buck” (1989), the Tim Robbins psychological thriller “Jacob’s Ladder” (1990) and the 1997 film version of Vladimir Nabokov’s “Lolita,” starring Jeremy Irons and Dominique Swain.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.We are confirming your access to this article, this will take just a moment. However, if you are using Reader mode please log in, subscribe, or exit Reader mode since we are unable to verify access in that state.Confirming article access.If you are a subscriber, please  More

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      ‘L.A. Law’ Meets Millennials and Gen Z-ers

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      Thanks to a splashy relaunch on Hulu, new generations have their first encounter with the soapy, sax-heavy legal drama that made its debut in 1986.“L.A. Law,” an Emmy-winning NBC drama that generated almost constant buzz during its run three decades ago, returned to the cultural spotlight this month when Hulu rereleased its 172 episodes in remastered high-definition format.Until the streaming relaunch, the show was hard to find, existing in DVDs at junk shops and in the depths of Amazon Prime Video. And so, unlike “The Golden Girls,” “Friends,” “Seinfeld” and a few other series from the 1980s and 1990s, it had remained all but unknown to anyone born in the last 40 years or so.In recent days the Styles journalists Melissa Guerrero, Sadiba Hasan, Callie Holtermann and Louis Lucero — all members of the Millennial or Gen Z generations who had never seen “L.A. Law,” much less heard of it — watched the first three episodes on Hulu. They shared their observations with the editors Minju Pak and Jim Windolf, who were fans of the show in its heyday.Produced by Steven Bochco and Terry Louise Fisher, and starring Harry Hamlin (Michael Kuzak), Corbin Bernsen (Arnie Becker), Jill Eikenberry (Ann Kelsey), Jimmy Smits (Victor Sifuentes) and Susan Dey (Grace Van Owen), “L.A. Law” made its debut in September 1986. It was the subject of workplace conversation and countless think pieces, and it won 15 Emmys before the final gavel in 1994.So how does it hold up for viewers in the 2020s? Is it just a time capsule of the Reagan-Bush-Clinton years, or something more? The conversation below has been edited for length and clarity.Louis Lucero It’s “Law & Order,” minus the order. Doozies abound. “You didn’t need a lift — you hardly had anything to drink!” I was thrilled to encounter that charming line at the end of the third episode.Jim Windolf Buzzed driving was apparently not drunken driving in the 1980s.Minju Pak Did anyone else notice the saxophone and all the silk?Callie Holtermann Sorry, I was too busy learning about smoking indoors.Melissa Guerrero And car phones. Someone please bring them back, if only for the aesthetic.JW The sax in the opening credits really sets a mood. Along with the vanity plates.LL That saxophone should be licensed by the A.T.F.!Sadiba Hasan The theme song alone made me want to turn off the TV.MP I do love the depiction of L.A. traffic, which is now decidedly worse. Can I ask the younger people here, was there anything about the show that you liked? Did the office politics horrify you?LL To the second question, a hard yes, obviously. But in spite of myself, there was a lot that I found delightful. It’s always intoxicating to see an analog office, for starters — the visual equivalent of ASMR for the Slack-addled millennial brain.JW It’s hard to imagine what people did in their offices when there’s no computer on the desk.LL People running around with manila envelopes and little slips of paper that say who called? Literally unimaginable. Too cute for words! Did people realize how adorable they were being?JW They did not.MP I did find that network television moved really quickly.MG I appreciated how, from the initial scene onward, the show made the characters’ fatal flaws very apparent.JW The first few episodes pack in a lot of issues we’re still dealing with. There’s a “doozy” factor in how they’re treated, but they’re there. A trans woman; a woman denied a promotion after she sleeps with a partner; bosses botching workplace diversity; and heartless insurance companies. How did all that strike you?SH I was worried that an ’80s law show would have aged terribly, but many of the issues that came up are still very much relevant, like victim blaming in sexual assault cases and racism in the workplace. And while there are lawyers at the firm who are greedy and seemingly heartless, there are also lawyers with a conscience.MG Truthfully, I held my breath when some of these themes came up. It played into the assumption that old TV shows wouldn’t address this well.CH At one point Kuzak says something like, “I don’t always believe my client, but I have to believe in the system.” Every generation rails against “the system” in a way it believes is unique, but I doubt that line is going to draw in Gen Z viewers.Mr. Hamlin, shown here in a scene from “L.A. Law,” is known to some modern-day viewers as the husband of the reality television star Lisa Rinna.Frank Carroll/NBCU Photo Bank/NBCUniversal, via Getty ImagesLL At least once an act break in the first three episodes, I was reminded that today’s progressivism may prove to be tomorrow’s cringe. Obviously, the reveal of Georgia’s trans identity was played for shock, but it’s not difficult to imagine the writers patting themselves on the back for affording the character a nominal bit of dignity of explaining herself on several occasions.JW Before “L.A. Law,” that kind of thing was played for laughs. I’m thinking of Klinger on “M*A*S*H,” or Flip Wilson as Geraldine on “The Flip Wilson Show.” Can we take a look at the style? Did any of the fashion jump out at you?SH So much blonde hair. Blonde hair everywhere.LL And in such different arrangements!MP Did people age worse back then? Or maybe they just dressed old.JW The men’s suits were incredibly roomy.MP I kept hoping for a good tailor to show up.MG Susan Dey’s character reminded me of C.C. Babcock from “The Nanny.” The blonde bob! The pantsuit! The power! Iconic.CH I Googled some of the actors to see if any of them were the Jacob Elordi of their day. And Harry Hamlin was People’s Sexiest Man Alive in 1987!LL Harry Hamlin was a reveallllll. To me, he has always been Lisa Rinna’s unseen, Godot-like husband. The fact that he was as ’80s-hot as promised? Bless up.MG I’m sorry to Jimmy Smits, but he will always be Senator Organa to me — Princess Leia’s adoptive father.JW What does an old show need to make an impression now? Why have “Friends,” “Seinfeld,” “The Golden Girls” and a few others from decades ago hung on in the streaming age?SH A big part of that is, it just needs to be a sitcom. A show that makes you laugh stands the test of time.CH I want to put forth the “Suits” theory. Netflix just had a huge hit with resurging interest in the 2010s legal drama. So I think Hulu tried to say, Hey, we have an even older legal drama. But “Suits” has the advantage of Meghan Markle taking the LSAT over and over.LL Speaking of Jimmy Smits, I just wrapped my second rewatch of “The West Wing”MP Smits is one of those actors who’s the same in every character he plays, but it works. A cop, a lawyer, the president. He always has the same haircut, which I’ve never been able to describe. Is it a mullet? Is it feathered?Jimmy Smits played the brash Victor Sifuentes on “L.A. Law.”Charles Bush/NBCU Photo Bank, via NBCUniversal, via Getty ImagesLL What it certainly is, on this show, at least, is a few inches above a stud earring.MP Yes! Truly subversive.MG I would describe that haircut as, “My Tito’s haircut when they stop caring about their hair and decide they want a motorcycle for their 50th birthday.”LL For the number of micro-, macro- and in-between aggressions poor Victor put up with, he should’ve been able to have his septum pierced, if he wanted.MP Can I ask the younger folks here, what are some of the older shows you’re watching?SH I always turn to “Girlfriends” and “The Fresh Prince of Bel-Air.” Sitcoms! My comfort shows!MG I’m diving into “The Nanny.” I grew up watching that show with my mom, but we didn’t have the luxury of streaming, and the story line was completely out of order.JW So what’s the verdict on “L.A. Law”?CH I liked it more than I thought I would. There are parts that made me go, “Yikes!”, but it helped me understand where soapy dramas, “Succession” included, come from. I doubt I’ll watch more but I don’t feel like “L.A. Law” and its schmaltzy saxophone should be swept into the dustbin of time.LL It’s an artifact. A trapped-in-amber, predictably problematic, genuinely funny artifact, one that I’m leaning toward giving a few more episodes. Even if only to see more memos being jotted down for people “leaving word”! More

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      Best Thanksgiving Episodes to Stream: ‘Friends,’ ‘Succession’ and More

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      Thanksgiving episodes are an underrated TV staple. Here are some of the best to enjoy while you cook, eat or fade away on the couch.Note: This is an updated version of a list that originally ran in 2017.Preparing for the big binge? Whether you call the upcoming holiday Friendsgiving, Slapsgiving, the Feast of Feasts — or just, you know, Thanksgiving — this year, you can be thankful that there is plenty of TV to keep you company. Join these fictional families and friend groups while they break bread or break each other’s spirits, depending on which feels more comforting as you cook, eat and fade away on the couch. Yes, you may have seconds.‘Friends’Matthew Perry, who died last month, at 54, was the king of many a “Friends” Thanksgiving episode. Or as his character Chandler put it, the king of bad Thanksgivings. Or, as Monica’s mother put it, the Boy Who Hates Thanksgiving. (His disdain for the holiday stemmed from learning about his parents’ divorce one Thanksgiving as a child and vomiting in response.) Gradually, though, Chandler conquered his aversion, bailing out the gang with cheese sandwiches at the first Friendsgiving and later helping to prepare a batch of cranberry sauce (made, in his parlance, of tasty Chanberries). Fans with only enough room for one episode should seek out “The One With the Thanksgiving Flashbacks,” from Season 5. (Streaming on Max.)‘Rick and Morty’For the mad scientist Rick Sanchez (Justin Roiland), Thanksgiving is an ideal time to break into the National Archives and try to steal the Constitution. So what if some other national treasures are destroyed in the process? “Rick and Morty’s Thanksploitation Spectacular,” from Season 5, finds Rick on the outs with federal authorities and fomenting an elaborate scheme to score a presidential pardon. Pretty soon people start turning into turkeys while turkeys turn into humans. Your job, if you choose to accept this episode, is to make sense of all the gobbledygook. (Streaming on Max.)Lena Waithe won an Emmy for writing a “Master of None” Thanksgiving episode that tracked her character’s efforts to come out to her mother.Netflix‘Master of None’This series’s Thanksgiving episode is one of its very best. Shifting the focus from our indecisive hero, Dev (Aziz Ansari), to his lifelong friend Denise (Lena Waithe), it presents a sequence of vignettes following her through two decades of Thanksgiving dinners as she struggles to come out to her mother as a lesbian. Every element of this touching half-hour feels carefully crafted, from Angela Bassett’s emotional guest performance as Denise’s mother to the nostalgic 1990s R&B soundtrack. Waithe won an Emmy for the script — which was inspired by her own family history — becoming the first Black woman to win the award for writing in a comedy. (Streaming on Netflix.)‘Chilling Adventures of Sabrina’For mere mortals, Thanksgiving is a harvest festival. For witches, however, the equivalent Feast of Feasts is a very different celebration, with a very different main course — human rather than avian. In “Feast of Feasts,” from Season 1, the young witch Sabrina Spellman (Kiernan Shipka) is shocked to learn about this barbaric holiday ritual. (“Are we seriously taking about cannibalism?” she asks in horror.) Her rejection of this ancient tradition puts a damper on any festive feelings. (Streaming on Netflix.)‘Bob’s Burgers’A Season 3 episode is titled “An Indecent Thanksgiving Proposal,” but don’t worry — Bob and Linda Belcher’s marriage is safe. The proposal in question comes from the rich landlord, Mr. Fischoeder, who offers the Belchers five months’ free rent for a chaste evening with Linda and the family’s three children, with Bob on hand to cook. Like other schemes on the show, this one is a disaster. But Studio Ghibli fans should look out for a lovely dream sequence that pays tribute to “My Neighbor Totoro.” (Streaming on Hulu.)‘The Sopranos’Most of the episodes on this list are somewhat uplifting and work well as stand-alones. This one, titled “He Is Risen,” won’t make sense if you’ve never seen “The Sopranos,” and it is no more uplifting than any other hour of the show. But if you’re already a Tony Soprano (James Gandolfini) fan, you probably don’t mind a dark holiday tale. This Season 3 episode features a car wreck, a funeral and the beginning of an extramarital relationship, along with a Soprano family Thanksgiving dinner that is surprisingly pleasant, thanks to the conspicuous absence of Tony’s most reprehensible associate, Ralph Cifaretto (Joe Pantoliano). (Streaming on Max.)James Cromwell, left, and Brian Cox in a Thanksgiving episode of “Succession,” which offered extra helpings of recrimination.Peter Kramer/HBO‘Succession’The Roys serve up the usual feast of familial animosity at their Thanksgiving bash. The patriarch Logan Roy (Brian Cox) is especially disruptive, culminating with his lashing out at an innocent child. In “I Went to Market,” from Season 1, party chat includes touchy but relatable topics such as political ideologies and movie selections, but business concerns naturally trump everything. Cousin Greg (Nicholas Braun) has to skip most of the festivities — it seems there are some sensitive documents at the office in need of shredding. (Streaming on Max.)‘black-ish’It’s always fun to watch Laurence Fishburne and Jenifer Lewis on “black-ish,” picking at each other as the divorced grandparents Pops and Ruby. The Season 3 Thanksgiving episode, “Auntsgiving,” threw a third veteran actor into the fray, casting Lorraine Toussaint (“Orange Is the New Black”) as Pops’s older sister, Aunt A.V. — whom Ruby hates. (Streaming on Hulu.)‘Gilmore Girls’Lorelai Gilmore (Lauren Graham) and her teenage daughter, Rory (Alexis Bledel), can barely boil water, but they do love to eat. In “A Deep-Fried Korean Thanksgiving,” from Season 3, they make cameos at no fewer than four different dinners. Rory’s friend Lane (Keiko Agena) offers a meal featuring Tofurky and a budding relationship. The perfectionist chef Sookie (Melissa McCarthy) watches in horror as her husband deep-fries a turkey. Romantic tensions for both mother and daughter are on the menu at the local diner. Lorelai’s parents serve up the usual stew of guilt and resentment. Just like Thanksgiving dinner itself, the episode is a plate piled high with sweet, salty and deliciously tart moments. (Streaming on Netflix.)‘Happy Endings’Midway through the third and final season of this zany hangout comedy, in an episode called “More Like Stanksgiving,” we finally learn how the crew’s resident married couple got together. It turns out that Jane (Eliza Coupe) and Brad (Damon Wayans Jr.) met when he and her friend Max (Adam Pally) were castmates on an unaired season of MTV’s “The Real World” in 2002. A decade later, Max still has the scrapped footage. In just over 20 minutes, the reliably lightning-paced “Happy Endings” pulls off a perfect reality-TV parody and sheds new light on a few longstanding relationships. (Streaming on Hulu.)“Big Mouth” used a turkey dispute to explore issues of generational trauma.Netflix‘Big Mouth’Nothing says love more warmly than a perfectly roasted turkey (or even tofurkey). Such is the lesson learned by Andrew (John Mulaney) in this Season 5 episode. Andrew’s father (Richard Kind) has anger-management issues related to prepping poultry — he believes insulting the bird is the key to keeping its juices inside. Andrew decries this “turkey tyranny” and refuses to eat. In the end, though, he and his father have a heart-to-heart about their troubled family history. Despite the usual gross-out humor, there is a genuine attempt to address issues of generational trauma — and of course the power of sharing food. (Streaming on Netflix.)‘Buffy the Vampire Slayer’Many Thanksgiving episodes sprinkle in references to the holiday’s complicated history. “Buffy” takes the reckoning to an extreme in “Pangs,” from Season 4, in which the bumbling Xander (Nicholas Brendon) inadvertently unleashes the spirit of an Indigenous warrior. As the ghost starts murdering people who disrupted his sacred burial ground, the Slayer (Sarah Michelle Gellar) and her friends debate whether it’s right to kill a “vengeance demon” whose grievances are legitimate. The result is a reasonably nuanced debate about whether Americans are responsible for the sins of their ancestors. (Streaming on Hulu.)‘Gossip Girl’Forget, for a moment, the way “Gossip Girl” fell apart at the end. Its first season was a sublime confection sweetened with glamorous costumes and forbidden love, and tempered by heated conflict. All of those elements come together in the Thanksgiving episode, “Blair Waldorf Must Pie!,” which jumps back in time to compare the previous year’s festivities with those of the present. In the past, the beautiful and troubled Serena van der Woodsen (Blake Lively) got wasted before a dinner with the family of her best friend, Blair Waldorf (Leighton Meester). A year later, Serena has cleaned up and Blair is struggling with bulimia. Although the girls are often framed as frenemies, this unusually sentimental episode is a tribute to the way they take care of each other. (Streaming on Max.)‘South Park’If a long weekend of family togetherness makes you desperate for a triple dose of irreverence, Season 17 of “South Park” has you covered. In a trilogy of episodes that begins with “Black Friday,” a local mall braces for the yearly blood bath that begins as soon as the plates are in the dishwasher. For Cartman, that means assembling an army of pint-size gamers to procure the new Xbox at a deep discount. When a pro-Playstation faction splinters off, South Park’s own “Game of Thrones” breaks out, complete with Kenny as Daenerys and a Red Robin Wedding. (Streaming on Max.)“How I Met Your Mother” turned Slapsgiving into one of TV’s abiding holiday traditions.Monty Brinton/CBS‘How I Met Your Mother’It is a holiday of firsts in “Slapsgiving,” the Thanksgiving episode from the third season of this beloved CBS sitcom. Lily (Alyson Hannigan) and Marshall (Jason Segel) are hosting their first Thanksgiving as a married couple. Ted (Josh Radnor) and Robin (Cobie Smulders) have just broken up and are figuring out how to be friends for the first time. This is the first of three Slapsgivings (the others are in Seasons 5 and 9), named for a bet in which Marshall wins the right to slap his obnoxious pal Barney (Neil Patrick Harris) that culminates in the glorious original song “You Just Got Slapped.” Be sure to read Entertainment Weekly’s oral history of the episode after watching. (Streaming on Hulu.)‘Family Ties’This quintessential 1980s family sitcom outdid itself with “No Nukes Is Good Nukes” from Season 1. As the Keaton kids endure their grandmother’s awful cooking, Elyse (Meredith Baxter) and Steven (Michael Gross) relive their hippie youth at a festive Thanksgiving Day nuclear disarmament protest. Of course, the boomer parents end up in jail and their Gen-X children couldn’t be more mortified. It’s a dated story line, but the episode’s message about standing up for your beliefs never gets old. (Streaming on Paramount+.)‘Adam Ruins Everything’Need some ammunition for semi-friendly arguments around the Thanksgiving table? This animated episode, called “The First Factsgiving,” helps dispel many of the beloved myths that have grown around the holiday, including the role of the Native warrior Tisquantum — commonly known as Squanto — in the original Thanksgiving feast in 1621. And about that date: The celebration of Thanksgiving as a fixed, nationwide holiday didn’t come about until the Civil War — a day of mourning for turkeys everywhere. (Streaming on Max.) More

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      ‘Squid Game: The Challenge’ Is More Depressing Than the Original

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      “Squid Game: The Challenge” keeps the slick design of the dystopian drama but loses the point.Late in the first season of Netflix’s “Squid Game” — two-year-old spoiler alert, I guess — an elaborate, deadly contest among 456 needy contestants is revealed to be an entertainment for the viewing pleasure of a handful of crass, wealthy “VIPs,” who watch the gruesome proceedings wearing golden animal masks.You could look at that situation and see a dramatization of the way a decadent system exploits desperate souls. Or you could look at it and say: All that production effort and they couldn’t monetize the show for a bigger audience?For everyone in the latter group, there is now “Squid Game: The Challenge.” The reality spinoff, whose first five episodes premiered Wednesday on Netflix, keeps the drama’s kaleidoscopic set design, its outfits and many of its competitions. It gets rid of the messy murder business — sort of — along with most of the uncomfortable ideas.What’s left is a beautifully designed but empty game box, a creepy dystopia cosplay, an answer to the question of what happens when you take a darkly pointed TV satire and remove its brains.The worldview of the original “Squid Game,” written and directed by Hwang Dong-hyuk, was as subtle as a gunshot. Debtors, criminals and sundry other last-chancers are recruited by a mysterious organization to compete in scaled-up versions of playground games. One player will win a life-changing sum; the penalty for losing is death.Through the protagonist, Seong Gi-hun (Lee Jung-jae), we confront the question of whether one can survive the game, and by extension a ruthless economic system, and still keep one’s soul. The commentary could be blunt and obvious; “there’s a difference between making reference to something and actually illuminating it,” my colleague Mike Hale wrote. But the show had something to say and said it with style.“The Challenge” keeps the style, with the copycat precision of an A.I. image generator. It opens with a montage of colorful re-created “Squid Game” sets and the singsong of the giant robo-doll that presided over the opening game of Red Light, Green Light.That game opens “The Challenge,” with the full mob of contestants, dressed in familiar green track suits, stop-start racing to a finish line. Those who fail, by moving when they are supposed to be frozen, are eliminated faux-execution-style; tiny squibs explode under their shirts, spattering them with black ink. (Apparently a simulated shooting massacre is tasteful as long as you don’t use red.) They fall “dead,” like war re-enactors. The survivors are brought to a re-creation of the cavernous prison-dorm and burst out in cheers. “Best slumber party ever!” one says.The stakes are real, if not life-or-death. For every player fake-murdered, $10,000 is added to the prize pot, represented as in the drama by a giant piggy bank, up to $4.56 million.The idea of basing a real game on a brutal fake one isn’t inherently bad. (The reports of “inhumane” filming conditions are another matter; Netflix has said that “all appropriate health and safety measures were taken.”) Plenty of great reality shows gamify deadly situations. “Survivor” is a stylized shipwreck. “The Traitors,” from the same studio as “The Challenge,” is essentially a murder mystery.The problem with “The Challenge” is symbolized by those little pops of black “blood.” It’s painfully literal, yet colorless.Between contests, the players stay in a hangar-like dormitory as in the original.Pete Dadds/NetflixIt doesn’t want you to forget for a second that you’re visiting the wonderful world of “Squid Game” — that I.P. is too valuable to abstractify. Besides rebuilding the sets, it tries to reproduce characters from the series, finding contestants to fill the roles of hard villains, doomed softies and sympathetic elders. One group of allies dub themselves the “Gganbu Gang,” using the Korean word for a close friend that was a key term in the series.But “The Challenge” shies away from everything in “Squid Game” that cut to the jugular — in particular, the commentary about how capitalism pits ordinary people in gladiatorial combat. Like a lot of reality shows, it peppers in interviews with players who want to win the prize to support family or achieve dreams. But the competition is cast as opportunity, not exploitation. “The Challenge” does not want to bum you out.Why does it matter? Great games don’t just have good mechanics. They have ideas, like Monopoly, the family rainy-day pastime originally conceived to disseminate Georgist concepts about land use and equity. Reality shows have ideas, too, uplifting or cynical or even satirical. A game’s rules are an expression of values; the kind of play that works in a certain game says something about the kind of behavior that works, or should work, in the world.So if you take a reality competition — even a fictional one — and keep its aesthetics while stripping its foundational ideas, you’re left with, in this case, a well-produced, boring version of “Big Brother.” There’s a lot of generic conflict, a lot of stultifying downtime in the bunk room and way too many characters to try to build investment in.And because “The Challenge” wants to reproduce the look and gameplay of “Squid Game” while staying all in good fun (a producer likened it to a theme-park ride based on a movie), it’s a tonal mess.At times, it offers a bleak view of human nature. Players are disdained for cracking under pressure and one contestant, an early “villain” in the narrative, says, “sympathy, it’s only a weakness.” Other times, it is stickily sentimental and heartwarming. Sometimes the show encourages, or at least allows, cooperation; sometimes it forbids it.“The Challenge” does pull off some exciting set pieces. There’s a wicked twist to set up the pairings in the one-on-one marble game (which was also the dramatic high point of the original series). It even manages to improve on the glass-bridge hopscotch game. (Other events, like a board-game-based replacement for the drama’s tug of war segment, feel interminable.) But even at its best, you’re always conscious of watching an escape-room simulacrum of a famous TV show.And that’s where there is a kind of message in “Squid Game: The Challenge,” if an inadvertent one: It is an object lesson in how entertainment can appropriate any artistic or political statement. There is no dystopia so chilling that, with the right production values, you can’t sell it back to the audience as escapist fun.Since “The Challenge” does depend on being escapist fun, though, it can’t embrace this meta idea either. Maybe the biggest loss in this adaptation is the tension between the players and the competition itself. In the original drama, the game was the ultimate villain, and we saw the hero finally rebel against its shadowy makers.In the reality show, I’d expect no such satisfaction. The only way to win is not to watch. More

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      ‘Fargo’ Season 5, Episode 2 Recap: Sowing Disharmony

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      Jon Hamm arrives as a lawman who isn’t very concerned with the law.Season 5, Episode 2: ‘Trials and Tribulations’In its persistent engagement with the Coenverse so far, “Fargo” has done best when it tweaks our expectations rather than simply reward fans with references to different movies. The premiere’s restaging of the Jean Lundegaard kidnapping from the movie “Fargo,” for example, was a dynamic way to establish Dot as someone who is surprisingly capable of dealing with a violent disruption to her morning routine.In this episode, Roy Tillman (Jon Hamm) gets an introduction that initially posits him as an upstanding rural lawman in the mold of Tommy Lee Jones in the Coens’ “No Country for Old Men.” It quickly becomes apparent, however, that he is a more unsavory man of justice.The opening monologue nods to Jones’s character, a third-generation sheriff who finds himself overwhelmed by contemporary evils. But Tillman is the type to perpetrate those evils himself under the guise of godly righteousness.His monologue is not delivered to us, in fact, but to a married couple in which the husband has violently assaulted his wife. Tillman is not enforcing the law but rather a patriarchal order that the man has disrupted by hitting his wife for the wrong reasons. In Tillman’s view, a man “only raises his hand when she forgets her place” — rather than book the husband, he has him choked as a “lesson.” The wife is then advised to, among other things, cater to her husband’s carnal needs “in order to sow harmony.”Tillman’s status as an elected official is underlined heavily for political effect here. He is a conservative North Dakotan, to put it mildly — “Jesus was a man, not some bearded lady” — and the laws of God, as he interprets them, supersede those passed by legislators.When two F.B.I. agents disrupt his hot-tub time to ask why he is not enforcing any laws, Tillman remains defiant and unabashed. But at this point, we know that Dot is his runaway wife and that Ole Munch (Sam Spruell), her one surviving abductor, had been working for him in an extremely unofficial capacity. Tillman has enough arrogance to shoo the agents away, but Ole Munch and Dot herself are still in the wind, which makes him a target, too.In another clever reversal of Coen expectations, Lorraine Lyon strongly suspects that Dot was in cahoots with the kidnappers in a ransom scheme but wound up getting cold feet. In the movie, it was Jerry Lundegaard (William H. Macy) who was working with his wife’s kidnappers to pry money away from his father-in-law.But Dot has no interest in Lorraine’s money. Unless Noah Hawley has another card to play, we can believe that Dot wants nothing more than to continue her life with Wayne and Scotty, and that she probably feels like her mother-in-law’s wealth and status is more hindrance than advantage. Wayne’s job as a salesman at a Kia dealership seems like enough to keep their suburban life afloat, as it presumably has for the decade they’ve been married.One obvious problem with maintaining the status quo, however, is that Dot’s story is ridiculous on its face. She has Wayne in her corner, because he is supportive and deferential to his wife in a way that would repulse Tillman. But Deputy Olmstead isn’t buying her story about the two types of blood, neither of them Dot’s, found in her home, and Lorraine is even more suspicious of her motives.Still, despite her wish to return to her role as suburban wife and mother, Dot prepares for the next siege like Dustin Hoffman in “Straw Dogs” or Nick Nolte in “Cape Fear.” In lieu of a modern security system, she enlists Scotty’s help in stripping electrical wire, shattering light bulbs into bits of glass and pounding nails into a makeshift wooden club.“Why is there is sledgehammer in the vestibule?” Wayne asks later. A reasonable question, and a funny one, too. The show’s back-to-basics approach to the fifth season, with its return to the modern-day Upper Midwest milieu of the movie, also includes a greater emphasis on comedy. That doesn’t mean it is wholly successful, as when Hawley leans too heavily on colorful words — “commode” and “hoosegow” in the last episode, “vestibule” and “boudoir” in this one. But the lighter tone and brisker pace is giving “Fargo” an energy boost so far this season. The pace has been nice and snappy.There is also much to anticipate. Multiple parties are coming at Dot from different directions now, with Tillman (and everyone else) knowing exactly where she is and Lorraine poking around Dot’s personal history, which had seemed conspicuously blank upon initial vetting. In addition to having a freshly mangled ear, Ole Munch still hasn’t received full payment from Tillman for a job that wasn’t as easy as he was led to believe.Add to that Olmstead, the F.B.I. agents and a wounded highway patrolman who is curious about the skinny woman who saved his life, and the next peaceful pancake breakfast seems like a ways off.Minnesota nice: Juno Temple, left, and Jennifer Jason Leigh in “Fargo.”Michelle Faye/FX3-Cent StampsOle Munch’s line about being “a nihilist” gives us our first “The Big Lebowski” hat-tip of the season, referencing the German hoodlums who try to pull off a ransom scheme. Which then calls to mind one of John Goodman’s best lines from the film: “I mean, say what you want about the tenets of national socialism, Dude, at least it’s an ethos.”There’s an interesting echo between Tillman and Lorraine about what Dot “owes” them through her marital vows: “She made promises to me, my son, to have and to hold, for richer and for poorer,” Lorraine says. “And that’s a debt we’re going to collect.”There was some overwriting in Tillman’s rebuking of the F.B.I. agents while he sat in his hot tub naked: “Does my discussing matters of state in moist repose bother you?”Why in the world does a conservative county sheriff in North Dakota have nipple rings?A terrific shot across the bow from Dot in Lorraine’s direction: “No Ivy League royal wannabe is going to run me off just because she doesn’t like the way I smell. If you want to tussle with me, you better sleep with both eyes open. Because nobody takes what’s mine and lives.” More