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      Vance and Walz’s Battle of the Network Co-Stars

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      In what could be the last prime-time showdown of the 2024 campaign, the supporting players performed against type.If a presidential election is a TV series — and partly it is, like it or not — then the vice-presidential debate is usually a departure episode: an installment that briefly shifts focus to a couple of side characters. It might be memorable or forgettable, but it is generally skippable.Tuesday’s debate between Senator JD Vance of Ohio and Gov. Tim Walz of Minnesota was a bit different. With only Kamala Harris having committed to an Oct. 23 debate proffered by CNN and Donald J. Trump having thus far declined, it may well have been the last big prime-time moment until election night.It was not, however, a bombshell-packed season-ender. The change in cast produced a change in style, in a spirited but often surprisingly collegial debate whose attacks were largely aimed offstage, at the leaders of the ticket.This was not the debate one might have expected from these candidates, each chosen in part for his media presence. Mr. Vance has been combative in TV interviews, embodying the trolling spirit of Mr. Trump’s most extremely online surrogates. Mr. Walz shot to fame on the strength of his cable news appearances and quirky viral videos, playing the down-to-earth happy warrior who mocked opponents as “weird.”Neither performed to type on the CBS stage. Mr. Vance, who can be cutting and snide in TV interviews (and has been notorious for insults like “childless cat ladies”), answered smoothly and kept mainly cordial to his opponent. Mr. Walz, while peppering his answers with folksy touches — “My pro tip of the day is this” — spoke in a nervous rush, with fewer flashes of “Coach Walz” pep.A decade of Trump has conditioned us to think of debates as rounds of Mortal Kombat, with dire rhetoric and imagery to match. Here, there was a lot of “I agree” and “I think this is a healthy conversation” amid the factual disputes and prepared critiques of the top of the ticket. You might briefly have forgotten this was America in the year 2024.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Love Is Blind’: Body Language Expert Offers Clues for Season 7

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      As Season 7 begins, an expert says figuring out a participant’s motivation is both an art and a science.Grab a golden goblet. The Netflix series “Love Is Blind” is back, with the first episode of its seventh season having been released on Wednesday, with the host Nick Lachey learning what a situationship is. The series that inspired drinking games (take a sip every time someone says the phrase “genuine connection”) — and is both a reality show and a social experiment — set up shop in Washington, D.C., this time to help 29 singles find love.The premise, of course, is that the singles can’t see whom they are dating because of a glowing blue wall between them intended to eliminate all of the superficial things that might get in the way of love. Once a couple decides to get engaged, they see each other for the first time and attempt to make their relationship work, with all of the complications that phones, work and physical attraction bring.Over the past few seasons, the nagging question concerning the show’s participants was: Are they here for love or for clout? (The recent season, “Love Is Blind: U.K.,” was hailed by many as a return to the show’s original vibe, for its generally emotionally healthy and low-drama cast.)CC Rice, a voice teacher, associate professor and energy reader who posts body language breakdowns of the show under the social media handle @guidedinspiration, says that figuring out a participant’s motivation is both an art and a science.“‘Love is Blind’ is this incredible opportunity to see people in private,” she said. “I’m listening for all of the cues: What do they bring up? Where do they look while they’re speaking? Are they avoidant? Are they trying to connect?”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A 400-Acre Movie Ranch Outside Los Angeles Is Listed for $35 Million

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      Sable Ranch, about 30 miles north of Hollywood, includes an Old West movie set. It has been used for productions like “American Horror Story” and “Oppenheimer.”When Frank Vacek arrived at Sable Ranch in the 1970s, with its chaparral-covered hills bounded by the mountains of the Angeles National Forest, he instantly saw a California dream.Mr. Vacek, who with his wife had fled the Nazis in Czechoslovakia three decades earlier, rewrote his fortunes by opening a successful camera shop in downtown Los Angeles in the 1950s. But 30 miles north at Sable Ranch, where cattle grazed amid oak trees, he pictured an even grander second act for his life. He bought the ranch and the property next to it and built an Old West movie set on its land, bringing Hollywood — with its gun shows, cowboys and insatiable appetite for entertainment — to his doorstep.The Sand Fire ripped through the ranch in 2016, but its Old West film set has been rebuilt.Cristian CruzioHalf a century later, Sable Ranch, in Santa Clarita, has served as movie set for productions including “Robin Hood: Men in Tights,” “American Horror Story” and “Oppenheimer.” Its 400 acres have stood in for so many cinematic backdrops that they have morphed into Hollywood iconography. And now, for $35 million, the ranch is hitting the market.“The amount of history that is here, and the amount of movies and TV shows and commercials that have been made here, really is phenomenal,” said Derek Hunt, the owner of Sable Ranch. Mr. Hunt is Mr. Vacek’s grandson; he grew up on the property and formally inherited it in 2020. In 2008, Mr. Hunt began rallying the City of Santa Clarita to create the Movie Ranch Overlay Zone, a special designation for feature-film and television production that streamlines permitting and lowers costs.The Movie Ranch Overlay Zone was set up in 2011. Sable Ranch sits within it as well as within the Thirty Mile Zone, also known as the TMZ, a sector within 30 miles of downtown Los Angeles where the labor costs for film crews are lower.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Late Night Goes Live After a ‘Dull’ Vice-Presidential Debate

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      Stephen Colbert was unenthused by Tuesday’s discourse between Tim Walz and JD Vance.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Two ‘Different Flavors of Dull’“The Late Show” went live Tuesday night after the vice-presidential debate.Stephen Colbert found the debate boring, saying that JD Vance and Tim Walz “were both different flavors of dull.”“JD Vance looked like a business lemur on beta-blockers, and Tim Walz was, you know, the old likable coach but appeared to be way overcaffeinated. I think the governor done overdid doing the Dew.” — STEPHEN COLBERT“It was the ultimate showdown tonight between two very different Midwestern vibes. Hillbilly vs. Minnesota nice; attack dog vs. folk hero; America’s dad vs. America’s ‘Dad, could you come pick me up? JD Vance just walked in here.’” — STEPHEN COLBERT“These two men were both a heartbeat away from being interesting this evening.” — STEPHEN COLBERT“In the end, it was 90 minutes of constant talk that made one thing clear: Tonight was like having Thanksgiving with your most nervous uncle and your smuggest nephew. It was unpleasant, awkward and, thankfully, you only have to do it once every four years.” — STEPHEN COLBERTThe Punchiest Punchlines (Almost Famous Edition)“Yep, people you’ve barely heard of on a national stage. Usually we call that ‘Dancing With the Stars.’” — JIMMY FALLON“One of these men will lose, and we’ll never hear from him again, and the other one will become V.P. and we’ll never hear from him again.” — MICHAEL KOSTA“The only other V.P. debate anyone remembers is the time that fly got stuck on Mike Pence’s head. The bar is low.” — MICHAEL KOSTA“They showed each other a lot of respect. It was — it was very boring. I’ll be honest: I like these better with Trump.” — JIMMY KIMMEL“I don’t know that anyone’s vote was changed tonight. Watching a vice-presidential debate — it’s like taking your kids apple picking: About halfway through, you’re like, ‘OK, you know what? This sounded like it was going to be fun, but what’s the point?’” — JIMMY KIMMEL“I read that ahead of the debate, Tim Walz has been nervous that he was going to let Kamala Harris down. Yeah, Harris was like, ‘Don’t worry — if Joe Biden can be replaced, so can you.’” — JIMMY FALLONThe Bits Worth WatchingThe “Hold Your Breath” star Sarah Paulson faced off against Jimmy Fallon in a new game called “Mute!” on Tuesday’s “Tonight Show.”What We’re Excited About on Wednesday NightBen Platt and Brandy Clark will perform their new song “Treehouse” on Wednesday’s “Jimmy Kimmel Live.”Also, Check This OutRobert Downey Jr. goes dark in “McNeal,” a thought experiment about art and A.I., at the Vivian Beaumont Theater in Manhattan.Sara Krulwich/The New York TimesRobert Downey Jr. made his Broadway debut in Ayad Akhtar’s new play, “McNeal.” More

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      John Amos, a Star of ‘Good Times’ and ‘Roots,’ Is Dead at 84

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      He was the patriarch in one of the first sitcoms with an all-Black cast and an enslaved African as a grown man in the blockbuster TV mini-series.John Amos, who played a stern patriarch on “Good Times,” America’s first sitcom featuring a two-parent Black family, and who had a starring role in “Roots,” the slavery narrative that became America’s most watched show in the late 1970s, has died in Los Angeles. He was 84.His publicist, Belinda Foster, confirmed the death on Tuesday, saying he had died on Aug. 21. She did not specify the cause or say why the announcement of his death was delayed.Mr. Amos’s acting career spanned more than five decades, with his breakthrough coming in 1970 on the CBS comedy “The Mary Tyler Moore Show,” playing Gordy, the weatherman on a local television news program working alongside Ms. Moore’s Mary Richards, an associate producer. After three seasons, Mr. Amos left for “Good Times,” a Norman Lear production and a spinoff of the producer’s sitcom “Maude.” Chronicling the trials and tribulations of a Black working-class family living in the Chicago projects, “Good Times,” which ran from 1974-79, also on CBS, never shied away from the gritty realities of life in public housing, touching on topics like racial bigotry, drug abuse and poverty — but all with a sense of humor.Mr. Amos played James Evans Sr., a fierce disciplinarian with a tender heart who took on odd jobs to support his wife, Florida Evans (Esther Rolle), his sons Michael (Ralph Carter) and J.J. (Jimmie Walker), and his daughter, Thelma (Bern Nadette Stanis).Mr. Amos and Esther Rolle in a scene from “Good Times.” The show accrued high ratings and was notable for its all-Black cast.CBS Photo Archive/Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Best Movies and TV Shows Streaming in October: ‘Shrinking,’ ‘Disclaimer’ and More

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      “Citadel: Diana,” “Disclaimer,” “The Franchise,” “Star Trek: Lower Decks,” a Springsteen documentary and others arrive.Every month, streaming services add movies and TV shows to their libraries. Here are our picks for some of October’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘Citadel: Diana’Starts streaming: Oct. 10Last year, Amazon released the first season of “Citadel,” a big-budget action series about a pair of retired spies forced back into service to thwart a dangerous international agency known as Manticore. The idea all along was for the show to anchor a sprawling franchise, which collectively would tell the story of the covert Citadel organization across multiple countries and eras. Now the first of those spinoffs is here: “Diana,” set in Italy in the year 2030, starring Matilda De Angelis as a Citadel agent who has spent so long undercover within Manticore that she has lost touch with her handlers and mission. “Diana” jumps back and forth in time, to show how and why the heroine was recruited into espionage in the first place, along with what happened to Citadel that has left her all alone, deep behind enemy lines.Also arriving:Oct. 3“House of Spoils”“The Legend of Vox Machina” Season 3Oct. 8“Killer Cakes”Oct. 15“Beyond Black Beauty”Oct. 16“Are You Smarter Than a Celebrity?” Season 1Oct. 24“Like a Dragon: Yakuza”Oct. 30“Buy It Now” Season 1New to AMC+A scene from “Stork,” an episode of “V/H/S/Beyond.”Shudder‘V/H/S/Beyond’Starts streaming: Oct. 4The “V/H/S” series of horror anthologies have survived the fluctuating popularity of the “found footage” subgenre, in part because the collections have such uncomplicated yet clever organizing concepts. Each film is presented as a set of disturbing home videos, newly discovered and sharing a common theme. The latest edition is framed as an episode of a TV show about cryptids and aliens, which gives the chapters a science-fiction angle. As always with this franchise, the participating filmmakers take creative approaches to their segments, which in “Beyond” includes one about a Bollywood dance number gone awry, one set during a skydiving misadventure, and one moody U.F.O. encounter story written by the ace horror filmmaker Mike Flanagan and directed by his wife, Kate Siegel.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      MacArthur Foundation Announces 2024 ‘Genius’ Grant Winners

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      On Tuesday, 22 anonymously nominated Americans were recognized with fellowships and an $800,000 stipend.While the groundbreaking Indigenous teen comedy-drama “Reservation Dogs” may not have taken home any Emmys this year, the show’s co-creator Sterlin Harjo has been awarded a different prestigious prize: a MacArthur Fellowship.“The dreams that I had when I was young about changing the world and about changing representation and about showing us as real human beings, all of that meant something, and it did change the world,” Harjo said in an interview. He also co-wrote the new Netflix film “Rez Ball,” and has directed films, including “Love and Fury” and “Mekko.”Harjo, 44, is part of a new class of 22 MacArthur Fellows that includes a children’s and young adult author, a former U.S. poet laureate, two evolutionary biologists, an astronomer who uplifts underrepresented students and a pioneering alternative cabaret star.The honor is given out each year by the John D. and Catherine T. MacArthur Foundation, recognizing individuals in a variety of fields. The fellowship comes with a no-strings-attached stipend of $800,000, disbursed over five years.The fellows, who were announced on Tuesday, were first submitted for consideration by a pool of anonymous nominators and then recommended to the foundation’s president and board by an independent selection committee. Since 1981, more than 1,100 people have been awarded the fellowship, which is commonly referred to as the “genius grant.”Recipients are not notified if they are being considered for the honor, so their selection comes as a surprise. This year, multiple fellows were told that the MacArthur Foundation wanted them to participate in a panel discussion, and would be calling them to organize the event. But when the call came, they were instead notified that they had been chosen as a fellow (and that the panel did not even exist).We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Late Night Slams Trump’s Plan to Adapt ‘The Purge’

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      “Good news: He stopped talking about Hannibal Lecter,” Jimmy Fallon said. “Bad news: He suggested we do ‘The Purge’ instead.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Taking a Page from ‘The Purge’ PlaybookDuring a rally in Pennsylvania on Sunday, former President Donald Trump suggested that Americans have “one really violent day” to curtail crime.Late-night hosts likened Mr. Trump’s plans to the popular horror movie franchise, “The Purge.”“Yeah, Trump wants ‘The Purge,’ while his staff wishes he would re-enact ‘A Quiet Place,’” Jimmy Fallon said on Monday.“Good news: He stopped talking about Hannibal Lecter. Bad news: He suggested we do ‘The Purge’ instead.” — JIMMY FALLON“Did he just suggest ‘The Purge’ for stealing from CVS? [imitating Trump] ‘If that doesn’t work, I have other ideas, OK? We put all the shoplifters on a bus with Keanu Reeves. If it goes slower than 50 miles an hour, blammo!’” — STEPHEN COLBERT“He suggested that the way to end crime would be to have one really violent day, one rough hour that would solve everything, like ‘The Purge’ and so much more. If anyone in your life had, like, a weekend like this, you’d be concerned. Like if your dad had a series of similar outbursts, you’d call your siblings to figure out what to do.” — JIMMY KIMMELThe Punchiest Punchlines (V.P. Debate Prep Edition)“Tomorrow night in New York, the first and only debate between Tim Walz and JD Vance, this will be the first vice-presidential debate since 2008 in which the candidates will stand instead of sit. I guess they were worried JD Vance might get distracted by a sexy office chair.” — JIMMY KIMMEL“Honestly, I’m not even going to watch it, and I’m going to tell you why — because I already know who I’m voting for, vice-president-wise.” — JON STEWART“Actually, today Trump asked Vance if he needed any debate advice, and Vance was like, ‘Absolutely. Do you have Kamala’s number?’” — JIMMY FALLON“Voters were more likely to describe Walz as honest, trustworthy and caring, where they were more likely to describe Vance as nervous, unsettling and damp. But I disagree. You know, when I see JD Vance, I see a man who is grounded, who is rational and so humanlike, you could barely tell he isn’t one.” — JIMMY KIMMELThe Bits Worth WatchingThe best-selling author Ta-Nehisi Coates discussed his new book, “The Message,” with Jon Stewart on Monday’s “Daily Show.”What We’re Excited About on Tuesday NightThe musician-turned-movie star Lady Gaga will promote “Joker: Folie à Deux” on Tuesday’s “Jimmy Kimmel Live.”Also, Check This OutBillie Eilish onstage at the Videotron Center on Sunday night. Her new tour supports her most recent album, “Hit Me Hard and Soft.”Julia Spicer for The New York TimesA master class in intimacy and crowd engagement, Billie Eilish’s new Hit Me Hard and Soft tour debuted in Canada on Sunday. More