Television

Subterms

    More stories

    • 188 Shares199 Views

      in Television

      ‘The Secret Lives of Mormon Wives,’ Plus 6 Things to Watch on TV This Week

      by

      The reality show returns to Hulu, while AppleTV+ debuts a new sci-fi series.Between streaming and cable, there is a seemingly endless variety of things to watch. Here is a selection of TV shows and specials that are airing or streaming this week, May 12-18. Details and times are subject to change.Sexy!First there was #MomTok, and then came “The Secret Lives of Mormon Wives,” a reality series following a group of TikTok-famous moms who are either practicing Mormons or are in the community. The first season was a hit and became Hulu’s top-watched unscripted series in 2024. Now the ladies from Utah are ready for more dirty sodas, baby daddy drama and rehashing of the swinging scandal. Joining the cast is Miranda McWhorter, who was involved in the original TikTok drama that popularized the group. Add some coconut creamer to your Dr Pepper, read up on the Book of Mormon, and pour your coffee down the drain because Taylor Frankie Paul, Jen Affleck, Demi Engemann and the others are so back. Streaming Thursday on Hulu.Why are Chad Michael Murray and Scott Patterson in Nova Scotia, Canada? Because “Sullivan’s Crossing” is back for a third season, of course. The series follows the neurosurgeon Maggie Sullivan (Morgan Kohan) who fled to the small town that her father, Sully (Patterson), lives in to get away from a work-related scandal. Now, three years later, Maggie and Cal (Murray) are officially an item, and the trio are dealing with the aftermath of a diner fire from the Season 2 cliffhanger. It’s about to be cottage season in Canada, and this show perfectly sets those vibes. Wednesday at 8 p.m. on the CW.The Ryan Murphy series “Doctor Odyssey” has left viewers with lots of questions: Was it all a fever dream? Why is this cruise ship equipped with a CT machine? How can we clone Joshua Jackson in real life? It is unclear whether any of these questions will be answered in this week’s finale. The show — which follows the lives of a doctor and two nurses in charge of a cruise ship’s infirmary who spend more time canoodling, drinking and relaxing in the hot tub than doing any actual work — has covered orca attacks, mistaken pregnancies and the dangers of a raw diet. During the season (or series, ABC has yet to renew the show) finale, Max (Jackson) deboards the ship and, needless to say, several natural disasters strike. Thursday at 9 p.m. on ABC and streaming the next day on Hulu.Thrilling!Let’s set the scene for the new thriller series “Duster”: The year is 1972, we’re in the Southwest and Rachel Hilson plays the F.B.I.’s first Black female agent. With Josh Holloway’s character at her side as a getaway driver, the two go on a mission to break up a growing crime syndicate. Of note, this is J.J. Abrams’s first co-writing gig in six years, since “Star Wars: The Rise of Skywalker.” Thursday at 9 p.m. on Max.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 163 Shares149 Views

      in Television

      ‘The Last of Us’ Season 2, Episode 5 Recap: Once Upon a Time

      by

      Dina fills in some blanks about her past. Ellie finds the first of her intended targets.‘The Last of Us’ Season 2, Episode 5Early in this week’s episode of “The Last of Us,” Dina tells Ellie a story about what her life was like when she was 8 years old, surviving the apocalypse in a cabin in a sparsely populated forest north of Santa Fe, N.M. One day back then, Dina grabbed a gun and went for a walk, without permission. When she returned, she found a raider in their house and her mother and sister dead.She killed the intruder — the first person she ever killed. Ever since, Dina has wondered what would have happened if she had been home when the raider arrived. Would she have been forced to watch him beat her family to death?There are different conclusions we could draw from all this. On the one hand, Dina suggests her experience helps her empathize with Ellie’s decision to hunt down Abby. Dina knows that if she had not killed her family’s murderer right away, she would have tracked him down until the job was done.But was her in-the-moment act of vengeance “justice,” exactly? Or just survival? Dina says that even if her family had hurt the raider’s family first, they would not have deserved to die the way they did; and she says that Joel did not deserve to be brutally slain, no matter what he did. Dina never proposes this directly — and would maybe disagree strongly with I am about to say — but the logical endpoint of her argument is that no one “deserves” to be killed. The act of taking a life should be a necessity, not a notion.Dina concludes her monologue by giving Ellie a choice, to press on or head home. Interestingly, Dina insists that there is “no right answer,” which is subtly different from “no wrong answer.” (It’s as if she were saying that all of their choices are equally cursed.) Anyway, Ellie sees only one option, so the mission continues.This week’s episode is ripe with bad vibes. For one thing, this is now the third week in a row that we have spent in Seattle, and after the variety of locations and stories that helped distinguish “The Last of Us” Season 1 from other end-times TV dramas, a certain exhausting repetitiveness is starting to set in here. The story feels a bit stuck.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares199 Views

      in Television

      ‘Government Cheese’ Star David Oyelowo Considers Oprah ‘Chosen Family’

      by

      They met years ago while working on “The Butler,” the “Government Cheese” star said. Now, “I call her Mama, she calls me Son O.”“Government Cheese” began as what David Oyelowo called “a beautiful experiment.” He had long admired the fantastical storytelling of Wes Anderson and the Coen brothers. But he hadn’t seen that applied to a Black family.Then the filmmaker Paul Hunter approached him about playing a version of his own father — an ex-con eager to reunite with his family and make his fortune — in a short film with absurdist elements set in the San Fernando Valley in 1969. Eventually they spun it into a television series for Apple TV+, taking care to leave that tone intact.“We were very keen to make something that we knew might not be for everyone, but was very unique in its nature,” said Oyelowo, who is an executive producer on the show in addition to its lead. “It’s very rare that people of color get to make things where they are not feeling the need to explain their existence.”Oyelowo lives in the San Fernando Valley, where the series was shot, which meant there was little danger of violating the “no more than two weeks apart” rule that he and his wife, Jessica, established early in their relationship. And which they’ve broken only once, by 11 hours.In a video interview, Oyelowo elaborated on why his rambunctious dogs, going to the movies and Oprah Winfrey are essential to his life. These are edited excerpts from the conversation.My BibleI was brought up in the church, but it never really meant much to me because I was sort of piggybacking my parents’ faith. Then I had what can only be called a spiritual awakening at 16. And all of those stories that I grew up reading suddenly took on different meaning and have remained that way. It’s where I learned the true definition of love.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 100 Shares149 Views

      in Television

      Rediscovered Thomas the Tank Engine Pilot Is Released

      by

      The episode, from 1983, was found in storage by accident. It was restored and made available for viewing for the first time on Friday.Thomas the Tank Engine notices a funny smell. He breaks a rule, has a mishap and gets stuck. He is rescued and learns a lesson. Ringo Starr provides the narration.If you have ever seen any of the more than 500 episodes of the children’s show “Thomas & Friends,” you might imagine you have seen it before. But you really have not, because this scene is from the newly rediscovered pilot episode, which has been restored and was made available for viewing for the first time on Friday.The episode, filmed in 1983 and titled “Down the Mine,” was found accidentally in storage, Ian McCue, a producer of the series for a decade, told the BBC.Ian McCue, a producer, examined the newly discovered film.MattelThe episode was pieced together from multiple film stripsMattelThe five-minute episode was pieced together from multiple 35-millimeter film strips. The picture and sound were cleaned up, and newly composed music was added.“I think there’s a sort of a lovely charm and innocence about it, and I think even as a pilot, as a test piece, it still has that lovely, classic, timeless story to it, and the voices, everything is just so delightful,” Mr. McCue said.For the uninitiated, Thomas is a cheerful blue locomotive with an expressive face who first appeared in British children’s books by the Rev. W. Awdry. The character and his fellow locomotives, like Percy (green) and James (red), rose to new levels of popularity when they were animated for the popular program, which premiered in 1984.The show became a favorite of children and parents alike, many of whom were drawn to its relaxed rhythms. “Children live these days in a fast-paced world, but I don’t think children really change,” the producer Britt Allcroft, who brought the characters to television, said in a 1995 BBC documentary. “They need in their lives gentleness, comfort.”Clips of the show were repackaged for a PBS show, “Shining Time Station,” starting in 1989. Toys, movies and a theme park followed, and humble Thomas became a billion-dollar business.Mr. Starr was the original narrator of the series. George Carlin, Alec Baldwin, Pierce Brosnan and others followed.Ringo Starr, fourth from left, was the original narrator of “Thomas & Friends.”MattelA vast majority of the many characters were originally male — and, apparently, white. More recently, the show made efforts to diversify, adding new engines like Yong Bao of China and Ashima of India.Loyal fans of the series of all ages were thrilled by news that the pilot episode had been found, expressing eagerness to see the footage and amazement that it had been lost for so long. Enthusiasts on Reddit posted words like “finally,” “I’m so happy” and “let’s go!” punctuated by other words that Thomas and his friends would never utter.Once the restored episode was out, the reactions veered to softer sentiments. As one fan wrote, “Feels like being a kid again.”Thomas, cheerful as always.Mattel More

    • 88 Shares169 Views

      in Television

      Late Night Celebrates the First American Pope

      by

      “We have an American pope and a Russian president,” Jimmy Kimmel said, calling it “an historic era.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘New Pope, Who Dis?’Cardinal Robert Francis Prevost was elected pope on Thursday, becoming the first American pope.“We have an American pope and a Russian president,” Jimmy Kimmel said. “Isn’t it incredible?”“We have the first American pope. And let me just say, as an American, are you sure about this? We don’t really have the gravitas that you associate with pope-iness. We’re less ‘somber procession’ and more ‘monster truck rally.’” — DESI LYDIC“I just think it’s just a little bit weird that the holiest man in the world probably knows all the words to the Chili’s ‘Baby Back Ribs’ song.” — DESI LYDIC“The Pope Mobile is now a Ford F-250 with truck nuts.” — JIMMY KIMMEL“You can tell he’s American ’cause he stepped out on the Vatican balcony and said, ‘New pope, who dis?’” — JIMMY FALLONThe Punchiest Punchlines (Another Leo Edition)“They make him pick a name. He chose Leo XIV, which is a shame because there have been 13 other Leos. We’ve never had even one Pope Bob, which would have been pretty great.” — JIMMY KIMMEL“How have there been so many popes named Leo? Leo doesn’t even sound like a Pope name. Sounds more like the altar boy who got high and ate all the communion wafers.” — JIMMY KIMMEL“Yep, he may be the new pope, but to his friends back in Chicago, he’ll always be ‘Bobby Bratwurst.’” — JIMMY FALLON“From now on, the pope is going to sound like this. [imitating Chicago accent] Hey, dere, it’s yer buddy Leo, the deep dish papa. Just talked to God, and not even he can help da White Sox. Sorry. First order of business, I will be canonizing Michael Jordan. Now let’s end by saying daaa prayers.” — STEPHEN COLBERTThe Bits Worth WatchingThe Colombian superstar Shakira played “Box of Lies” with Jimmy Fallon on Thursday’s “Tonight Show.”Also, Check This OutLovie Simone in “Forever,” a new adaptation of the Judy Blume novel created by Mara Brock Akil for Netflix.Elizabeth Morris/NetflixAn all-Black cast stars in the new Netflix series “Forever,” adapted from Judy Blume’s 1970 novel of the same name. More

    • 113 Shares149 Views

      in Television

      ‘Reformed’ Is a Charming Show About a Young Rabbi

      by

      Sitcom shenanigans nestle alongside philosophical musings in this French dramedy on Max.The French dramedy “Reformed,” on Max (in French, with subtitles, or dubbed), follows a young rabbi who moves back home to begin her career. Léa (Elsa Guedj) is smart, knowledgeable and capable, but she is also new at this and nervous. It doesn’t help that those around her, including members of her own family, scoff at the idea of a female rabbi — when they’re tired of scoffing at religion in general.“There was Galileo, there was Freud, there was Auschwitz,” says her father (Éric Elmosnino), a therapist. “I thought we’d figured it out. God doesn’t exist.”Doubt is a constant presence in “Reformed,” both grandly and in the sense that “Eh, aren’t we all just muddling through?” The show is based loosely on the book “Living With Our Dead,” by the French rabbi Delphine Horvilleur, and the episodes center on life cycle events: a bris, a bar mitzvah, a wedding, a funeral, shiva. Most of the people availing themselves of Léa’s services aren’t particularly observant, and they’re not sure if or how to engage with the rites.And Léa isn’t sure either, so she rehearses different voice memos. Yes, do it. No, don’t. Oh no, uh, there was a family emergency, I can’t help you. But invariably, she does help them, with real care and curiosity, not in trite or Pollyannaish ways. She is doctrinal but not doctrinaire, and all these rituals of change for her congregants are rituals of change for her, too. She becomes more confident and mature ushering a reluctant bar mitzvah boy through the process. She hones her discernment skills while officiating a wedding.The most intriguing relationship on the show is between Léa and Arié (Lionel Dray), the local orthodox rabbi and her former teacher. There’s a magnetic pull and constant fascination between them, a lot of trust but also a sense of betrayal. He’s her mentor, and they have an intense erotic energy, but each also sees the other as practicing religion incorrectly — a tension that can be playful right up until it is profoundly hurtful. The goings on at their respective shuls highlight their own misgivings about their denominational choices: Maybe her practice is shallow; maybe his practice is misogynistic. Let’s resolve to smolder at each other about it.In addition to being charming, “Reformed” is interesting. Sitcom shenanigans nestle alongside philosophical musings. A farce unfolds at a seder, and goofy sibling banter segues into deeper conversation and back. Seven episodes are available now, and the season finale arrives on Friday. More

    • 175 Shares129 Views

      in Movies

      Sympathy for the Devil, er Boss: In ‘The Studio,’ the Powerful Are on Defense

      by

      Seth Rogen’s cringe-y Hollywood honcho is well-intentioned but ineffectual. The actor’s awkward laugh has never been put to better use.Matt Remick desperately wants to be considered important. His problem is that he’s recently become a Hollywood mogul, which is like getting a job as a DEI consultant right now. The timing’s not great.This week, in the best episode of the debut season of the fizzy Apple TV+ series “The Studio,” Remick, played with impeccable neediness by Seth Rogen, arrives at the Golden Globes full of anticipation, only to be disappointed to find influencers taking selfies, instead of famous actors wanting to talk to him. Pushed aside by Charli D’Amelio, he strikes a weary tone: “I remember when the red carpet of the Golden Globes actually stood for something.”It’s a wonderfully dry and absurd joke, treating the most superficial part of awards season with preposterous gravity. But it’s also funny because Rogen says the line as if he’s straining to play a part that doesn’t quite fit him, a man of consequence.“The Studio,” which was just renewed for a second season, belongs to the genre of Hollywood satire in which fictional characters interact with real celebrities playing presumably more vain and craven versions of themselves (see also “Hacks”). But what makes the show distinctive is its exploration of a broader, more topical theme: the collapse of the power of bosses in prestige industries.Not long ago, it seemed as if everyone wanted to be the head of a Condé Nast magazine, a major book publishing house or a studio. Now whether the editor of Vanity Fair is a good job is an open question. Tech oligarchs have the most swagger in the culture, and social media has diminished the marketing muscle of publishers and studios. While managing the decline of traditional media is a challenge for the movie business, it’s an opportunity for satirists.Rogen and his longtime partner, Evan Goldberg, who are among the creators of “The Studio,” locate and exploit this cultural shift, giving comedy a new kind of corporate suit. Their insight is that the Hollywood mogul, long seen as an intimidating, cigar-chomping heavy, can now credibly be positioned as a comedic underdog — or even a likable buffoon.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares139 Views

      in Television

      ‘Forever’ Explores the Timelessness of Teen Romance (and Sex)

      by

      A new Netflix series adapts Judy Blume’s 1970s novel with a contemporary Black cast, flipping the gender roles but preserving its emotional innocence.In Judy Blume’s taboo-busting 1975 novel “Forever …,” a teenage girl has sex for the first time. It does not destroy her life. (That’s the plot twist.) But she is still surrounded by cautionary tales: unwanted pregnancies, untimely marriages and dreams deferred. The stakes of any tryst are higher for her than they are for her more experienced high school boyfriend.When the showrunner Mara Brock Akil considered adapting the novel, a young adult classic, she saw the relationship through different eyes: her own, as a mother to Black sons. In her first meeting with Blume — whose seminal coming-of-age best-sellers helped generations understand their bodies and themselves — she made the case that a TV version should also be told from the perspective of the boyfriend, in a contemporary series focused on Black families.If Katherine, the book’s heroine, seemed socially powerless in her era, “I would posit that Black boys are the most vulnerable at this time,” said Brock Akil, the creator of the beloved 2000s sitcom “Girlfriends,” and several other comedies. “A modern Black family, I feel like we know how dangerous the world is.”Blume wrote “Forever …” in the aftermath of the Pill, in response to her daughter’s request for a story in which a teen girl doesn’t get punished for having, and enjoying, a sex life — the dominant narrative at the time. Blume’s antidote captures the dramatic rush of first love and the fumbling urgency of adolescent exploration in frank language that made it both irresistible for young readers (with dog-eared copies passed around in schools) and one of the most frequently banned books in America well into the 2000s.Brock Akil with Michael Cooper Jr. on the set of “Forever.” In her first meeting with Judy Blume, she pitched the idea of centering the story on a Black family.Elizabeth Morris/NetflixBrock Akil’s interpretation, which debuts on Netflix on Thursday, stars Lovie Simone (“Greenleaf”) and the newcomer Michael Cooper Jr., flipping the original story’s gender roles: Simone, as Keisha Clark, is more experienced and self-assured; Cooper Jr., as Justin Edwards, is the awkward one who falls hard and needs guidance. Winningly, it preserves the source’s emotional innocence — breathe easy, parents; this is not the hard living of teen fare like “Euphoria.” But it builds tension exploring issues of race and class.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More