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      The Sudden Weirdness of TV Presidents

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      Today’s political dramas have conspiracy, murder and supervolcanoes. But their conventional White House protocols and procedures might be the most disorienting aspects.You can’t say that TV’s fictional presidencies lack for drama today.In “Zero Day,” the former President George Mullen (Robert DeNiro) sleuths out the source of a debilitating cyberattack. In “Paradise,” the feckless nepo baby President Cal Bradford (James Marsden) shoulders responsibility for humankind after an extinction-level volcanic eruption (and, no spoiler, gets murdered in his postapocalyptic underground shelter). In “The Residence,” a White House state dinner becomes a crime scene.Yet watching these political series lately, I am now struck by the same nagging feeling. This is all wrong, I think. It feels too normal — even the series that takes place in an enormous subterranean city.It’s not just that TV dramas can’t compete with the show we’re watching unfold on the news. Increasingly, they seem to operate in a parallel universe.Historically, TV’s presidents — Jed Bartlet on “The West Wing,” David Palmer on “24,” Fitzgerald Grant on “Scandal” — tend to share certain familiar traits. They are concerned with the appearance of stability and normalcy. They treat federal enforcement and intelligence agencies as part of a system to manage, not as internal enemies to be conquered. They make measured statements. They scold, even explode, but behind closed doors. They even have an aesthetic: a cool formality that speaks of quiet power without ostentation.Compare them with our reality. President Trump erupts into a shouting match with Volodymyr Zelensky of Ukraine, a nominal ally, in front of live cameras, ending the altercation by saying, “This is going to be great television.” He renames the Gulf of Mexico, goes on the attack against Canada — a literal plot element from the movie “South Park: Bigger, Longer and Uncut”— and stages a Tesla ad on the White House grounds.To watch presidential fiction today is to feel how the polarity has suddenly flipped. The base line assumptions about how power works and presidents behave — about what America is in the world — have changed. And the details that TV series relied on to seem politically realistic suddenly make them feel like transmissions from an alternative timeline.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Peep Show’ Still Proves That ‘Self-Loathing Is Pretty Universal’

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      Over two decades ago, two British shows reinvented television comedy with mortifyingly funny alternatives to regular sitcoms. One of them might immediately come to mind: “The Office,” a cringe-comedy landmark that revived the mockumentary format and inspired an American version that became its own institution.The other never achieved such widespread renown, at least not on these shores. But “Peep Show,” which chronicled two spiraling roommates in a grotty London flat, was highly influential in Britain and beyond.The sitcom aired on Channel 4 for nine seasons, from 2003-15, and it was beloved enough for the British Film Institute to hold a 20th anniversary tribute in 2023. Its stars, David Mitchell and Robert Webb, continue to be fixtures of British comedy. (Mitchell’s latest show, a mystery series called “Ludwig,” arrives on BritBox on Thursday.) A young Olivia Colman, now an Oscar-winning actor, was part of the cast. One of the creators, Jesse Armstrong, later earned international acclaim as the mastermind of the HBO hit “Succession.”Channel 4But “Peep Show” remains a cult item or secret handshake for American audiences. “It’s kind of the hipster’s choice,” Armstrong, who created the show with Sam Bain, said in an interview. “Occasionally, somebody on set would come and say, ‘Hey, I like your other work, especially ‘Peep Show.’”“Peep Show,” which now streams on Hulu and Amazon Prime Video, among other services, is filmed in a first-person style, complete with internal monologues. It puts audiences into the minds of two friends who invariably do exactly the wrong thing, in different ways. Mark Corrigan (Mitchell) is a strait-laced insurance adjuster who flails around women, and people generally. Jeremy (Webb), also known as Jez, is a perpetually unemployed techno musician who exhibits the self-control of a puppy.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Late Night Tackles the Attacks on Tesla

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      Jordan Klepper said no one should be blowing up Elon Musk’s cars, “especially because if you just wait a few minutes, they’ll probably do it by themselves.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Where There’s SmokeIn recent weeks, Tesla has been targeted by vandals, who have set the company’s cars on fire and defaced dealership storefronts with messages criticizing Elon Musk, its owner. On Wednesday’s “Daily Show,” Jordan Klepper said no one should be blowing up Teslas — “especially because if you just wait a few minutes, they’ll probably do it by themselves.”On Fox News this week, Musk spoke with Sean Hannity and, Klepper said, “made the case for his victimhood.”“I shouldn’t have to explain this to Elon, but it’s not about the Teslas. Teslas are actually pretty cool as a car. It’s got that all-glass thing going on, kind of like a popemobile that [expletive]. It’s got door handles that are hard to find, which is what everybody wants in a door handle. Everything in the car is electronic, so if it malfunctions, you just drown in it, you know? It’s like a free coffin. It’s cool!” — JORDAN KLEPPER“I don’t think people, though, are mad at you because of the Teslas, Elon. If I were to hazard a guess about why they’d be mad, it might be because, in the last several weeks, you fired tens of thousands of federal workers, you made cuts to veterans’ care, lifesaving foreign aid and food banks.” — JORDAN KLEPPER“Or, here — here’s another guess: Maybe people are mad at you because you don’t seem to know what the [expletive] you’re doing!” — JORDAN KLEPPER“And here’s the thing: I get that people are upset. Burning a car might not be great for the environment. I don’t think that’s what they had in mind when they invented the electric car.” — JIMMY KIMMEL“Let me see if I can explain it for you: When you pull out a chain saw to celebrate firing thousands of people, they get mad.” — JIMMY KIMMELThe Punchiest Punchlines (J.F.K. Files Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      This Charming British Detective Show Is an Escape From Uncertain Times

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      “Ludwig,” streaming on BritBox, stars David Mitchell as a reclusive puzzle setter who solves mysteries. And then the world makes sense again.In the opening scene of the detective show “Ludwig,” the camera pans up and down the floors of a glass office building while jaunty music plays on the soundtrack. Employees chat as they pack up and leave for the day, and then we reach an upper level, where a man in a button-down shirt and slacks is sprawled on the floor, an ornate knife sticking out of his chest.When the comedian David Mitchell read this first page of the show’s script last year, he immediately thought, “This aesthetic is exactly what I want,” he said in a recent interview. “It just felt — which is weird to say when it involves someone being murdered — but it felt fun.”When “Ludwig,” starring Mitchell in the lead role, aired in Britain late last year, viewers seemed to agree: Nearly 10 million people tuned in, making it the BBC’s most popular new scripted program in years.In the show, which comes to BritBox in the United States on Thursday, Mitchell plays the kind of endearingly unworldly, fiercely intelligent character that has made him a household name in Britain.Mitchell’s character, John, is a reclusive genius who lives alone, setting crosswords and other brain teasers under the pen name Ludwig.Colin Hutton/Big TalkHis character, John, is a reclusive genius who lives alone, setting crosswords and other brain teasers under the pen name Ludwig. His identical twin brother, James, got married, had a son and is working as a police detective — but then James disappears, leaving his wife Lucy (Anna Maxwell Martin) a cryptic note.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      On ‘Severance,’ the Food Is Its Own Chilling Character

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      This article contains key details from previous episodes of “Severance.” It does not include any spoilers for the Season 2 finale.It wasn’t your imagination: Something was off about the food from the start.That first glimpse of cantaloupe and honeydew, arranged in the office to welcome Helly R., played by Britt Lower, was a little unnerving: Melons in jagged halves — severed! — filled with anemic, out-of-season fruit.“Severance,” the Apple TV+ show written by Dan Erickson and executive produced by Ben Stiller, follows a group of Lumon Industries employees with chips in their brains that divide their work selves (“innies”) from their main selves (“outies”). For innies, whose lives are confined to the office, who never sleep or see the sun, a snack is a treat. So why doesn’t it feel like one?The food on “Severance” leaves a bad taste in your mouth because it’s as fluent in doublespeak as the show’s most ambitious corporate climbers. In the show’s second season, which wraps up this week, food has acquired all the chilling, spine-tingling dissonance of upper management, refusing your request for a raise with a warm, unflinching smile.“Melon has been a theme over the two seasons, and each time we see it, we want to up the ante,” said Catherine Miller, the prop master for “Severance.”Apple“I always try to design the props and food to have some connection, some metaphorical undertone,” said Catherine Miller, the show’s prop master, who devised season one’s melon presentation to fit the “very graphic, very minimal” aesthetic of Lumon’s retro office. “I think food has the ability to define time and place and mood and overall emotional connection — it can become its own character.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In ‘Good American Family,’ Ellen Pompeo Leaves the Hospital

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      At the Los Angeles County Museum of Art, Ellen Pompeo stood in a room of Picassos, mostly in the Cubist style. She paused in front of a portrait of a woman in a blue dress. The eyes were at strange angles, the mouth tucked to one side. The nose was somehow everywhere.Pompeo, 55, tilted her head, trying to resolve the features into one coherent face. Then she gave up.“There’s three sides to every story,” she said. “Or six sides. Or nine. That is why art keeps us alive: Because everybody gets to see things their way, to make sense of them.”For a long time Pompeo’s Hollywood story has been a simple one, the perspective fixed. She modeled sporadically throughout her 20s, had a starring role in one film and smaller parts in others. Since 2005 she has led the most popular medical show of the post-“ER” era, ABC’s “Grey’s Anatomy.” Pompeo plays the surgeon Meredith Grey, a sturdy moral center in a fervid, ethically uncertain world.In the intervening years, barring a handful of crossover episodes on “Station 19,” a “Grey’s” sister show, Pompeo has amassed few other credits — a “Doc McStuffins” voice-over here, an appearance in a Taylor Swift video there. It wasn’t that she lacked artistic ambitions, but the “Grey’s” schedule was punishing and spending her brief hiatus making movies felt irresponsible, especially after she became a mother. (She and her husband, Chris Ivery, a music producer, have three children.)In 2022, she renegotiated her “Grey’s” contract, reducing the number of episodes she would appear in. This allowed for her first new substantive role in nearly two decades, as a flawed suburban supermom named Kristine Barnett, in “Good American Family,” a limited series that premieres on Hulu on Wednesday.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jimmy Fallon Parodies Trump’s Podcast-Length Call with Putin

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      The “Tonight Show” host said President Trump had spent most of the call “trying to sell Putin a Cybertruck.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.To and From Russia With LovePresident Trump and Vladimir Putin had a nearly three-hour phone conversation on Tuesday, during which Putin said he’d agree to a partial cease-fire in Russia’s war against Ukraine.On “The Tonight Show,” Jimmy Fallon said that Trump spent most of the call “trying to sell Putin a Cybertruck.””[imitating Trump] Think of it as a mini-tank with a mind of its own.” — JIMMY FALLON“Three hours. That’s not a phone call, that’s a podcast: [imitating Putin] ‘And now a message from ZipRecruiter.’” — JIMMY FALLON“Putting Trump on the phone with Putin is like putting your grandma on the phone with a Nigerian prince. [imitating grandmother] ‘This fellow is so charming!’” — JIMMY KIMMEL“Putin agreed to nothing today. People keep asking if Trump is getting played by Putin, which is like asking if ‘Hava Nagila’ is getting played at a bar mitzvah.” — JIMMY KIMMEL“But both sides said the call went well, which makes sense, because they’re both on the same side.” — JIMMY FALLON“And, yeah, Russia actually described the call as ‘historic and epic.’ And nothing makes me feel safe like a happy Russia.” — JIMMY FALLON“But the White House said Putin agreed to a partial cease-fire. At least they think he did — it was tough to hear on the phone with Elon’s kids playing tag in the background.” — JIMMY FALLONThe Punchiest Punchlines (Nine Months Later Edition)“Here’s some good news: Today, the Boeing astronauts who were stranded at the International Space Station for nine months finally returned to Earth. Welcome! Right now, they’re the first people in history to honestly text someone, ‘Sorry, just saw this.’”— JIMMY FALLON“Today, the astronauts were, like, ‘I just want to get home, watch “Joker 2,” make a three-egg omelet and dip my toes in the Gulf of Mexico. I can’t wait.’” — JIMMY FALLON“Wait till they find out what’s been going on down here — they might go back up.” — JIMMY KIMMELWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Ludwig’ Is Like a Fun British Version of ‘Monk’

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      The twisty, serialized mystery stars David Mitchell of “Peep Show,” who plays identical twins, one of whom goes missing.David Mitchell stars as identical twins in “Ludwig,” the latest charming quirky British detective show, coming to BritBox on Thursday. The show is a big hit in England and has already been renewed for a second season.Mitchell is mostly playing John, the extra-fastidious twin, the one who lives a solitary life. But he has his puzzles: He makes a living as a puzzle creator known as “Ludwig” and publishes books that thrill the cryptology crowd.He is yanked from his hermitage by a phone call from his sister-in-law, Lucy (Anna Maxwell Martin), with whom he has been close since early childhood. His twin brother, James, a detective, is missing, and she has a kooky scheme to get to the bottom of it. John needs to pretend to be James, go to the police station and gather the intel they need. What could go wrong?John is not a smooth operator, and he struggles with office chitchat and idiomatic language. But dang if our guy isn’t a genius observer and brilliant logician who gets to play Sherlock Holmes on cases by seeing all the ways they remind him of his games. This one is an elaborate deductive reasoning puzzle; this one is like a game of chess. You, ma’am, are under arrest.The procedural aspects here are clever and twisty, and the serialized mystery of James’s disappearance is an ample engine. In addition to being like a fun British version of “Monk,” “Ludwig” is a stationery aficionado’s utter dream. The pens, the pencils, and oh, the notebooks. You can tell by just the sound of their snips that those scissors have the heft and excellence of God’s own shears. Appropriate for its title, the show also has a fantastic score.SIDE QUESTSMitchell is one of the team anchors in my favorite British panel show, “Would I Lie to You?” Several seasons are on Amazon Prime Video and BritBox, but you can have just as much fun looking up clips on YouTube.Mitchell is perhaps best known as the star of “Peep Show,” all nine seasons of which are on Amazon, Hulu, the Roku Channel and Pluto.In addition to “Monk” (Amazon, Peacock) and “Psych” (Amazon, Peacock), “Ludwig” reminds me a lot of “Death in Paradise,” which also centers on a fussy fish-out-of-water detective who solves nutty cases and maybe learns to soften up along the way. That’s on BritBox, as are dozens of similar shows.If you want to watch Maxwell Martin do more of the solving, she is one of the stars of “Bletchley Circle,” a period drama about female code crackers who solve crimes after World War II. That’s on Amazon, Peacock and the Roku Channel. More