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    • 125 Shares179 Views

      in Theater

      Ali Wong and Hannah Gadsby Paint Different Portraits of Fame

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      Her gossipy portrait of singlehood as a celebrity is a sunny contrast to the darker view of her Netflix stablemate Hannah Gadsby.The last time we saw Ali Wong doing standup, she was delivering an earnest tribute to her husband and their relationship. The final line of “Don Wong,” her 2022 special, went: “And that, single people, is what a healthy marriage looks like.”Later that year, she got divorced.In Hollywood, it’s a tale as old as time. But in stand-up, where the parasocial relationship with fans is more intense than ever, this news lit up group chats and created expectations. What would Wong, who has talked about her husband in three specials, add to the fertile genre of comedy about divorce?Two years after her 2016 breakthrough, “Baby Cobra,” transformed Ali Wong from a veteran but obscure comic into a phenomenon, “Nanette” did the same for Hannah Gadsby. To the extent that Netflix established a reputation for making — as opposed to promoting — stand-up stars, it’s largely because of these two artists, whose new hours present perspectives on fame from such different angles that it almost feels like they’re in conversation.Gadsby, whose superb show, “Woof!,” is currently running at the Abron Arts Center on the Lower East Side, takes a dark view, worrying that success, and specifically money, has had a corrupting influence. Wong’s latest Netflix special, “Single Lady,” is a juicy, aspirational portrait of celebrity singlehood that exudes optimism.Walking onstage to songs from pop divas (Beyoncé for Wong; Madonna for Gadsby) and referring to previous specials, they both aim for thematically coherent productions alert to their reputations. But Gadsby, who uses they/them pronouns, considers and confronts their own brand, presenting their experiences as eccentric. Wong takes the comic tack of teasing generalizations out of her experience. Describing the realization in the middle of a breakup that the experience would make a good joke, Wong quipped: “We turn it into lemonade real fast.”Wearing a flowy white dress, Wong addresses her divorce at the top, saying in a soft voice that she felt “really embarrassed and ashamed.” Embarrassment and shame are fertile comedic territory, but not areas Wong has dug deeply into in the past. She doesn’t here, either, moving quickly to the flip side of a highly public separation: Tabloid coverage, she says, has been a “bat signal” for men.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares129 Views

      in Television

      Seth Meyers: Trump Rallies Are Like an Escape Room

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      “Generally speaking, if you’re at an event and the host of that event keeps insisting no one is going to leave, it is time to start worrying,” Meyers said on Monday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Escaping TrumpDonald Trump, whose campaign speeches have been getting longer, says it isn’t true that people have been leaving his rallies early, despite video evidence to the contrary.Seth Meyers spent a fair amount of time dissecting those denials on Monday’s “Late Night.” He said it was all part of the former president’s elaborate plan to promote his “brand-new Trump escape room.”“[imitating Trump] Also, even if they tried to leave, they can’t because we’ve replaced the regular stairs with M.C. Escher stairs.” — SETH MEYERS“Generally speaking, if you’re at an event and the host of that event keeps insisting no one is going to leave, it is time to start worrying.” — SETH MEYERS“His rallies have almost doubled in length; that’s Trump’s gravest sin as an entertainer. He doesn’t know when to get off the stage. You’re supposed to leave them wanting more. Trump leaves them wanting out.” — SETH MEYERSThe Punchiest Punchlines (Dark MAGA Edition)“This weekend, former President Trump held a rally in Pennsylvania, and Elon Musk joined him onstage. It was exciting for all the Trump supporters because, for the first time, they got to see an actual billionaire.” — JIMMY FALLON“During the rally, Trump praised Elon Musk for saving free speech with X, and Elon praised Trump for making Truth Social so bad that people still use X.” — JIMMY FALLON“He’s acting like a guy who won a radio contest: ‘I can’t believe I get to bid on the washer-dryer!’” — JON STEWART, on Musk jumping up and down at the rally“Dude’s jumping like he’s trying to reach the rope ladder on a rescue helicopter: ‘This rally sucks, get me out of here!’” — SETH MEYERS“That is the reason you don’t give kids Mountain Dew.” — JIMMY FALLON“That’s right, Elon Musk spoke at former President Trump’s rally in Pennsylvania, wore a black MAGA hat and said, ‘As you can see, I’m not just MAGA, I’m dark MAGA.’ And when I heard that, I cringed so hard I momentarily had abs.” — SETH MEYERS“This guy thinks he’s dark? Dude, you’re the whitest person ever born. You’re the same color they paint apartments after someone moves out.” — SETH MEYERSThe Bits Worth WatchingGov. Tim Walz, Kamala Harris’s running mate, discussed his past life as a social studies teacher and lunchroom supervisor on Monday’s “Jimmy Kimmel Live.”What We’re Excited About on Tuesday NightStephen Colbert will interview Harris on Tuesday’s “Late Show.”Also, Check This OutChappell Roan has turned songs like “Casual” and “Red Wine Supernova” into cheeky anthems. Jason Kempin/Getty ImagesThe pop star Chappell Roan is navigating stardom with a critical eye on fame. More

    • 113 Shares189 Views

      in Movies

      ‘The Menendez Brothers’: 4 Takeaways From the Netflix Documentary

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      The documentary, based on extensive new interviews with Lyle and Erik Menendez, adds fresh nuance and details about their parents’ murders and the aftermath.The true crime drama “Monsters: The Lyle and Erik Menendez Story” has been one of the most viewed series on Netflix since its Sept. 19 debut, driving enormous interest once again in the Menendez brothers, who in 1989 murdered their parents with shotguns inside the family’s Beverly Hills mansion.On Monday, the same streaming platform released “The Menendez Brothers,” a feature-length documentary by Alejandro Hartmann, which draws from 20 hours of new phone interviews with the brothers from prison. It also includes on-camera interviews with surviving family members, journalists, the first prosecuting attorney and several jurors from the two criminal trials of the 1990s.After a sensational trial that ended in hung juries in 1994 (the brothers had separate juries), Lyle and Erik were retried and convicted in 1996, sentenced to life in prison without the possibility of parole. For the second trial, the judge barred the defense from using most of the testimony supporting its argument that the brothers had killed their parents out of fear following years of sexual, emotional and physical abuse.The case has become something of a cause célèbre in recent years, with celebrities and young social media users advocating the brothers’ release, particularly as new evidence appears to support the abuse claims.At the same time, a flurry of books, documentaries and scripted series have taken a more sympathetic view toward the brothers than they originally received; this latest documentary comes days after George Gascón, the Los Angeles district attorney, announced that his office was revisiting the case, saying, “We have a moral and ethical obligation to review what is being presented to us.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 100 Shares129 Views

      in Television

      How Everyone Got Lost in Netflix’s Endless Library

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      If you take a journey deep within Netflix’s furthest recesses — burrow past Bingeworthy TV Dramas and 1980s Action Thrillers, take a left at Because You Watched the Lego Batman Movie, keep going past Fright Night — you will eventually find your way to the platform’s core, the forgotten layers of content fossilized by the pressure from the accreted layers above. Down here, if you search hard enough, you will eventually find your way to “Richie Rich.”Listen to this article, read by Ron ButlerYou know the one, from the old comic books. In Netflix’s series, he was reimagined as a self-made boy who discovered a novel source of energy derived from all the vegetables he never ate, making him the world’s first trillionaire. And now he lives in a mansion with an amusement park and a robot maid; his dad is an oaf and a layabout; his best friend, played by the future Netflix superstar Jenna Ortega, is a mooch; a rapper named Bulldozah lives next door, with a son who is also friends with Richie. In contrast to the dark, lonely and besieged version of Richie played by Macaulay Culkin in 1994, here Richie’s life is basically good, though not without the sort of headaches that arise from being a prepubescent trillionaire.In the fourth episode of the show, Richie struggles to write a book report on “The Wizard of Oz”: The book puts him to sleep, the movie puts him to sleep, he doesn’t know what to do. Bulldozah’s son suggests he remake the movie, and with no practical reason not to, he does. But as soon as he begins, things deteriorate. The Lion character has rewritten himself to be cool and have a motorcycle. Dorothy also wants to be cool; she thinks she should be from Paris, not Kansas, and wants to be named Véronique. His robot maid can’t accept that the Tin Woodsman would rust because he’s made of tin — she’s apparently right about this — so she decides she’s the Tungsten Carbide Woodsman. By the end, the movie is being shot in 3-D and there are time-traveling dinosaurs, an asteroid and evil space robots — a decision that offends Richie’s maid.“For once,” she says, “it would be really cool to see a positive role model for young robots.”“Did someone say ‘cool’?” says the Scarecrow, now dressed up as an ice cream cone. “You know what else is cool?” (He has secured a product-placement deal.)Rather unwittingly, the episode poses a question that haunts our age: What happens to entertainment when a newcomer, armed with an effectively endless amount of money, starts making it? What happens, in other words, when you become Netflix?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares169 Views

      in Television

      What’s on TV This Week: ‘Below Deck Sailing Yacht’ and ‘Abbott Elementary’

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      Bravo airs its reality show about “yachties,” and ABC is back with its Emmy-winning sitcom.For those who still enjoy a cable subscription, here is a selection of cable and network TV shows, movies and specials that broadcast this week, Oct. 7-13. Details and times are subject to change.Monday60 MINUTES: ELECTION SPECIAL 8 p.m. on CBS. This program, in which CBS sits down with the Republican and Democratic presidential nominees, has been a bit of an election-season tradition for over 50 years. And with no more debates on the docket, this would have been another opportunity for voters to hear from the candidates before Election Day. But on Tuesday, according to CBS, former President Donald J. Trump backed out, declining to be interviewed by the correspondent Scott Pelley. Vice President Kamala Harris is still scheduled to be interviewed by Bill Whitaker.BELOW DECK SAILING YACHT 9 p.m. on Bravo. For a while, the fate of this “Below Deck” spinoff seemed precarious. The last season aired through July 2023, before the boatswain, Gary King, was accused of sexual misconduct by a member of the production team, Samantha Suarez, in an exposé for Rolling Stone. The next month, King didn’t appear at BravoCon, a convention where fans can meet Bravolebrities, so viewers wondered if he was off the show. But just like that, King is going to be back on our screens with very little explanation. At the time of the accusation, Bravo said: “The concerns Ms. Suarez raised in July 2022 were investigated at that time and action was taken based on the findings.” King will be joined again by the chief stew Daisy Kelliher and, of course, Captain Glenn Shephard, a fan favorite.TuesdayGraceland, the mansion once owned by Elvis Presley, in Memphis, Tennessee.Jeff Mitchell/ReutersAN OPRAH SPECIAL: THE PRESLEYS — ELVIS, LISA MARIE AND RILEY 8 p.m. on CBS. For this special, Oprah Winfrey traveled to Tennessee to sit down with Riley Keough, the granddaughter of Elvis Presley and an actress in her own right. This is the first time that Keough has been interviewed since her mother, Lisa Marie Presley, died unexpectedly in January 2023. Lisa Marie had been writing a memoir, “From Here to the Great Unknown,” which Keough finished on her behalf after her death.WednesdayThe cast of “Abbott Elementary.”Gilles Mingasson/DisneyWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 88 Shares199 Views

      in Television

      ‘Saturday Night Live’ Revisits the Vice-Presidential Debate

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      The comic Nate Bargatze hosted an episode that opened with another political sketch featuring the guest stars Dana Carvey, Jim Gaffigan, Maya Rudolph and Andy Samberg.Last week, America got the answer to the question: Who would play the presidential and vice-presidential nominees this season on “Saturday Night Live”?This week, another pressing question arose: How quickly would “S.N.L.” reference Senator JD Vance’s quote, “The rules were that you guys weren’t going to fact-check” from Tuesday’s vice-presidential debate?The answer came late in an opening sketch that parodied the debate, and which featured most of the same players from last weekend’s opening, including Bowen Yang as Vance and Jim Gaffigan as Gov. Tim Walz.Welcomed to their podiums by Heidi Gardner (as Norah O’Donnell) and Chloe Fineman (as Margaret Brennan), the candidates each made a brief opening statement.Yang, observing that he wanted to make an appeal to women voters, said, “I understand that both moderators tonight are mothers, and I like that.”Gaffigan was observed scribbling furiously on a notepad and explained that he was not taking notes for the debate. “I got to grade these papers,” he said. “Got a stack of midterms.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 175 Shares119 Views

      in Television

      Ella Purnell Is a TV Star Who Hasn’t Lost Touch With Her Barista Roots

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      “Sometimes, before I go to bed,” the “Sweetpea” actress and executive producer said, “I think about how good my coffee’s going to be in the morning.”You might think twice about overlooking the office wallflower after watching Ella Purnell play a sad sack gone sadist on the new Starz dramedy “Sweetpea.”The British actress, who is also an executive producer on the series, plays Rhiannon, a shrinking violet who develops a thirst for vengeance after her childhood bully resurfaces.Purnell, 28, is best known for playing a high-school princess on Showtime’s teen survival drama “Yellowjackets” and a sheltered innocent on the postapocalyptic Prime Video series “Fallout.” Now she’s traded their perkiness for pent-up rage. She called Rhiannon “a case of arrested development” during a phone interview in September from Los Angeles, where she’d attended the Emmy Awards ceremony the day before.“She’s stuck in the past and unable to move on,” Purnell said, adding that she’s the opposite in real life. “I really love processing things. You can’t just stuff things away in a little box in your brain and not think about it. It will find other ways to come out if you don’t feel your feelings.”Still, there are some things Purnell — a self-described creature of comfort — won’t let go of.“I like to do the same things every day. I like to eat the same things every day. I get hyper-fixations,” she said before discussing worn-in footwear, a miraculous beauty product and the American meal she craves. These are edited excerpts from the conversation.Breville Espresso MachineI spent a lot of money on that machine; it’s not going to waste. I used to work in a coffee shop, so I have experience tamping down and getting the right grind size and pressure. Sometimes, before I go to bed, I think about how good my coffee’s going to be in the morning.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 100 Shares109 Views

      in Television

      ‘The Franchise’ Review: Cutting Marvel Down to Size

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      A new HBO comedy takes a jaundiced look at the making of a second-rate superhero film.The new HBO series “The Franchise” satirizes the making of a superhero movie by a fictional movie studio that is Marvel in all but name. (The actual fictional name is Maximum Studios.) Warner Bros. Discovery, HBO’s parent, is Marvel’s bitter rival in the superhero field, so you might expect the show to offer an extra measure of savage mockery.But the eight half-hour episodes (premiering Sunday), while nominally dark and sardonic, do not have anything approaching the visceral pleasure that the genre they are spoofing can often provide. “When you make movies like this, but good, there’s nothing better,” the beleaguered first assistant director, Daniel (Himesh Patel), says in one of the show’s few moments of genuine feeling.The movie-within-the-show, a second-tier effort called “Tecto,” is clearly not one of the good ones. “The Franchise,” somewhat perversely, operates on the same tepid, clichéd level as the production it is supposed to be mocking.More could have been expected. The show’s creator, Jon Brown, wrote for “Succession” and, way back, for the barbed British comedy “Misfits.” And the list of executive producers includes the accomplished veterans Sam Mendes and Armando Iannucci. Mendes directed the first episode, and his touch can be seen in an early three-minute shot that follows Daniel as he walks through the cavernous set of “Tecto,” putting out fires (and encountering many of the other central characters). It is a virtuoso moment that nothing else in the show approaches.Iannucci, of course, is a specialist in the specific sort of satire “The Franchise” undertakes: the acidic depiction of institutional vanity, insecurity and ineptitude. But the vitality of Iannucci creations like “The Thick of It” and “Veep” is exactly what the new show is missing. It has more in common with Iannucci’s most recent show, the scattered outer-space cruise comedy “Avenue 5,” on which Brown worked as a writer and producer. (The sinking-ship metaphor that underlies “The Franchise” was explicit in “Avenue 5.”)“The Franchise” leapfrogs through the 117-day shoot of “Tecto,” named for its hero, an off-brand Thor (Billy Magnussen) who wields an invisible jackhammer. Each episode finds Daniel and the power-hungry third assistant director, Dag (Lolly Adefope), confronting crises drawn from the musty archives of the Hollywood backstage comedy and then tweaked to fit the world of contemporary big-money filmmaking. Bowing to commercial reality means product-placing Chinese tractors; last-minute rewrites are driven by protests over the studio’s “woman problem”; a temperamental director melts down because Martin Scorsese accuses the studio of killing cinema.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More