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      Jimmy Kimmel Trashes Trump’s ‘Cosplay Garbage Man’

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      Kimmel said that when Trump delivered a speech while wearing an orange safety vest, it was “like a 4-year-old who wants to wear his costume to school.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Trump as Trash ManOn Wednesday, former President Donald Trump spoke to reporters from inside a garbage truck while wearing an orange safety vest.Jimmy Kimmel called Trump “a cosplay garbage man” on Thursday, joking that “the garbage is driving the truck.”“That vest will come in handy when he’s on the side of the highway picking up trash with the other inmates.” — JIMMY KIMMEL“And then this lunatic decides to stay in the garbage costume for the whole duration of his speech, like a 4-year-old who wants to wear his costume to school.” — JIMMY KIMMEL“I have to say; if there is a single image that we will look back on and say, this defines what America was going through in 2024, I think it will be the Republican nominee for president dancing to the song ‘Y.M.C.A.’ in a garbage man costume.” — JIMMY KIMMEL“Donald Trump could never make it as a sanitation worker. It’s a tough job with actual stakes, genuine responsibilities, and no amount of cosplaying can make up for the fact that he’d be really bad at it. He wouldn’t last a day. If Trump was a sanitation worker in New York City, we’d have garbage piled higher than the Empire State Building, as opposed to what we currently have, which is only half as tall.” — SETH MEYERSThe Punchiest Punchlines (Last-Minute Costume Idea Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Culte’ Is a Fascinating Romp Through the Dawn of French Reality TV

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      A new docudrama recounts the conflicts and controversy surrounding “Loft Story,” a French twist on “Big Brother” that divided critics and generations.Anaïde Rozam stars as a reality TV creator in the French series “Culte.”AmazonThe behind-the-scenes French docudrama “Culte” (in French, with subtitles), available on Amazon Prime Video, captures the birth of reality TV in France. And like many births, it’s a messy and emotional process, with plenty of screaming and crying from multiple parties, some unhelpful meddling from the families, fits of doubt and unknown reservoirs of determination.No one is quite the same after, and then there’s this whole new being to take care of. In this case, it’s “Loft Story,” a “Big Brother” adaptation that debuted in April 2001.Isabelle (Anaïde Rozam) is a stymied TV producer, a failure in her publishing-royalty parents’ eyes. She seizes on the format of “Big Brother,” a new hit show in the Netherlands, but the bigwigs are averse to anything they deem trashy. Reality shows are “voyeuristic, macabre, mind-numbing,” says one executive. “Hellish,” another agrees. “We can’t be the nation of Chartres cathedral and 12 dummies living in an apartment.” Well … just you wait, monsieur!Isabelle vows that her show will be something politically provocative, a social experiment with participants who reflect the totality of France in age, income, ethnicity and outlook. But once the production countdown begins, some of her grander ambitions give way to what we can now see as the basis of most reality casting: Round up some sexy drama llamas, and let the cameras roll. No one is prepared for what unfolds — the fame, the derision, the ratings bonanza.Over its six episodes, “Culte” moves with speed and agility — and, praise God, only one timeline — and its characters’ maneuverings are just as loaded and occasionally backstabby as any reality villain’s. The apparently nationwide hand-wringing about the dangers of lowbrow entertainment feel quaint, almost darling. “Does French TV still have morals?” someone wonders.But lurid tabloid stories have a way of setting the conversation, and TV networks are rarely in the morality business; they’re in the ratings business. “The Americans have a term for this,” a network head says, his eyes agleam. “‘Buzz.’” “Loft Story” indeed puts every apiary to shame.“Culte” makes the most of its festive, exciting ambiguities, and the “Loft” folks do not try to occupy a moral high-ground, nor could they really. They merely wander the bumpy natural topologies of society, and maybe no one is much higher or lower than anyone else. More

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      Kimmel and More Late Night Hosts Mock Trump’s Garbage Truck Stunt

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      The comment shocked “everyone who couldn’t believe Joe successfully logged onto Zoom,” the guest host of “Gutfeld” said.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘We Are Garbage!’President Biden came under fire this week after seemingly referring to Trump supporters as “garbage” during a Zoom call. (In a posting on social media, Mr. Biden said he was talking about racist language, not Trump supporters.)On Wednesday, Jimmy Kimmel said that he didn’t blame the Trump campaign for jumping “all over this garbage thing.”“It’s not a smart thing to say,” Kimmel said. “Joe Biden should drop out of this race immediately.”“Today Kamala Harris was like, ‘Can someone drop Joe in a corn maze and leave him there till Wednesday, just have him wander?’”— JIMMY FALLON“Now, obviously, what he meant to say was nothing. Why are you saying anything? Did you forget that you’re so bad at saying things we had to go get somebody else?” — SETH MEYERS“Shocking everyone who couldn’t believe Joe successfully logged onto Zoom.” — TOM SHILLUE, guest host of “Gutfeld”“This happened during Trump’s rally, and fortunately, someone was there to help boost Marco Rubio up onto the stage so he could frantically share this important news.” — JIMMY KIMMEL“He’s like an excited little Minion bringing big news to Gru: It’s like ‘Mr. President! Stop the proceedings! I’ve got a bulletin!’” — JIMMY KIMMEL“And if you thought that was insulting, wait until those people hear what you said about Donald Trump.” — JIMMY KIMMEL“Look how excited Rubio is: ‘Everybody, everybody, everybody! I have great news: We are garbage!’” — RONNY CHIENG“Celebrate good times, come on! I mean, Rubio delivered that news like he was announcing the war is over.” — RONNY CHIENG“And you can tell how excited Trump is because his face is at full orange alert.” — RONNY CHIENGThe Punchiest Punchlines (Mookie Edition)“At the World Series last night, two Yankees fans tried to pry a foul ball out of the glove of Dodgers right fielder Mookie Betts. I’ve got to be honest, it’s nice to see New York fans try to steal something besides a wallet.” — TOM SHILLUE“On the bright side, they were offered season tickets by the Phillies.” — SETH MEYERS“It’s Mookie versus the mooks.” — JIMMY KIMMEL“They call that the Staten Island handshake.” — JIMMY KIMMELThe Bits Worth WatchingSalma Hayek showed Jimmy Fallon how to dance with a snake circling his neck on Wednesday’s “Tonight Show.”What We’re Excited About on Thursday NightConnie Chung, a veteran journalist, will discuss her new memoir on Thursday’s “Daily Show.”Also, Check This OutLili Taylor, left, with Annabella Sciorra in “The Addiction.”Fast Films, Inc.The subscription streaming service Arrow has several spooky film options for a horror-filled Halloween. More

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      Jimmy Kimmel: ‘Tonight’s Monologue Is for Republicans’

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      Kimmel made a 19-minute case against Donald Trump on Tuesday, asking viewers to “send it to a Republican you love.” (He did throw in a Biden joke.)Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Crossing the Aisle“Tonight’s monologue is for Republicans,” Jimmy Kimmel said on Tuesday. He then made a 19-minute case against Donald Trump, asking his viewers to send the clip to “a Republican you love and respect.” “Ask them to watch this whole thing as a personal favor to you,” he said. Then, after promising no “liberal virtue-signaling” and throwing in a Biden joke, he introduced himself to “those of you who don’t ever watch.”“I’m Jimmy Kimmel. Maybe you remember me from ‘The Man Show.’ We had a pretty good relationship back then — the beer, the trampolines. Good times, right? We had fun. But now times are less fun.” — JIMMY KIMMEL“We are very divided, and not just because of Donald Trump, because of people like, if I’m being honest, me. I do a lot of mocking and belittling, and it isn’t always productive.” — JIMMY KIMMEL“Am I biased against Donald Trump? Yes. Do I think I have good reasons for being biased against him? Yes. And I’m probably wrong, but I think when you hear some of those reasons, you might agree with me, even just a little bit.” — JIMMY KIMMEL“Maybe there’s a little voice in the back your head saying, ‘I might not want this guy driving the bus.’ And if you’re one of those people who think Democrats are controlling the weather or Beyoncé eats baby skin, forget it. This is not going to help at all.” — JIMMY KIMMEL“Donald Trump is the exact meeting point between QAnon and QVC. You remember when Ronald Reagan was selling high-tops in the 1980s? No, you don’t, because he wasn’t.” — JIMMY KIMMEL“Not to mention the 34 felony convictions. Will he be president from jail? I mean, how do you see that working?” — JIMMY KIMMEL“Anyway, if you made it this far, thank you for listening.” — JIMMY KIMMELThe Punchiest Punchlines (What a Joke Edition)“It’s rare to tell a joke so bad that it alters the course of human history.” — STEPHEN COLBERT, on the backlash over the comedian at Trump’s Madison Square Garden rally who compared Puerto Rico to garbage“Today, following his disastrous rally at Madison Square Garden, former President Trump defended the event and called it an ‘absolute lovefest.’ Then Kamala Harris looked at the polls and said, ‘Well, I’m certainly loving it.’” — JIMMY FALLONWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Teri Garr, Comic Actress in ‘Young Frankenstein’ and ‘Tootsie,’ Dies at 79

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      An Oscar nominee for her role in “Tootsie,” she was also a favorite guest of David Letterman and Johnny Carson and a three-time host of “Saturday Night Live.”Teri Garr, the alternately shy and sassy blond actress whose little-girl voice, deadpan comic timing, expressive eyes and cinematic bravery in the face of seemingly crazy male characters made her a star of 1970s and ’80s movies and earned her an Oscar nomination for her role in “Tootsie,” died on Tuesday at her home in Los Angeles. She was 79.Her publicist, Heidi Schaeffer, said the cause was complications of multiple sclerosis.Ms. Garr received that diagnosis in 1999, after 16 years of symptoms and medical research; she made her condition public in 2002. In late 2006, she had a ruptured brain aneurysm and was in a coma for a week, but she was eventually able to regain the ability to walk and talk.Onscreen, Ms. Garr’s outstanding features were her eyes, which could seem simultaneously pained, baffled, sympathetic, vulnerable, intrigued and determined, whether she was registering a grand new discovery or holding back tears. If her best-known roles had a common thread, it was the erratic behavior of the men in her characters’ lives.Ms. Garr and Dustin Hoffman in “Tootsie” (1982). She was nominated for an Oscar for her performance as the neglected friend-turned-lover of an actor played by Mr. Hoffman.Moviestore Collection Ltd/Alamy Stock PhotoIn “Close Encounters of the Third Kind,” she initially went into denial when her husband (Richard Dreyfuss) became obsessed with U.F.O.s, but promptly abandoned him, taking the children, when he built, in their family room, a mountain of garbage, fencing and backyard soil.In “Oh, God!,” Ms. Garr was supportive when her husband (John Denver), a California supermarket manager, told everyone that he was hanging out with God incarnate (George Burns). In “Tootsie,” for which she earned a 1983 Academy Award nomination for best supporting actress, she whined eloquently as the neglected friend-turned-lover of an actor (Dustin Hoffman) who was behaving strangely. It turned out he had been posing as a woman to get better acting jobs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Why ‘Perfect Strangers’ Keeps Coming Back

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      From “The Leftovers” to “Only Murders in the Building,” “Perfect Strangers,” the wacky 1980s sitcom with a bombastic theme song, is enjoying a strange afterlife.In the latest season of “Only Murders in the Building,” the show’s trio of amateur detectives are investigating yet another murder and discover a theme — and a song — from an unlikely source: another TV show.The show is “Perfect Strangers,” the wacky 1980s sitcom that paired two cousins who — like the stars of “Only Murders” and its new cast of characters this season — couldn’t have been more different. The uplifting, bombastic “Perfect Strangers” theme song appears in the “Only Murders” fourth season, which concludes Tuesday.“We needed something that landed as a clue, something that opened up something curious for our trio to discover, something that kept hitting over and over again,” John Hoffman, the “Only Murders” showrunner, said.And so the “Perfect Strangers” theme song appears as a call sign over the ham radios of misfit residents introduced in this season of “Only Murders” and referred to as “the Westies.” Those are the tenants who live in the West tower of the Arconia, across from where Mabel Mora (Selena Gomez), Oliver Putnam (Martin Short) and Charles-Haden Savage (Steve Martin) live and where much of the investigation focuses.In one scene, in an apartment in the West tower of the Arconia, the New York City residential building at the center of the show, Mabel softly begins singing.“No matter what the odds are this time / nothing’s gonna stand in my way,” she chimes.Oliver mumbles along: “This flame in my heart / long-lost friend / Gives every dark street / a light at the end.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Extra Extra! The End Times, Onscreen

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      Alien invasions, viruses, zombies, meteors, natural or human-caused catastrophes. When the end is nigh in apocalyptic, dystopian, disaster or horror films and television shows, there is often a distinct moment that offers audiences a glimpse of what was known in those last days before civilization was forever changed: the front pages of newspapers.Sometimes the camera lingers on the page, allowing us to read headlines that telegraph the scramble to make sense of unprecedented events. Other times, blink and you’ll miss it.In some instances, these front pages are the last ones printed in the before-times; in others, humanity endures in the end, though it is certainly transformed.The pivotal disaster might have been long past. Or perhaps it’s only the beginning of the end.‘Men in Black’ (1997)Alien threats endanger Earth.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      New Horror TV Shows to Stream This Halloween: ‘Teacup,’ ‘Uzumaki’ and More

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      This year’s horror series take us to damned villages, cursed towns and countries fallen into anarchy.This selection of shows from October’s annual parade of horror series will take you on a tour of places where the world appears to be out of control: a South Korea going through a religious frenzy, a Georgia farm under attack, a bucolic English village visited by aliens, a Japanese seaside town haunted by spirals. Just keep telling yourself it’s fiction.‘Hellbound’Based on an online cartoon, this Korean series on Netflix has a comic-book hook, repeated a time or two per episode: A trio of towering, golem-like figures materialize, heralded by cracks of thunder, and roast a human who has been identified as a sinner. This usually involves a lot of smashing and tossing about of people and vehicles. These scenes are kinetically satisfying — it is a Korean production, after all — and there’s something counter-intuitively adorable about the silent, hulking reapers. Directed by Yeon Sang-ho of the “Train to Busan” zombie films, “Hellbound,” whose second season premiered last week, is a solidly constructed supernatural thriller, with well-choreographed action that often features a tight-lipped lawyer (Kim Hyun-joo) who gets more use out of her police baton than her legal training.The bam-pow does not dominate the show, however. The screenwriter Choi Gyu-seok, adapting Yeon’s 2002 webtoon, focuses less on explaining the supernatural happenings than on portraying a society’s reactions to a terrifying rip in reality. Those responses are bad and badder, running from coercive religious fanaticism to cathartic, mordant anarchy — parallels to current trends around the world are almost certainly intentional — while a few contrarians fight for rationality and free will.The drama of ideas is talky and pitched between comic book and Philosophy 101, but there is enough inventiveness and feeling in the storytelling to keep you attuned to the show’s evocation of a world quickly going mad.‘The Midwich Cuckoos: Village of the Damned’When this mini-series premiered in Britain two years ago, it had the same title as the John Wyndham novel on which it is loosely based, “The Midwich Cuckoos.” For its American release, Acorn TV and Sundance Now (both will have the third of seven episodes on Thursday) tacked on the name of the cult-favorite 1960 film adaptation, “Village of the Damned.” The series is a solid, watchable piece of work, though it might have been better if they hadn’t reminded us of the chilling, compact, highly satisfying movie.The story, if you are unfamiliar, begins with everyone in a British village blacking out; shortly after, every woman of childbearing age finds herself pregnant. The resulting children, as you might guess, are a scary bunch, with powers of mind control that represent an extinction-level threat. “The Midwich Cuckoos” handles the science-fiction aspects capably, and like the film, it has its share of quietly creepy moments. Filling out the expanded running time with a lot of agonizing about motherhood and parenting, though, feels a little precious when the story is about aliens getting Earth women pregnant. Focus!We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More