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      Holy Hollywood! Batman Is the First Superhero With a Walk of Fame Star.

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      The caped crusader, who debuted in 1939, joins other illustrious figures — including Adam West, the actor who played him on TV.It is hard to imagine something new happening to Batman after 85 years of adventures in comic books, television and film. But he has a new notch on his utility belt: He has received a star on the Hollywood Walk of Fame.Batman is the first superhero honored on the Walk of Fame, which is administered by the Hollywood Chamber of Commerce. (Mickey Mouse was the first fictional character to receive a star, in 1978.) Batman’s recognition is the 2,790th since the first eight stars were unveiled in 1958.Comic book readers met the Bat-Man (the hyphen was soon dropped) in 1939, when they opened the March 30 issue of Detective Comics. Out of the costume the superhero is the socialite Bruce Wayne. They were also introduced to Police Commissioner Gordon, who would become the hero’s trusted ally and later gained the first name James.Burt Ward, who played Robin on the “Batman” television show of the 1960s, at the Batman ceremony on Thursday.Frazer Harrison/Getty ImagesBatman himself may not have been honored on the Walk of Fame before now, but he’s had ties there. Adam West, who starred in “Batman” on TV from 1966-68, has a star, as does Burt Ward, who played Robin, Batman’s trusted partner. (West received a star in 2012; Ward in 2020.) One of his creators, Bob Kane, was also awarded a star in 2015.Absolute Batman No. 1, which reimagines Batman’s origins, will be out on Oct. 9.DCBatman is also getting a whole new beginning in a new comic book series with Absolute Batman No. 1, from DC. The series, by Scott Snyder and Nick Dragotta, presents a bigger, beefier and more menacing Batman: His chest emblem, for example, detaches to become the top of a battle ax. Holy anger management, Batman! The issue arrives in stores on Oct. 9.There is also currently a “Batman: Caped Crusader” animated series on Amazon, and his most recent live action film, starring Robert Pattinson in 2022, led to the new spinoff series “The Penguin,” on HBO. More

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      ‘The Rings of Power’ Season 2, Episode 7 Recap: ‘Light Endures’

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      Something is wrong with the candles in Celebrimbor’s workshop. Things are even worse outside.Season 2, Episode 7: ‘Doomed to Die’At the start of this “Rings of Power” season, Sauron — still in his Halbrand form — allowed himself to be captured in Mordor so that he could manipulate Adar into marching his orc armies toward Eregion. Sauron then arrived in Eregion well ahead of the orcs, transformed into Annatar and began manipulating Celebrimbor into forging rings for dwarfs and men, tainted with Sauron’s corrupting influence.This has been Sauron’s big plan in Season 2; and in the penultimate episode, it’s all starting to come to fruition. Throughout this episode, a battle rages outside Eregion, while inside Annatar pushes Celebrimbor to complete the rings — at the cost of the elf-lord’s reputation and sanity. Sauron is getting one step closer to his ultimate goal: total control of Middle-earth and what he promises will be “a perfect and lasting peace,” very different from the cruel rule of Morgoth.But does he actually believe his own pitch? Or is he more like some politicians, promising his future constituents whatever he has to in order to acquire enough power to never have to listen to them again? These are not idle questions. Whether Season 2 ends in hope or hopelessness will depend largely on whether Sauron can win enough small victories to tip the balance in his favor, forever.These are the stakes in an eventful and action-packed Episode 7. Here are four takeaways and observations:Celebrimbor sees the light … and then the darkAt the end of last week’s episode, we saw how Annatar had cast a spell to hide from Celebrimbor the reality of what Adar’s armies were doing to Eregion. This week, in a few remarkable scenes — notably and disturbingly quieter than the combat throughout the rest of the episode — we see more of how this illusion looks from Celebrimbor’s perspective as he works on the next set of rings, on what appears to be a lovely day.But there are glitches in the mirage. Celebrimbor keeps seeing the same mouse scurrying in the same way across the same stretch of floor. The gems in his hammer come and go. His candles never burn all the way down. Sometimes he catches a reflection of himself that shows how haggard he actually looks.Finally, Celebrimbor confronts Annatar and accuses of him of malicious trickery, howling, “No emissary of the Valar would do this!” He smashes a window, revealing the true horrors happening outside. But it’s too late. Annatar has effectively seized control of Eregion, having convinced the elves that Celebrimbor has become dangerously delusional. The city is already in ruins. And the worst is yet to come.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Nobody Wants This’ Review: Resuscitating the Rom-Com

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      Kristen Bell and Adam Brody star in a Netflix series whose familiar rhythms and punchlines are exactly the point.Recent high-profile attempts by streamers to resuscitate the feature-length romantic comedy with brand-name performers like Anne Hathaway, Nicole Kidman and Brooke Shields have all had the same problem: They were awful. The dead touch of cringey mediocrity could be felt immediately. You could hear the flatline alarm in the background.Primed for disappointment by those films, you feel the difference right away with the new Netflix romantic comedy series “Nobody Wants This”: It’s not bad. The jokes land. The story hums along. The people in it are real-ish — they may do cartoonish things, but they are not cartoons. Kristen Bell and Adam Brody, who play the central couple, are charming and work well together. Care has been taken in the depiction of a swoony, twilight Los Angeles that calls back to an indeterminate earlier era of the rom-com — the ’70s, the ’90s, somewhere in there.Created by Erin Foster, an actress and writer and a daughter of the music-business titan David Foster, “Nobody Wants This” (premiering Thursday) succeeds by keeping faith with its genre. It is not a nostalgic curio — the characters and the rhythms of their interactions feel up-to-date, at least by mainstream Hollywood standards — but there is a comforting continuity with things you have seen and liked before. Familiar moves are executed with confidence and a certain amount of style.That smooth rom-com fluency, and the feeling it inspires that here is something we have been missing, is the most notable thing about “Nobody Wants This.” The story, inspired by Foster’s own experiences as a podcaster and as a participant in the Los Angeles dating scene, is serviceable, largely rom-com standard but with a few wrinkles.Bell plays Joanne, who works a bad-girl, more-sarcastic-than-thou persona while apparently making a living doing a sex-and-relationships podcast with her sister, Morgan (Justine Lupe). At a dinner party, Joanne, who is not in any way religious, meets cute with her temperamental opposite, Brody’s Noah, a serious, soulful, inordinately considerate guy who happens to be a rabbi. (He is sometimes called the hot rabbi, reminiscent of Andrew Scott’s hot priest in “Fleabag.”)They are completely wrong for each other, as everyone else in the show loudly and insistently tells them (hence the title). Morgan, a serial dater herself, is anti-Noah because she is afraid of losing her sister, not to mention being one-upped by her; adding a layer of complication, Morgan is also convinced that if Joanne finds happiness, it will ruin their podcast.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Freaks and Geeks,’ TV’s Least Likely to Succeed, Won by Losing

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      The high school cringe comedy was the undersung member of the Class of ’99. But its influence is everywhere.By the 25th reunion, you get a good sense of how time has treated a graduating class. This is certainly true of TV’s Class of ’99.There, in the center of the room, is “The West Wing,” that popular class president among dramas, holding court and reliving its glory days (even if some of its youthful luster is gone). There’s “The Sopranos,” the brooding film student that went on to big things, still exuding a sense of artsy danger. There are “Law & Order: Special Victims Unit” and “Family Guy,” still turning out new episodes, like classmates who stuck around and joined the faculty.And who’s that off in the corner? Oh, right: “Freaks and Geeks.” Weird, funny kid, never quite fit in. Used to hang out on the smoking patio, played a lot of Dungeons & Dragons. Whatever happened to them?In its freshman (and only) year, “Freaks and Geeks” spent a lot of time getting stuffed into lockers (or, at least, stuffed by NBC into undesirable time slots). An offbeat teen series about burnouts and nerds at a Michigan high school in the 1980-81 school year, it arrived on Sept. 25, 1999, with the praise of critics and a niche sensibility.That combo, in the days of mass network TV, tended to mark a new series as Least Likely to Succeed, and NBC axed it midyear. The complete season aired in 2000 on Fox Family Channel, a cable destination one step up from a test pattern.But like the homeroom wallflower who blossomed late, this bittersweetly brilliant one-season wonder aged well, into something influential, groundbreaking and — dare I say it — cool.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Freaks and Geeks’ at 25: ‘It Was Slipping Away the Entire Time’

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      To twist a famous line from Jean Renoir’s “The Rules of the Game,” the awful — and hilarious — thing about high school is this: Everyone has their reasons. All adolescents are worlds unto themselves, whether they’re jerks, jocks, stoners, smart kids or underachievers. Each is an entire cosmos of yearning and hurt trapped inside a juvenile body.Perhaps no television show has ever done as much to document those reasons as the short-lived NBC series “Freaks and Geeks.” Set in Michigan in 1980, it followed the misadventures of the siblings Lindsay and Sam Weir (Linda Cardellini and John Francis Daley) and their respective crews of burnouts and dweebs.Afflicted with poor ratings, “Freaks and Geeks” was canceled after just one season. But it has lived on, first in fans’ memories and then on DVD and streaming, to be discovered by new viewers who embraced its zits-and-all depiction of adolescence and were thrilled by early sightings of future stars like Seth Rogen, James Franco, Jason Segel and Busy Philipps.“Freaks and Geeks” premiered on Sept. 25, 1999. On the occasion of its 25th anniversary, The New York Times spoke with veterans of the show, including the creator Paul Feig and the writer-executive producer Judd Apatow, about an experience that, like adolescence, was sometimes painful and embarrassing, but was nonetheless imbued with a kind of magic. These are edited excerpts from the interviews.‘We were a bunch of nerds.’A writer-director has many memories about the agonies of adolescence and decides to make a TV show about them.Paul Feig, left, based “Freaks and Geeks” on his adolescent experiences, and Judd Apatow, right, quickly signed on to produce.Jason Merritt/Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Desi Lydic Ridicules Trump for Demanding Harris’s ‘Burger Certificate’

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      “This isn’t the kind of thing you would lie about,” Lydic said. “It’s not like sex with a porn star while your wife is pregnant.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Salty BehaviorAt a rally this week, former President Donald Trump continued to question Vice President Kamala Harris’s experience of working at a McDonald’s in her youth.Desi Lydic called it “ridiculous that Trump is asking to see Kamala’s burger certificate.”“This isn’t the kind of thing you would lie about. It’s not like sex with a porn star while your wife is pregnant.” — DESI LYDIC“But look, I get why he’s suspicious — if she had ever worked at any McDonald’s between the years 1960 and last week, he probably would have seen her. Or maybe this whole thing is just a ploy for him to get free food: ‘You worked at McDonald’s? Prove it. Make me seven Big Macs!’” — DESI LYDIC“So, Trump’s new conspiracy theory is that Kamala Harris never worked at McDonald’s when she was young, which to him is basically stolen valor: ‘How dare you disrespect our men and women in uniform. Those people served with honor and with extra ketchup packets if you ask.’” — DESI LYDIC“At the same rally, Trump also claimed that Vice President Kamala Harris lied about working at a McDonald’s and said that he would go to the restaurant chain in the next two weeks to see, ‘what her job really wasn’t like.’ And even — even if she can provide proof that she worked there — he’s still probably going to go to McDonald’s in the next two weeks.” — SETH MEYERS“Did Trump just talk himself into getting hungry? ‘She never worked over the piping hot fries, so crispy and salty, each bite a perfect — we should go to McDonald’s. Let’s go to McDonald’s.’” — DESI LYDICThe Punchiest Punchlines (Golden Guys Edition)“Tonight was the second episode of ‘The Golden Bachelorette.’ It was pretty slow. The first hour was just the remaining guys in the house watching the new ‘Matlock’ reboot.” — JIMMY FALLON“Tonight, the golden guys had to decide who’d sleep on the top bunk, which was not as easy as it sounds. Some of them snore, some of them have bad knees, one of them sleeps naked, and they all wake up a lot of times to go pee. So there a lot of logistics going into putting five guys in one bedroom. They’re lined up outside the men’s room like it’s a Lakers game at 4 a.m.” — JIMMY KIMMELWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      NewJeans’s Complaints Against Hybe Brings Scrutiny to K-Pop’s New Releases

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      The breakout girl group went public with complaints against its parent company, Hybe, which has just released a new TV series and film about the control it exerts over stars.A huge part of the success of NewJeans — the most creatively promising new K-pop act of the past two years — has been its music videos: stylistically sophisticated, vividly colorful, palpably joyful. Starting with music that deploys top-shelf songwriting buoyed by production savvy about global microtrends, the group developed a singular aesthetic to go with it, drawing equally from high fashion, lived-in nostalgia and contemporary cuteness.So it was striking when, a couple of weeks ago, the group released a video performance unlike any that preceded it. In a live broadcast on a burner YouTube account, the group’s five members — Danielle, Haerin, Hanni, Hyein and Minji — spoke for almost 30 minutes about their dissatisfaction with their parent company, Hybe. They particularly focused on how it had de-emphasized the role of the group’s executive producer, Min Hee-jin, in their work.Here was a group putting its external image and its internal leverage at risk to argue for their creative lives. It is an infrequent scenario at this level in K-pop, a genre and business in which careful choreography — of music, visuals and star behavior — is crucial to the power of the art.This livestream, of course, was as art directed as any of the group’s technicolor music videos. The members dressed largely in black, speaking softly in an anonymous office. Out in the world, NewJeans is vibrant, dynamic and approachably fun; in this clip, which some fans speculated was secretly orchestrated by Min, the members were reduced to spiritless cogs, as if trapped and suffocated by the corporation itself.Min Hee-jin, NewJeans’ executive producer, called a news conference in April to dispute accusations of corporate malfeasance by her employer, Hybe.Chung Sung-Jun/Getty ImagesFor almost as long as K-pop has been a global force, it has been an exemplar of the controversial virtues of top-down control. American pop labels essentially abandoned this mode more than a decade ago, following the boy band and Britney-Christina era. The influence of social media in creating bottom-up hits and stars has all but invalidated the label-knows-best mode of creation. But K-pop’s commitment to that ethic persists, and has made exactitude into an artistic virtue.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Desi Lydic: Donald Trump ‘Really Knows How to Flatter a Lady’

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      The “Daily Show” host said the former president had been so unpopular with women that he was now trying to turn on “the old Trump charm.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘The Old Trump Charm’Former President Donald Trump continued to relay his plans to “protect” women at a rally in Pennsylvania on Monday, saying that women are “poorer” and “more stressed and depressed” than they were four years ago.On Tuesday’s “Daily Show,” Desi Lydic said that Trump had been so unpopular with women that he now had to turn on “the old Trump charm.”“Maybe it’s because of his legally adjudicated record of sexual assault; maybe he forgot their birthdays — it’s hard to say.” — DESI LYDIC“Oh, that is the perfect way to appeal to any woman. There’s no better way to start a first date than saying: ‘Diane, I am your protector. I want to be your protector. You will no longer be abandoned, lonely or scared. I will be with you 24 hours a day, seven days a week, looking at you. I’ll never let you out of my sight. Oh, you need to go to the bathroom? OK. I’ll wait. Waitress? I want to protect you.’” — STEPHEN COLBERT“Uh, I’m actually meeting someone here. I have a boyfriend. Thank you so much, though.” — DESI LYDIC“I love how he’s acknowledging that we’re stressed out, as though he’s not the one stressing us out. This is like Boeing being like, ‘Weird how people seem so freaked out about air travel these days.’ “ — DESI LYDIC“You really know how to flatter a lady. Please tell me more about the bags under my eyes.” — DESI LYDIC“Although, it’s not true that all women are poorer. E. Jean Carroll seems to be doing pretty well.” — DESI LYDIC“But Trump is a master marketer. That’s how you sell things to women: You convince them they have a problem, and then you say, ‘Here, buy these vagina gummies.’ And yes, in this analogy, Trump is the vagina gummy.” — DESI LYDICThe Punchiest Punchlines (Biden’s Last Stand Edition)“Earlier today, President Biden attended the General Assembly and delivered his final U.N. address. Biden called on nations to band together amid world conflicts and growing concerns over China’s influence. Then he added, ‘Or do whatever you want. What the hell do I care? I don’t care anymore.’” — JIMMY FALLON“He warned his fellow leaders to ‘never forget some things are more important than staying in power,’ which got a huge laugh from the Russian delegation.” — JIMMY KIMMEL“Biden’s address was a big deal. It’s the most important speech he’s delivered in front of a 1990s kitchen backsplash.” — JIMMY FALLON“Well, New York City officials actually said drivers should expect the slowest traffic of the year. Yeah, you know traffic is slow when even Biden is like, ‘You know, I’m just going to get out and walk.’” — JIMMY FALLONThe Bits Worth WatchingWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More