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      Lynda Obst, Producer, Dies at 74; Championed Women in Hollywood

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      She helped make films like “Sleepless in Seattle” and “Contact.” She also wrote widely about the industry, for The Times and other publications.Lynda Obst, a New York journalist turned Hollywood producer who promoted women in films like “Sleepless in Seattle” and “Contact” while writing incisive dispatches from Tinseltown for outlets like The Atlantic and The New York Times, died on Tuesday at her home in Los Angeles. She was 74.Her brother Rick Rosen said the cause was chronic obstructive pulmonary disease.Known for her booming, raspy laugh and her startling candor, Ms. Obst was a colorful character even by the standards of a colorful industry.Even more unusual for Hollywood, she was at times an outspoken critic of the movie industry, especially its treatment of women.As a producer, she excelled at both frothy romantic comedies and serious science fiction dramas. She helped shepherd Nora Ephron’s seminal “Sleepless in Seattle” as an executive producer in 1993 and the box-office hit “How to Lose a Guy in 10 Days” as a producer in 2003. But she also produced Robert Zemeckis’s “Contact” in 1997 and Christopher Nolan’s “Interstellar” in 2014.She was an advocate for stories focused on women, and often made by women, at a time when there weren’t many. She pushed, for example, for Jodie Foster to star as an astronomer in “Contact” when it was unusual for a major science fiction movie to have a female lead. An acolyte and admirer of Ms. Ephron, she produced her directorial debut, “This Is My Life” (1992).Ms. Obst excelled at both frothy romantic comedies and serious science fiction dramas. She was an executive producer of the hit Nora Ephron comedy “Sleepless in Seattle” (1993), which starred Meg Ryan and Tom Hanks, seen here with Ross Malinger.TriStar PicturesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Menendez Brothers: How True Crime Is Re-Examining Old Cases

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      A thriving genre built on podcasts and documentaries, coupled with younger generations’ more skeptical worldview, helped revitalize interest in this case and others like it.There’s a montage during the new Netflix documentary “The Menendez Brothers” in which comedians, late-night hosts and other pop culture figures of the 1990s mock Lyle and Erik Menendez. The brothers had recently delivered testimony at their first murder trial, detailing their accounts of sexual abuse at the hands of their father, Jose Menendez, whom they had gunned down and killed in 1989, alongside their mother, Kitty.There was a 1993 “Saturday Night Live” skit that had John Malkovich and Rob Schneider mimicking the brothers in the courtroom, weeping dramatically and sarcastically. On the “Late Show,” the comedian Sandra Bernhard told David Letterman, “These two arrogant brothers are gonna fry,” to whoops and laughter from the audience.“I called Jay Leno’s show once, to protest them making fun of them,” Joan Vander Molen, Kitty Menendez’s sister, says in the documentary. “That’s all they did. They just made fun of them.”Some 30 years later, Lyle and Erik Menendez, who were 21 and 18 when the murders were committed, have gone from pariahs and punchlines to something approaching sympathetic figures in the eyes of a growing number of people.They’ve also gone from the prospect of spending the rest of their lives in prison to having a chance at freedom after George Gascón, the Los Angeles district attorney, announced on Thursday that he would recommend a resentencing that would make the brothers eligible for immediate parole.Gascón cited the work the brothers have done to improve the lives of their fellow inmates. “I believe they have paid their debt to society,” Gascón said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Somebody Somewhere’ Is Back for Its Final Season

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      The HBO dramedy about a Kansas woman finding love and community after tragedy returns for its third and final season on Sunday.Bridget Everett in a scene from Season 3 of “Somebody Somewhere.”Sandy Morris/HBO“Somebody Somewhere,” a perfect dramedy starring Bridget Everett as a Kansas woman finding love and community after her sister’s death, returns for its third and final season starting Sunday at 10:30 p.m., on HBO. The show is full of ecstatic tenderness and easy warmth, but it avoids pat tidiness.Sam (Everett) is ebullient and loyal, and over the course of the series, her life has stabilized a lot: The cold clutch of grief has loosened, her friendship with Joel (Jeff Hiller, fantastic) continues to blossom, and she’s more comfortable singing in front of everyone. But her battle between vulnerability and defensiveness wages on. As often as “Somebody” is a detailed taxonomy of love — platonic, familial, religious, romantic — it is also a portrait of loneliness. Perhaps there is no such thing as “enough” love, the show admits; things can be wonderful without being perfect, and they can be painful but still worth it. Even the seemingly simple love of a dog comes with complications.One of my favorite parts of “Somebody” is how often the characters laugh. They all find each other screamingly funny, for good reason, and they’re all able to laugh at themselves, too. Usually when we think about Big Acting Moments, they’re quivering, tearful monologues, sobbing or ranting. “Somebody” certainly has those, but its more cathartic scenes are ones of laughter — where the real bonding happens, the real changes, the real surrender. They are also where the ensemble shines the brightest.One of the primary arcs of the show is about Sam’s re-embracing her singing voice, and in the first episode of Season 3, she sings “Smalltown Boy” alone in her car. She moves through various harmonies but then backs off a big wail, sighing that she wishes she could hit that note. But it seems like she could hit it, if she could relax into it and be a little brave.“I’ve never been comfortable expressing my feelings in public, you know?” admits Brad (Tim Bagley), Joel’s prim and adoring boyfriend. “Yeah, I think I understand that,” Sam replies. “I think that’s what’s so great about singing: Somehow the music just makes it so much easier. It’s like you’re not doing it alone.” More

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      Erin and Sara Foster Discuss ‘Nobody Wants This’ and Their ‘IVF, Baby’ Shirts

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      Sara and Erin Foster took a short break to discuss the hit show loosely based on Erin’s life, everyone’s love of Adam Brody and their advocacy for reproductive rights.On Tuesday morning, Sara and Erin Foster, the sisters behind the Netflix series “Nobody Wants This,” joined a video call from their respective homes in Los Angeles. Sara, 43, was wearing an oversize sweatshirt, and Erin, 42, was in a bathrobe.The sisters are known for their laid-back style, but by any standards they’ve had a busy month.“Nobody Wants This” premiered Sept. 26, rising to the top of Netflix’s ratings within a week. The show, which is written by Erin and produced by both sisters, was inspired by Erin’s real-life love story of falling in love with her now-husband, the music executive Simon Tikhman, before converting to Judaism. In the Netflix version of the story, Joanne, a blonde, agnostic relationship podcaster played by Kristen Bell, and Noah, a bearded rabbi played by Adam Brody, navigate the various hurdles of getting into a serious relationship.Last week, with less than a month before Election Day, the Fosters also waded into the debate over reproductive rights and in vitro fertilization. They released a limited edition T-shirt through their fashion brand, Favorite Daughter, with the bold, black words, “IVF, Baby.” (The sisters partnered with CCRM Fertility on the project. All proceeds will be donated to Resolve: the National Infertility Association.)“They just launched like four days ago, so we haven’t had a chance to run into anyone wearing them yet, but we hope we do,” said Erin, who underwent 20 rounds of I.V.F. before welcoming a daughter in May. Sara, who has two daughters with her ex-partner, the former tennis star Tommy Haas, said sales were higher than expected.The sisters chatted about this whirlwind time in their lives.This interview was edited and condensed for clarity.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Late Night Condemns Trump for Stanning Hitler

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      On Wednesday, Seth Meyers said he was “starting to think Trump doesn’t watch the ends of documentaries.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘Mein Bad’Donald Trump’s longest-serving chief of staff, John Kelly, said the former president had said more than once while in office that Adolf Hitler “did some good things.”On Wednesday, Seth Meyers said he was “starting to think Trump doesn’t watch the ends of documentaries.”“Once you have to explain to someone that Hitler is bad, there’s not much else to talk about. You don’t see many first dates survive that.” — SETH MEYERS“Seriously, Trump, Hitler never did anything good. He even sucked at waving. Like, dude, God gave you elbows — use them.” — MICHAEL KOSTA“I don’t even think you have to know history. You can probably get all the info you need from Mel Brooks movies and Bugs Bunny cartoons.” — SETH MEYERS“This is the first election where reporters have to ask, ‘Who’d you root for when you watched ‘Saving Private Ryan’?” — JIMMY FALLON“Trump made it worse today when he said, ‘Oops, mein bad.’” — JIMMY FALLONThe Punchiest Punchlines (Lose Yourself Edition)“At a campaign event in Detroit, Eminem introduced Barack Obama. Which makes sense, they both made a career out of pretending to be Black.” — GREG GUTFELD“You know, somewhere, Trump is yelling at his aides: [imitating Trump] ‘How could M&Ms betray me? I don’t understand. Is there no loyalty?’” — STEPHEN COLBERT“But it’s nice to see Obama pay homage to Eminem because it means that Black people have finally accepted that Eminem is the greatest rapper of all time. And look — no, stop — I know how it feels. I went through it every time Tiger Woods won a golf tournament, OK?” — MICHAEL KOSTA“Was that song Osama bin Laden? Because Obama killed it.” — STEPHEN COLBERT“I will say, maybe Obama should skip that line about ‘dropping bombs,’ you know? Are you still rapping, or are you doing a drone strike?” — MICHAEL KOSTAThe Bits Worth WatchingMembers of the New York Liberty joined Jimmy Fallon for a team selfie celebrating their WNBA championship on Wednesday’s “Tonight Show.”What We’re Excited About on Thursday NightJulia Louis-Dreyfus will take “The Colbert Questionert” on Thursday’s “Late Show.”Also, Check This OutThe gang’s all here for the sixth and final season of “What We Do in the Shadows.”Russ Martin/FXThe vampire comedy series “What We Do in the Shadows” returned for its sixth and final season on FX and Hulu this week. More

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      Ron Ely, Who Played an Updated Tarzan in the 1960s, Dies at 86

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      He later built a career as a reliable TV guest star. His life turned tragic in 2019 when his son killed Mr. Ely’s wife and was then shot to death by the police.Ron Ely, a veteran television actor best known for his role as an educated, urbane vine-swinger on the 1960s show “Tarzan,” died on Sept. 29 at the home of one of his daughters near Santa Barbara, Calif. He was 86.That daughter, Kirsten Ely, announced the death on Wednesday on social media. It had not been previously reported.A tall, muscled Texas native, Mr. Ely (pronounced “EE-lee”) had made his name by the early 1960s as a reliable supporting actor on popular TV shows like the sitcoms “Father Knows Best,” “How to Marry a Millionaire” and “The Many Loves of Dobie Gillis” before landing the lead role on “Tarzan” in 1966.The show, which ran on NBC for 57 episodes across two seasons, featured a Tarzan updated for a modern audience. Gone were the semi-verbal grunts of previous iterations; in this version, Tarzan had left the jungle and learned the ways of modern civilization before deciding to return to the creature comforts of his former home.Gone, too, was Jane, Tarzan’s traditional love interest, though Cheetah, his chimpanzee sidekick, remained.Mr. Ely performed almost all his own stunts, which left him with two broken shoulders, a torn back muscle and two lion bites.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Danny Amendola’s ‘DWTS’ Lift Inspires TikTok Dance Trend

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      Danny Amendola’s smooth lift on “Dancing With the Stars” spawned numerous imitators (with varying results). TikTok cautions users that it can be dangerous.Katie Fraser and her fiancé, Amandeep Sandhu, woke up the other day feeling sore and experiencing mild pain. They hadn’t fallen out of bed or exercised vigorously, though it felt that way. Rather, they had tried to recreate a move done by Danny Amendola on the ABC show “Dancing With the Stars.”On an episode that aired on Oct. 15, Mr. Amendola, 38, a former N.F.L. player, and his partner, Witney Carson, a dancer and choreographer, performed a sexy routine set to the song “Unsteady” by X Ambassadors. At around the 45-second mark, Mr. Amendola lifted Ms. Carson, who was laying on the ground, by pulling her up by her ankle.The pair, who performed the move seamlessly, drew immediate cheers from the studio audience. They also unwittingly created a trend on TikTok as others have tried to recreate the move, which apparently is so difficult that TikTok added a disclaimer to some of the videos. “Participating in this activity could result in you or others getting hurt,” it reads.“I had seen their dance posted online and I thought it was absolutely beautiful,” Ms. Fraser, 28, wrote in an email. “Then I saw the TikTok trend going around of other couples trying and begged my fiancé to try it with me.”Like Johnny’s iconic lift of Baby in the movie “Dirty Dancing,” Mr. Amendola’s lift of Ms. Carson has proved appealing for many, but is considerably harder than it looks.

      @mollythemom @Dancing with the Stars #DWTS HERE WE COME! Dance by @Witney Carson ♬ original sound – Walmart Amy Adams

      @madismellie Why is this all I want to do now😂💃🙈 @Dancing with the Stars #DWTS @Witney Carson #leglift #husband #witneycarson #dannyamendola #mykindofdatenight ♬ Unsteady – X Ambassadors We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘What We Do in the Shadows’ Returns One Last Time

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      One of TV’s few great funny ha-ha comedies begins its sixth and final season this week on FX and Hulu.One of my absolute favorite shows, FX’s “What We Do in the Shadows,” is back for its sixth and final season, with three new episodes now streaming on Hulu. The show, set within a household of vampires on Staten Island, remains goofy and grotesque, full of warped zingers and silly asides.Only the first three episodes of the season were made available to critics, and they introduce a few new facets, including a long-dormant additional roommate, Jerry the Vampire (Mike O’Brien). His fellow vampires were supposed to wake him in 1996, and he’s peeved to discover that not only did they let him oversleep for so long, but they also haven’t achieved any of the world-conquering goals they’d all set. Elsewhere, Guillermo, the lovable familiar, has re-entered the regular human work force — first at Panera and then at a financial firm (where they keep odd hours … hmm…).In the wake of Jerry’s disapproval, Laszlo (Matt Berry) feels motivated to get back to the lab and take another crack at one of his hideous experiments. Colin (Mark Proksch) tags along, and lo, he too has a knack for freaky discoveries. “Another young scientist inspired,” Laszlo crows. “First Mr. Oppenheimer, and now Colin Robinson.”“Shadows” faces the most vexing question for both vampires and sitcoms: Does anything change? It’s the curse and comfort of immortality and comedy alike, that everything tends to — has to? — reset and reset and reset to the norm. Even when “Shadows” stretches itself with format, as in Season 4’s brilliant HGTV episode, or in season-long surprise arcs, as with Colin’s gleefully bizarre death and rebirth, everything finds its way back to how it always was.My fondest hope is that “Shadows” has a few final tricks up its sleeve, but even its waning fifth season brought me plenty of joy last year. At a time when funny ha-ha comedies are rare, losing one of our jokiest shows stings extra hard. More