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      Mitchell Ryan, Who Played the Villain in ‘Lethal Weapon,’ Dies at 88

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      Mr. Ryan, who appeared in the TV series “Dark Shadows,” played a brutal businessman in “Santa Barbara” and a wealthy father in the sitcom “Dharma & Greg.”Mitchell Ryan, an actor known for his role in the gothic soap opera “Dark Shadows” and who played a heroin-dealing retired general in the action movie “Lethal Weapon,” died at his home in Los Angeles on Friday. He was 88.The cause was heart failure, Ro Diamond, who represented Mr. Ryan for more than 40 years, said on Saturday.With his square jawline and slicked-back hair, Mr. Ryan entertained moviegoers and television fans in a career that spanned more than 50 years, beginning with an uncredited part in the movie “Thunder Road” (1958).His breakout performance came in 1966 when he landed a role in “Dark Shadows,” a popular soap opera about the adventurous lives of the affluent Collins family. Set in the fictional town of Collinsport, Maine, the family experiences supernatural events and are tormented by strange beings, such as ghosts, witches and zombies.Mr. Ryan played Burke Devlin, an ex-convict who returns to Collinsport and seeks revenge on the family.“It was a wonderfully written Gothic kind of melodrama and Burke was this marvelous, mysterious character,” Mr. Ryan recalled decades later in an interview. “And actually, there wasn’t a whole lot to do with it except bring a lot of my passion to it and just allow it to come out.”He was fired from the show because of his alcoholism.Mr. Ryan, second from left, with Joan Bennett, left, and Louis Edmonds, second from right, in “Dark Shadows” in 1966.ABC Photo Archives/Disney General Entertainment Content, via Getty ImagesHe recalled in his memoir, “Fall of a Sparrow,” how grateful he was to have overcome his struggles with sobriety. “I’m blessed that, 30 years a drunk, I’ve managed to live a working actor’s life to be envied,” he wrote.He added that “sober for the next 30 years, I’m told I’ve come out of it all a good and a useful human being.”Another major role came in 1987, when he played an antagonist in “Lethal Weapon,” which starred Mel Gibson and Danny Glover. Mr. Ryan recalled in an interview that people involved with the film initially believed it was destined to flop.“It was a total scary mess for everybody,” he said, noting that the script was constantly being rewritten. “Nobody knew what was going on.”Mr. Ryan played a retired general-turned-heroin smuggler who delivers commands in a calm and collected cadence but is inclined to raging outbursts.The film would gross more than $100 million worldwide at the box office.“We were all absolutely totally shocked and dumbfounded when it turned out to be an enormous hit,” Mr. Ryan said.He joked that the series of films that followed made everybody richer, except him because his character, Gen. Peter McAllister, was in a vehicle that was struck by a bus. “Poor Mitch, I got killed,” he said.Mr. Ryan continued to play parts in more than two dozen television series but found that his ego was getting inflated. He wrote on his website that “the more successful I became, the easier it was to take credit for what ‘I’ accomplished.”Mr. Ryan, left, star of Arthur Miller’s play “The Price,” with Lee Marvin, right, and Mr. Marvin’s wife, Pamela, backstage at the Playhouse Theater in New York in 1979.Dan Grossi/Associated PressIt was a behavior that he believed would be “deadly in the long run and not in accordance with reality,” he wrote.Still, in interviews, he would frequently say that he was grateful for his long acting career, which, as a child, seemed unlikely.Mitchell Ryan was born on Jan. 11, 1934, in Cincinnati and raised in Louisville, Ky., by his mother, who was a writer, and his father, who was a salesman. Information about survivors was not immediately available on Saturday.He said that, as a boy, he would often invent people he could be one day and had no idea that he was “acting a role, as it was all real to me.”He served in the U.S. Navy and then pursued work in theater. “I can’t count the number of plays I have done, but it could easily be over one hundred,” he wrote.For 15 years, he acted in a play almost every night in road shows, on Broadway and Off Broadway. Even while working on “Dark Shadows,” he was still performing plays at night after leaving the television set, which, he said, was “not a very good idea.”In 1989, he played Anthony Tonell, a brutal businessman, in “Santa Barbara,” a television series about several wealthy families in California. From 1997 to 2002, he portrayed Edward Montgomery, a wealthy and eccentric father, in the sitcom “Dharma & Greg.”In the preface of his memoir, Mr. Ryan wrote: “A young man became an actor because someone thought he had the right look for a part. A pleasing voice. And he wasn’t doing something else just then.”“And he stayed an actor,” he added, “because, remarkably, he was good at it.” More

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      The Best of Late Night 🌙

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      The Best of Late Night �� Trish Bendix�� Reporting on cultureSarahbeth Maney/The New York TimesPresident Biden’s State of the Union address provided plenty of talking points for the late-night hosts this week — as did Russia’s invasion of Ukraine and an odd statement from Florida’s governor. Here’s what they had to say → More

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      Seth Meyers Roasts Ron DeSantis for Berating Teens

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      Meyers said Florida’s governor was like “an old man who sees a bunch of innocent teens walking by and screams, ‘Hey, you kids get on my lawn!’”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Front Row SeatFlorida Gov. Ron DeSantis chastised a group of students wearing face masks on Wednesday, saying, “Honestly, it’s not doing anything and we’ve got to stop with this Covid theater.”“How much of a [expletive] do you have to be to yell at a bunch of high school students who are just trying to be safe?” Seth Meyers said. “They’re actually doing the right thing and you’re scolding them for it you’re like an old man who sees a bunch of innocent teens walking by and screams, ‘Hey, you kids get on my lawn!’”“Also, what the hell is Covid theater? Those plays where all the actors have to stand six feet apart? [imitating theatergoer] ‘I just saw the Covid theater production of “Les Mis” — the stage was the size of a football field!’” — SETH MEYERS“Although for people who moved from New York to Florida during the pandemic, that’s the only theater they have left.” — SETH MEYERS“Students like, ‘Somehow you make our principal seem chill.’” — JIMMY FALLON“When the parents asked how their day was, they’re like, ‘I got bullied — by the governor?’” — JIMMY FALLONThe Punchiest Punchlines (Putin’s Punishment Edition)“Ikea has announced it will temporarily pause manufacturing and retail operations in Russia and Belarus due to the invasion of Ukraine, while Ikea in Ukraine is opening their doors to Russian soldiers and hoping they can’t find their way out.” — SETH MEYERS“Ikea said they’ll do whatever it can to throw a useless tiny wrench into Russia’s economy.” — JIMMY FALLON“This will go into effect as soon as they can find that little Allen wrench to take the stores apart.” — STEPHEN COLBERT“They’re saying that the shutdown of Ikea could dramatically affect Russia’s supply of flardfulls, dagstorps and gronkulas.” — JIMMY KIMMEL“And it’s not just business distancing themselves: I read that the International Cat Federation has banned Russian cats from all competition. I’m just going to go ahead and say that’s the biggest news that’s ever come out of the International Cat Federation. Meanwhile, the silence from the International Dog Federation is deafening.” — JIMMY FALLON“I’d be worried about pissing off the cat people. You think Putin is scary? Imagine Carole Baskin!” — TREVOR NOAHThe Bits Worth WatchingThe “Daily Show” correspondent Desi Lydic dug into the “hist-HER-y” of bras on Thursday’s show.Also, Check This OutKia LaBeija’s 2015 work “Eleven” features the artist in her prom dress at her doctor’s office. Kia LaBeija and FotografiskaThe photographer and performer Kia LaBeija, who was born H.I.V. positive in 1990, documents her life in an autobiographical show at Fotografiska New York. More

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      Farrah Forke, Who Played a Helicopter Pilot on ‘Wings,’ Dies at 54

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      Forke, the namesake of a not-yet-famous family friend named Farrah Fawcett, played Alex Lambert on three seasons of the popular sitcom, a fixture of the NBC schedule in the 1990s.Farrah Forke, the actress who catapulted to fame playing a helicopter pilot on the NBC sitcom “Wings,” died at her home in Texas on Friday. She was 54.Her death was confirmed by her mother, Beverly Talmage, who said in a statement that her daughter had had cancer for several years.Forke played the alluring pilot Alex Lambert on three seasons of “Wings,” which aired from 1990 to 1997 and followed the adventures of the offbeat characters at a small airport on Nantucket.Her character’s affections were battled over by Joe and Brian Hackett (Tim Daly and Steven Weber), brothers who ran a one-plane airline.On Instagram, Weber described Forke as “every bit as tough, fun, beautiful and grounded as her character ‘Alex’ on Wings.”Farrah Rachael Forke was born on Jan. 12, 1968, in Corpus Christi, Texas, to Chuck Forke and Beverly (Mendleski) Forke. She was named after Farrah Fawcett, a family friend who wasn’t a well-known actress at the time Forke was born.“They just liked the name,” Forke told The Dallas Morning News in 1993.Forke began her acting career with a role in a Texas production of “The Rocky Horror Picture Show.” In 1989, she moved to New York, where she studied acting at the Lee Strasberg Theater & Film Institute in Manhattan.Her acting career took off when she joined “Wings” as the smart and saucy Alex.“I don’t mind playing pretty women,” Forke told The Dallas Morning News. “But I do mind playing bimbos. Alex is definitely a sexy woman. But she’s also focused, and there’s a lot of qualities about her that people will admire.”The show, which was created by the “Cheers” and “Frasier” writers David Angell, Peter Casey and David Lee, ran for 172 episodes and was a mainstay of the NBC schedule for years. The show also starred Crystal Bernard, Tony Shalhoub and Thomas Haden Church.From 1994 to 1995, Forke had a recurring role as the lawyer Mayson Drake on “Lois & Clark: The New Adventures of Superman” on ABC.Her other television acting roles included “Dweebs,” “Mr. Rhodes” and “Party of Five.” After making her film debut in “Brain Twisters” in 1991, she appeared in “Disclosure” (1994), directed by Barry Levinson, and “Heat” (1995), directed by Michael Mann.Later in her career, she supplied the voice of Big Barda on the DC Animated Universe television series “Batman Beyond” and “Justice League Unlimited.”Forke had health problems related to leakage from her silicone breast implants, which she had implanted in 1989. She had them removed in 1993 and then filed a lawsuit a year later against the manufacturer and her doctor for damages, noting that neither the implant makers nor her doctor properly warned her of possible complications, according to The Associated Press.In addition to her mother, Forke is survived by her twin sons, Chuck and Wit Forke; her stepfather, Chuck Talmage; and three sisters, Paige Inglis, Jennifer Sailor and Maggie Talmage.Kirsten Noyes More

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      ‘Lupin,’ Netflix’s French Heist Drama, Is the Victim of a Theft

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      Equipment valued at more than $300,000 was stolen from the set of the hit series during filming in a Paris suburb last week.“Lupin,” the hit French heist drama, was itself at the center of a heist last week when about 20 young men wearing balaclavas stole equipment valued at more than $300,000 from the set during filming in a Paris suburb, a Netflix spokeswoman said.The theft, which was reported by the international news service Agence France-Presse and the French newspaper Le Parisien, came just over a week after more than 200 antique props valued at more than $200,000 were stolen from vehicles during the filming of the fifth season of “The Crown” in England, according to the South Yorkshire Police and Netflix.Netflix said in a statement on Thursday that there was an “incident” during the filming of the third season of “Lupin” on Feb. 25.“Our cast and crew are safe and there were no injuries,” the statement said. “We have now resumed filming.”A Netflix spokeswoman said that equipment and other items worth about 300,000 euros, or $332,000, were stolen by men who showed up on the set and “attacked” with fireworks. Filming was paused for an afternoon, and the local police were investigating, she said.“Lupin” became a global phenomenon upon its release in January 2021 and is among Netflix’s most streamed non-English-language original shows. Omar Sy plays Assane Diop, a debonair Parisian and the son of a Senegalese immigrant who idolizes Arsène Lupin, the “gentleman thief” and main character in a collection of stories by the French writer Maurice Leblanc starting in 1905.A spokesman for the police in Nanterre, the suburb outside Paris where the filming was taking place, said he could not comment on the case.In an earlier statement about the theft from “The Crown,” Netflix said that it hoped the items stolen from the set in Doncaster, in northern England, would be found and returned. The stolen items included a replica of a Fabergé egg, several sets of silver and gold candelabra, the face of a William IV grandfather clock, a 10-piece silver dressing-table set and crystal glassware, according to a report in the Antiques Trade Gazette.“The items stolen are not necessarily in the best condition and therefore of limited value for resale,” Alison Harvey, the set decorator for the fifth season of “The Crown,” told the Antiques Trade Gazette. “However, they are valuable as pieces to the U.K. film industry.”The South Yorkshire police said they had received a report of a theft in the late afternoon on Feb. 16. Three vehicles containing props had been “broken into” and “a number of items” were taken, they said. “Officers investigated the incident but all existing lines of inquiry have now been exhausted,” the police said in a brief statement.Matt Stevens More

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      ‘Star Trek: Picard’ Recap: Leave Jean-Luc Alone

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      Picard has earned his retirement. Is there really no one else who can save the universe?Season 2, Episode 1: ‘The Star Gazer’Why can’t poor Jean-Luc Picard just be left alone in retirement?Really, there must be some other people to save the universe at this point. As Season 2 of “Picard” gets underway, the retired admiral looks so at peace at his vineyard. He’s picking grapes. Petting his dog. He’s smiling without a care in the world.Picard handles retirement much better than Captain Kirk ever did. Picard might even be falling in love with Laris, who is grieving after the death of Zhaban. (This feels like a violation of friend code for Picard to be flirting like this, but we’ll allow it.)The admiral has always been presented as a duty-first professional, viewing the Enterprise as the love of his life rather than pursuing something, you know, living. Even in retirement, he’s still chancellor of Starfleet Academy. His romantic interests have rarely been explored in the decades that he has appeared onscreen, except for some brief interactions with Beverly Crusher and Anij, the Ba’ku woman from “Star Trek: Insurrection.” It’s nice to see the “Picard” writers (Akiva Goldsman and Terry Matalas wrote this episode) explore that side of our favorite Earl Grey-loving Starfleet legend.If you’re a Trekkie, Picard ending up with Crusher has long felt inevitable: Two flirting friends who have a deep bond resulting from years serving together. But that’s not how life works. Often, you end up with the unexpected. Even so, Picard seems leery of making this official with Laris — he walks right up to the line and hesitates.The show generally has been excellent at fan service, and having Whoopi Goldberg reprise her role as Guinan to size up Picard like in the old days went down like a glass of kanar.“It’s not as if I haven’t loved before,” Picard tells Guinan. “I have. Sometimes quite deeply.”Maybe he, too, still thinks of his former chief medical officer. But Guinan can sense that there is a trauma that keeps Picard from becoming intimate with others, even though he wants to. Such observations are part of what makes “Picard” different from “Star Trek: The Next Generation”: It is as much a character study as it is about explosions and exploration.Picard’s friends seem to be doing well for the moment. Elnor is a cadet in Starfleet. Raffi, who was fired from Starfleet, is in good standing again and is sitting behind Picard as he gives a speech to Starfleet Academy.“May you all go boldly into a future free from the shackles of the past,” Picard says during his speech to Starfleet Academy, basically a ruh-roh moment of foreshadowing.Seven of Nine is in her element throwing punches at marauders on Rios’s old ship. Speaking of which, Rios is now a captain — apparently promotions aren’t hard to get in Starfleet nowadays, and one can just come and go as they please. Soji is giving toasts to synthetics, while Jurati got away with murder. Things are great!(A common theme of “Picard”: Many of the characters feel that they don’t deserve love, or have other hangups when it comes to relationships. Jurati says she’s not dating material. Picard won’t kiss Laris. Seven of Nine needs space from Raffa. In Season 1, Elnor felt abandoned by Picard.)But enough about love and happiness. There’s a spatial anomaly. There’s always a spatial anomaly.Whoopi Goldberg has returned to the “Star Trek” fold as Guinan.Nicole Wilder/Paramount+In previous iterations of “Trek,” Picard would have been forced to deal with this green blob in space because the Enterprise was the only ship in the vicinity. Now the writers simply have the life-forms emerge from the anomaly and demand to speak to Picard, and only Picard.In this case, a Borg ship emerges and the decimated but still terrifying sociopathic robots would like to be an ally to the Federation, something that troubles Picard’s confidantes. Even though the Borg have effectively been destroyed, they still possess technological superiority to the Federation, able to easily transport through the Stargazer’s shields and take over the entire fleet. (It’s a little difficult to reconcile the Borg being a non-factor in the universe but still able to assimilate an entire fleet of Federation ships within seconds, but we digress.)Some other nice bits of fan service: Rios is captaining the Stargazer, Picard’s ship before the Enterprise. And when cadets are given assignments, Hikaru Sulu, Kirk’s old crew mate, has a ship named after him. There’s also a reference to the Grissom, which was a Starfleet ship destroyed in “Star Trek III: The Search For Spock.”) Raffi is commanding the Excelsior, which was Sulu’s ship when he got promoted to captain in “Star Trek VI: The Undiscovered Country.”And of course, there is the reappearance of John de Lancie’s Q at the end of the episode. The last time we saw Q, he essentially caused a similar spatial anomaly in the series finale of “The Next Generation,” trying to give Picard clues about how to save the universe in his own tortured way. That might be the case again here. Or maybe he just wants to play with Picard because he’s bored.It could be both. Whatever the case, in that brief scene Q clearly feels at home with his old “capitaine.” And even though Picard looks fearful in the new reality he’s been transported into, one has to wonder if he feels more comfortable taking on Q than he does falling in love. More

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      ‘Lucy and Desi’ Review: Love in the Time of Television

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      This documentary, directed by Amy Poehler and about the dynamic duo behind “I Love Lucy,” favors the good times over the difficult ones.The filmmakers of the lightweight documentary “Lucy and Desi” benefited from an embarrassment of riches. Over many years, in hundreds of hours of footage, Lucille Ball and Desi Arnaz enacted a simulacrum of their domestic life in “I Love Lucy.” In her chronicle of the duo’s romance and work, the director, Amy Poehler, draws liberally from this trove.These television clips are the most evocative and transporting elements of the documentary, which in spite of its material offers limited insight into its central couple. Talking-head interviews with historians and children of the pair’s collaborators usher us through the decades at a clipped pace that, along with the distance of elapsed time, gives the story an impersonal feel. Joyful periods take heavy precedence over misfortunes, and some difficult topics, such as Arnaz’s womanizing, come up only obliquely.But the movie’s most frustrating choices concern Ball’s registration with the Communist Party, a scandal that takes center stage in the biopic “Being the Ricardos.” Poehler merely touches on the episode’s most familiar details before using it as a jumping off point to describe Arnaz’s escape from Cuba. We learn that Arnaz’s father, a wealthy mayor under the Gerardo Machado administration, was arrested during the revolution. Rather than demystify these politics or investigate where Ball’s views differed from Arnaz’s, the movie takes pains to underline Arnaz’s disdain for Communism and appreciation for the United States.Here is a documentary that invites us to delight in the unexpected pairing of a famed funny lady and a hunky musician — but without analysis or nuance. Better to flip on a few “I Love Lucy” reruns instead.Lucy and DesiRated PG. Running time: 1 hour 43 minutes. Watch on Amazon. More

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      Late Night Recaps Biden’s Annual ‘Status Update’

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      Trevor Noah joked Biden’s speech was “like a birthday card from a 4-year-old: A lot of words didn’t make sense, but you got what it was trying to say.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.America Has Updated Its StatusLate night hosts recapped President Biden’s State of the Union address on Wednesday night, which Trevor Noah called “the one night a year where the president gives the country a status update about how things are going.”“Let’s talk about the State of the Union address, the one night a year Joe Biden stays up past 6 p.m.” — TREVOR NOAH“Biden spoke for 62 minutes. Well, actually he spoke for 10 with 52 minutes of clapping.” — JIMMY FALLON“More than 33 million Americans watched Grampotus speak for more than an hour. He announced he will release 60 million barrels of oil from our national reserve, which is good news for Ted Cruz’s hair.” — JIMMY KIMMEL“Last night, President Biden gave the shortest State of the Union address since 2016, clocking in at one hour and two minutes. The shortest — I like this trend. I like it. Let’s get it down — let’s get it down to one TikTok, just save us all a bunch of time.” — JAMES CORDEN“You know, at times this speech was like a birthday card from a 4-year-old: A lot of words didn’t make sense, but you got what it was trying to say.” — TREVOR NOAH“But aside from policing and Covid and Ukraine, Biden also brought up a lot of policies last night that he wanted Congress to pass this year, like letting Medicare negotiate the price of drugs and doubling clean energy production and raising taxes on corporations, and strengthening voting rights — which are all great ideas that I can’t wait for him to bring up again at next year’s State of the Union. Because, I mean, if we’re honest, none of that [expletive] is going to pass through this Congress.” — TREVOR NOAH“According to a new poll, 71 percent of Americans who watched President Biden’s State of the Union address had a positive reaction to the speech. But let’s be honest: Everyone who would have had a negative reaction was watching ‘Yellowstone.’” — SETH MEYERSThe Punchiest Punchlines (Him Who? Edition)“I’m sorry: ‘God protect our troops — Go get him.’ Get who? Go get God?” — TREVOR NOAH, on Joe Biden’s yelling “Go get him!” at the end of his State of the Union speech“Right after, Putin called Trump and was like, [imitating Putin] ‘Is he talking about me?’” — JIMMY FALLON“Go get him who? Does Biden just randomly shout, ‘Go get him’ sometimes? I mean, it would explain why his dog kept attacking people.” — TREVOR NOAH“Who are we supposed to go get? Putin? Pokemon?” — JIMMY KIMMEL“Mike Pence was watching from home and was like, ‘Not again. What did I do this time?’” — JAMES CORDENThe Bits Worth Watching“Tonight Show” guest Zoë Kravitz took Jimmy Fallon in a game of “Can You Feel It?” where they guess objects they can’t see by touch alone.What We’re Excited About on Thursday NightSerena Williams will sit down with Trevor Noah for the first time on Thursday’s “Daily Show.”Also, Check This Out“The Dropout” tracks the rise and fall of Elizabeth Holmes and the start-up Theranos. From left: Elizabeth Meriwether, the creator; Amanda Seyfried, the star; and Rebecca Jarvis, the journalist whose podcast inspired the series.Jingyu Lin for The New York TimesThe women behind “The Dropout” seek to humanize Elizabeth Holmes in their new Hulu series about the disgraced tech entrepreneur. More