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      ‘The Pitt’ Is Concerned About Your Health, America

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      The Max hospital drama is a TV throwback with an of-the-moment message about systems pushed to the breaking point.Ever have one of those endless days at work? For 15 hours in the Pitt, the emergency room that lends its name to the Max medical drama, a team of doctors and nurses, led by Dr. Michael Robinavitch (Noah Wyle), have been tackling every woe that human frailty and the city of Pittsburgh can throw at them.What do they treat? You name it. Mass-shooting injuries. Overdoses. Problem pregnancies. Heart attacks. Measles.What do they really treat? Despair. The flood of opioids. The lack of insurance. The lack of support networks. Male rage. Rage, in general. The breakdown of the public health system. The breakdown of the public.Over a long, stressful, yet reassuringly competent and entertaining first season, which wrapped up on Thursday, “The Pitt” generated old-school melodrama out of a simple understanding: The E.R. is where people end up when something goes wrong, either with the body individual or with the body politic.And what is wrong with the American corpus? Buddy, take a number; the waiting room is full.If the concerns of “The Pitt” are of-the-moment, its appeal is as old as rabbit-ear antennas. It’s a Big Fat Hospital Show, wringing suspense and jerking tears out of life and death weekly. It is a successor, almost a crypto-sequel, to a specific Big Fat Hospital Show — “ER,” the alma mater of Wyle; the “Pitt” creator, R. Scott Gemmill; and the producer John Wells. (The estate of Michael Crichton, the creator of “ER,” has filed a lawsuit accusing “The Pitt” of being an unauthorized reboot. Warner Bros. Television, the studio that produces “The Pitt,” has called the claims “baseless.”)Three decades ago, “ER” was itself a new spin on a hoary genre, and “The Pitt” shares some of its predecessor’s hallmarks. There’s the adrenaline pace, with the camera chasing doctors and nurses around a fully built-out hospital set. There is the dedication to technical realism. (“Does [show] get [factual detail] right?” is my least favorite standard for judging art, but if that’s your thing, medical professionals give it high marks.) The season even bookends its beginning and ending with scenes on the roof, calling back to the site of several high-drama “ER” moments.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Late Night Taps Into Trump’s Preoccupation With Water Pressure

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      Jimmy Fallon said the good news is that “more powerful shower heads are on the way. Bad news: They’re all made in China.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Making Showers Great AgainPresident Trump signed an executive order on Wednesday repealing Biden-instituted restrictions on water flow in shower heads.On Thursday, Jimmy Fallon said the good news is “more powerful shower heads are on the way. Bad news: They’re all made in China.”“America was, like, ‘What are you doing in our 401(k)?’ And Trump was, like, ‘Stronger shower nozzles.’” — JIMMY FALLON“Stronger showers are better than what Trump does now, which is lying on the hood of a Cybertruck and going through a carwash.” — JIMMY FALLON“That’s right, President Trump signed an executive order titled ‘Maintaining Acceptable Water Pressure in Shower Heads.’ And tomorrow he’s signing another important one called ‘Installing the Toilet Paper So It Rolls Off the Top, Not the Bottom.’” — SETH MEYERS“Ah, yes, the war on showers: a fight Steve Bannon has been on the front lines of his whole life.” — DESI LYDIC“Now, most people probably didn’t even realize we were in a war on showers, because no one in the Biden administration ever accidentally added a reporter to the ‘war on showers’ group chat.” — DESI LYDIC“But, in all seriousness, I know the war on showers very well, OK? My uncle actually lost his leg from stepping on a bath bomb — it’s never been the same.” — DESI LYDIC“Trump is literally making it rain, removing limits on water pressure from shower heads.” — GREG GUTFELD“Trump said that he has to stand under the shower for 15 minutes before he gets wet. I think the problem is Trump wears so much bronzer, he made himself waterproof.” — JIMMY FALLON“Why does Donald Trump even need a shower? You’d think the three-hour tongue bath he gets every morning from ‘Fox & Friends’ would be sufficient.” — JIMMY KIMMELThe Punchiest Punchlines (Another Perfect Physical Edition)“Tomorrow, the president is scheduled to get his annual physical. They should do that in front of the cameras, too. They should have a public weigh-in. How much fun would that be? March him on a scale in a jockstrap like he’s about to fight Jake Paul.” — JIMMY KIMMEL“Yep, Trump’s very excited. Today, he was handed a giant chart to pick what he’d like his weight to be.” — JIMMY FALLON“The physical is tomorrow, which means we should have the results tonight.” — JIMMY KIMMEL“It’s not easy taking care of Trump. About halfway through, his doctor will be like, ‘Forget the tariffs — I think I need to pause for 90 days.’” — JIMMY FALLONThe Bits Worth WatchingThe “Saturday Night Live” star Bowen Yang discussed his new role in “The Wedding Banquet” while on Thursday’s “Daily Show.”Also, Check This OutFor the series “Next Gen NYC,” Bravo will follow the children of some of the network’s stars along with some of their influencer friends.Bronson Farr/BravoBravo’s Gen Z nepo babies star in the network’s new “Real Housewives” spinoff, “Next Gen NYC.” More

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      Has Disney+ Changed ‘Doctor Who’? U.S. and U.K. Fans Discuss.

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      The show has a bigger budget since the streaming behemoth got involved. Has that pleased its devotees?Last year, when Disney+ was spending big to promote “Doctor Who” on the New York subway, an advertising campaign wrapped trains with images of the incoming Doctor, Ncuti Gatwa, and his time traveling police box, the TARDIS.“Your cosmic joyride awaits,” the train wrapper read, and Gatwa’s hand stretched out to invite prospective viewers — many of whom would likely be new to the show — to join him.The BBC had been making “Doctor Who” since the 1960s, and it had been shown in the United States on BBC America and HBO Max in recent years. When Disney+ came onboard as a distribution partner and co-producer in 2023, it pumped up the budget for the show, whose special effects had become painfully outdated, and brought it to a wider audience in the U.S.This revamped “Doctor Who” returns for a new season on Friday, with Gatwa once more playing a modern kind of Doctor, who is in touch with his feelings. The Welsh screenwriter Russell T Davies, who also oversaw an earlier revamp in 2005, is also back again, as the showrunner.Like last season, the episodes will be available simultaneously for British viewers on the BBC’s streaming service, iPlayer, and on Disney+ for the rest of the world. This time around, that drop has been pushed back by eight hours, so that new episodes land at 3 a.m. Eastern time — perhaps in response to complaints from British fans, who had to stay up until midnight last season to watch it online. Britons who prefer to see a TV broadcast of “Doctor Who” (a Saturday night BBC staple) will have to avoid social media for a day if they want to avoid spoilers.Gatwa plays a modern kind of Doctor who is in touch with his feelings.Maxine Howells/BBC Studios/Disney/Bad WolfWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Her Majesty’ Is Glamorous and Salty Fun

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      A badly behaving princess is suddenly forced to take on more responsibility than she is ready for in this cynical Spanish comedy.The Spanish comedy “Her Majesty,” on Amazon Prime Video (in Spanish, with subtitles), is set within the fictional, scandal-plagued royal family of Spain. It centers on Princess Pilar (Anna Castillo), who probably should have outgrown her party-girl ways by now. She can be surly and resentful, and she isn’t as comfortable in the public eye as she’ll need to be. She’s no dummy: She knows she’ll be queen one day. But she has to step into the role much earlier than she expected.The event that precipitates her rise — if not quite an official ascension — turns out not to be her father’s death. King Alfonso (Pablo Derqui) is alive, but he has to flee to Latin America for a bit because of shady, possibly criminal financial dealings — ones the palace can’t cover up this time, despite Pilar’s pleas. Pilar isn’t the queen queen, of course, but she needs to take over the major duties of the crown. Nobody thinks she is ready for a bigger role, but there isn’t anyone else. Her mother died when Pilar was a little girl, and she is an only child. The show, and the monarchy, must go on.Suddenly she has a new attaché (Ernesto Alterio) coaching her on where to go and what to say, whom to be and whom to trust. They spar; she is prickly; he is prim; they bond. Pilar rises to the occasion, pulling the various levers of influence and even partying with the high-ranking judges as her father once did. She has an aha moment, though, when some of the justices pass her cocaine, and as she rolls up the bill, she sees her father’s face staring back at her.“Majesty” has the makings of a pop fairy tale or princess fantasy, but it is a lot saltier, more cynical and more fun than that. It’s closer to “Gossip Girl” or “Scandal,” fizzy and glamorous, with rich people behaving terribly — and illegally, and corruptly — but oh so charismatically.The show is also gorgeous. Palaces: They’re nice! Pilar’s outfits in particular have real flair, and the whole show is drenched in (crown) jewel tones, gold fixtures, glittering rhinestones and thick crystal. Even in its depictions of more modest environs, the sun still streams through the windows with enough glow to practically ache. More

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      ‘The Pitt’ Captures the Real Overcrowding Crisis in Emergency Rooms

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      From the “chairs” to the hallway medicine, the show’s depiction of an emergency medicine system that is beyond capacity rings true for medical experts.The emergency department waiting room was jammed, as it always is, with patients sitting for hours, closely packed on hard metal chairs. Only those with conditions so dire they needed immediate care — like a heart attack — got seen immediately.One man had had enough. He pounded on the glass window in front of the receptionist before storming out. As he left, he assaulted a nurse taking a smoking break. “Hard at work?” he called, as he strode off.No, the event was not real, but it was art resembling life on “The Pitt,” the Max series that will stream its season finale on Thursday. The show takes place in a fictional Pittsburgh hospital’s emergency room. But the underlying theme — appalling overcrowding — is universal in this country. And it is not easy to fix.“EDs are gridlocked and overwhelmed,” the American College of Emergency Physicians reported in 2023, referring to emergency departments.“The system is at the breaking point,” said Dr. Benjamin S. Abella, chair of the department of emergency medicine at Mount Sinai’s Icahn School of Medicine in New York.“The Pitt” follows emergency room doctors, nurses, medical students, janitors and staff hour by hour over a single day as they deal with all manner of medical issues, ranging from a child who drowned helping her little sister get out of a swimming pool to a patient with a spider in her ear. There were heart attacks and strokes, overdoses, a patient with severe burns, an influencer poisoned by heavy metals in a skin cream.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jon Hamm Finds His Way Back to the Hilltop

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      As we ascended the trail into Griffith Park, Jon Hamm gazed up at the scrubby ridge to our left. From our perspective, the ridgeline traced a clean horizon, uninterrupted by cell towers or midcentury modern palaces. He nodded toward a man sitting up there alone.“See that dude sitting on the point there?” he asked. I looked: The dude could have been meditating or having a Don Draper moment, dreaming up the next big Coca-Cola campaign.For Hamm, the image of the man brought him back to 2017, when he first moved to the Hollywood Hills. His career-making, Emmy-winning role as Draper in the AMC drama “Mad Men” had ended two years before, as had a romantic partnership of 18 years. It had been by most accounts, including his, a tough period of transition.“I was newly single — I was like, I just need to concentrate on myself again,” he recalled with some apparent wistfulness. “And I would just take this walk, every day,” to the top of that ridge, and then back toward his house, memorizing lines along the way.Eventually he began to settle into his new home, his new neighborhood, his new rhythm. He turned a corner, pushed ahead.Jon Hamm has appeared in multiple series in the past two years, including “Fargo” and “The Morning Show.” Next up is the Apple TV+ drama “Your Friends & Neighbors,” his first lead TV role since “Mad Men.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Why Wasn’t Anyone Traumatized in the ‘White Lotus’ Finale?

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      After a violent climax to the third season of the hit HBO show, everyone seems A-OK. Was it a Hollywood ending, or a natural trauma response?This article contains spoilers for the finale of the third season of “The White Lotus.” Unless you’re an employee or a guest at a White Lotus resort, in which case it appears that it is impossible for your day to be truly spoiled.“The White Lotus” is a show about vacation. It deals with the dos and don’ts of vacationing: Do go out to party! (Do not engage in incestuous relations while partying.) Do sample the local cuisine! (Unless the fruit is poisonous, in which case please do not give it to your family.)And it is a show about murders.And apparently, based on Sunday’s season finale, no one is traumatized by them. Hours after a mass shooting takes place at the pristine White Lotus resort in Thailand, characters who have just witnessed intense tragedy hop on a boat and seem to sail happily into the sunset, or simply show up for work as if nothing happened.“Only in Hollywood,” Tracey Musarra Marchese, a professor at Syracuse University who specializes in trauma, said with a chuckle.But some of the characters’ reactions, which raised questions about their plausibility and prompted admiration for one character’s athletic sprint, might be completely normal in the face of trauma, experts say.“Sometimes what happens is in the moment because your system — physically, mentally, emotionally — you’ve been so overwhelmed that you might dissociate,” Marchese said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      UK Version of ‘Saturday Night Live’ Will Start in 2026

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      A British version of the television sketch comedy program “Saturday Night Live” is set to debut in 2026.“Saturday Night Live” is coming to Britain.A British version of NBC’s late-night comedy sketch show is set to premiere next year on Sky, the broadcaster announced on Thursday. The new edition of the program will have Lorne Michaels, the show’s creator, as executive producer and will feature “a star-studded lineup of hosts.”The familiar catchphrase used to kick off the weekly show will be slightly modified: “Live from London, it’s Saturday night!”Sky said the show would follow a similar format to the American version, which just celebrated its 50th anniversary. It will star a yet-to-be-announced cast of British comedians who will perform sketches, alongside rotating hosts and featured musical acts.“For over 50 years, Saturday Night Live has held a unique position in TV and in our collective culture,” Cécile Frot-Coutaz, the chief executive of Sky Studios, said in the announcement.“The show has discovered and nurtured countless comedy and musical talents over the years, and we are thrilled to be partnering with Lorne and the ‘S.N.L.’ team to bring an all-British version of the show to U.K. audiences.”The remake comes after years of speculation that a British version of the comedy show was in the works. Versions of the program have already been produced around the world, including in Germany, Spain, Italy, China, Japan, South Korea and Egypt. More