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      What’s on TV This Week: ‘In Cold Blood’ and ‘The Black Church’

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyWhat’s on TV This Week: ‘In Cold Blood’ and ‘The Black Church’Richard Brooks’s classic adaptation of Truman Capote’s “In Cold Blood” airs on TCM. And Henry Louis Gates Jr. looks at the history of African-American faith communities in a PBS documentary.Robert Blake, left, and Scott Wilson in “In Cold Blood.”Credit…Columbia PicturesFeb. 15, 2021, 1:00 a.m. ETBetween network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, Feb. 15-21. Details and times are subject to change.MondayIN COLD BLOOD (1967) 8 p.m. on TCM. The “hard blue skies” that Truman Capote described as hovering over rural Kansas in his pioneering 1966 nonfiction book, “In Cold Blood,” are turned black and white in this celebrated film adaptation from Richard Brooks. The movie dramatizes the 1959 quadruple murder that Capote’s book made famous, in which two men, Perry Smith (played by Robert Blake) and Richard Hickock (Scott Wilson), killed four members of a wealthy family in Holcomb, Kan., in a botched home robbery. Brooks’s adaptation has an eerie realism; it was shot largely on location, including on the farm where the actual murders took place, and was made to have a documentary feel. It’s all set to an unsettling score by Quincy Jones. The sum of those parts, Bosley Crowther wrote in his 1967 review for The New York Times, is a movie that “sends shivers down the spine while moving the viewer to ponder.”THOR: RAGNAROK (2017) 6:15 p.m. on TNT. Marvel Studios enlisted Taika Waititi, the New Zealand filmmaker known for serving up offbeat humor in movies like “What We Do in the Shadows,” to breathe new life (and laughs) into its “Thor” franchise with “Thor: Ragnarok,” a blockbuster with a secret superpower: self-deprecation. Chris Hemsworth returns as the god of thunder, this time with a new villain to save the world from — Hela, the goddess of death, played by Cate Blanchett — and a cheekiness to go with his long blonde hair.TuesdayA scene from “The Black Church: This is Our Story, This is Our Song.”Credit…McGee MediaTHE BLACK CHURCH: THIS IS OUR STORY, THIS IS OUR SONG 9 p.m. on PBS (check local listings). Henry Louis Gates Jr. hosts this new two-part documentary about the role of Black religious spaces and communities as centers of faith, resilience and organization for generations. He interviews a range of figures including religious leaders like Bishop Vashti Murphy McKenzie and the newly minted senator Rev. Raphael Warnock; musicians like John Legend, Jennifer Hudson and Yolanda Adams; and other prominent voices including Oprah Winfrey and the philosopher Cornel West. Gates also explores the current place of African-American faith communities in the era of the Black Lives Matter and environmental justice movements. “The church gave people a sense of value, and of belonging, and of worthiness,” Winfrey says. “I don’t know how we could have survived as a people without it.”From left, Adrian Groulx, Joseph Lee Anderson and Stacey Leilua in “Young Rock.”Credit…Mark Taylor/NBCYOUNG ROCK 8 p.m. on NBC. The world has seen many versions of Dwayne Johnson over the years — Dwayne “the wrestler” Johnson, Dwayne “the ‘Fast and Furious’ star” Johnson and, of course, Dwayne “the Rock” Johnson — so it’s fitting that three different actors play Johnson in this sitcom series based on his life. Dreamed up by Johnson and the “Fresh Off the Boat” creator Nahnatchka Khan, the show portrays Johnson during three periods of his childhood and young adulthood, telling a fictionalized version of his upbringing and mining comedy from the experiences that shaped him, which go well beyond hitting the Bowflex.WednesdayLINCOLN (2012) 8 p.m. on HBO. Abraham Lincoln’s birthday is this month. Pay homage to the birthday boy by revisiting Steven Spielberg’s epic portrait of the 16th president, with an Academy Award-winning lead performance from Daniel Day-Lewis. The screenplay, written by Tony Kushner, is built around two momentous events in Lincoln’s political life: the Gettysburg Address and his second Inaugural Address. Much of the plot is focused on Lincoln’s arduous efforts to get a bill passed in Congress. The result is “less a biopic than a political thriller,” A.O. Scott wrote in his review for The Times, “a civics lesson that is energetically staged and alive with moral energy.”ThursdayTHE WIDOWER 10 p.m. on NBC. More than a decade of reporting went into this new true-crime mini-series from the producers of “Dateline NBC.” The show looks at a murder case with a remarkably chilling premise: A Las Vegas man calls the police to report that his wife has been murdered in a home invasion, but the subsequent investigation reveals that three of the man’s former wives also died under mysterious circumstances. This naturally raises questions about his role in the deaths.FridayPatrice O’Neal performing at the Comedy Cellar in Manhattan. O’Neal, who died in 2011, is the subject of “Patrice O’Neal: Killing Is Easy,” a documentary on Comedy Central.Credit…G. Paul Burnett/The New York TimesPATRICE O’NEAL: KILLING IS EASY 10 p.m. on Comedy Central. The stand-up comic Patrice O’Neal was known for both his searing humor and for the respect he commanded from his comedy peers during his career, which ended with his death in 2011. This documentary, directed by Michael Bonfiglio (“Jerry Before Seinfeld”), looks at O’Neal’s life, humor and legacy. It includes interviews with Colin Quinn, Bill Burr, Kevin Hart and other comics who admired O’Neal.SaturdayLILIES OF THE FIELD (1963) 8 p.m. on TCM. This year’s movie awards season is just starting to ramp up, but it’s already certain to be remembered for decades to come as the Academy Awards and other shows try to honor movies released during a year when theaters were largely closed and studios had to shelve many of their biggest releases. In 1964, Sidney Poitier was a one-man awards-season history maker: He became the first African-American to win the Academy Award for best actor, for his performance in “Lilies of the Field.” The film stars Poitier as nomadic former G.I. who stumbles upon a group of Roman Catholic nuns living in the Arizona desert, and eventually helps them build a chapel.SundayTHE VACCINE: CONQUERING COVID 8 p.m. on Discovery. This special looks at the development of Covid-19 vaccines through interviews with people on several sides of that colossal challenge, including Dr. Anthony Fauci, the National Institutes of Health director Dr. Francis Collins, and scientists from Johnson & Johnson and Pfizer. It also looks at the experiences of some early trial volunteers.AdvertisementContinue reading the main story More

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      ‘S.N.L.’ Imagines a Victory Lap After Trump’s Acquittal

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main story‘S.N.L.’ Imagines a Victory Lap After Trump’s AcquittalThe opening sketch on “Saturday Night Live” presented satirical remarks from Republican allies like Lindsey Graham, Ted Cruz and Mitch McConnell.Regina King (with Kenan Thompson) hosted “Saturday Night Live” this week.Credit…NBCFeb. 14, 2021Within hours of the Senate’s vote to acquit former President Donald J. Trump on a charge of inciting the Jan. 6 riot at the Capitol, “Saturday Night Live” was imagining how some of Trump’s Republican allies in the Senate might be celebrating in a parody episode of “Tucker Carlson Tonight.”Alex Moffat played that Fox News host, who compared himself to a human White Claw and started his broadcast with what he called “a loose collection of scaremongering non sequiturs.” Among them, “Is AOC hiding in your house right now?” and “Pixar: Is it making our kids depressed or gay? Pick one.”The program’s first guest was Senator Lindsey Graham (Kate McKinnon), who said that it was “a great day for 30 percent of America.”In defense of Trump, McKinnon said, “Just because the rioters were yelling ‘Fight for Trump’ doesn’t mean they meant Donald Trump. Could’ve been some real Tiffany heads. Maybe even some Eric stans, I don’t know. But regardless, the trial is over and now we can move past this and focus on the serious issues. That’s locking up Hillary and freeing beautiful Britney Spears.”McKinnon added that she didn’t understand the contempt directed at Trump. “He is smart, he is nice, he’s in shape,” she said. “Last fall he died of Covid and didn’t even tell nobody.”Playing Senator Ted Cruz, Aidy Bryant discussed the relationship between Republican senators and Trump’s legal counsel. “Like any impartial juror,” she said, “we took it upon ourselves to meet with the defense lawyers, to give them some very simple advice: stop, and don’t.”Inside the Senate chamber, Mikey Day played Trump’s tongue-tied lawyer Bruce L. Castor Jr., who apologized as he misidentified himself as the lead prosecutor, the bailiff and a bridesmaid. Pete Davidson, who played his truculent fellow defense lawyer Michael van der Veen, said he was in a hurry to complete the proceedings because he had “already bought a nonrefundable train ticket back to Phillyvania, Pennsadelphia.”The final guest was the Senate minority leader, Mitch McConnell (Beck Bennett), who, despite denouncing Trump, said that his not guilty vote was justified “because everyone knows you cannot impeach a former president.”“That’s why we should have impeached him before, back when I said we couldn’t,” he said. “I think he’s guilty as hell, and the worst person I ever met and I hope every city, county and state locks his ass up.”Bennett then exhaled a long breath and declared, “God, that felt good. I’ve been holding that inside my neck for four years.”Asked what he would now do in the Senate, Bennett replied, “I plan to reach my hand across the aisle and then yank it back and slide it across my hair and then say, ‘Too slow.’”Fake Commercial of the WeekIf you can afford a trendy Peloton exercise bike but have no interest in the relentlessly upbeat motivational messages from its onscreen product, “S.N.L.” may have a product that’s more your speed. It’s the Pelotaunt, which in this advertisement is billed as “the only exercise bike that provides you with personalized, at-home negative reinforcement and relentless criticism.”Among its many modes of emotional manipulation are snotty disdain, insincere praise and avoidant attachment style. And if none of those settings gets you into shape, why not try a workout accompanied by the theme from “Curb Your Enthusiasm” or video of “an elderly woman who’s like 1,000 times better than you”?Timely Legal Assistance of the WeekWho among us has not required the intervention of a plastic surgeon after using an extremely powerful adhesive as a substitute for hair spray? It happened in real life to Tessica Brown, who became an unfortunate viral sensation when she pasted her pate with Gorilla Glue.Now, should any of us make the same mistake, we have the law firm of Denzel and Latrice Commode (Kenan Thompson and Regina King), who can’t fix our hair but may be able to help us win large cash settlements. As King explained, “Fact: Every day as many as one people fall victim to using Gorilla Glue in place of a beauty product. And they deserve compensation.” She added that, though the odds may be tough, these attorneys understand what they’re up against. “We know it’s going to be hard taking a gorilla to court and suing him over his glue,” she said.Weekend Update Jokes of the WeekOver at the Weekend Update desk, the anchors Colin Jost and Michael Che continued to riff on Trump’s impeachment acquittal.Jost started:Like so many other men living in Florida, Donald Trump has once again escaped from justice. This has to be the dumbest trial I’ve ever seen. Here’s how dumb it was: The jurors, who are deciding the case, were the ones attacked by defendant. The trial took place at the scene of the crime. And then right after the trial ended, one of the jurors who voted to acquit Trump ran out and said, “Someone’s got to prosecute this guy. He did it. This man belongs in jail.” What are you going to do? If you’re going to impeach the president for anything, don’t you think it’s sending a mob to kill the Vice President? I feel bad for Pence — 43 of his work friends were like, oh come on, Mike, they only tried to hang you. Stop being such a drama queen. I think it would be hilarious if Biden now sent rioters back into the Capitol. And he was like, What? You guys said it was fine.Che continued:During Donald Trump’s impeachment, House managers showed security footage of Capitol rioters violently attacking police. But here’s a little Black history lesson for you: Just because there’s video evidence doesn’t mean you’re going to get a conviction.Jost then added:Video evidence of the violence on January 6 showed that Senator Mitt Romney and Vice President Pence both had close calls with rioters. So let me get this straight: You’re a white supremacist mob and you go after these guys? The two whitest guys I could think of? They make me look like Ice-T.Most Valuable Player of the WeekNo one right now would seem to have it easier or better than Tom Brady, the NFL quarterback who won his record-setting seventh Super Bowl last weekend in his first season with the Tampa Bay Buccaneers, after leaving his longtime home with the New England Patriots.But, as portrayed by Bennett at the Weekend Update desk, Brady is a drunken, slurring, Vince Lombardi Trophy-tossing muddle who variously boasts of his successes and taunts his old Patriots head coach, Bill Belichick (“You hear that, Bill? You’re not my dad anymore!”) As Bennett explained in a moment of self-loathing, “My problem is nobody likes me. I don’t know what I did so wrong. All I did was go out and win the Super Bowl. I kept thinking, maybe I get one more trophy and people are going to like me. Nope. They don’t talk about the wins. They just talk about how I kiss my sons.”AdvertisementContinue reading the main story More

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      Chris Harrison to Step Away From ‘The Bachelor’ After ‘Harmful’ Comments

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyChris Harrison to Step Away From ‘The Bachelor’ After ‘Harmful’ CommentsThe reality television show’s longtime host will be absent for an unspecified amount of time. He has come under fire after making remarks he now acknowledges were dismissive of racism.“I invoked the term ‘woke police,’ which is unacceptable,” Chris Harrison, the host of “The Bachelor,” said on Instagram. “I am ashamed over how uninformed I was. I was so wrong.”Credit…Richard Shotwell/Invision, via Associated PressFeb. 13, 2021, 7:36 p.m. ETChris Harrison, the longtime host of “The Bachelor,” announced on Saturday that he would be “stepping aside for a period of time” from the flagship reality television show, which he helped develop into a national obsession, after coming under fire for making comments that he acknowledged were dismissive of racism.In an Instagram post, Mr. Harrison said he had made the decision after consulting with ABC and Warner Bros. and would also not participate in the “After the Final Rose Special.”Media representatives for ABC, which broadcasts the show, did not immediately respond to a request for comment. It was not clear what exactly Mr. Harrison’s “stepping aside” would entail.The move by Mr. Harrison and the controversy surrounding his remarks are likely to send shock waves through “Bachelor” Nation and dampen a trailblazing season that features the first Black bachelor, Matt James.Before Mr. James, there had been only one other Black lead, Rachel L. Lindsay. In an interview on “Extra” with Ms. Lindsay this week, Mr. Harrison had sought to defend a current “Bachelor” contestant. That contestant has since apologized for what she said were racist “actions.”“I invoked the term ‘woke police,’ which is unacceptable,” Mr. Harrison wrote on Instagram, adding, using an abbreviation for Black and Indigenous people and people of color: “I am ashamed over how uninformed I was. I was so wrong. To the Black community, to the BIPOC community: I am so sorry. My words were harmful.”“This historic season of ‘The Bachelor’ should not be marred or overshadowed by my mistakes or diminished by my actions,” he continued, before announcing that he would step aside.The tangled situation that resulted in Mr. Harrison’s statement Saturday was ignited by his interview with Ms. Lindsay and involves Rachael Kirkconnell, a current contestant on the show whom many believe to be a front-runner.In recent weeks, Ms. Kirkconnell has faced scrutiny on social media platforms from users who have produced photos and other materials that purport to show her liking and participating in cultural appropriation and attending an “Old South” plantation-themed ball. Ms. Lindsay asked Mr. Harrison about the controversy surrounding Ms. Kirkconnell, and Mr. Harrison issued a staunch defense.He called for “grace” and assailed Ms. Kirkconnell’s critics as being “judge, jury, executioner.”“People are just tearing this girl’s life apart,” he said. “It’s just unbelievably alarming to watch this.”At one point in the interview, Mr. Harrison appeared to downplay the significance of a photo that purported to show Ms. Kirkconnell at the “Old South” antebellum-themed party, drawing pushback from Ms. Lindsay, who at 31 was cast as the first Black star of “The Bachelorette” in a season that aired in 2017.On Thursday, Mr. Harrison offered an initial apology on Instagram, saying he had caused harm “by wrongly speaking in a manner that perpetuates racism.”Then, on Friday in a podcast she co-hosts, Ms. Lindsay spoke out about the interview with Mr. Harrison. She said Mr. Harrison had apologized to her but said she was “having a really, really hard time” accepting his apology.“I can’t take it anymore,” she said, speaking broadly about her frustration with the franchise’s handling of race. “I’m contractually bound in some ways, but when it’s up — I am so — I can’t, I can’t do it anymore.”Ms. Kirkconnell also posted an apology on Instagram. While she did not directly confirm the veracity of the photos and other content posted online, she said her actions had been racist.“I’m here to say I was wrong,” she wrote in her post. “I was ignorant, but my ignorance was racist.”Mr. Harrison then offered his fuller apology on Saturday in the post in which he announced he was stepping away from the show for an unspecified amount of time.As the franchise has become somewhat more diverse, “The Bachelor” has also wrestled more awkwardly with race.In 2017, when Ms. Lindsay’s season as the first Black bachelorette aired, one contestant’s racist tweets were excavated; another called her a “girl from the hood.” She is from Dallas, where her father is a federal judge.In 2019, when contestants traveled to Singapore, they were unable to make sense of that city’s internationally famous food markets.In 2020, a contestant lost the prize of a cover of Cosmopolitan magazine when it was discovered she had modeled White Lives Matter merchandise.The franchise creates and recirculates a pantheon’s worth of former contestants, building dozens of brands each year that may become useful to the franchise or may be discarded.Sometimes past contestants re-enter the cluster of “Bachelor” shows (which include “Bachelor in Paradise,” a hookup-oriented bacchanal that brings together fan favorites and villains), but these careers often go on to exist just on social media, where people do sponsored content for toilet paper and start gyms.But in this case, in a rare show of solidarity, past contestants came together to speak up. For instance, the men of Season 16 of “The Bachelorette” came together to make a statement.Vocal online fans have included those in Reddit’s thebachelor channel, where hard-core followers of the show have blasted Mr. Harrison — and at least one popular post this week suggested boycotting the show entirely as viewers.Evan Nicole Brown and Choire Sicha contributed reporting.AdvertisementContinue reading the main story More

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      Brayden Smith, Five-Time ‘Jeopardy!’ Champion, Dies at 24

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      AdvertisementContinue reading the main storySupported byContinue reading the main storyBrayden Smith, Five-Time ‘Jeopardy!’ Champion, Dies at 24The five-time “Jeopardy!” champion Brayden Smith died unexpectedly at 24, his mother said on Twitter on Friday.Credit…Jeopardy!Feb. 13, 2021, 5:44 p.m. ETBrayden Smith, a voracious reader and former captain of his high school quiz bowl team who became a five-time “Jeopardy!” champion on some of the last shows hosted by Alex Trebek, died on Feb. 5 in Las Vegas. He was 24.Mr. Smith’s death was confirmed in an online obituary. It did not list a cause of death. His mother, Deborah Smith, said on Twitter that her son had died “unexpectedly.”Mr. Smith, she said, had achieved a lifelong dream by winning “Jeopardy!” as a contestant on some of the final shows hosted by Mr. Trebek before Mr. Trebek died in November at age 80 after a battle with cancer.Over six shows, Mr. Smith won five times, earning $115,798 and the nickname Alex’s Last Great Champion, the obituary said. Mr. Smith said he had been looking forward to competing on the show’s Tournament of Champions against his “trivia idols.”“‘Jeopardy!’ is so much better than anything that I could have even imagined,” Mr. Smith said in a video released by “Jeopardy!” last month. “Every moment since I last was on the studio lot has been a moment that I’ve been wanting to get back on there.”Mr. Smith said on the video that he had been moved by Mr. Trebek’s perseverance on the show since Mr. Trebek’s announcement in March 2019 that he had learned he had Stage 4 pancreatic cancer.“Now everybody knows that he is ailing, and to put on a brave face and go out there every day and continue to give America and the world some good cheer, especially this year, was really a testament to how great of a person he was,” Mr. Smith said.Mr. Trebek was clearly impressed with Mr. Smith’s knowledge of trivia, telling the other contestants after one of Mr. Smith’s wins that they had played well, but “you ran into Billy Buzz Saw — and he took no prisoners.”Brayden Andrew Smith was born in Henderson, Nev., on Sept. 6, 1996, the second of four sons of Scott and Deborah (Rudy) Smith.At Liberty High School in Henderson, he was a National Merit Scholar semifinalist and led the Quiz Bowl team to back-to-back state runner-up finishes. For his outstanding play, he earned a college scholarship.He graduated last year from the University of Nevada, Las Vegas, with a degree in economics and had planned to become a lawyer in the federal government. He had recently served as an intern at the Cato Institute in Washington, researching criminal justice reform.“The JEOPARDY! family is heartbroken by the tragic loss of Brayden Smith,” the show said on Twitter. “He was kind, funny and absolutely brilliant.”Jack Begg contributed research.AdvertisementContinue reading the main story More

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      ‘Chappelle’s Show’ Returns to Netflix After Dave Chappelle Gets Paid

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main story‘Chappelle’s Show’ Returns to Netflix After Dave Chappelle Gets PaidThe comedian had asked fans to boycott his sketch show from the mid-2000s because of what he described as a “raw deal” from Comedy Central.“When you stopped watching it, they called me,” Chappelle said to his fans in a clip posted on Instagram on Friday. “And I got my name back, and I got my license back, and I got my show back.”Credit…Charles Sykes/Invision, via Associated PressFeb. 12, 2021Updated 1:14 p.m. ETLast fall, Dave Chappelle asked his fans to boycott his old Comedy Central sketch show, “Chappelle’s Show,” in order to put pressure on ViacomCBS to rectify his grievances over a contract he signed as a young comedian, and prominent streaming services agreed to pull the show at his request. The tactic seems to have worked.As a result of that public pressure, Chappelle, in a video posted early Friday on his Instagram, said he was paid “millions of dollars.” And “Chappelle’s Show” is now returning to Netflix and HBO Max.“When you stopped watching it, they called me,” Chappelle, 47, said in the clip. “And I got my name back, and I got my license back, and I got my show back, and they paid me millions of dollars. Thank you very much.”The issue arose in November, when Chappelle posted a video of a stand-up set in which he voiced his complaints against ViacomCBS, which owns Comedy Central. He said that the company had licensed “Chappelle’s Show” to Netflix and HBO Max without providing him any additional compensation or even informing him about the deal, something he understood to be legal under his contract but which he saw as unethical. Netflix then pulled the show at Chappelle’s request, followed by HBO Max.In the new video posted Friday, Chappelle thanked Ted Sarandos, the co-chief executive of Netflix, for having the “courage to take my show off its platform at financial detriment to his company, just because I asked him.” And he thanked Chris McCarthy, the president of ViacomCBS’s MTV Entertainment Group.In a statement, McCarthy said, “After speaking with Dave, I am happy we were able to make things right.”Officials at ViacomCBS did not disclose the details of the new arrangement. Netflix did not immediately respond to a request for comment.“Chappelle’s Show,” which had been broadcast on Comedy Central from 2003 to 2006, lasted for two full seasons before Chappelle, the show’s star and creator, walked away from it, sparking questions about how he could have abandoned what could have amounted to a $50 million deal. In 2006, after his departure, Chappelle told Oprah Winfrey in an interview that he had left the show in part because of stress and in part because he felt conflicted about the material he was producing, saying, “I was doing sketches that were funny, but were socially irresponsible.”Chappelle said that he had been a broke, expectant father when he signed the contract with Comedy Central, describing it as a “raw deal.” He framed his experience as emblematic of an immoral corporate entertainment system that mistreats artists.Now, Chappelle seems to have forgiven the company.“Finally after all these years,” Chappelle said, “I can finally say to Comedy Central, ‘It’s been a pleasure doing business with you.’”AdvertisementContinue reading the main story More

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      In ‘Crime Scene,’ Joe Berlinger Investigates True-Crime Obsession

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyIn ‘Crime Scene,’ Joe Berlinger Investigates True-Crime ObsessionIn his latest Netflix docu-series, the director of foundational works like “Paradise Lost” turned his lens to the fans and web sleuths that are changing the stakes of true crime.“I’m described as a true-crime pioneer,” Joe Berlinger said. “I liked the pioneer part. The true crime thing makes me a little nervous.”Credit…Dina Litovsky for The New York TimesFeb. 12, 2021, 9:54 a.m. ETThis article contains mild spoilers for the Netflix series “Crime Scene: The Vanishing at the Cecil Hotel”It’s hard to find much that is redeeming in true-crime documentaries these days. They tend to showcase humanity’s worst, there’s a seemingly endless supply, and they’re generally so repetitive that it’s hard to tell one from another. On Netflix, you can watch the four-part “Night Stalker,” about the Los Angeles serial killer Richard Ramirez, and then click over to the four-episode “Crime Scene: The Vanishing at the Cecil Hotel,” in which Ramirez makes a cameo.But “Crime Scene,” directed by the true-crime veteran Joe Berlinger, has some other guest stars, and they make the enterprise a little different than most. One is the title character, the towering Cecil Hotel in downtown Los Angeles. Located in the city’s drug-and-crime-infested Skid Row area, and known for its history of horrors, the Cecil has stories to tell.So do the supporting players. One by one they bear witness to what they haven’t seen, peering out from their computer screens and offering explanations and verdicts. The police covered up the crime. The death metal singer killed her. Wait, it’s just like that one horror movie. Or maybe it’s a ghost story.They are web sleuths, and together they form a sort of uninformed Greek chorus in “Crime Scene,” which premiered on Wednesday. It covers the well-chronicled 2013 disappearance of Elisa Lam, a 21-year-old Canadian tourist. But the story ends up being more about the nature of truth and mass speculation — and about the ethics of true crime, generally — than about any particular crime.Surveillance footage from the Cecil Hotel the night of Elisa Lam’s disappearance became a source of rampant speculation and conspiracy theory among a community of self-appointed web sleuths.Credit…Netflix“The sleuths are very integral to the structure of the show because what’s interesting for me is perception,” Berlinger said in a telephone interview last week. “I wanted the viewer to really experience it the way the web sleuths did in terms of putting together information and the rabbit holes they went down.”Berlinger, who frequently works with Netflix but also does projects with other networks, has been at this for a while, since well before true crime documentaries flooded the airwaves and streaming platforms.In 1992, he and Bruce Sinofsky debuted “Brother’s Keeper,” the wrenching tale of a barely literate farmer accused of murdering his own brother. In 1996, he and Sinofsky released “Paradise Lost: The Child Murders at Robin Hood Hills,” which interrogated the circumstantial evidence that put three Arkansas teenagers in prison, accused of killing and mutilating three young children. Berlinger and Sinofsky made three “Paradise Lost” films altogether, and the teenagers, widely known as the West Memphis Three, were eventually set free.This would seem to be a far cry from “Cecil Hotel,” whose eight-year-old central mystery can be solved by anyone with an internet connection. But Berlinger sees commonalities. For one, those web sleuths.The web wasn’t what it is now in 1996. But Berlinger remembers those who went online, pre-social media, and provided important information about the West Memphis Three. “People can see that these kinds of investigations by regular people can lead to some positive outcomes,” he said.That’s not really the case in “Cecil.” The sleuths go after a death metal artist and ruin his life with false accusations (a touch of satanic panic with echoes of “Paradise Lost,” in which the prosecution uses the West Memphis Three’s taste in heavy metal to help build its case). They obsess over a piece of elevator surveillance footage, seeing proof of evidence tampering where none existed. They accept seemingly every explanation except the simplest one. In general, they get in the way.Some feel the true-crime genre gets in the way as well — of other kinds of documentary and of storytelling in general.A grand Beaux Arts establishment when it was built in 1924, the 700-room Cecil gradually declined into a hub of crime and homelessness.Credit…Netflix“Media companies have grown dependent on the genre,” said Thom Powers, the documentary programmer for the Toronto International Film Festival, in an email. (Powers is a fan of Berlinger, and has programmed his work in the past). “I worry that it’s becoming escapist entertainment that depletes resources from other stories.”“At its worst, the true-crime genre is law enforcement propaganda,” he continued. “The storytelling is so preoccupied with lurid crime details, it rarely pulls back to study larger dynamics.”Even Berlinger has reservations about the genre. His recent body of work comprises several TV docu-series about sensational crimes, including “Conversations With a Killer: The Ted Bundy Tapes,” “Unspeakable Crime: The Killing of Jessica Chambers” and “Jeffrey Epstein: Filthy Rich.” But call him a true-crime filmmaker and he bristles.“I’m described as a true-crime pioneer,” he acknowledged. “I liked the pioneer part. The true-crime thing makes me a little nervous because I think of myself more as a social justice filmmaker spending a lot of time in the crime space.”He added: “I do think there’s a lot of irresponsible true crime being done where there’s no larger social justice message or there’s not a larger commentary on society. It’s just about wallowing in the misery of somebody else’s tragedy without any larger purpose.”The Cecil has tremendous symbolic value connected to the social history and issues of its surroundings. A grand Beaux Arts establishment when it was built in 1924, the Cecil, which is no longer open, gradually declined along with its neighborhood. The area now called Skid Row developed into a hub of crime and homelessness in the ’30s, and the Cecil, a 700-room behemoth, became known for cheap residential accommodations and tawdry doings. Drugs, prostitution and suicides were common. In 1964, the body of a well-liked retired telephone operator, Goldie Osgood, was found raped, stabbed and beaten in her room. The crime was never solved.“There’s a lot of irresponsible true crime being done where there’s no larger social justice message,” Berlinger said. “It’s just about wallowing in the misery of somebody else’s tragedy.”Credit…Dina Litovsky for The New York TimesRamirez, the serial killer, was a guest; he reportedly would go there after a tiring night of killing, throwing his bloody clothes in a nearby dumpster before returning to his room. So was the prolific Austrian serial killer Jack Unterweger, who, posing as a journalist, continued his spree in Los Angeles by killing three sex workers.It’s not hard to summon a dark aura around the hotel, and many media accounts have done just that.“It’s been shown as a really dark place, with Richard Ramirez having been there and of course Elisa Lam,” said Amy Price, the hotel general manager from 2007 to 2017, in a recent phone interview. She also appears in the series. “But I thought how they presented everything was authentic and very fair.”For all that has happened at the Cecil, without Lam’s disappearance there would be no documentary, and probably very little interest in the hotel today. The web sleuths, none of whom have met her, profess their love and affection for her. They, and the series, pore over the elevator video as if it were the Dead Sea Scrolls. We watch, over and over again, as Lam punches a row of elevator buttons and squishes herself into a corner of the elevator, then exits and makes some odd hand gestures. Surely this must all mean something.Or, maybe not. And here’s where you either stop reading (assuming you haven’t already Googled the case) or continue on to the not-terribly-mystical conclusion. In the end, yes, the Cecil was a crime scene. Many times over. But it appears there was nothing criminal about the Lam case, which was, according to investigators, a sad accident.Asked how he reconciles his more high-minded ideals with the true-crime genre’s imperative to entertain, Berlinger pointed to the fact that “Cecil” tackles subjects that go beyond the corpse at its core, including cyberbullying, homelessness and mental illness. But he also knows true-crime viewers are tuning in for the more lurid details, and sometimes that gives him pause.“I do ask myself, if, God forbid, something happened to me or my family, would I want someone to tell that story?” he said in a follow-up email. “If I’m being totally honest, I would only want that if the telling of that story had a larger purpose than just ‘entertainment.’”Is Berlinger having it both ways? Perhaps. But so is any news article about the series, as the layers of meta-critique pile up. With “Cecil,” he argued, playing to that true-crime imperative is exactly why it works.“In some ways, we’re being very self-reflexive in using the conventions of true crime to seemingly tell a true-crime mystery,” Berlinger said by phone. “Then, we turn it on its head at the end.”He added: “I thought it was appropriate and interesting to choose a crime that actually isn’t a crime, with a perception that something nefarious happened but, in fact, it wasn’t a crime at all.”That’s certainly one way to tweak the true-crime genre. Just remove the crime.AdvertisementContinue reading the main story More

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      Jimmy Kimmel Knows How the Impeachment Sequel Will End

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyBest of Late NightJimmy Kimmel Knows How the Impeachment Sequel Will End“It’s kind of like ‘The Empire Strikes Back,’” Kimmel said. “We already know how it ends, but we’re watching it anyway.” Jimmy Kimmel isn’t expecting many Republican senators to vote against Donald Trump. “But a few of them, who knows? Maybe three ghosts will visit them in the middle of the night tonight.”Credit…ABCFeb. 12, 2021, 2:01 a.m. ETWelcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. We’re all stuck at home at the moment, so here are the 50 best movies on Netflix right now.Oops, He Did It AgainThe House impeachment managers wrapped up their case against Donald Trump on Thursday, but the late-night hosts weren’t optimistic about the verdict.“It’s kind of like ‘The Empire Strikes Back,’” Jimmy Kimmel said. “We already know how it ends, but we’re watching it anyway.” “Democrats could — at this point, they could produce a video of Trump looking straight into the camera saying ‘I, Donald Trump, hereby incite this insurrection of violence,’ and most of the Republican senators would be like, ‘But where’s the proof? We didn’t see proof.’” — JIMMY KIMMEL“House Democrats today concluded their impeachment case against former President Trump. ‘Well, you’ve given me plenty to not think about,’ said Rand Paul.” — SETH MEYERS“Yep, their presentation was so emotional and compelling that Republicans almost looked up from their phones.” — JIMMY FALLON“Most of them are lost causes. Like Tom Cotton, Bill Hagerty — these guys, they would eat the hair out of Donald Trump’s shower drain. But a few of them, who knows? Maybe three ghosts will visit them in the middle of the night tonight.” — JIMMY KIMMEL“These senators are a jury for a trial of the president, but instead, they’re acting like bored middle schoolers. What do Democrats have to do to make this interesting for them, bring in one of those math teachers who raps everything? ‘My name is Doug and I’m here to say, democracy was threatened in a major way.’” — TREVOR NOAH“Here’s the thing: if Americans cared as much about America as we do about Britney Spears, this would be a really great place to live.” — JIMMY KIMMELThe Punchiest Punchlines (Plead the 45th Edition)“Trump’s argument is basically, ‘Yes, maybe I did shout “fire” in a crowded theater, but the people trampling each other were acting on their own.’ And these people who acted on their own, I wonder if you can use stupidity as a defense? You can plead insanity, why not?” — JIMMY KIMMEL“Essentially they were using Trump’s own words against him. What they are arguing is that Trump — and I promise this is the only time you will hear me say this — knew what he was doing.” — JAMES CORDEN“Guys, come on, don’t call Trump in the middle of the riot. You just saw him at the rally a couple hours ago — you gotta be chill. You call the morning after the insurrection, you know? You gotta play the game!” — TREVOR NOAH“Also, how embarrassing is this for Trump? Even his supporters knew they could call him any time and he won’t be busy.” — TREVOR NOAH“Overall, these videos make it pretty obvious that Trump incited the rioters. They were wearing Trump hats, carrying Trump flags, and they all just watched Trump speak, and they were chanting, ‘Fight for Trump!’ Even that dog from ‘Blue’s Clues’ is like, ‘I need a challenge here, guys. We all know what this is, right?’” — TREVOR NOAH“I mean, if one guy stormed the Capitol because he thought you said it to him, maybe you just can blame him. But if an entire stadium of people misunderstood you in the exact same way, I don’t know, man, that [expletive] on you.” — TREVOR NOAHThe Bits Worth WatchingDesus and Mero got personal with their “life coach” Whoopi Goldberg.Also, Check This OutWiig and Mumolo in a musical number from the new film.Credit…Cate Cameron/LionsgateThe “Bridesmaids” co-writers Kristen Wiig and Annie Mumolo share the screen in their new collaboration, “Barb and Star Go to Vista Del Mar.”AdvertisementContinue reading the main story More

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      'Framing Britney Spears' Filmmakers Talk About Their Process

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      #masthead-section-label, #masthead-bar-one { display: none }Britney Spears’s Legal BattleControl of Spears’s EstateThe ‘Free Britney’ MovementWatch ‘Framing Britney Spears’ in the U.S.Making the DocumentaryAdvertisementContinue reading the main storySupported byContinue reading the main storyTimes InsiderBehind the Making of ‘Framing Britney Spears’The director and a senior editor of the Times documentary answered viewer questions about the media response, the star’s mother and searching for clues on Instagram.A new documentary from The New York Times examines the so-called Free Britney movement made up of fans of the pop star Britney Spears.CreditCredit…G. Paul Burnett/The New York TimesFeb. 11, 2021Updated 2:22 p.m. ETTimes Insider explains who we are and what we do, and delivers behind-the-scenes insights into how our journalism comes together.The premiere last week of the film “Framing Britney Spears,” part of the TV documentary series “The New York Times Presents,” looked closely at Ms. Spears’s legal battle with her father, Jamie Spears, over control of her finances. For more than a decade, that control has been held largely by Mr. Spears in a conservatorship, a complex legal arrangement typically used for the sick or elderly.Since the film’s release on FX and Hulu, celebrities and fans have expressed their support for Ms. Spears on social media. The latest court hearing in the fight was scheduled for Thursday in Los Angeles. On Wednesday, Samantha Stark, the director, and Liz Day, a senior editor on the film, answered questions from readers in an “Ask Me Anything” session on the website Reddit. The following are edited excerpts.Were there any legal hurdles you faced in making the film?LIZ DAY We did not receive any direct legal threats while making the documentary. Reporting any investigative story requires extreme attention to factual accuracy and fairness, and this project was no different, though it was made even more difficult by an ongoing court case, attorney-client privilege, medical privacy, celebrity nondisclosure agreements, distrust of the press and other factors.What is the involvement of Lynne Spears, Britney’s mother, in all of this?SAMANTHA STARK So what we know about Lynne Spears is that she is not legally a part of Britney’s conservatorship team. We know she recently petitioned to be included to have access to more information and to be able to have her lawyer speak during the hearings, and that she filed as an “interested party” to do that.It’s unclear what involvement Lynne had related to the conservatorship up until recently. In a Nov. 10 hearing, Lynne said, through her lawyer (and I’m paraphrasing) that she thanked Jamie for the work he had been doing but that she wanted Britney to wake up to see brighter days. It’s very hard to understand what role Jamie, Lynne or a number of other people have played throughout the conservatorship because so many of the court records are sealed.What’s your view on the media response to the documentary? It feels as if many of the outlets that disparaged Britney years ago are now doing thinkpieces about how the media destroyed her.STARK There’s one thing I noticed in the past week doing interviews with media outlets that I never even thought of before the film came out. When Britney was being shamed for her sexuality as a teenager and stalked as a young adult, the gatekeepers to all these media outlets — the ones doing the shaming — were in their 30s, 40s, 50s. We as teenagers watched that happen. Now that my/our generation are a lot of the gatekeepers, we’re saying “no more.”How should those media outlets respond after playing a part in all the derision that Britney endured?STARK I think they should respond by not ever doing anything like it ever again. I think they should take a note from Britney’s book and be kindhearted, open and nonjudgmental.Did you contact any of Britney’s ex-husbands or boyfriends, like Jason Alexander, Kevin Federline, Jason Trawick or Charlie Ebersol, or some of her photographers/videographers, like David LaChappelle and Nigel Dick?DAY Yes, at the end of the doc we listed the members of Ms. Spears’s family who we requested on-camera interviews with but who did not respond or declined. But we reached out to a lot more people than just that list, including the ex-husbands/boyfriends mentioned. We spoke with Nigel Dick and reached out to David LaChappelle too. There were many people we spoke with on background who did not appear on camera. There were also a few people whose on-camera interviews we did not include because of time.Britney Spears hasn’t been able to fully control her career for 13 years under a court-sanctioned conservatorship. A New York Times documentary, now streaming on FX and Hulu, examines the pop star’s court battle with her father for control of her estate.CreditCredit…Ting-Li Wang/The New York TimesWhat are your thoughts on the obsessive Britney fans who question and dissect her social media posts?STARK There’s such a tight circle around Ms. Spears, seemingly enabled by the conservatorship, that it’s really hard to ask her how she is or what she thinks. We know that she hasn’t done interviews in a long time and that when she did for many years she was likely under very careful watch. So I honestly think it makes sense for people to look to her Instagram to try and parse how she might be doing. It’s the only place we’ve been able to see or hear from her for quite some time.Did you look at the financial records? Forbes has estimated her wealth at $60 million. Shouldn’t it be higher?DAY Excellent question. Britney’s true net worth is a mystery, and there’s speculation that there may be a lot more money beyond $60 million outside of her estate, in trusts or elsewhere as royalties, intellectual property and more. There are lots of companies set up as private LLCs, of which records are scant. One thing I would add is that often when you hear big Hollywood paychecks, you have to consider everyone who is taking a cut — managers, lawyers and government taxes, for example.Did you expect this film would result in a big resurgence of the #FreeBritney movement?STARK When making a film, I never know what parts of the piece will hit people in the emotional gut. I really had no idea this would happen.AdvertisementContinue reading the main story More