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    ‘Yellowjackets’ Season 3, Episode 4 Recap: Judge, Jury and …

    The girls (and Travis) put Coach Ben on trial. The stakes are very high, the legal qualifications very low.Season 3, Episode 4: ‘12 Angry Girls and 1 Drunk Travis’What does justice look like to the Yellowjackets? It’s not pretty, it’s not logical, it’s often deeply unfair, and it’s all on display in this week’s episode.The centerpiece is a trial in the woods in the 1990s. The girls, having now found Ben, elect to decide his fate by mimicking an episode “Law & Order.” They choose lawyers — Tai is the prosecutor and Misty is the defense — and fashion a makeshift courtroom.It’s unclear what they plan to do with Ben if they find him guilty, but death is surely on the table. And yet, they also seem like kids playing dress up — which they are. As is familiar for “Yellowjackets,” childlike behavior and real stakes make for a potent concoction.We watch as the Yellowjackets’ warped sense of justice extends into the present day. There are two threads that emphasize that. First, there is Jeff and Shauna. Jeff is worried about his and Shauna’s massively bad karma, so he signs them up to volunteer at the senior home where Misty works. That becomes too emotionally intense for Shauna after she winds up locked inside a walk-in freezer, so she decides to replace a local cat that has been missing for years by just adopting a different cat. Sure, that will work.And then there’s Tai and Van, who find themselves wondering whether they should be the arbiters of life and death. They drop a Queen of Hearts from a deck of playing cards on the ground to see if it “chooses” anyone. When a man picks it up, they follow him back to his apartment and Tai nearly makes moves to kill him, thinking that taking his life will give the cancer ridden Van more time.Van stops Tai from going that far, but the mere fact that the possibility was on the table is evidence of how much all this Wilderness woo-woo has affected their minds.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Meghan Markle Channels Lifestyle Mavens in ‘With Love, Meghan’ on Netflix

    The Duchess of Sussex has tried to channel the likes of Martha Stewart for years. Can “With Love, Meghan” get her there?“With Love, Meghan,” the new Netflix lifestyle series premiering next week, is a culmination of sorts for its creator and star, Meghan, Duchess of Sussex. The show casts the princess as a perfectly groomed domestic goddess, cooking and entertaining for friends at home in coastal California, a role to which she has seemingly aspired for more than a decade.Meghan’s ambitions to be the “millennial Martha Stewart of Montecito,” as a recent New York Times guest essay put it, were delayed first by her courtship and marriage to Prince Harry, in 2018, and then by the couple’s public feud with the British royal family.In 2020, Harry and Meghan announced they would step back from royal duties, causing a flurry of palace gossip and recriminations. The couple spent the next few years cannily telling (and monetizing) their side of the story in a series of media ventures — a sit-down interview with Oprah Winfrey; a six-episode Netflix docuseries, “Harry & Meghan”; and a best-selling memoir by Prince Harry, “Spare.”But all along, Meghan displayed flashes of her Ina Garten side. Remember when she showed Oprah her chicken coop? Or when a London bakery posted a photo of the handwritten thank-you note on personalized stationery she had sent to its staff?In a 15-second video on Instagram last year, Meghan finally announced her new kitchen and lifestyle brand, American Riviera Orchard. Details were scant, but a trademark application sought approval for a retail store, cookbooks and tableware, as well as jellies, jams, marmalades, fruit preserves and nut butters.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Best Movies and TV Shows Coming to Disney+, Amazon, Max, Apple TV+ and More in March

    “Anora” and “Happy Face” arrive, and “‘Dark Winds,” “The Wheel of Time,” “The Righteous Gemstones” and more return.Every month, streaming services add movies and TV shows to their libraries. Here are our picks for some of March’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘The Wheel of Time’ Season 3Starts streaming: March 13Season 1 of this handsome-looking fantasy series introduced the major characters and concepts from the first book of the novelist Robert Jordan’s hefty “The Wheel of Time” saga. Season 2 adapted parts of the second and third books, moving pieces into place for the grand apocalyptic battle prophesied at the start of the story. In Season 3, adapting “The Shadow Rising,” the heroes are tested by a journey into a desert wasteland. Rosamund Pike returns as the mystic Moiraine, who is helping a group of young people escape the shadowy forces pursuing them, leading them on a journey across a magical realm in danger of falling into ruin — just as it did thousands of years ago. Josha Stradowski plays Rand al’Thor, who could be his land’s last best hope to stand up against The Dark One, or the one to usher in a new age of chaos.Also arriving:March 6“For the Win: NWSL”“Picture This”March 11“Iliza Shlesinger: A Different Animal”March 27“Bosch: Legacy” Season 3“Holland”Zahn McClarnon in “Dark Winds.”Michael Moriatis/AMCNew to AMC+‘Dark Winds’ Season 3Starts streaming: March 9The novelist Tony Hillerman’s “Leaphorn and Chee” series provides the inspiration for this combination neo-western and neo-noir. Zahn McClarnon plays Joe Leaphorn, a lieutenant in the Navajo Tribal Police, who looks after his own people while holding a healthy suspicion of outsiders. Kiowa Gordon plays Jim Chee, Joe’s deputy, who used to work undercover for the F.B.I., gaining intelligence on Indigenous political groups. “Dark Winds” combines complex mystery plots with an insider’s take on Navajo culture. Season 3 finds Joe and Jim investigating a mysterious disappearance in their jurisdiction while their colleague Bernadette Manuelito (Jessica Matten) begins a new job with the Border Patrol. Guest stars include Jenna Elfman and Bruce Greenwood, in a story that will leave Joe questioning his life’s purpose.Also arriving:March 3“Recipes for Love and Murder” Season 2March 7“Starve Acre”March 10“The Gone” Season 2March 18“Wicked City” Seasons 1 and 2We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The ‘S.N.L.’ Hosts Who Give 110%

    A look back at the pro athletes who have tested their fortitude at 30 Rock. “Sometimes it’s a train wreck,” a producer said. Or an incredible surprise.“Saturday Night Live,” which is celebrating its 50th season this year, has had hundreds of hosts. There are the famous actors, the musicians and the comedians, of course. And then there are the professional athletes who are used to performing on fields, tracks and courts, not on a stage at 30 Rockefeller Plaza.Dwayne Johnson, the wrestler turned movie star known as the Rock, has hosted five times, the most of any athlete. Tom Brady, the seven-time Super Bowl champion, stiffly sang and danced in a sport coat and jeans in 2005. Chris Evert, the winner of 18 Grand Slam tennis titles, hosted shortly after retiring in 1989, becoming the first of three female athletes to do so. (Nancy Kerrigan and Ronda Rousey are the others.)There is no guarantee an athlete’s monologue will be successful or the sketches funny. But this participation trophy is an exclusive one — only about three dozen have received an invite to flex their coordination and teamwork.A few years ago, Heidi Gardner, an “S.N.L.” cast member and Kansas City Chiefs fan, started a campaign to convince the show’s leadership that the star tight end Travis Kelce had the charisma to succeed as a host. Lorne Michaels eventually agreed, she said, with a catch: The Chiefs had to win the Super Bowl again.One month after they did in 2023, Kelce was making fun of his own monosyllabic motivational speeches and overlooked reality dating show.Lindsay Shookus, who worked on “S.N.L.” for more than two decades, said the show often tries to book athletes after high-profile events, such as the Super Bowl or the Olympics, when they are top of mind for a general audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Joseph Wambaugh, Author With a Cop’s-Eye View, Is Dead at 88

    In novels like “The Glitter Dome” and nonfiction works like “The Onion Field,” he took a harsh, unglamorous look at the realities of law enforcement.Joseph Wambaugh, the master storyteller of police dramas, whose books, films and television tales powerfully caught the hard psychic realities of lonely street cops and flawed detectives trapped in a seedy world of greed and senseless brutality, died on Friday at his home in Rancho Mirage, Calif. He was 88. The cause was esophageal cancer, said Janene Gant, a longtime family friend.In “The Glitter Dome,” Officers Gibson Hand and Buckmore Phipps consider it a joy “to kill people and do other good police work.” In “The Black Marble,” Sgt. Natalie Zimmerman and Sgt. A.M. Valnikov are in love, but it can’t last. In “The Onion Field,” his first work of nonfiction, Mr. Wambaugh wrote of what happened to Officer Karl Hettinger when his partner was slain by thugs: He suffered impotence, nightmares and suicidal thoughts, and his body shrunk.Mr. Wambaugh was blunt about the hidden costs of the job: broken marriages, nervous breakdowns, suicides.Before Mr. Wambaugh’s era as a writer, which began in 1971, police dramas like the television series “Dragnet” were implausible stories about clean-cut heroes doing good. He shattered the mold with portraits of officers as complex, profane, violent and fallible, sliding quickly from rookie illusions of idealism into the streetwise cynicism of veterans, who might have feared death but who feared their own emotions even more.Readers discovered an intimacy with Wambaugh’s cops, taking in the gallows humor, the boredom and sudden dangers; being privy to a partner’s bigotry and cruelty, but tagging along for the action and a share of the fatalism about the job — the inevitability of a murder, a rape or a child molested tonight — and then moving on to another sunset shift out of Hollywood Station.Mr. Wambaugh in 1972, the year after his first novel, “The New Centurions,” was published. He wrote it on the job while working as a police officer.Jill Krementz, all rights reservedWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    TV Shows Like ‘Clean Slate’ Imagine a Transgender Inclusive Society

    Sitcoms have a history of ushering in social progress and building acceptance. But in a time of backlash and fragmented audiences, that may be harder.“Clean Slate,” on Amazon Prime Video, is the kind of comedy you’ve seen on TV before. A woman leaves her hectic life in New York City for her hometown in Alabama to make a fresh start, repair her relationship with her estranged father, work at the family carwash and, just maybe, find love.The first season is a tall glass of sweet tea — wholesome, a little saccharine and mostly sitcom-standard. Except for one thing: Desiree (Laverne Cox) is transgender, which is a revelation to her gruff, old-school dad, Harry (George Wallace), who last saw her 23 years ago as his “son,” Desmond.What might be most striking about “Clean Slate” is how un-fraught the situation is. After his initial surprise and a few pronoun faux pas, Harry takes his daughter’s identity in stride. So do their friends and neighbors (except for one moralizing preacher). Though the show was co-produced by the late Norman Lear, there is little of the acrimony of his 1970s culture-clash sitcoms like “All in the Family.”The statement, and maybe the fantasy, of the show is to posit a world that largely, casually assumes transgender rights and personhood, even as the headlines from our actual world scream otherwise. Our social problems aren’t absent in “Clean Slate”; at one point, in a burst of fatherly protectiveness, Harry worries that “these streets are not safe for people like Des.” But mostly, the show sticks to quirky family comedy and good-natured wisecracks.The kind of transformation that “Clean Slate” imagines — the movement of a group from controversial to ordinary — is one we’ve seen in other areas of society, most recently around gay rights. That change was itself driven in part by TV shows.From left, Eric McCormack, Debra Messing, Megan Mullally and Sean Hayes in “Will & Grace.” The show has been credited with helping to usher in acceptance of gay marriage.NBCWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Colbert Has Little Sympathy for Trump Voters With Buyers’ Remorse

    “The Late Show” host Stephen Colbert said that Trump voters keep coming back for the same unappetizing thing they’ve been served time and again.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Bad BusinessA new poll indicates that some Americans feel buyer’s remorse about voting for President Donald Trump.On Thursday’s “Late Show,” Stephen Colbert pointed out that it’s mainly because, after more than a month in office, Trump has yet to eliminate inflation, as he promised during his campaign to do on Day 1.“That was his claim. He said it over and over again, and now, on Day 38, they still think things are too expensive. Somewhere in Delaware, Joe Biden is shaking his head, chuckling to himself, and thinking, ‘Why did I come into this room?’ ” — STEPHEN COLBERT“One thing that continues to make consumers anxious is the high price of breakfast. And with bird flu, there’s no end in sight. According to experts, egg prices could jump 41 percent, meaning this year’s Easter egg hunt is going to be The Purge.” — STEPHEN COLBERT“It’s getting so expensive — this is true — that here in New York, some bodegas are selling individual eggs, known as ‘loosie’ eggs, to customers who can’t afford full cartons. Yum, loose egg! And if you can’t afford those, there’s a guy in the alley in the back.” — STEPHEN COLBERTColbert said he had limited sympathy for Trump supporters.“They ordered the turd soup and then said, ‘Waiter, there’s turds in my soup.’ Then they came back four years later and asked, ‘Y’all still have that turd soup?’” — STEPHEN COLBERTThe Punchiest Punchlines (Bad Sexist Jokes Edition)“So Jeff Bezos is launching a historic rocket mission in which Katy Perry, Gayle King and Lauren Sánchez will be the astronaut in an all-woman mission. They’re calling it the ‘Real Housewives of Mars.’ ” — GREG GUTFELD“The mission will last four hours, but the women are expected to take six weeks to get ready.” — GREG GUTFELD“Also, there will be a booster rocket following their spaceship carrying all their luggage — because they’re chicks.” — GREG GUTFELDThe Bits Worth WatchingThe actress Gabrielle Union talked about her role in the new all-star crime comedy “Riff Raff” on Thursday’s “Daily Show.”Also, Check This Out“This was the only way I could get invited,” O’Brien joked about his hosting duties.The comedian and former late night host Conan O’Brien feels nervous but excited about taking on the typically thankless role of hosting the Academy Awards. More

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    ‘Running Point’ Is a Fun Basketball Comedy With a Deep Bench

    Inspired loosely by the life of Jeanie Buss, the Netflix series counts Mindy Kaling among its creators and Kate Hudson among its stacked cast.“Running Point” is an amiable Netflix comedy starring Kate Hudson as an underestimated nepo adult tapped to run the fabled basketball team her late father once led. She is thrilled, if a bit overwhelmed, by the opportunity. Her brothers, who also work for the franchise, warn her to stay off Reddit.Hudson here is Isla, who never got as much attention from her father as her brothers did. But the Los Angeles Waves is the family business, and she is part of the family. The eldest, Cam (Justin Theroux), was ably running the show, but he gets sent off to rehab in the pilot. The doofy Ness (Scott MacArthur) is all heart, no brains, while the brittle Sandy (Drew Tarver) is all brains, no heart. So it’s up to the reformed party girl Isla to wrangle the players, make trade deals, manage the coaching staff, find sponsors and schmooze with other bigwigs to keep the Waves in playoff contention.She knows her stuff, though; as with any generic comedic heroine, her one flaw is clumsiness, and she walks into glass doors often enough that she spends a good chunk of her life with an old-timey ice pack against her noggin.“Point” is loosely inspired by the Lakers’s Jeanie Buss, who is among its executive producers. The show was created by Mindy Kaling, Ike Barinholtz and David Stassen, whose last major collaboration was Kaling’s “The Mindy Project,” and by Elaine Ko. This outing feels watered down in comparison to “Mindy,” but it is still awfully good company, and its 10 episodes have an affable, sunny ease. It is also featherweight and ambitionless — not actually funny, but often fun.What the show lacks in depth or bite it gains in breadth and scope, and the cast runneth over: Brenda Song as Isla’s BFF and assistant; Jay Ellis as the successful, hunky coach; Chet Hanks as the troublemaker player who doesn’t know what “refute” means. Max Greenfield plays Isla’s doting fiancé, and Jon Glaser plays the abrasive sports radio host. If Tarver is basically playing his same character from “The Other Two,” so be it.“Point” seems happy enough to be reminiscent of other, better shows, which is perhaps the defining paradigm of current-day streaming comedies. Well, that and galling product integration, which “Point” also embraces.There is very little basketball here, so the characters rely instead on movies to guide their ideas, taking direction from “Casino,” “The Wedding Singer” and the “John Wick” franchise. “My life is not a good sports movie,” Isla sighs. Keep practicing, Isla! There’s always next year. More