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      ‘S.N.L.’ Cast Makes Its Case to Stay off Trump’s Enemies List

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      The show parodied its own history of mawkish self-seriousness in an episode that often avoided the topic of the presidential election.A serious development in current events can sometimes leave “Saturday Night Live” unable to make any satirical comment on it, and that was briefly how it appeared the show might react to the re-election this week of former President Donald J. Trump.This weekend’s broadcast began with seeming solemnity, as a group of “S.N.L.” cast members, including Bowen Yang, Ego Nwodim, Kenan Thompson and Heidi Gardner, took note of Trump’s presidential election victory over Vice President Kamala Harris, who had made a surprise cameo on “S.N.L.” just last week.“To many people,” Nwodim said, “including many people watching this show right now, the results were shocking and even horrifying.”Gardner continued, “Donald Trump, who tried to forcibly overturn the results of the last election, was returned to office by an overwhelming majority.”Thompson said, “This is the same Donald Trump who openly called for vengeance against his political enemies.”Now, said Yang, “thanks to the Supreme Court, there are no guard rails.” Nwodim added that there would be “nothing to protect the people who are brave enough to speak out against him. “We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Tony Todd, Prolific Actor Best Known for ‘Candyman,’ Dies at 69

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      Mr. Todd’s decades-long career spanned across mediums and genres, but he was largely associated with a scary figure summoned in front of a mirror.Tony Todd, a prolific actor whose more than 100 film and television credits included “Candyman” and “Final Destination,” died on Wednesday at his home in Los Angeles. He was 69.Jeffrey Goldberg, Mr. Todd’s manager, announced the death in a statement on Saturday morning. He did not specify the cause.Mr. Todd’s decades-long acting career spanned genres and mediums. He starred or had prominent roles in several films, including the 1990 remake of “Night of the Living Dead,” “The Crow,” “The Rock” and Oliver Stone’s Oscar-winning Vietnam War movie, “Platoon.” His television credits include “Star Trek: The Next Generation,” “24,” “The X-Files,” and many other shows. He also lent his rich voice to animation and video games.He was perhaps best known for his role as the titular demon in the 1992 movie “Candyman,” He told The New York Times in 2020 that he was proud of playing the terrifying figure with a hook for a hand, a Black man who had been wronged in life and is summoned from the beyond by people who call his name five times while looking in a mirror — unleashing vicious attacks in which the Candyman slices to death those who dared to disturb him. “If I had never done another horror film,” he said, “I could live with that, and I’d carry this character.”Mr. Todd reprised the role in the film’s 1995 and 1999 sequels and returned to it for the 2021 reboot, directed by Nia DaCosta and written by Jordan Peele.In the “Final Destination” franchise, Mr. Todd played the role of the mysterious funeral-home owner William Bludworth — the rare recurring character in a film series that famously killed off all of its new characters by the time the end credits rolled.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Kaley Cuoco Drifts Off to Episodes of ‘Dateline’

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      The actress returns for Season 2 of the dark comedy “Based on a True Story” as the true-crime aficionado Ava.When Kaley Cuoco learned she was pregnant before shooting began on the first season of the dark comedy “Based on a True Story,” her character, Ava — a true-crime aficionado on the trail of a serial killer — was given a quick rewrite and became an expectant mother, too.Not surprisingly, when Cuoco chafed at the rituals of new motherhood, that wound up in the story line for Season 2 (out Nov. 21 on Peacock), which finds Ava on the scent of a copycat murderer.“A lot of this came from my own actual experiences of the first six months of being with my kid and despising some of the Mommy and Me classes,” said Cuoco, who had never worked with a baby on camera. “It was new for Ava, it was new for Kaley.”She lives in Thousand Oaks, Calif., with her partner, the actor Tom Pelphrey, and their daughter Matilda. Motherhood has required Cuoco to re-evaluate and compartmentalize.“This is the first time in my whole life that I’ve thought about anyone else but myself when it comes to work,” said Cuoco, who for 12 seasons played Penny on “The Big Bang Theory,” and appeared as Cassie for two on “The Flight Attendant,” earning three Emmy nominations. “You think of it as these kind of mini-moments,” she said of the three months of shooting “Based on a True Story,” during which she saw Matilda mostly on weekends.“But that’s part of it. You commit to that moment in time,” Cuoco added before elaborating on her devotion to rescue animals, Sharky’s rice and bean burritos, and “Dateline.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      New Movies and Shows Coming to Netflix in November: ’Emilia Pérez’ and More

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      A parade of notable new titles are coming for U.S. subscribers all month. Here’s a roundup of the most promising.Every month, Netflix adds movies and TV shows to its library. Here are our picks for some of November’s most promising new titles for U.S. subscribers. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)‘Emilia Pérez’Starts streaming: Nov. 13A winner of multiple prizes at the Cannes Film Festival earlier this year, this genre-bending, gender-bending movie has Zoe Saldaña playing Rita, a lawyer enlisted to help a cartel boss formerly known as Juan begin her new life as Emilia (Karla Sofía Gascón), while also helping Emilia’s wife, Jessi (Selena Gomez), adjust to the change. Written and directed by the accomplished French filmmaker Jacques Audiard — and featuring songs by the composer Clément Ducol and the singer Camille — “Emilia Pérez” is at once a comedy, a musical and a crime drama, shifting approaches freely as it tells the story of a woman aiming for a profound transformation of a messy life.‘The Piano Lesson’Starts streaming: Nov. 22Following “Fences” (2016) and “Ma Rainey’s Black Bottom” (2020), Denzel Washington’s latest film adaptation of the plays in August Wilson’s “Pittsburgh Cycle” tackles one of the playwright’s most popular works. Produced by Washington (with Todd Black) and directed by Washington’s son Malcolm, “The Piano Lesson” has John David Washington (another son) as Boy Willie, who hatches a plan to buy some land by selling his family’s hand-carved piano, currently in the possession of his Uncle Doaker (Samuel L. Jackson) but held dear by Willie’s sister, Berniece (Danielle Deadwyler). Set in the 1930s, the film is a lively and complex drama about a Black family debating the best way to honor its enslaved ancestors — either by preserving their history as-is or by using their legacy as a way to get ahead.‘Spellbound’Starts streaming: Nov. 22One of the first feature film projects announced by Skydance Animation (way back in 2017) finally makes it to the screen after a production complicated by Covid and distribution difficulties. Rachel Zegler voices Ellian, a princess of the kingdom of Lumbria, which is being torn apart after a spell transformed the king (Javier Bardem) and queen (Nicole Kidman) into monsters. Featuring songs by Alan Menken and Glenn Slater, and direction by Vicky Jenson (best-known for her work on “Shrek”), “Spellbound” follows Ellian’s multi-step quest to save her family and her people.‘Our Little Secret’Starts streaming: Nov. 27The 2022 Netflix movie “Falling for Christmas” saw the return of Lindsay Lohan as a leading lady in a film for the first time in nearly a decade; and the movie went on to become one of the streamer’s biggest hits that holiday season. Two years later, Lohan is once again surrounded by wreaths, ribbons and twinkling lights for the romantic comedy “Our Little Secret.” She play Avery, who gets stuck at a holiday gathering with her boyfriend’s family, where she discovers that her man’s sister is dating Logan (Ian Harding), with whom Avery had a messy breakup 10 years earlier. Since the exes both want to make a good impression for their new significant others’ fussy mother (Kristin Chenoweth), they decide to pretend they don’t know each other — which becomes increasingly complicated as the Christmas togetherness rolls on, day after day.‘Senna’Starts streaming: Nov. 29This flashy Brazilian mini-series dramatizes the too-brief career of the Formula 1 champion Ayrton Senna. Gabriel Leone plays Senna, who took the F1 circuit by storm in the late 1980s and early ’90s before dying at 34 from injuries sustained during a race. “Senna” is packed with fast-paced racing scenes, but the show’s creator, Vicente Amorim, is just as interested in the backroom politicking that sprung up once Senna’s more aggressive racing style put him in the winner’s circle ahead of the more established (and more conservative) European stars. While getting into Senna’s family and personal life, the series also documents how one of Brazil’s national heroes argued that the sport’s financiers and governing bodies too often kept the drivers from competing at their best.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Dune: Prophecy’ Faced a Pitiless Terrain: Adapting Anything ‘Dune’

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      The novels were famously tough to adapt until Denis Villeneuve came along. Can an HBO prequel about the origins of the Bene Gesserit follow suit?For over 50 years, Frank Herbert’s best-selling science-fiction novel “Dune” was a puzzle no one in show business seemed able to solve. Published in 1965, the book had inspired a shelf full of sequels and prequels — along with scores of imitators — yet it defied every attempt to turn it into a blockbuster film or TV series.In the 1970s, the beloved avant-garde filmmaker Alejandro Jodorowsky spent two years and millions of dollars developing a movie and never shot a single frame. David Lynch tried next, but the resulting film, released in 1984, was a personal and box-office catastrophe. The story’s vastness and exoticism proved as perilous to storytellers as the fictional planet Arrakis, whose hostile deserts inspired the franchise’s name.When the HBO series “Dune: Prophecy” was announced, in 2019, its prospects seemed just as murky. Indeed the production struggled to find its footing. By the premiere, it will have seen four showrunners, three lead directors and high-level cast changes — not to mention a pandemic and two crippling industry strikes.But then in 2021, the French Canadian filmmaker Denis Villeneuve, who was set to direct the pilot, released Part 1 of his two-part adaptation of “Dune.” Critics were ecstatic, and the film grossed over $400 million worldwide. Suddenly a “Dune” franchise looked viable. Villeneuve’s team had offered a blueprint for other creators to work from, tonally, aesthetically and narratively. (The studios behind the film, Legendary and Warner, which owns HBO, are also behind the series.)Perhaps more important, there was now a huge audience that had never read Herbert’s famously dense novels but had become invested in the story and characters. The resounding critical and financial success of “Dune: Part Two,” released in February, indicates viewers are still invested in the franchise.“I think Denis really unlocked this universe for people in a way that was relatable,” said Alison Schapker, a “Westworld” veteran who took over as the sole showrunner of “Dune: Prophecy” in 2022. “He grounded it. We wanted to tell a story that takes place in that universe.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jimmy Fallon Relays Biden’s Promise of a Peaceful Transfer of Power

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      “Democrats were like, ‘Well, I guess at this point we can let him speak again,’” the “Tonight Show” host said.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Getting Back UpPresident Biden spoke from the White House on Thursday, promising a peaceful transfer of power to President-elect Donald J. Trump in January.“Democrats were like, ‘Well, I guess at this point we can let him speak again,’” Jimmy Fallon said.“During his speech, Biden said, ‘You can’t love your country only when you win.’ Yeah. Then he said, ‘But since I didn’t win or lose, I can do whatever the hell I want.’” — JIMMY FALLON“Biden also tried to comfort Democrats by saying, ‘The America of your dreams is calling for you to get back up.’ Then Biden said, ‘Now if you’ll excuse me, I need to go take a nap.’” — JIMMY FALLON“But he said ‘The America of your dreams is calling for you to get back up’ is based on a quote from his favorite British poet, Chumbawamba.” — JIMMY FALLON“He only spoke for a few minutes — didn’t want to miss the Showcase Showdown on ‘Price is Right.’” — JIMMY KIMMEL“The president gave a gracious speech. He told the nation, ‘You can’t love your country only when you win,’ which got a huge laugh in the lunchroom at Mar-a-Lago.” — JIMMY KIMMEL“We’re going to be talking about Trump again every day for another four years, I guess. And I, for one, did not think that when I came out of the jungles of Malaysia to do comedy that I would be making jokes about Donald Trump every day for 13 years straight. Thirteen years! I don’t talk about anybody as much — I don’t talk about my mom as much as I talk about this guy. I don’t talk about my wife as much as I talk about this guy. My wife thinks I’m having an emotional affair with him. I’m going to be talking about this guy on my [expletive] deathbed, OK? Which I assume will be in three years, when he somehow brings back the bubonic plague.” — RONNY CHIENGThe Punchiest Punchlines (Expat Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Alan Cumming’s Paradise Homes’ Is a Cheeky and Fabulous Distraction

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      Need a healthy does of escapism right about now? Look no further than this series on BritBox.There are certain television shows that seem as if they were created as an excuse for famous people to take nice vacations. “Alan Cumming’s Paradise Homes” is one such program. But that doesn’t mean the series, streaming now on BritBox, isn’t a charming, escapist watch.Cumming is the Scottish actor known for his work on Broadway in the likes of “Cabaret” and his stint on “The Good Wife,” but recently he has been using his thick brogue for reality TV hosting gigs. His stint lording over the bickering competitors of Peacock’s “The Traitors” won him an Emmy earlier this year. “Paradise Homes” continues the trend, but it features far less back stabbing.In the five-episode first season, Cumming travels around Europe and North America, poking his nose into extraordinarily designed homes. Cumming bills himself as an architecture buff who has designed several building projects of his own, and as he tours each spot, he evaluates it based partly on whether it is the type of place he picture himself in. It makes the entire enterprise feel like “Architectural Digest” by way of your most fabulous friend with a judgmental side.While I’m no expert, the houses really are incredible, mostly modernist palaces in unusual locales. Still, as is the case with most shows like this, the entertainment value varies based on who is living in the homes. The best subjects have the most curious houses, like the couple in rural Ontario who revamped a 19th century cabin with sleek and contemporary additions, painted black. The couple also get Cumming’s sense of humor, and they invite him to sing karaoke in their hot tub with them.For all the gorgeous scenery, Cumming, with his penchant for snooping and his stylish suits, is really the main attraction. He wants to have a good time, and when he vibes with the homeowners, the show sparks. He is also delightfully thrilled by tasty (vegan) food and splendid (alcoholic) beverages.“Paradise Homes” is light on the nitty-gritty of how these living spaces are funded and built, leaving the financial details vague. The lack of transparency can at times feel a little tone-deaf, but maybe it’s better that the show doesn’t get too bogged down in reality: “Paradise Homes” is an excellent distraction. For a couple of hours you can imagine you’re living the good life, sipping on wine with a amusingly cheeky guide. More

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      Late Night Processes Donald Trump’s Re-Election

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      “Trump returning to the White House is a huge historic comeback for someone who literally never went away,” Jimmy Fallon said.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Infernal FlameLate-night hosts spent Wednesday processing the 2024 election results and former President Donald Trump’s sweeping win.On “The Daily Show,” Desi Lydic lamented that “instead of breaking the glass ceiling, last night America decided to get back with her dirtbag ex.”“Yep, it’s official. America elected its first criminal president before electing its first female president. What a day for proud felonists.” — DESI LYDIC“We’ve had two qualified, accomplished women nominated for president, and both times they lost to the worst man in the whole country.” — DESI LYDIC“Yup, Trump could be the first president to be under White House arrest.” — JIMMY FALLON“All day yesterday, I was walking around proudly wearing my ‘I voted’ sticker. Today, I wore my ‘I am questioning my fundamental belief in the goodness of humanity’ sticker.” — STEPHEN COLBERT“Now, as a late-night host, people often say to me, ‘Come on, part of you has got to want Trump to win because he gives you so much material to work with.’ No, no. No one tells the guy who cleans the bathroom, ‘Wow, you must love it when someone has explosive diarrhea — there’s so much material for you to work with!’” — STEPHEN COLBERT“I guess this election wasn’t rigged. That’s weird, though, right? I mean, he said it would be rigged. He said it was being rigged while people were in line voting. Isn’t it remarkable that this time, the fix wasn’t in? Last time, the Democrats cheated. This time, we chose not to, I guess.” — JIMMY KIMMEL“Donald Trump is like the emperor from ‘Star Wars.’ He’s old, he’s evil and he keeps coming back with no reasonable explanation whatsoever.” — JIMMY KIMMELThe Punchiest Punchlines (Four More Years Edition)“Let me tell you, that was the worst Taco Tuesday of my whole life.” — JIMMY KIMMEL“Trump returning to the White House is a huge historic comeback for someone who literally never went away.” — JIMMY FALLONWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More