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      ‘Pachinko’ Is a Gorgeous Epic of Love and Struggle

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      Based on the novel by Min Jin Lee, this thoughtful series about a Korean family across generations returns to Apple TV+ for a second season.Adapted from the acclaimed novel by Min Jin Lee, the Apple TV+ drama “Pachinko” spans decades in the life of a Korean family, beginning first in 1915 under Japanese colonial rule in their home country and later in Japan, where their personal ambitions bump up against ingrained prejudice.“Pachinko,” Season 2 of which premieres on Friday, hits on multiple emotional levels. The high drama of the many romantic entanglements melds with the thoughtful historical fiction about how a strange mixture of trauma and love reverberates through generations. It makes for a gem of a show about a family’s will not only to survive but also to thrive.At the center of the sprawling epic is Sunja, played as a young woman by Minha Kim and as a grandmother by Yuh-jung Youn, an Oscar winner for “Minari.” Season 1 charted Sunja’s childhood, her first romance and betrayal, and then her move to Osaka with Isak (Steve Sanghyun Noh), a young pastor who marries her while she is already pregnant. In the later timeline, which began in New York City in 1989, Sunja’s American-educated grandson, Solomon (Jin Ha), headed to Tokyo with aims of ascending in the business world, assuming at first that he could use his Koreanness to an advantage.Season 2 continues the 1989 story line, but jumps ahead in the earlier timeline to 1945, as the American bombing of Osaka looms. Sunja is now keeping herself afloat selling kimchi, though supplies are scarce. Her eldest boy (Kang Hoon Kim), is studious but tormented by his classmates, while her youngest (Eunseong Kwon) is an adorable firecracker, whose presence does a lot to enliven the otherwise grim circumstances. (The wonderful opening credits sequence, which has the cast dancing to the 1969 Grass Roots tune “Wait a Million Years,” is also a burst of joy.)Even as the two story threads feel mismatched — a lot more happens in the World War II plot than in 1989 — the writers always find savvy links between them. They are helped by the remarkable work of Kim and Youn, each elevating the other as we come to understand the root of Sunja’s resoluteness and how she relates to her grandson’s ambition. Paired with Nico Muhly’s stunning and plaintive score, the performances make it easy to become enraptured by Sunja’s story. More

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      Silvio Santos, Provocative Brazilian Television Host, Dies at 93

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      He was best known for the long-running variety show “Programa Silvio Santos,” on which he charmed his audiences with gimmicks and showcased a range of performers.Silvio Santos, a Brazilian media mogul and television personality who built one of the country’s biggest entertainment empires, died on Saturday in São Paulo. He was 93.His death, in a hospital, was caused by bronchopneumonia related to a case of H1N1 flu this month, according to a statement by SBT, the television channel he owned.Mr. Santos spent more than six decades in front of the camera. He created and hosted several popular variety shows, including Brazil’s homegrown version of “Who Wants to Be a Millionaire.” His best-known show, “Programa Silvio Santos,” has been on the air since 1963. (His daughter Patrícia became the host in 2021, although he continued to appear occasionally.)Every Sunday night, viewers watched Mr. Santos shimmy with dancers, hand out prizes to a mostly female audience, and showcase a range of performers, including circus acrobats, drag queens and hypnotists.“It wasn’t Sunday without Silvio Santos on the television screen,” said Geraldo Alckmin, Brazil’s vice president, who knew Mr. Santos personally. “He would become part of every Brazilian family in this fun, relaxed way.”A natural showman, Mr. Santos came to be known for his 100-kilowatt smile and his playful interaction with audiences. Dressed sharply in a custom-made suit, he would walk onstage to the tune of a catchy jingle, posing a question to the audience: “Who wants money?” In one of his signature gimmicks, he fashioned paper planes out of cash and launched them into a cheering crowd.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Matt Berry Is Afraid of Heights, Not Comedy

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      His performance as a debauched vampire in “What We Do in the Shadows” earned him an Emmy nod. It has also often had him dangling 50 feet off the ground.Many actors will claim to have been surprised by an Emmy nomination. Matt Berry seems to mean it. While “What We Do in the Shadows,” the gleefully grotesque FX vampire comedy, has piled up a score of Emmy nominations, none were for performance.So when Berry’s agent called in mid-July and asked to FaceTime, Berry, a prolific singer-songwriter who was busy at his drum kit recording a new folk-pop album, had no idea why.“I can honestly tell you I was not expecting an Emmy nomination,” he said. But it was — a nomination for best lead actor in a comedy series, his first in any category.Berry, 50, an English actor best known for cult comedies like “Garth Marenghi’s Darkplace” and “Toast of London,” stars as Laszlo Cravensworth, a 300-year-old English aristocrat turned vampire. An avatar of decadence with a thing for orgies and cravats, he is played by Berry with a debauched joy and an accent that somehow suggests cut glass, crushed velvet and many, many quaaludes.Berry, whose gift is for making the most outlandish circumstances feel oddly plausible, recently wrapped the show’s sixth and final season. He didn’t seem to regret it. “I’m one of those that is very keen to cut loose when I’m onto a good thing,” he said. And despite the occasional wire work — he has an entirely serious fear of heights — “Shadows” had been good.Reached at his home in Bedfordshire, England, Berry discussed Victorian style, vampirism’s upsides and the most outlandish things the show has ever made him do. These are edited excerpts from the conversation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Seth Meyers Approves of the Obamas Dissing Donald Trump

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      The “Late Night” host remarked that former President Barack Obama burned Donald Trump “without even saying a word” on Day 2 of the D.N.C.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Double-Teaming Donald TrumpFormer President Barack Obama and his wife, Michelle Obama, gave rousing speeches on the second night of the Democratic National Convention on Tuesday.On Wednesday’s “Late Night,” Seth Meyers said that Michelle Obama “brought down the house when she tore into Trump.”“She is very, very good. I’m a little bummed she doesn’t want to get into politics, but I’m very happy she doesn’t want to host a late-night talk show.” — SETH MEYERSBarack Obama’s speech, Meyers said, “got everyone talking when he took a jab at the size of Trump’s crowds.”“He did it without even saying a word — just a tiny hand gesture.” — SETH MEYERS“I’ve said it for years, and I’ll say it again: the best Obama is standup Obama.” — SETH MEYERS“That was the first time Trump was like, ‘That’s enough TV; I’m going to go exercise and read a book.’” — JIMMY FALLON“The last time Trump got burned that badly, he locked himself in his tanning bed.” — JIMMY FALLON“Yeah, then Stormy Daniels said, ‘Nothing to fact check there.’” — JIMMY FALLON“I see what he did there. Yeah, yeah, that’s brutal. That’s the second time this summer that the Secret Service has failed to protect Trump from a lethal attack.” — JORDAN KLEPPER, guest host of “The Daily Show”The Punchiest Punchlines (Turn Down for What Edition)“I just know that when Lil Jon wrote this song, he was thinking to himself, ‘This will absolutely rip at the 2024 Democratic National Convention.’” — JORDAN KLEPPER, on Lil Jon’s appearance at the D.N.C.“I didn’t know politics was so lit. I’m going to start voting!” — JORDAN KLEPPER“Oh my gosh! They don’t call it a political party for nothing’.” — RUPAUL, guest host of “Jimmy Kimmel Live”“C-SPAN even covered it and identified Lil Jon in a lower third, although they should have used his official title: ‘Rep. Lil Jon, Democrat, Crunksylvania.’” — SETH MEYERSThe Bits Worth WatchingDiane Lane, who stars in “Feud: Capote vs. The Swans,” chatted with the guest host, RuPaul, on “Jimmy Kimmel Live” and recalled seeing Truman Capote on late-night shows in the 1970s.What We’re Excited About on Thursday NightJon Stewart will host Thursday’s “Daily Show” live from Chicago on the fourth and final night of the D.N.C.Also, Check This Out“My bed is so comfortable,” Hannah Gadsby said, “and that keeps me up at night.”Ian LaidlawThe Australian comic Hannah Gadsby takes on Taylor Swift and fans in a new routine, “Woof.” More

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      For Aja Naomi King, an Emmy Nomination Is a Seismic Event

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      The earth shook as she talked about receiving her first Emmy nod, for her role as Harriet in the Apple TV+ show “Lessons in Chemistry.” Literally.A few minutes into a conversation with Aja Naomi King, a first time Emmy nominee for her graceful, purposeful supporting turn in the Apple TV+ limited series “Lessons in Chemistry,” the earth began to move. “Oh my God. Earthquake! Earthquake!” King said. Once the ground quieted, she collected herself.“Sorry,” she said. “I just really got the fullness of that shake.”An Emmy nomination? That has been earthshaking, too. King’s Instagram post about the news is an outpouring of exuberant run-on sentences punctuated by a heart emoji. “If you made it to the bottom of this post you deserve an award,” she wrote.King, 39, graduated from the School of Drama at Yale in 2010. She had been working professionally for over a decade, most notably in the tangy ABC procedural “How to Get Away With Murder,” when she was cast in “Lessons in Chemistry.” Based on the best seller by Bonnie Garmus, the show tells the story of Elizabeth Zott (Brie Larson), a onetime chemist who becomes the host of a 1960s cooking show.King plays Elizabeth’s close friend Harriet. Described in the novel as a middle-aged white woman, Harriet was reimagined as a young Black mother and an aspiring lawyer who fights to save Los Angeles’s Sugar Hill neighborhood from the incursions of the freeway system.When Elizabeth, concerned for her career, declines to participate in the fight, King’s Harriet confronts her. “You’re always talking about the things that keep women down, but who does that include?” Harriet says.While King was initially concerned that Harriet would be a mere foil for Elizabeth, she was gratified by what she described as “the fullness of Harriet’s Black womanhood” that the show allowed for.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Love Island USA’ Reunion: 5 Biggest Takeaways

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      After a chaotic and fun season, even more drama unfolded on social media in the weeks that followed. This Peacock special broke everything down.This summer’s season of “Love Island U.S.A.” has been the most popular of the franchise so far. And, if it feels like everyone is talking about it, it’s because they probably are — during the second week of July, this show was the most watched streaming original series in the U.S., according to Luminate, an entertainment data tracking service. That means it outranked “The Bear.”Because of the season’s popularity, it made sense for the show to have its first ever reunion special. Hosted by Ariana Madix, whose training included being grilled by Andy Cohen during her many “Vanderpump Rules” reunions, the show featured 25 Islanders — both OGs and Casa Amor — discussing not only what went on during the season but also all the messy drama that has unfolded on social media in the weeks after the show aired.Here are the five biggest takeaways from the reunion.Full footage of the firepit vote between Serena Page, Olivia Walker, Leah Kateb and Kaylor Martin is revealed.One of the biggest and longest running dramas in the villa this season had to do with the dumping of Andrea Carmona. At the time, Carmona was coupled up with Rob Rausch, who had just gotten out of a couple with Leah Kateb.A handful of the women in the villa had to decide whom to dump between Carmona, Nicole Jacky or JaNa Craig.The decision to send Carmona home caused many fights, including one during which Martin and Walker told Rausch that Kateb had been the one pushing to send Carmona home — and this information discouraged Rausch from recoupling with Kateb. Kateb maintained that she “tried to take a back seat” in the decision making.Throughout and following the season, viewers asked on social media why the show didn’t just air the entire unedited footage of the four women making the decision, instead of allowing a seemingly endless “he-said-she-said.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Reservation Dogs’ Showed D’Pharaoh Woon-A-Tai What Is Possible

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      The actor received his first Emmy nomination for his performance on the acclaimed Native comedy. In an interview, he talks about breaking down stereotypes, and possibly reviving his character.Much like his “Reservation Dogs” character, D’Pharaoh Woon-A-Tai grew up wondering if he was a good guy.If his dedication to his craft and his community is any indication, the 22-year-old actor of Anishinaabe, Guyanese and German descent seems to be a pretty upstanding citizen. The day we chat about his Emmy nomination for lead actor in a comedy series, for example, he is visiting his parents in his native Toronto (from his adopted hometown, Los Angeles) and has spent most of the morning chauffeuring his auntie around on a several-hours-long excursion. After all, mothers, grandmothers and aunties are considered the bedrock of Indigenous communities.That’s a fact any “Reservation Dogs” fan would know. With the groundbreaking FX series, the creators Taika Waititi and Sterlin Harjo provided a rare look at everyday life on an Oklahoma Indian reservation through the eyes of four teens reeling in the aftermath of a friend’s suicide. Harjo, who also served as showrunner, has said there was only one way to do it: with an all-Indigenous team of writers, directors and regular actors who could authentically tell this story.Alongside his young co-stars, Woon-A-Tai made uncharted television territory feel warm, raw and utterly relatable, garnering “Rez Dogs” broad acclaim as well as four Emmy nominations this year, including a best comedy nod. His portrayal of Bear Smallhill also earned him an Emmy nomination, placing him alongside Lily Gladstone (“Under the Bridge”) and Kali Reis (“True Detective: Night Country”) as the first Indigenous actors to be nominated in 17 years.In an interview, he talked about breaking down stereotypes, possibly reviving his “Rez Dogs” character and being a good, healthy Indigenous man. These are edited excerpts from the conversation.Despite critical acclaim, “Rez Dogs” was notably overlooked by the television academy for its first two seasons. What does it mean to you to break through with a best comedy nomination and one of the few Indigenous acting nominations in Emmys history?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Phil Donahue’s Neutral Wardrobe Kept the Focus on His Subjects

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      The talk show host made a career of exposing polarizing topics while dressed in a relatively neutral wardrobe.The hoary tabloid axiom “if it bleeds, it leads” played no small part in the decades-long career of Phil Donahue, the pioneering host of “The Phil Donahue Show,” who died on Sunday at 88. Mr. Donahue spent three decades exposing subjects difficult for many Americans to confront — homosexuality, atheism, civil rights, consumer protection and abortion among them — to the disinfectant light of daytime TV.Central to Mr. Donahue’s success was his physical appearance. A conventionally handsome man with a boyish cast to his features, he had a perpetually merry look of bemusement and a virile, Kennedy-esque thatch of hair that grayed and then whitened as he aged in front of viewers in their living rooms. The aura Mr. Donahue conveyed was that of genial, avuncular family doctor who distracts you with innocuous banter as he rips off the bandage.Mr. Donahue deliberately played to that look with an on-air wardrobe that occasionally veered toward dapper — vested three-piece suits, wide ties, broad ’80s lapels — but was seldom, if ever, flamboyant. No “groovy” Merv Griffin shirts or turtlenecks for him, or the loud jackets and pastel polyester suits that were Johnny Carson’s sartorial signature. By comparison, Mr. Donahue’s style was resolutely neutral: He wore good clothes that fit his trim frame neatly but still seemed unremarkable, as though bought off a rack at J.C. Penney.When at times Mr. Donahue shed his jacket, it was to roam the studio aisles with his shirt sleeves rolled up, wielding the mic like a baton and putting it and the authority into the hands of audience members, whose questions he once remarked were often better than his.“Donahue’s subjects were often sharp, but his presentation was soft,” Wayne Munson, the author of “All Talk: The Talk Show in Media Culture,” said in an interview. Mr. Munson’s 1993 book took aim at a cultural form that, reviewers noted, blended interpersonal exchange and mediated spectacle and that would ultimately, as few then predicted, give way to all the yapping now consumed on social media.Mr. Donahue’s appearance, demeanor and habit of sharing the mic with audience members suggested his was never to be the authoritative voice of God but that of a neighbor.Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More