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    William Cran, ‘Frontline’ Documentarian, Is Dead at 79

    Producing or directing, he made more than 50 films over 50 years, including a series on the English language and an exploration of J. Edgar Hoover’s secret life.William Cran, an Emmy-winning master of the television documentary whose expansive body of work, primarily for the BBC and the PBS program “Frontline,” delved into complex subjects like the history of the English language and the private life of the F.B.I. director J. Edgar Hoover, died on June 4 in London. He was 79.His wife, Vicki Barker-Cran, said cause was complications of Parkinson’s disease. He died in a hospital.Mr. Cran produced more than 50 documentaries over 50 years and directed many of them.He began his career with the BBC, but he mostly worked as an independent producer, toggling between jobs on both sides of the Atlantic.He was most closely associated with “Frontline,” for which he produced 20 documentaries on a wide range of subjects — some historical, like the four-part series “From Jesus to Christ” (1998) and “The Secret Life of J. Edgar Hoover” (1993), and some focused on current events, like “Who’s Afraid of Rupert Murdoch” (1995).Some of Mr. Cran’s documentaries were historical, like the four-part series “From Jesus to Christ” (1998).PBSHe won a slew of honors, including four Emmys, four duPont-Columbia University awards, two Peabodys and an Overseas Press Club Award.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘The Waterfront’ Brings More Murder to Netflix

    Created by Kevin Williamson, this new drama set in North Carolina is a pulpy family saga of violence and secrets, land and legacy.“The Waterfront,” a Netflix drama created by Kevin Williamson, is set in North Carolina in a small coastal town. The Buckleys are local royalty — not only in the sense that they’re well known and powerful, but also in that they’re tortured by their circumstances and deeply resent one another, even as they feel a duty to protect the family.The show is one of many to follow the “Yellowstone” model, a family saga of violence and secrets, of huffy men and sly women, of distinctive names (Cane, Harlan, Diller, Hoyt). It is also about land that’s been in this family for generations, gosh darn it — land that’s our legacy if only the cruelties of debt and developers would abate.Our gruff patriarch is Harlan (Holt McCallany), a drunk and a womanizer with heart troubles and a shady past. His wife, Belle (Maria Bello), has her own valuable secrets and runs the family restaurant. Their son, Cane (Jake Weary), meddles with the fishing side of the business, and their daughter, Bree (Melissa Benoist), tenuously sober and trying to rebuild a relationship with her surly teenage son (Brady Hepner), wants more responsibility in the family’s enterprises. But Belle isn’t so sure she’s ready. Cane has gotten himself into a spot of trouble with a drug ring, and suddenly his side hustle is a bigger and bigger problem.Only three of the eight episodes of “The Waterfront” were made available for review, so I cannot speak to its stamina or big arcs. But these early chapters do a few things well.Whatever its flaws may be as it goes on, “The Waterfront” does not start slow — it knows how to escalate. The bodies start piling up quickly and surprisingly, the double-crossing starts right away and the flirtatious glances turn to naughty trysts within an episode. Mysterious strangers do not remain so mysterious or strange for too long. The show often lacks texture, but it compensates with earnest momentum.The series also has dark fun with its setting, and its moody crimes include murder by fishing net, intimidation by dunking someone as shark bait and hiding a body in a swamp in the hopes that alligators will take care of the rest.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘SVU’ Star Mariska Hargitay on Her Mother Jayne Mansfield

    Mariska Hargitay was at home, and she was sprinting up the stairs, bounding between the corners of her very full life. I had to hustle to keep pace.She checked in with her oldest son — tall, polite, home from his first year at Princeton — and supervised the setup of an engagement party she was hosting for her goddaughter. Gardeners buzzed about the terraces of her Manhattan penthouse. She apologized, superfluously, for the noise.Her latest obsession, a family heirloom grand piano that had recently entered her apartment via crane, dominated the living room, with a custom “M” bench, courtesy of her husband, the actor Peter Hermann (“Younger”). “That’s my next thing — I’m going to learn to play soon,” Hargitay vowed.Another dash and we were on the floor below, a warren of cozy offices, painted in jewel tones, with overstuffed couches and muscular art by Annie Leibovitz. Tucked on a bookshelf were some of Hargitay’s awards. She has earned Emmys for playing Olivia Benson, the beloved “Law & Order: SVU” hardass, and for producing the 2017 documentary “I Am Evidence,” about the backlog of rape kits.This is where Hargitay had conceived, edited and even shot some of her newest and perhaps most life-altering project, the documentary “My Mom Jayne.” It’s at once an unflinching portrait of her mother, the 1950s star and pinup Jayne Mansfield, who died when Mariska was 3; a homage to her father, the bodybuilder and actor Mickey Hargitay; and an investigation into her own clouded and secretive origins. Directing the film, which will air June 27 on HBO, and proclaiming her story has unlocked something profound for Hargitay, 61.“I am so clear now about the truth,” she said. “This big haze came off — a veil of fear. And now I just feel so much at peace. It’s like a miracle to me to feel this way. I never thought I could.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Seth Meyers Wishes Tucker Carlson and Ted Cruz Could Both Lose

    The clash of conservative titans had Meyers feeling like a Roman emperor: “I just want someone to feed me grapes while I say, ‘Let them fight.’”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘Rooting for a Sinkhole’In a heated exchange on Tucker Carlson’s show, the host grilled Ted Cruz about Iran’s population and ethnic makeup, suggesting that the Republican senator was ignorant about the country whose government he wanted the United States to help overthrow.Seth Meyers was amused by the standoff, saying he’d never “felt more like a Roman emperor.”“I just want someone to feed me grapes while I say, ‘Let them fight.’” — SETH MEYERS“It’s like watching a sequel to ‘Alien vs. Predator’ called ‘I Can’t Believe I’m Saying This, but the Predator is Making Some Very Salient Points.’” — SETH MEYERS“Oh, damn, Ted Cruz. Are you a pair of $800 Ferragamo boat shoes? Because Tucker Carlson owned you, buddy.” — JORDAN KLEPPER“And Ted Cruz was like, ‘I know the population, just give me a second to count, OK? Let’s see, there’s the ayatollah, that’s one. Uh, the Iron Sheik, two. Is Aladdin one? No? No?” — JORDAN KLEPPER“It’s so wild to see these two fighting. But I gotta say, in an argument between Tucker Carlson and Ted Cruz, I’m rooting for a sinkhole.” — STEPHEN COLBERTThe Punchiest Punchlines (Flagpole Edition)“Not now, dude! This is like your boyfriend getting down on one knee and saying, ‘Kelly, will you make me the happiest man in the world and look at these two beautiful flagpoles?’” — STEPHEN COLBERT, on Trump’s announcement that new flagpoles would be installed at the White House“What’s going on here? It feels like someone told him, ‘Sir, you’re not doing well in the polls.’ And he was like, ‘I hear you, I’m on it.’” — JORDAN KLEPPER“Now personally, I think it’s cool that Trump found a new use for the 50-foot pole that Melania refuses to touch him with.” — JORDAN KLEPPER“Wow, ‘tall, tapered, rustproof’ flagpoles. You know he must love them ’cause that’s the same way he describes his son Barron.” — JIMMY KIMMEL“What a president. He spent 48 minutes yammering about flagpoles. He spent more time raising these flags than he did raising Eric and Don Jr. combined today.” — JIMMY KIMMELThe Bits Worth Watching“Jimmy Kimmel Live” timed how long it took fans to start eating from a bowl of nachos left on top of a garbage can at the N.B.A. Finals.What We’re Excited About on Thursday NightPaul Simon will discuss coming out of retirement on “The Late Show.”Also, Check This OutSteven Spielberg, holding the camera, and his cinematographer Bill Butler during the filming of “Jaws.”Peacock/Universal Pictures, via Associated PressFifty years ago, “Jaws” established a template that blockbuster movies have been following ever since. More

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    Where to Go in Philadelphia, According to Brian Tyree Henry

    If your memories of summer camp don’t involve eight-course tasting menus and vintage fashion shopping sprees, well, perhaps you weren’t doing it right. Or you were never in a stalled Apple TV+ production with Brian Tyree Henry.Mr. Henry, 43, who recently received the Gotham Television Awards’ first Performer Tribute for his role in “Dope Thief,” is the star and an executive producer of this crime drama about two friends who try to earn a living as fake drug enforcement agents. The limited series was not quite halfway through filming in Philadelphia when Hollywood writers went on strike in 2023, soon followed by actors. He decided to make the best of a bad situation by staying put and diving as deeply as possible into his character’s hometown.Mr. Henry rose to prominence as Alfred “Paper Boi” Miles in the FX show “Atlanta.” He currently stars in the limited Apple TV+ series “Dope Thief,” which is set in Philadelphia.Taylor Jewell/Invision, via Associated PressDuring the work stoppage, which lasted six months, “the Philly crew was still there, and they were my friends,” Mr. Henry said in a video interview. “So my time in Philly felt like sleep-away camp.” He learned a lot. For starters: “Philly natives love Philly,” he said. “If I walked out of my house in anything green and white, it had better have an eagle on it.”Mr. Henry and his co-star, Wagner Moura, play friends who try to earn a living as fake D.E.A. agents in “Dope Thief.”Jessica Kourkounis/Apple TV+, via Associated PressHe also discovered that he didn’t need to stray far from his Center City rental to find a happy place: the tiny 17th-century Rittenhouse Square. “You can sit in the park and read a book, and then go and chill out and have a good meal across the street,” he said, citing the steak, popovers and tater tots at Barclay Prime among his favorite examples. Another neighborhood staple was the Rittenhouse Spa & Club, where regular facials helped mitigate the “sweat, blood, smoke and gunpowder” he was covered in during filming. “They would be like, ‘What did you go through this week?’” he said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jordan Klepper Calls Trump Out for His ‘Irish Exit’ at G7

    The president left the Group of 7 summit in Canada a day ahead of schedule, and Tuesday’s “Daily Show” host thinks he knows why.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘Stay Tuned’President Trump left the G7 summit in Canada a day earlier than planned, flying back to Washington to deal with the Iran-Israel conflict, according to the White House.On Tuesday’s “Daily Show,” Jordan Klepper called Trump out for his “Irish exit.”“Now, this is an important G7 for Trump, because he had to prove that he had the discipline and wherewithal to fix the global economy after he [expletive] up the global economy.” — JORDAN KLEPPER“We all know what this is, right? You’re at an event, you have to rush home because ‘something came up’? Look, I get it — none of us like to poop in an unfamiliar place. Sometimes, when you have a big matchup coming up, you just need that home-field advantage.” — JORDAN KLEPPER“After a few days with Trump, the Canadian prime minister was like, ‘I hate to see you go, but I also hate to see you here.’” — JIMMY FALLON“When French president Emmanuel Macron told the press that Trump left the G7 to work on a cease-fire, Trump attacked Macron, posting, ‘He has no idea why I am now on my way to Washington, but it certainly has nothing to do with a cease-fire. Much bigger than that. Stay tuned!’ Much bigger than that? Not a cease-fire? Maybe not the most subtle messaging from the commander in chief. It’s like when F.D.R. said, ‘Gotta get me some sleep. Tomorrow is Big D-Day. Can’t say much more, but it rhymes with Shmormandy.” — STEPHEN COLBERT“So either the United States is about to jump in or he just got bored during the G7 icebreakers.” — STEPHEN COLBERT“‘Stay tuned.’ Like it’s the season finale of ‘Celebrity Apprentice’ or something.” — JIMMY KIMMEL“Oh, great! Yeah, better than a cease-fire! Cease-fire plus! That’s great — I hate watching ads.” — JORDAN KLEPPERThe Punchiest Punchlines (Trade Deal Drop Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Best TV Shows of 2025, So Far

    Returning hits like “Severance” and “The White Lotus” inspired plenty of chatter, but did they make our top TV list?The first half of 2025 saw the return of strike-delayed hit shows, like “Severance,” “The White Lotus” and “The Last of Us,” that took turns dominating the cultural conversation. But only one of them made our top TV list.Read on to find out which one and to see which other series, new and old, scripted and nonfiction, impressed our television critics the most (listed alphabetically).‘Andor’Diego Luna reprised his title role in the final season of “Andor.”Lucasfilm Ltd./Disney+A prequel series to “Rogue One: A Star Wars Story” (2016) — and arguably the most acclaimed “Star Wars” story of any kind since that film — “Andor” offered one of TV’s deepest explorations of the political realities and human costs of rebellion. Its two-season run wrapped up in May.“Prequels are often where dramatic tension goes to die,” James Poniewozik writes. “How invested can you be in a story whose outcome you already know? The genius of ‘Andor,’ created by Tony Gilroy, is to make that knowledge an asset.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Late Night Thinks Trump’s Military Parade Was Kind of Dull

    It was “basically a $50 million version of when a 5-year-old shows you every car in his Hot Wheels collection,” Jimmy Kimmel said on Monday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Trump’s Sad BirthdayPresident Trump hosted a military parade in Washington on Saturday — either for the Army’s 250th anniversary or for his own birthday, depending on who you believed. The crowds seemed underwhelming.On Monday, Jimmy Kimmel called it Trump’s “much-anticipated Stupid Sweet 16 disguised as a tribute to the U.S. Army he bone-spurred his way out of.”“You know, after all his talk about how this wasn’t a birthday party for him, it kind of seemed like a birthday party for him.” — JIMMY KIMMEL“The White House is now claiming that over 250,000 people attended the parade. Yeah, it was an estimate, give or take 250,000.” — JIMMY FALLON“This was less a show of overwhelming force and more like a military museum getting in its steps.” — JON STEWART“It was boring. It was basically a $50 million version of when a 5-year-old shows you every car in his Hot Wheels collection.” — JIMMY KIMMEL“You can be the president of the United States, you can have an entire political party and a global media apparatus at your disposal. You can cow the media and the wealthy into obedience. You can command an army and deploy troops and have unlimited wealth and power, but you still can’t force people to come to your [expletive] birthday party. And what is more American than that?” — SETH MEYERSThe Punchiest Punchlines (Can You Hear Me Now Edition)“The Trump Organization today unveiled plans for a new Trump mobile phone service. Best of all, you won’t have any need for a friends and family plan.” — SETH MEYERS“That guy will do anything to try to get his father to answer his phone calls.” — JIMMY KIMMEL, on Donald Trump Jr.’s introduction of Trump Mobile“A lot of words come to mind when you think of Trump, but ‘mobile’ isn’t really one of them.” — JIMMY FALLON“Trump was like, [imitating Trump] ‘It’s called Trump Mobile. But for short, I’m calling it T-Mobile.” — JIMMY FALLONWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More