Television

Subterms

    More stories

    • 150 Shares125 Views

      in Television

      Jay North, Child Star Who Played ‘Dennis the Menace,’ Dies at 73

      by

      Mr. North was best known for playing the towheaded Dennis Mitchell on the television series, which ran on CBS from 1959 to 1963.Jay North, who played the well-meaning, trouble-causing protagonist of the popular CBS sitcom “Dennis the Menace” from 1959 to 1963, died on Sunday at his home in Lake Butler, Fla. He was 73.His death was confirmed by Laurie Jacobson, a friend of Mr. North’s for 30 years. The cause was colorectal cancer, Ms. Jacobson said.Mr. North played the towheaded Dennis Mitchell, who roamed his neighborhood, usually clad in a striped shirt and overalls, with his friends, and often exasperated his neighbor, a retiree named George Wilson, who was played by Joseph Kearns. Herbert Anderson played Dennis’s father, and Gloria Henry played his mother.Dennis winds up causing lots of trouble, usually by accident.In one episode, a truck knocks over a street sign, and Dennis and a friend stand it up — incorrectly. Workmen then dig a gigantic hole, meant to be a pool for a different address, in Mr. Wilson’s front yard.The show, which was adapted from a comic strip by Hank Ketcham, presented an idyllic, innocent vision of suburban America as the 1950s gave way to the tumultuous ’60s.But things were not easy for Mr. North behind the scenes.Many years after “Dennis the Menace” ended, Mr. North said that his acting success came at the cost of a happy childhood.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares74 Views

      in Music

      John Peck, Underground Cartoonist Known as The Mad Peck, Dies at 82

      by

      Among many other accomplishments, he illustrated a scholarly work on the history of comic books and wrote record reviews in four-panel comic-strip form.John Peck, a cultural omnivore known as The Mad Peck whose dryly humorous style as an underground cartoonist, artist, critic, disc jockey and record collector was accompanied by an ornate eccentricity, died on March 15 in Providence, R.I. He was 82.The cause of his death, in a hospital, was a ruptured aneurysm in his aorta, said his sisters, Marie Peck and Lois Barber.Mr. Peck was not as well known or acclaimed as underground cartoonists like Robert Crumb or Art Spiegelman. That was perhaps in part because his interests were so broad, Gary Kenton, who edited him at Fusion and Creem magazines from the late 1960s into the ’70s, said in an interview.“To me, he would be a Top 10 cartoonist, a Top 10 D.J., a Top 10 rock critic,” Mr. Kenton said.Mr. Peck illustrated one of the first scholarly works on the importance of comic books. And he was perhaps the first cartoonist to write record reviews in four-panel comic-strip form.He also wrote an academic paper in 1983 with the literary commentator Michael Macrone about the evolution of television; its title, “How J.R. Got Out of the Air Force and What the Derricks Mean,” playfully referenced phallic symbolism in the oil-soaked prime-time soap opera “Dallas.” Mr. Peck once called it his “crowning achievement.”His comic-strip music critiques appeared in Fusion, Creem, Rolling Stone and other music publications, and in The Village Voice. He worked in a retro style repurposed from the 1940s and ’50s and wrote with sardonic humor (“Is There Life After Meatloaf?”), while offering trustworthy criticism.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares126 Views

      in Television

      ‘The White Lotus’: 7 Questions for the Season 3 Finale

      by

      As this season heads into its supersized conclusion on Sunday night, here are a few questions that need answers.Season 3 of “The White Lotus” has been the show’s longest, with the creator Mike White spending eight episodes instead of six or seven to tell the stories of superrich tourists and their messed-up personal problems. The extra time has allowed White to slow the pace a bit, to match the more meditative vibes of the high-end Thailand resort where this season takes place.But has there been violence? Oh yes. Kinky sex? The kinkiest. Unsolved mysteries? Of course. Everything fans have come to expect from “The White Lotus” has been abundant this season. Episode 1 began with gunshots, and in the weeks since we have seen armed robbery, white-collar crime, multiple violent threats and arguments and — yikes — fraternal incest.As this season heads into its supersized finale on Sunday night — at around 90 minutes, it will be the show’s longest episode to date — here are a few of the questions we hope will get some answers.Will Gaitok get a promotion?This may not seem like the most urgent issue facing the “White Lotus” characters this year, but I think that by the time the season ends, it will turn out to be very important. Granted, one of the biggest complaints about this season — especially as compared with Seasons 1 and 2 — is that White has not integrated the resort’s staff into the action as well as he usually does. But from week to week, the front gate security guard Gaitok (Tayme Thapthimthong) has been moving closer to the heart of the plot. In Episode 7, he realized that a major heist at the resort earlier this season was likely perpetrated by a fellow employee, Valentin (Arnas Fedaravicius), and his two Russian friends.Gaitok has been in trouble with his bosses since the robbery. He has wrestled with self-doubt, wondering if he is too soft to follow his dream and become one of the well-paid bodyguards to the resort’s married owners, Jim (Scott Glenn) and Sritala Hollinger (Patravadi Mejudhon). Busting the Russians could be just what Gaitok’s career needs — and could also win the heart of his love interest, Mook (Lalisa Manobal), a co-worker with ambitions of her own.Is landing a plum job with a sizable salary the key to happiness? This is one of the big questions “The White Lotus” asks every season, and it is also why Gaitok’s story line matters.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares119 Views

      in Television

      After “The White Lotus,” Lorazepam Lives On in Memes and Merch

      by

      “The White Lotus” Season 3 may be ending, but the medication that has become synonymous with it has found a new life in memes and merchandise.Etsy has been flooded with hats and candles asking the question: “Has Anyone Seen My Lorazepam?” Social media is rife with videos of people enunciating “lorazepam” in a faux Southern drawl. Lorazepam even made a cameo on a recent episode of “Saturday Night Live,” when the actress Chloe Fineman raucously shouted the word during a sketch.As anyone even loosely familiar with Season 3 of “The White Lotus” may know, this sudden tsunami of references to a prescription medication used to treat anxiety is not a sign of mass desperation. Rather, it’s a manifestation of an unceasing fan obsession with Victoria Ratliff, a character on the HBO TV show, the current season of which ends on Sunday.Played by Parker Posey, Victoria is a wealthy North Carolina woman on vacation at a wellness resort in Thailand, who, despite the idyllic setting, regularly expresses a need for her lorazepam, a drug known for being tough to quit.A massage? It could make her “very stressed out” and “claustrophobic,” Victoria says. The lorazepam helps her “to really relax,” she tells a masseuse.A party on a yacht? “Certain social situations make me anxious,” Victoria drawls at her eldest son, Saxon.Her daughter Piper’s decision to make a major life change? “I don’t even have my lorazepam,” a distraught Victoria declares after her bottle goes missing. “I’m going to have to drink myself to sleep.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 88 Shares69 Views

      in Television

      The Trump Administration’s Department of Homeland Publicity

      by

      A cabinet member’s social feed is one example of the administration’s turn to reality-TV tactics — slick, showy, sometimes cruel — as a means of government.Some days the show is a prison drama: A mass of prisoners assemble under the watch of an authority. Some days it’s a police procedural: Protagonists in uniform conduct raids on dark city streets. Some days it’s a western: A figure in a cowboy hat patrols on horseback, keeping an eye on the wild frontier.The show has many forms, but it is all one production — the social-media feed of the homeland security secretary, Kristi Noem. Since she took office in January, the secretary’s online video presence has been helping a media-minded administration broadcast images of unsparing domination with a telegenic face.Ms. Noem’s social feed drew wide notice last week when she posted a 33-second video from a Salvadoran prison where the administration has been sending detainees. Dressed in an Immigration and Customs Enforcement cap and active-wear, a $50,000 Rolex watch on her wrist, she warns that “if you come to our country illegally, this is one of the consequences you could face.”There are other people in the video too. Though Ms. Noem uses the word “terrorists,” we do not know their history; legal cases and reporting have questioned the charges of gang membership against some El Salvador detainees, and the administration has acknowledged deporting at least one man in error.The figures behind Ms. Noem are not so neatly or expensively styled but they also convey an aesthetic message. The men, many of them shirtless, are crowded, teeming, sitting and standing, seemingly at attention, to face the camera from behind bars. Ms. Noem, the image says, is literally standing between them and you. They are objects, warnings, a forbidding wallpaper of fear and subjugation.The video sent a stark message, if not a universally lauded one. As with all things Trump, however, the video seems meant to appeal to one viewer above all. Before he took office for his first term, President Trump, the former host of “The Apprentice,” told top aides that they should approach every day as if it were an episode of a TV show, in which their goal was to win. He also had a preference, then and now, for underlings who perform well on camera and “look the part.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares118 Views

      in Television

      Charlie Cox Thought He Missed His Superhero Shot. Then Came ‘Daredevil.’

      by

      “I’m still pinching myself if I’m honest,” the actor said, before extolling the virtues of cold plunges, TSA PreCheck and avoiding social media.As Charlie Cox approached 30, he watched his friends become superheroes — Andrew Garfield was Spider-Man, Henry Cavill was Superman, and Tom Hiddleston was Loki — and made peace with his fate.“I just assumed that the Marvel call was not coming unless maybe for a villain in another 20 years,” he said.Then something crazy happened. The role of the blind vigilante Daredevil became available in a Netflix series in 2015, and Cox was the right age for it. But three seasons later, the show was canceled, and that was that. Or so he thought.Now Cox, 42, is back, this time on Disney+ in “Daredevil: Born Again,” a sort of reboot that finds the crime fighter at war over New York City with his nemesis, the gangster Wilson Fisk, played by Vincent D’Onofrio.“I’m still pinching myself if I’m honest,” Cox said of his return — and hoping for an extended run with the announcement of a new comic in which Daredevil is 60.“That’s excellent; it means I’ve got another 20 years of this, or as long as they’ll have me,” Cox said before elaborating on the virtues of Russian baths and cold plunges, TSA PreCheck and mastering the art of plowing snow.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares111 Views

      in Television

      ‘The White Lotus’ Luxury: How Branded Collaborations Are Capitalizing on Privilege

      by

      The hit HBO series satirizes luxury vacationers’ privilege. That hasn’t slowed demand for branded collaborations that sell the show’s lavish lifestyle.Ahead of the much-anticipated Season 3 finale of “The White Lotus,” HBO’s dark comedy-drama that skewers self-absorbed luxury travelers, some fans will be able to immerse themselves in a version of the show’s opulent settings.The Four Seasons Hotel Westlake Village, in the foothills of California’s Santa Monica Mountains, is offering an “exclusive luxury wellness retreat,” set to begin hours ahead of the finale’s airing on Sunday. The experience is intended to “capture the essence” of this season’s Thailand location.“We’re inviting fans to go beyond watching ‘The White Lotus’ and truly experience it,” Pia Barlow, HBO and Max’s executive vice president of originals marketing, said in a news release about the campaign.The retreat is only one of many “White Lotus” experiences and products pegged to the current season. The premium luggage company Away sold out its “White Lotus” capsule collection, complete with lotus flower-printed interior lining. Clothing retailers including H&M, Abercrombie & Fitch, Bloomingdale’s and Banana Republic have all offered show-inspired resort apparel. (Patrick Schwarzenegger, a star of the season, modeled for Banana Republic.) There is “White Lotus” wallpaper, sunscreen and a travel skin-care set in a branded beach tote. Sunglasses, candles, chocolates and even a Thai coffee-flavored creamer can be purchased by viewers looking to live like the show’s wealthy protagonists.But truly experiencing “The White Lotus” is an inherently dicey proposition. The primary motif of the series — created, written and directed by Mike White — has always been to satirize the wealthy who, even while enveloped by the world’s most tranquil and extraordinary surroundings, can’t help but indulge their egos or keep up with their ever-growing list of grievances. They can’t relax either.“I just was like, I should just do a show about people on vacation who have money, and how money is impacting all of their relationships,” White told The New York Times in 2021, ahead of the Season 1 premiere.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More