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      J.D. Vance Becomes Trump’s New Apprentice

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      In his prime-time debut, the senator and “Hillbilly Elegy” author showed what he has to offer his running mate.Speaking Wednesday at the Republican National Convention, Senator J.D. Vance of Ohio became the latest, and potentially most consequential, of Donald J. Trump’s apprentices to accept the position in prime time.For years as the host of “The Apprentice,” Mr. Trump picked out protégés from boardrooms full of young supplicants. There was a delicate art to getting the nod. Offend him and you might be dismissed; appear too thirsty and you could get the boot as well. The key was to be yourself but also be him, to be a mirror but a flattering one, to be an echo auto-tuned to please the boss’s ear.Mr. Vance spent much of his two years in the Senate auditioning for the promotion to vice-presidential nominee, cultivating a relationship, apologizing for his Never-Trumper apostasy and recently blaming Biden campaign rhetoric for leading “directly” to the assassination attempt against Mr. Trump.Accepting the nomination on Wednesday night, he cast himself as a loyal fighter, an ideological heir and a grateful son of the working class with roots in Appalachia and the Rust Belt.With Merle Haggard’s “America First” as his walk-on music, he began his speech praising Mr. Trump: “He didn’t need politics,” Mr. Vance said, “but the country needed him.” Mr. Trump looked on smiling in split-screen, as if watching a winner at a season finale.When it came to introducing himself, Mr. Vance had a head start and a challenge. He was telling a story he had already told, in the memoir “Hillbilly Elegy,” and so had Ron Howard, in the 2020 film adaptation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The Decameron’ Finds Fun in a Medieval Pandemic

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      Set during the plague in 14th century Italy, Netflix’s “The Decameron” finds dark humor in a group of nobles and their servants trying to survive.“The Decameron,” a new limited series, opens in Florence, Italy, in 1348. As bells toll peacefully over the rooftops, a raven lands on a window ledge, and peers around inquisitively before being struck by a stone hurled by a young boy as he yells, “Food.” The raven splats to the ground, dead, not far from the body of a shoeless man, also dead. “Mom, I got a chicken,” the boy calls out. Cheery music announces a title card: “The Black Plague.”This darkly funny scene sets the tone for the show, which arrives on Netflix July 25. Loosely based on Giovanni Boccaccio’s 14th-century book of the same name, the show’s eight episodes tell the story of a group of nobles who attempt to escape the plague by taking refuge in a villa, some with their servants.Setting a dramedy during one of the most devastating periods in human history, estimated to have wiped out up to half of Europe’s population, might not seem like the most obvious choice, especially coming on the heels of the coronavirus pandemic, which also killed millions around the world.But on the “Decameron” set in Rome in March last year, the cast and crew appeared to be having a lot of fun.“It’s like a perfect tonic of brilliant, hilarious people,” Saoirse-Monica Jackson, second from left, said of the show. Giulia Parmigiani/Netflix“It’s been probably too fun,” said the British actor Tanya Reynolds, who plays one of the villa guests. “I feel like every night I go home and my actual torso aches, my ribs hurt because I’ve been laughing so much.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Late Night Taunts Former Critics Who Changed Their Minds About Trump

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      J.D. Vance and Nikki Haley, among other Republicans at the convention, seem to have gotten over their reservations about the former president.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Walking It BackA recurring theme of this week’s Republican National Convention has been former critics of Donald Trump singing his praises, including Nikki Haley and, most notably, J.D. Vance, who accepted the vice presidential nomination on Wednesday.“Vance started by saying, ‘All that comparing-Trump-to-Hitler stuff? Full take-backsies,’” Jimmy Fallon said on “The Tonight Show.”“While speaking last night at the Republican National Convention, Nikki Haley said, ‘There are some Americans who don’t agree with Donald Trump 100 percent of the time.’ For example, all the speakers of the R.N.C. just a few months ago.” — SETH MEYERS“That’s right, Nikki Haley spoke at the R.N.C. last night and said that former President Trump has her ‘strong endorsement, period.’ And then Mike Johnson tried to have her arrested for saying ‘period.’” — SETH MEYERS“You are a total sellout with no spine. Period.” — ANTHONY ANDERSON, guest host of “Jimmy Kimmel Live”The Punchiest Punchlines (Babydog Edition)“And I think no matter what your politics, we can all agree that Babydog is fantastic. Honestly, if Republicans had nominated Babydog for president, I’d be [expletive] torn. I think even Biden would be like, ‘[expletive], maybe I should drop out.’” — SETH MEYERS on Gov. Jim Justice’s bulldog, who appeared beside him onstage at the convention“Really undercuts your message of doom when the camera cuts to a super-happy dog just chillin’ in a chair. Your words say, ‘If Biden wins, the country will be destroyed,’ but her face says, ‘I’m doing [expletive] great, no matter who wins.’” — SETH MEYERS“Why do I feel like they share a sleep apnea machine?” — JIMMY FALLON“Looks like a Friar’s Club roast on Animal Planet.” — JIMMY FALLONThe Bits Worth WatchingHowie Mandel shared his fondness for pranking Heidi Klum, his fellow “America’s Got Talent” judge, during an appearance on “Jimmy Kimmel Live” on Wednesday.What We’re Excited About on Thursday NightSenator Bernie Sanders will appear live on Thursday’s “Late Show” after the Republican convention wraps up.Also, Check This Out“Shogun,” an FX drama, captured the most nominations, with 25.Katie Yu/FX, via Associated Press“The Bear,” “Shogun” and “Baby Reindeer” are among the television shows with the most Emmy nominations this year. More

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      Emmy Nomination Snubs and Surprises: John Mulaney, Emma Stone and More

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      Every year the Primetime Emmy nominations go a little more according to form, and Wednesday’s list was perhaps the most predictable yet, with only one very slight curveball in the main drama and comedy series categories (see “The Curse,” below). Here are some highlights from a very short list of notable snubs and surprises.Snub: ‘John Mulaney Presents Everybody’s in L.A.’The talk-series category went exactly as expected — the series nominations went to “The Daily Show,” “Late Night With Seth Meyers,” “The Late Show With Stephen Colbert” and “Jimmy Kimmel Live!” — which is what the category is known for. But it was particularly galling that this year, when John Mulaney’s inventive ode to Los Angeles, rendered in a classic late-night format live on Netflix, offered an attractive alternative, that the voters went with the same old Colbert-Kimmel-Meyers lineup. (The show did receive a nomination for picture editing.)“The Curse,” with Nathan Fielder and Emma Stone, was shut out of Wednesday’s Emmy nominations.Richard Foreman Jr./A24/Paramount+ with ShowtimeSnub: ‘The Curse’Nathan Fielder and Benny Safdie’s dark satire on marriage, home renovation and reality TV for Paramount+ and Showtime was thought to be in the running, if only marginally, for drama series. Its stars, Fielder and Emma Stone, were also borderline favorites for acting nominations. None of them broke though, however, which is getting to be a habit for Fielder: His previous attention-grabbing, opinion-dividing series, “Nathan for You,” received no nominations across its four seasons.Surprise: ‘Scavengers Reign’Joseph Bennett and Charles Huettner’s beautifully drawn, eerily calm science-fiction tale was dropped by its original streaming home, Max, and picked up by Netflix a few weeks before nominations voting ended. Did the move give it the boost it needed to grab an unexpected bid in the animated program category? While it is gratifying to see a show this unusual get a nomination, the bigger news here is a snub: no nomination for the seventh season of the two-time winner “Rick and Morty.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Where to Stream 2024 Emmy-Nominated Series: ‘Shogun,’ ‘The Bear’ and More

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      Nominations for the 76th Primetime Emmy Awards were announced on Wednesday. The Emmys ceremony is planned for Sept. 15, on ABC.Nominations for the 76th Primetime Emmy Awards were announced on Wednesday. The FX drama “Shogun” had 25 nominations, the most of any series this year. The FX comedy “The Bear,” which streams on Hulu, broke the record for most nominations for a comedy series.“Only Murders in the Building” (21 nominations), “True Detective: Night Country” (19) and “The Crown” (18) also did well this year. The Netflix limited series “Baby Reindeer,” the year’s biggest surprise hit so far, earned 11 nominations.The Emmys ceremony is planned for Sept. 15, on ABC. Here’s how to watch the top nominees.Best Drama‘Shogun’The FX epic adapts the 1975 James Clavell novel. (Review)Stream it on Hulu.‘The Crown’Peter Morgan’s docudrama about the British royal family wrapped up in 2023. (Review)Stream it on Netflix.‘The Morning Show’Jennifer Aniston and Reese Witherspoon star in this glossy series set in a fictional TV network. (Review)Stream it on Apple TV+.‘The Gilded Age’This opulent costume drama is set in late 19th-century New York. (Review)Stream it on Max.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jon Hamm Talks Emmy Nominations for ‘Fargo,’ ‘The Morning Show’

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      Jon Hamm is back in the Emmy Awards saddle.Nine years after winning his first statuette for his performance as the philandering advertising executive Don Draper in the Madison Avenue drama “Mad Men,” Hamm picked up two more acting nominations on Wednesday, for his performances in “Fargo” and “The Morning Show.”The first, for lead actor in a limited or anthology series or movie, was for his villainous turn as Roy Tillman, a power-hungry Christian nationalist sheriff on “Fargo,” FX’s darkly comic anthology crime drama inspired by the 1996 Coen Brothers movie. The series, which was created by Noah Hawley, picked up 15 nominations for its fifth season, including best limited series.Hamm also scored a supporting actor in a drama nod for his role as Paul Marks, an Elon Musk-like, space-loving billionaire in Season 3 of “The Morning Show,” Apple TV+’s behind-the-scenes look at a fictional broadcast news program.In an interview shortly after the nominations were announced — on the way to a voice-over session in Lower Manhattan for the animated show “Grimsburg,” in which Hamm, 53, plays a small-town detective — he shared his inspirations for his characters and what he thinks of Netflix’s limited series contender “Baby Reindeer.”These are edited excerpts from the conversation.Congratulations! How did you find out you were nominated?I was walking the dog to go get coffee, and I came back and my phone had quite a few messages.Your characters on “Fargo” and “The Morning Show” both seem to have fairly clear politically charged, real-world analogues — someone like Elon Musk for Paul Marks and any number of blowhard, nationalist politicians for Roy Tillman. To what extent did you base your performances on real people?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Benj Pasek and Justin Paul Approach EGOT After ‘Only Murders’ Nod

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      Season 3 of the Hulu comedy “Only Murders in the Building” earned 21 Emmy nominations on Wednesday — adding to the 30 it had already amassed, along with four wins, for Seasons 1 and 2.But this season, the series could also produce an EGOT, the term for someone (or, in this case, someones) who has won all four major entertainment awards: an Emmy, a Grammy, an Oscar and a Tony. When the 76th Emmy Awards air in September, the songwriting duo Benj Pasek and Justin Paul will have a chance to check off the E, having received a nod for best outstanding original music and lyrics for their tongue-twisting ditty “Which of the Pickwick Triplets Did It?”The series’s third season switched things up by moving much of its action to Broadway. Pasek and Paul, as along with a supergroup of Broadway collaborators, were brought aboard to write music for the new episodes. Marc Shaiman and Scott Wittman, who won Tonys for “Hairspray,” were also writers of the Emmy-nominated tune.The other awards contributing to Pasek and Paul’s potential EGOT came from their work on the comedy-drama film “La La Land” (a best original song Oscar for “City of Stars”), the stage musical “A Strange Loop” (a best musical Tony, as producers) and the musical “Dear Evan Hansen” (a Tony for best original score and a Grammy for best musical theater album).A running bit on the most recent season of “Only Murders in the Building” sees the former TV star Charles-Haden Savage struggle to perform “Which of the Pickwick Triplets Did It?” He finally gets through it in the eighth episode, “Sitzprobe,” but the actor who plays him, Steve Martin, nailed it within two hours, according to the songwriters.A win for Pasek and Paul would make them, as a duo, the second EGOT winners this year. Elton John joined the club in January when he won an Emmy for outstanding variety special for his live-streamed farewell concert.The episode “Sitzprobe” has also popped up in several other categories in this year’s Emmy nominations, including outstanding guest actress in a comedy series (Da’Vine Joy Randolph) and outstanding contemporary costumes for a series. More

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      Emmy Nominations: Our Critics on ‘The Bear,’ ‘Baby Reindeer’ and Delightful Surprises

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      The 2024 Primetime Emmy nominations were announced on Wednesday. James Poniewozik and Margaret Lyons, two television critics for The New York Times, discussed who made it and who didn’t, why Emmy categories are increasingly irrelevant and which nominations made them smile.JAMES PONIEWOZIK Happy Emmy day, Margaret! It seems like we were just talking about the Emmys — which we kind of were, the most recent awards having been handed out in January because of a strike delay.That strike pause — coupled with the recent retirement of some hall-of-fame shows like “Succession” — may have something to do with one of the larger trends this year: The cupboard feels a little bare. There’s plenty of good-enough TV (dare I say Mid?) on the prize list, not a lot of great. (Though we can discuss the exceptions: Very happy to see recognition for “Reservation Dogs.”)Still, there are simply a lot of awards, so there’s always something to talk about. It was a big year for “The Bear” in comedy (is it one?) and “Shogun” in drama series (it sure felt like a limited series when I watched it complete its story). It feels like there has been a lot more talk this year about categorization and category-gaming, but let me know how you’re feeling.MARGARET LYONS The categories are illegible and increasingly nonsensical. What do we gain by, for example, putting “Finding Your Roots With Henry Louis Gates Jr.” in competition with “How To With John Wilson”? The double-dipping between talk and variety is snoozy, and the category gaming for “The Bear” and “Shogun” feels if not sleazy, then at least kind of dumb! The Emmys wax and wane in terms of legitimacy, and I wonder if it’s even possible for a structured awards format like this to retain meaning when TV itself is more flexible, its genres more porous.PONIEWOZIK Yes, the way to eliminate the arbitrary category divisions would be … just not have them. Just have best series! Best cinematography! Best directing! Unless we resurrect Aristotle to sort this out, I think any proposed tweaking (sort series by run time? broadcast vs. cable vs. streaming? weight class?) would just invite other absurdities. But the Emmys exist to give out Emmys, and I assume reducing the number of them would be the Hollywood equivalent of campaigning on entitlement cuts.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More