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      After Netflix Success, ‘Suits’ Opens Another Firm

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      The creator of the legal drama didn’t expect to make any more spinoffs. But after “Suits” became a rerun hit on Netflix, “Suits LA” was born.On a January morning, attractive people in tailored attire stood in a sun-skimmed California courtroom, arguing a motion in the murder trial.“Bring the venom!” the director, Anton Cropper, said encouragingly.This was on the set of “Suits LA,” a sibling of “Suits,” the legal procedural that ran on USA for nine seasons, from 2011 to 2019. (It is also a cousin of “Pearson,” a short-lived “Suits” spinoff.) Back in the courtroom, a clash over evidentiary rules turned vicious as one lawyer hissed at another, “You immoral piece of filth!” Time, it seemed, had not mellowed the mildly glamorous, majorly cutthroat world of “Suits.”The original “Suits” had done well on USA during its run — well enough to be renewed and renewed. But its hold on the cultural imagination was never especially strong and its reviews were, like the Season 1 suits themselves, muted. “Though the series begins amusingly enough, it quickly descends into cloying buddy escapade,” The New York Times wrote in 2011.It wasn’t much lamented when it ended, and as late as a year and a half ago, Aaron Korsh, the show’s creator, claimed another “Suits” spinoff was unlikely. Case closed.But when “Suits” moved to Netflix in mid 2023, it set a record for the most total weeks and the most consecutive weeks at the top of the Nielsen streaming ratings. Pacey, witty, cast with good-looking actors (Meghan Markle among them) and smart — but not so smart that you couldn’t follow along while also answering a few emails — “Suits” was the nice lawyer show an exhausted America needed.From left, Gabriel Macht, Patrick J. Adams and Rick Hoffman in “Suits.”Ian Watson/USA NetworkWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Stephen Colbert Crowns Trump the Troll King

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      President Trump referring to himself as a king “is the thing presidents are not supposed to do,” Colbert said on Thursday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.King of the RoadOn Wednesday, President Donald Trump pre-emptively announced on social media that New York City’s congestion pricing “IS DEAD, Manhattan and all of New York is SAVED. LONG LIVE THE KING!”Referring to himself as a king “is the thing presidents are not supposed to do,” Stephen Colbert said on Thursday.“Yes, the classic domain of an all-powerful king. Yes, it’s what all kings do: regulate local toll roads. [imitating a king] ‘Behold! Camelot has been saved, for I have pulled Excalibur from the median strip of the Cross Bronx Expressway.’” — STEPHEN COLBERT“But you know he’s trolling us, and we shouldn’t take the bait. But with this guy, every troll is a trial balloon. So, here we go. Mr. Trump, America will never bow before any king not named ‘Burger,’ for he hath made us all part of the royal family.” — STEPHEN COLBERTColbert remarked that even though Trump has been “busy cosplaying as the czar of the Lincoln Tunnel,” congestion pricing has significantly reduced traffic and increased support for Broadway shows and local businesses.“Now, obviously, this seems like a good thing, so Donald Trump ruined it.” — STEPHEN COLBERT“Governor Hochul immediately said congestion pricing wouldn’t end, posting, ‘The cameras are staying on.’ Governor, I love your defiance, but you know Trump loves cameras. This just means he’s going to do his next press conference strapped to the hood of a Camry.” — STEPHEN COLBERTThe Punchiest Punchlines (DOGE Dollars Edition)“DOGE-head Elon Musk says he’s considering giving 78 million Americans $5,000 per household. Half of these households will be benefiting from a DOGE dividend; the other are just his child support.” — GREG GUTFELD“I mean, the Dems are already floundering against DOGE, but DOGE plus a dividend? It’ll be more popular than that mall tour I did with Menudo.” — GREG GUTFELD“Perhaps it’s not exactly right. ‘Right’ would be all the cuts go to preventing a full default on the debt; otherwise, we’ll face an economic crisis that would make the Depression look like a trip to Sandals with Trace Gallagher.” — GREG GUTFELDThe Bits Worth WatchingTaylor Tomlinson explored the social media trend of mostly shirtless men doing meal prep on Thursday’s “After Midnight.”Also, Check This OutKenturah Davis, an artist in Altadena, is continuing the legacy of her parents, Keni Arts and Mildred Davis, who are also artists in Altadena, a community in Los Angeles County.Phylicia J.L. Munn for The New York TimesThis year’s Frieze Los Angeles highlights Altadena’s Black art legacy in the wake of the Eaton Fire. More

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      In Stephen Graham’s World, Nice Guys Finish First

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      The British actor, who stars in the new Hulu show “A Thousand Blows,” has built a career playing intimidating bruisers. But behind the scenes, he’s a peach.In 2012, the actor Stephen Graham and his wife were having a quiet dinner at a chain chicken joint in London when a young man approached the table. The man, James Nelson-Joyce, told Graham that he had just left drama school and wanted to be an actor, too. Many would have sent the 20-something away with some polite encouragement, but Graham asked for Nelson-Joyce’s email, and kept in touch, offering him regular advice and eventually recommending the younger actor to his agent.More than a decade later, Graham and Nelson-Joyce are playing brothers in “A Thousand Blows,” a rip-roaring new Hulu drama set in the grimy East End of London in the 1880s.Graham’s character, a bare-knuckle boxer known as the East End Gladiator, is of a type with the intimidating bruisers that he built his career playing, including a skinhead English nationalist in Shane Meadows’s “This Is England” and Al Capone in HBO’s “Boardwalk Empire.”.But over cups of tea on a recent gray afternoon in London, Graham, now 51, choked up while recounting his history with Nelson-Joyce. It means a lot, he said, laughing at the tears in his eyes, to be able to pass “the baton on” to younger actors. It also reflects Graham’s ethos that “you’re never above anyone, and you’re never below anyone.”This egalitarian approach also applies when Graham works with some of Hollywood’s biggest names. In an email, Leonardo DiCaprio recalled that on the set of Martin Scorsese’s “Gangs of New York” more than 20 years ago, Graham’s “fearless unpredictability kept everyone on their toes. But more than that, he brought truth to every scene.”Graham with James Nelson-Joyce, who plays his brother in “A Thousand Blows.”Robert Viglasky for Disney+/ HuluWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The Eastern Gate’ Is a Lean and Mean Spy Drama

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      Office politics are global politics in this intense Polish series on Max.Nothing is fair in love or war in the fast-paced Polish spy drama “The Eastern Gate” (in Polish and Russian, with subtitles or dubbed). The show, on Max, is intense, tricky and surprising. “Don’t trust anyone,” the characters constantly warn one another. And, well — don’t.Ewa (Lena Gora) is a Polish spy, and at the outset she is undercover at a glamorous party. Only she isn’t there to hobnob with her boyfriend’s icy mom, she is there to gather information about said mom’s involvement in nuclear bomb making.A lot of shows begin with scenes of shocking violence, but few stick with it the way “Gate” does. Outside of “Cobra Kai,” I’m not sure there’s a show with more kicking. Oh, there’s punching, eyeball-squishing, wrist-wrenching and plenty of shooting, too, but all the ways people can kick or be kicked are on vicious display here. It’s not morbid or gratuitous, though: It’s part of the show’s percussive insistence, heard also in its hostile knock-knock-knocks on car windows or in the startling clack of a bolt in lock.The initial mission does not go exactly to plan, and in the fallout Ewa gets sent to Minsk, Belarus, where her bosses suspect a leak within their own intelligence program. How do you look over your shoulder and listen to the voice in your earpiece all at once? The show is set in 2021, and Ewa et al.’s espionage work focuses on the relationships between Poland, Belarus and Russia, and on managing Russian influence as crises deepen and the body count grows.Office politics are global politics here, and international conflict is just an embodiment of interpersonal conflict: Sniffing out Russian moles and arguing about NATO policies are Ewa’s and her colleagues’ love language. Or maybe not “love,” but … maybe. On one mission, Ewa’s handler tells her the safe word is “Don’t hurt me.” When an intelligence official bungles an operation, his boss snarls, “I’ll start a [expletive] war against you myself.”“Gate” is lean and mean in the best ways. All the logs are going on the same fire here, and the heat does not abate. Three of its six episodes are available now, and new episodes on arrive Fridays. More

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      Inside Lorne Michaels’s Archive of ‘S.N.L’ History

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      But nothing tested the show like Sinead O’Connor’s musical appearance on Oct. 3, 1992, when she stunned viewers — and the producers — by tearing up a photograph of Pope John Paul II, declaring, “Fight the real enemy.” Two years earlier, O’Connor had drawn wide criticism for joining the cast member Nora Dunn in pulling […] More

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      The Comedian Looking for Something All of America Can Laugh At

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      Partway through his latest special, “Lonely Flowers,” the comedian Roy Wood Jr. tells the story of the time he accidentally hired a white photographer. Or, as he corrects himself, he hired a photographer who he did not think would be white until he showed up. Whenever he travels to a city for a gig, he explains, artists who live there reach out to him to offer their services. He respects their hustle and sometimes accepts those offers, like the one he got from a guy who wanted to take some pictures of him. “Come on take the pictures,” Wood wrote back. “I’ll see you next week, Deon!”Wood drops Deon’s name casually, letting the audience pick up on the joke before he has to explain it. As they start to lose it, Wood joins them in astonishment. Pitching his body forward, throwing his arms out and bugging his eyes, he yells: “You see what I’m saying? I don’t know no white Deons either! Never met one!”Deon ends up being a bald, unimaginably chiseled military veteran with menacing tattoos consisting of “an animal, a death threat then a Bible verse” decorating his arms, the kind of white man that a Black person might not want to be left alone with. Wood is terrified of him — he makes sure to pay him up front — but he finds him unexpectedly sympathetic. It turns out that after returning from service abroad, Deon feels intensely isolated, and photography gives him a sense of purpose.Onstage, Wood is unhurried, an amiable man who, despite being 46, has the countenance of a churchgoing grandfather who still starches his Sunday suit. He is a master of the leisurely, even comforting, story that plays to his audience’s expectations of what is good, kind and virtuous, only to foil those expectations with a well-timed word or mischievous glance.When I first watched “Lonely Flowers,” I could feel this story about Deon teetering toward the saccharine: Maybe we can all get along, or at least get along better, if we just listen to one another. But then Wood lets us in on a disturbing detail: “I like the camera,” Deon told him, “ ’cause, you know, I get to look down the crosshair and still shoot people.” Wood’s look of earnest sympathy dissolves, and we’re left wondering how to feel about Deon after all.Then the joke rounds yet another corner: Wood turns serious again, recalling how sincerely Deon thanked him in the greenroom, shaking his hand firmly and looking him right in the eye. “I was like, Wooowww,” Wood says, his voice dropping to a stage whisper, seemingly humbled by the interaction. But then we reach the other side of his pause: “He was about to kill some people.” Wood imagines Deon at home, cleaning his rifle right up to the moment Wood contacts him. “We’ll never know how many lives I saved,” Wood says triumphantly, “because I took a chance on a white man!”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Stephen Colbert Would Like to Know Who’s in Charge Here

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      The “Late Show” host was taken aback by the White House’s claim that Elon Musk doesn’t run DOGE: “It’s literally named after his favorite meme!”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.SpatchcockedThe so-called Department of Government Efficiency, or DOGE, continues to cut a swath through the Civil Service. Or as Stephen Colbert put it on Wednesday, “our government is getting spatchcocked by Elon Musk and his post-pubescent pink slip troopers.”“Naturally, the federal workers in their path of wanton destruction are experiencing anger, chaos and confusion, which, coincidentally, are also the Secret Service code names for Trump, Elon and Don Jr.” — STEPHEN COLBERT“It turns out being an unelected donor running an unauthorized employee kill squad might get you sued at some point in the future. So in new legal filings, the White House claims that Elon Musk is not in charge at DOGE. What? It’s literally named after his favorite meme!” — STEPHEN COLBERT“This is the most confusing leadership structure since Ruth’s Chris Steak House. Who is Chris? Why does he seem to belong to Ruth?” — STEPHEN COLBERT“Elon and the DOGE-bags have fired so many people so quickly, in so many critical areas, with so little thought beforehand, that the government is now scrambling to rehire the nuclear staff it fired on Friday. These are folks involved with designing, building and overseeing the U.S. nuclear weapons stockpile after concerns grew that their dismissal could jeopardize national security. I share those concerns.” — STEPHEN COLBERT“But here’s the wrinkle and the rub: The government has struggled to reach the people that were fired after they were locked out of their federal email accounts. So now we got a bunch of [expletive] people with a lot of time on their hands who know how to build nuclear weapons.” — STEPHEN COLBERT“Rehiring people on Tuesday that you fired on Friday does not scream ‘government efficiency.’” — STEPHEN COLBERTThe Punchiest Punchlines (On Principle Edition)“And with Trump doing so much so fast, leave it to the Never Trumpers to do what little they can to make a fast buck. An event called the Principles First Summit convenes this weekend in D.C. What are their principles? Well, judging by the lineup, cashing in on whatever’s left of Trump envy.” — GREG GUTFELD“The biggest and most bitterest names in the anti-Trump world will be there: Adam Kinzinger, Michael Steele, Bill Kristol and George Conway. All that was missing was Joy Behar.” — GREG GUTFELD“There are a few Dems to shore up the list of yesterday’s pundits who’ve seen their audiences flee like Tim Walz hearing a car backfire.” — GREG GUTFELDWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The Pitt’ Has Impressed Real Doctors With Its Accuracy

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      Max’s unusually accurate medical drama, starring Noah Wyle as a beleaguered E.R. physician, has become the talk of real-life hospital breakrooms.Doctors and nurses who love Max’s “The Pitt” remember the moment they realized it wasn’t like other medical shows.Caitlin Dwyer, a charge nurse in Milwaukee, took note of a character’s decision — counterintuitive but medically correct — not to defibrillate a patient with a particular type of heart failure.Dr. Elizabeth Rempfer, an attending physician in Maryland, felt a pang of recognition at the depiction of a chaotic and desperate waiting room.For Dr. Tricia Pendergrast, a resident physician in Ann Arbor, Mich., it was a character who faced such an unrelenting caseload that even a trip to the bathroom was cut short.“It’s the first time that I’ve watched doctors on television that I felt like I could see myself in them,” she said.Most medical professionals learned long ago not to expect reality in dramatizations of their work. From the early days of “General Hospital,” to “Grey’s Anatomy” and its various spinoffs, to more recent hits like “The Good Doctor” and “Brilliant Minds,” TV medical dramas have tended to go heavy on the drama, light on the medicine.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More