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    ‘Smiling Friends’ Is a Deranged Blast

    This warped Adult Swim animated series, streaming on Max, is so fast and feral it feels like its own highlight reel.Charlie, Pip and Allan try to make people smile at Smiling Friends Inc.Adult SwimThe setup for the Adult Swim series “Smiling Friends,” available on Max, sounds like the premise of a cheery, do-unto-others children’s show: Charlie and Pim (voiced by Zach Hadel and Michael Cusack, the show’s creators) and their kooky pals work at Smiling Friends Inc., where their job is to make clients smile.But there is nary a shred of cutesy wholesomeness here — instead, there is cursing, bloodshed, absurdity, silliness. The show is so fast and feral it feels like its own highlight reel.Each 12-minute installment takes us on another deranged misadventure, to odd enclaves and foreign planets, to find lost loves, influence political elections, revamp video-game franchises. “Smiling Friends” has an omnivorous sensibility, and its punchlines can be surreal and warped or grounded and tenderly specific, all part of its grand ethnography of weird little freaks. It also varies its animation style, with Charlie and Pim looking mostly unchanged but guest characters depicted in a range of formats: live action, grotesque illustration, rotoscoped realism.If some of this character design conjures fond associations with “Tom Goes to the Mayor” or “Beavis and Butt-Head,” well, that’s how you know you are in the right place. “Smiling” is more acrid than “Aqua Teen Hunger Force” and plays by different rules than “It’s Always Sunny in Philadelphia,” but it has a similar naughtiness.The show first aired as a backdoor pilot in 2020, was ordered to series in 2021, debuted in 2022 and is about to finish its second season on Sunday at midnight on Adult Swim. (It was recently renewed for a third season.) Part of the appeal here is the show’s wide curiosity and unpredictable rhythm; its grab-bagginess recreates the lure of a blind-box toy. There’s also a snacky quality to “Smiling,” thanks to the peppy vulgarity that is basically Adult Swim’s Doritos powder.Its episodic nature and short running times help, too — though as with any modern show that wants to be loved, Easter eggs and deep-cut callbacks abound. More

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    Murray Hill’s Showbiz Dream

    The almost famous drag king comedian Murray Hill struts through Melvyn’s Restaurant & Lounge, an old school steakhouse in Palm Springs, Calif.Melvyn’s is Mr. Hill’s kind of place. It has steak Diane on the menu, black-and-white head shots of celebrities on the walls and the aroma of crêpes suzette flambéing in the air. And Palm Springs is Mr. Hill’s kind of town — faded midcentury Hollywood glamour, with a modern dash of queer culture.Moving past diners wearing pastel polo shirts and golf shorts, Mr. Hill cuts a distinctive figure in his three-piece baby blue seersucker suit and white loafers. His pencil-thin mustache, tinted glasses and shiny rings complete a look that brings to mind a 1970s Las Vegas lounge singer crossed with a 1950s Borscht Belt comedian.He is a somebody, clearly. But who?He sits down, studies the menu. His glance falls on the section for steak toppings, which are listed under the heading “Enhancements.”“‘Enhancements’?” he cries, loudly enough for almost everyone in the place to hear. “I already got them. They’re back at the house. They’re on the drying rack!”Mr. Hill, 52, speaks with the hint of a Brooklyn wiseguy accent and punctuates anything remotely to do with the entertainment industry — the rungs of which he has been tirelessly climbing for some 30 years — with a cry of “Showbiz!”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Gay Comedians Who Showed the Way Even if They Weren’t Exactly Out

    Paul Lynde, Charles Nelson Reilly and Rip Taylor get a cursory mention in a new documentary about queer stand-up, but they were groundbreaking.In 1987, David Letterman was taping his late-night show in Las Vegas before rowdy audiences of mostly young men in preppy pullovers and muscle shirts — prototypical bros raised on “Porky’s.”On one episode, Letterman introduces a “very funny and strange, peculiar man who first played Las Vegas way back in 1963.” The sea of seemingly straight guys parts, and to a cartoonishly accelerated rendition of “Happy Days Are Here Again,” the comedian Rip Taylor speed-walks through, ferociously hurling heaps of confetti, his signature entrance shtick.I’ve had this clip on repeat since watching “Outstanding: A Comedy Revolution,” a new Netflix documentary about the history of queer stand-up comedy. Not because Taylor plays a big role in the film, but because he and two other groundbreaking gay comics — Paul Lynde and Charles Nelson Reilly — do not.“Outstanding” does briefly single out the three men as renowned comedy elders, even though they weren’t primarily known for stand-up. The documentary also does right by underappreciated comedians like Robin Tyler and Bob Smith and household names like Rosie O’Donnell and Margaret Cho.But why just the cursory mention of Lynde, Reilly and Taylor? It’s as if we couldn’t possibly glean anything meaningful from old-school comedians who were apolitical and effeminate, steppingstones for contemporary comedians, like Hannah Gadsby and Jerrod Carmichael, who are willing to wait for a room to quiet down so they can talk about difficult childhoods.Lynde, Reilly and Taylor didn’t sit in their trauma. They kept it light and never talked about their biography in a serious way, because doing so would have led to questions they weren’t prepared to engage with. Maybe that’s why the documentary made me race to YouTube to see these Stonewall-generation funnymen with dippy but dark-edged sensibilities that were shaped by decades of self-hatred and fear the likes of which a 20-year-old today cannot fathom.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    How ‘The Boys’ Imagines Fascism Coming to America

    “The Boys” and other TV series imagine fascism coming to America, whether wrapped in the flag or in a superhero’s tights.What would fascism look like in America? A quote long misattributed to Sinclair Lewis says that it would come “wrapped in the flag and carrying a cross.” The comedian George Carlin said that it would come not “with jackboots” but “Nike sneakers and smiley shirts.”“The Boys,” Amazon Prime Video’s blood-spattered, dystopian superhero satire, has another proposal: It would be handsome, jut-jawed and blond. It would wear a cape. And it would shoot lasers out of its eyes.Homelander (Antony Starr) is the star-spangled, nihilistic and enormously popular leader of the Seven, a for-profit league of superheroes produced through bioengineering and drug injections by Vought, a corporation founded by a Nazi scientist. To the public, he is the chiseled personification of national virtue. Behind the scenes, he is a bully, a murderer, a rapist — and, as of the new season, possibly America’s imminent overlord.In Season 4, Homelander goes on trial for murdering an anti-supe protester. He runs ads asking for help against “his toughest opponent yet: Our corrupt legal system.” Amazon StudiosIn the bizarro America of “The Boys,” “supes” are only incidentally crime fighters. They’re valuable corporate I.P., pitching products, starring in movies and reality shows and lending their images to puppet shows and holiday ice pageants. They’re the world’s biggest celebrities, towering on billboards and omnipresent on Vought’s media platforms, and this gives the Seven a power greater than any super-speed or heat vision.When the series begins, however, Homelander is limited, by politics — the government has resisted using supes in the military — and by his deep-seated need for love and approval. Power breeds suspicion (“The Boys” takes its title from an anti-supe vigilante group whose exploits it follows), and Vought is constantly monitoring the Seven’s approval ratings and guarding against backlash. Homelander may be invincible, but he still has to answer to corporate.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Late Night Trolls Trump Over ‘Severe Memory Issues’

    “I’m starting to think Trump writes his name on buildings just so he can remember where he lives,” Jimmy Fallon said.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘50 First Debates’Ramin Setoodeh, the author of “Apprentice in Wonderland,” a new book about Donald Trump, said that the former president had “severe memory issues” and forgot who Setoodeh was in a follow-up interview.“I’m starting to think Trump writes his name on buildings just so he can remember where he lives,” Jimmy Fallon joked.“I love how Trump didn’t remember who the author was but still talked to him for 10 hours.” — JIMMY FALLON“Trump and Biden are accused of having memory issues, which is why they’re starring in the new film ‘50 First Debates.’” — JIMMY FALLON“The author of the upcoming book ‘Apprentice in Wonderland’ said in a new interview that former President Trump has ‘severe memory issues.’ ‘Same here,’ said undecided voters.” — SETH MEYERS“He loves talking about himself so much, he made time to do an interview for a book about ‘The Apprentice.’ I feel like you could get him to host ‘The Apprentice’ right now if you — if you pitched him a reality show where he picks his running mate ‘Apprentice’-style, for the right amount of money, he would 100 percent do it.” — JIMMY KIMMELThe Punchiest Punchlines (How Hot Is It? Edition)“Around 150 million Americans are expected to experience temperatures above 90 degrees this week, thanks to what they call a ‘heat dome.’ I always thought the heat dome was that weird helmet thing my grandma sat under at the hair salon.” — JIMMY KIMMEL“It’ll be so hot in Maine this week, the lobsters will be getting in pots just to cool down.” — JIMMY KIMMEL“It’s so hot in New York this week, the rats are wearing crop tops.” — JIMMY KIMMEL“It’s so hot in South Dakota, Kristi Noem’s dogs are shooting themselves.” — JIMMY KIMMEL“It’s so hot at Mar-a-Lago, Donald Trump asked Melania to be even colder to him.” — JIMMY KIMMEL“Scientists warn heat waves will be longer, more intense and more frequent. So, good news for Mrs. Heat Wave.” — STEPHEN COLBERT“Yep, this week, when you open the weather app, it just shows you the middle finger emoji.” — JIMMY FALLONThe Bits Worth WatchingThe actress Hannah Einbinder told Jimmy Kimmel she was taking notes while appearing on his show to prepare for the late-night show theme on Season 4 of “Hacks.”What We’re Excited About on Wednesday NightLupita Nyong’o, the star of “A Quiet Place: Day One,” will appear on Wednesday’s “Late Night.”Also, Check This OutIn April, Hozier reached No. 1 on the Hot 100 with the bouncy “Too Sweet,” becoming the first Irish artist since Sinead O’Connor to claim the top spot. He’s now on tour with a nine-piece band.Brian Karlsson for The New York TimesA decade after his breakout hit, “Take Me to Church,” the Irish singer-songwriter Hozier has found a new young fan base on TikTok. More

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    Late Night Latches Onto Donald Trump’s ‘Johnson’ Mix-Up

    “The sad thing is under MAGA law, his name is now Ronny Johnson,” Jon Stewart said after Trump referred to his former doctor, Ronny Jackson, by the wrong name.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.The Wrong RonDuring a rally on Saturday, former President Donald Trump bragged about passing a cognitive exam before mistakenly referring to his White House doctor, Ronny Jackson, as “Ronny Johnson.”“The sad thing is under MAGA law, his name is now Ronny Johnson,” Jon Stewart said.“Do you know Ronny Johnson? Because Ronny Jackson is the name of the doctor.” — JIMMY FALLON“It’s not Ronny Johnson — it’s Jackson. If that was another cognitive test, you failed it, OK?” — JIMMY KIMMEL“Bragging about acing a cognitive test while forgetting the name of the doctor who gave it to you is like writing on a résumé that you speak three languages and misspelling the word ‘languages.’” — SETH MEYERS[Imitating Trump] “I love Ronny Johnson. Doc Ronny — Doc Ronny Johnson. He gave me the test, then I went home to my beautiful wife, Malaria.” — STEPHEN COLBERT“It’s like walking into a glass door after the doctor says you have 20/20 vision.” — JIMMY FALLONThe Punchiest Punchlines (Milwaukee Edition)“Just weeks before he heads to the Republican National Convention in Milwaukee, he called Milwaukee ‘a horrible city,’ forcing liberals around the country to defend Milwaukee, a city they then had to pretend to have been to: ‘Oh, Milwaukee’s the finest city in, I want to say, Indiana.’” — JON STEWART“This man is about to be in a world of deep-fried hurt.” — STEPHEN COLBERT“And what a beautiful name, ‘Milwaukee.’ Some say it’s from the Algonquin for ‘the good land.’ Others say Milwaukee is Potawatomi for ‘cholesterol.’” — STEPHEN COLBERT“I believe that if every city in America was destroyed tomorrow except Milwaukee, the republic would still roll on. Because Milwaukee is America. As Thomas Jefferson himself once said, ‘Schlemiel! Schlimazel! Hasenpfeffer Incorporated.’” — STEPHEN COLBERT“Trump’s team tried to defend the remarks, saying the former president wasn’t calling the whole city horrible, just crime in the city, with one aide saying, ‘He was directly referring to crime in Milwaukee.’ Now he does have a point. Milwaukee has become so soft on crime that their convention center is hosting a convicted felon.” — STEPHEN COLBERTThe Bits Worth WatchingJimmy Fallon shared his “overwhelming” experience of meeting the pope at the Vatican on Monday’s “Tonight Show.”What We’re Excited About on Tuesday NightHannah Einbinder will promote her new Max stand-up special, “Everything Must Go,” on Tuesday’s “Jimmy Kimmel Live.”Also, Check This OutThe family drama “Appropriate” became one of the season’s buzziest plays, partly because of Sarah Paulson’s star power.Sara Krulwich/The New York TimesSarah Paulson, an Emmy winner, won her first Tony on Sunday, taking home best actress in a play for her role in the family drama “Appropriate.” More

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    Daniel Radcliffe, Pete Townshend and Sarah Paulson Party for the Tonys

    The actress Kara Young stood surrounded by admirers inside David Geffen Hall at Lincoln Center around 1 a.m. on Monday morning, fielding a swarm of well-wishers after winning her first Tony Award, for featured actress in the comedy “Purlie Victorious.” Her older brother hovered close by and periodically fanned out the train of her lime chiffon dress.Branden Jacobs-Jenkins, the 39-year-old playwright who penned the night’s best play revival, the searing family drama “Appropriate” — and a fellow first-time Tony winner — was next in line to compliment Ms. Young and her gown from the designer Bibhu Mohapatra.“This is a forever iconic Tonys look,” Mr. Jacobs-Jenkins told the actress. “When we’re like 70 years old, they’re going to show you in this.”The performers Kecia Lewis and Camille A. Brown.Nina Westervelt for The New York TimesThe actresses Sarah Paulson and Elle Fanning.Nina Westervelt for The New York TimesBranden Jacobs-Jenkins, the playwright.Nina Westervelt for The New York TimesThe performers Shaina Taub and Matt Gehring.Nina Westervelt for The New York TimesIt was a flash forward on a night when, for many of the Tony Award winners, anything seemed possible. All eight of the acting honorees, across plays and musicals, earned their first-ever Tony wins on Sunday — some for their first major Broadway role or their first nomination, others after four decades in the theater.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘House of the Dragon’ Season 2 Premiere: What Was That Ending About?

    Fans of the George R.R. Martin books know there are two words for that tense and slightly ambiguous ending to the Season 2 premiere: “Blood and Cheese.”This article contains major spoilers for the Season 2 premiere of HBO’s “House of the Dragon.”It may not be the Red Wedding. But “Blood and Cheese” — as fans of the George R.R. Martin books call the closing event in Sunday’s episode of “House of the Dragon” — is likely to be a major Westeros water cooler moment. It’s shocking. It’s brutal. And it has a cool nickname (though viewers who haven’t read the books might wonder what the heck it means).The Season 2 premiere served up Blood and Cheese on a platter, but for those just catching up, it may be hard to be certain of what just happened. So what just happened?Who are Blood and Cheese?Blood (played by Sam C. Wilson) is a member of the City Watch, the security force that Daemon once headed up in King’s Landing. (Blood’s counterpart in the books is a former member who lost his post for killing a prostitute.) Cheese (Mark Stobbart) is a Red Keep rat catcher who enjoys snacking on dairy products as much as his quarry does. Blood and Cheese aren’t referred to as such in the Season 2 premiere. Anyway their true names are lost, according to the historians of “Fire and Blood,” the Martin book on which “House of the Dragon” is (mostly) based. In their spare time, these two like long walks through tunnels, loyal dogs, and murder-for-hire.Were there signs this was coming?Yes, plenty. Did you smell a rat in Season 1? The Red Keep wasn’t infested only with rodents. It was thick with clues, too. Each time a rat scurried around the Red Keep — visiting King Viserys (Paddy Considine), crashing a wedding, nibbling a dragon skull — it served as foreshadowing. The creatures give us a guided tour of the castle’s hidden passageways (as do, therefore, their exterminators) and a means of sneaking up on the royal family at its most vulnerable. See the rat lapping up blood at the wedding of young Rhaenyra (Milly Alcock) and Laenor (Theo Nate), one of the most heavy-handed bits of rodent symbolism since the end of “The Departed.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More