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      Jimmy Kimmel Recaps Stormy Daniels’s Testimony in Court

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      “Team Trump spent much of the day trying to paint Daniels as a sleazy, money-grubbing liar, which, if that is true, you can see why they hit it off,” Kimmel said.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Quite a dayOn Thursday, former President Donald Trump’s defense attorneys concluded their cross-examination of Stormy Daniels.“And I’ll tell you, it was quite a day to be a stenographer. These are actual phrases that were used in court today: ‘Human toilet,’ ‘Orange turd’ and ‘Make America horny again.’ And print those out and hang them on the Smithsonian wall.” — JIMMY KIMMEL“Team Trump spent much of the day trying to paint Daniels as a sleazy, money-grubbing liar, which, if that is true, you can see why they hit it off.” — JIMMY KIMMEL“During her cross-examination today, one of Trump’s lawyers asked Stormy Daniels, ‘You made all this up, right?’ A strategy that immediately backfired when Trump yelled, ‘No, she didn’t! We had sex!’” — SETH MEYERS“Today, former President Trump’s attorneys finished their cross-examination of Stormy Daniels, and they accused her of lying and hawking merchandise for personal gain. Trump was like, ‘This also feels like a shot at me, too.’” — JIMMY FALLON“[imitating Trump] And for more on why it’s so wrong to be a sleazy money-grubbing merch seller, please buy my God Bless America Donald Trump Bible.” — STEPHEN COLBERTThe Punchiest Punchlines (Heated and Intense Edition)“Today’s cross-examination was described as ‘heated’ and ‘intense,’ which coincidentally are the only two settings on Trump’s tanning bed.” — JIMMY FALLON“Trump was like, ‘If you think that’s bad, you should see the texts I’m getting from Melania.’” — JIMMY FALLON“Former President Trump appeared to briefly fall asleep in court again this morning during adult film star Stormy Daniels’s testimony. Because in real life, you can’t fast-forward the scenes where the actors are talking.” — SETH MEYERS“But this was not her first rodeo, and they would have known that if they would have seen her movie, ‘My Third Rodeo.’ Very good. It’s part of a series.’” — STEPHEN COLBERTThe Bits Worth WatchingJohn Della Volpe, the polling director at the Harvard Institute of Politics, sat down with Jon Stewart to discuss his new book “Fight: How Gen Z is Channeling Their Fear and Passion to Save America” on Thursday’s “Daily Show.”Also, Check This OutCass Elliot performing on her television special “Don’t Call Me Mama Anymore” in September 1973. After she went solo, she found it hard to shake her nickname.CBS Photo Archive, via Getty ImagesFor 50 years, singer Cass Elliott’s talent has been overshadowed by a hurtful rumor about her death. More

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      Woman Who Says She Inspired ‘Baby Reindeer’ Character Denies Stalking

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      The show, a surprise Netflix hit that says it is based on real events, had inspired viewers to try to uncover the real identities of the characters depicted onscreen.As the surprise success of “Baby Reindeer,” the Netflix drama about a comedian and his stalker, has highlighted the complications that can arise from basing a popular series on real events, a woman who claims to be the inspiration for the stalker character said on Thursday that much of the show’s plot was untrue, calling it a “work of fiction.”In the four weeks since “Baby Reindeer” debuted, it has been viewed more than 56 million times, according to data released by Netflix. The intense interest in the seven-episode series, which is billed as a true story based on the experience of the comedian Richard Gadd, has also spawned an army of amateur detectives trying to uncover the actual identities of the characters onscreen.Those efforts have resulted in the online abuse of a British writer and director as well as blowback for Netflix officials, one of whom was questioned about the streamer’s “duty of care” by a British lawmaker this week. Gadd has all but begged internet sleuths to stop digging, writing on social media: “Please don’t speculate on who any of the real life people could be. That’s not the point of the show.”But in an interview that ran Thursday, Fiona Harvey, who says that the show’s stalker character was modeled after her, provided her side of the story on camera for the first time.In “Baby Reindeer,” a woman named Martha (Jessica Gunning) approaches an aspiring comedian, Donny (Gadd), while he is working as a bartender and eventually torments him through emails and voice mail messages.In an hourlong interview on YouTube with the television personality Piers Morgan, Harvey said she had not watched the series — “I think I’d be sick,” she said — but had become aware of her connection to it after reading news media reports and being contacted by journalists. Certain details in the show had convinced some viewers that Harvey was the inspiration for Martha.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Black Twitter’ Review: Hulu’s Docuseries Doubles as a Snapshot of Recent History

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      Hulu’s docuseries on a social-media subculture doubles as a serious snapshot of recent history.Who created Twitter?On one level, the business level, the Wikipedia level, the answer is simple: Twitter, a social-media service allowing users to post brief messages, was founded in 2006 by Jack Dorsey, Noah Glass, Biz Stone and Evan Williams.But on the level of culture, the people who “create” a social platform — that is, who decide what it’s for, what it can do, how it feels — are the people who use it. “Black Twitter: A People’s History,” which arrives on Hulu on Thursday, argues that it was Black users who, as much or more than anyone, gave Twitter its voice.A couple of caveats are useful here. Though Twitter, now called X, is a global infosystem with worldwide effects, the three-part documentary, based on a Wired oral history by Jason Parham, focuses mainly on Twitter as an American phenomenon. And Black Twitter, the series is careful to point out, isn’t a monolith or formal group but the more general phenomenon of Blackness and Black culture manifesting online.“Black Twitter” treats the network not mainly as technology or business but as a cultural artifact — a platform, even an art form, for commentary, community and comedy. Twitter, it argues, is another part of American culture, like music and food, that Black Americans defined by coming to it from the margins.“In the same way that we took our lamentations and made gospel music, we took a site like Twitter and we made it a storytelling forum,” Meredith Clark, a journalism professor undertaking an archive of Black Twitter, says in the documentary. Or as the comedian Baratunde Thurston pithily puts it: “We repurposed Twitter the way we repurposed chitlins.”This scaffolding of ideas elevates “Black Twitter” above the kind of remember-this-remember-that pop-history documentary that it can resemble on the surface. Appropriate to its subject, it tells its story in a series of small bites. It stitches together interviews with academics, journalists, entertainers, viral stars and figures from business and politics with a nimble narration by the director, Prentice Penny.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Five Places to Visit in Toronto, With Eugene Levy

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      As you might guess from the title of Eugene Levy’s latest series — “The Reluctant Traveler” — he’s a guy who’s happy to stay put.The show, now in its second season on Apple TV, follows Mr. Levy, a 77-year-old comedy legend known for his roles in “Waiting for Guffman,” “American Pie,” “Schitt’s Creek” and more, as he defies his anxieties about airports, heights, temperatures, textures and vast swaths of the animal kingdom. With great consternation, he leaves his comfort zone — Canada, as he often reminds viewers — to shadow an expert moose caller in Sweden, herd 600 sheep through a German resort town and politely avoid an octopus aboard a Greek trawler.Mr. Levy, 77, was raised in Hamilton, Ontario, about 40 miles from Toronto, but has called Toronto home since he got his big break in a 1972 theater production of “Godspell.”Heather Sten for The New York TimesRaised in Hamilton, Ontario, about 40 miles southwest of Toronto, Mr. Levy got his big break in 1972 alongside Martin Short, Gilda Radner, Victor Garber, Andrea Martin and Paul Shaffer in a celebrated production of “Godspell” at Toronto’s Royal Alexandra Theater. He has since called the city — and one historic, leafy neighborhood — home.“Rosedale is a residential area that is right in the heart of Toronto,” he told me over coffee at Tavern on the Green, in New York, where he’d joined the cast of the fourth season of “Only Murders in the Building.” With new skyscrapers going up “a mile a minute” in Toronto, he said, the scene from our table in Central Park looked a little like his view from Rosedale. He and his wife, Deborah Divine, are neighborhood loyalists — Avant Goût, a local bistro, has been their go-to for decades — but spots in other areas rank high, too.Here are five of Mr. Levy’s favorite places in Toronto.Terroni Bar Centrale is in Summerhill, a neighborhood bordering Rosedale, where Mr. Levy and his wife, Deborah Divine, live.Eugen Sakhnenko for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Late Night Reacts to the Worm in R.F.K. Jr.’s Brain

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      “This explains everything, and nothing,” Stephen Colbert said about the presidential hopeful’s newly reported parasite.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Food for ThoughtThe presidential hopeful Robert F. Kennedy Jr. said during a 2012 deposition that doctors told him a parasite had eaten part of his brain.“This explains everything, and nothing,” Stephen Colbert said on Wednesday.“I just want to say to any R.F.K. Jr. fans who might be watching, do not despair. Just because he has sworn in a deposition that he has parasitic brain damage doesn’t mean he’s going to drop out, because Bobby Kennedy Jr. does not know the meaning of the word ‘quit’ — ’cause that information was in the part of the brain that the worm ate.” — STEPHEN COLBERT“His family’s like, ‘It is true, but it still doesn’t explain why he’s like that.’” — JIMMY FALLON“And this is strange: Instead of using dewormer, he injected himself with a Covid vaccine.” — JIMMY FALLON“Apparently, the worm was giving him all his ideas, like in ‘Ratatouille.’” — JIMMY FALLON“I don’t know what’s worse — that R.F.K. Jr. had a worm that was eating his brain or that his brain is so poisoned that it killed the worm.” — JORDAN KLEPPER“Cause of death: starvation.” — STEPHEN COLBERT“For a guy who seems to believe doctors are con artists trying to scam you into getting a vaccine, he sure did get to one fast when a worm started eating his brain.” — JIMMY KIMMEL“The inside of his head is basically the movie ‘Dune,’ but you should definitely vote for him.” — JIMMY KIMMEL“The New York Times today published a report on independent presidential candidate Robert F. Kennedy Jr.’s health issues, including a dead worm in his brain. Or as that’s known in Libertarian circles, a running mate.” — SETH MEYERSThe Punchiest Punchlines (Kristi Noem’s Press Tour Edition)“Former President Trump said that South Dakota governor Kristi Noem has had a ‘rough couple of days.’ Said Noem, ‘Who said ‘ruff’?” — SETH MEYERS“Yeah, she needs more bad press like she needs a hole in her dog.” — SETH MEYERSWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Disney, Hulu and Max Streaming Bundle Will Soon Become Available

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      The offering from Disney and Warner Bros. Discovery shows how rival companies are willing to work together to navigate an uncertain entertainment landscape.In a rare moment of solidarity, two entertainment giants are teaming up to try to get consumers to stop canceling their streaming services so frequently.Disney and Warner Bros. Discovery announced on Wednesday that they would start offering a bundle of their Disney+, Hulu and Max streaming services this summer, a sign of how rivals have become more willing to join forces in order to confront an ever-changing media landscape.The companies said that the bundle would be available to buy on any of the three streaming platform’s websites (Disney owns Disney+ and Hulu; Warner Bros. Discovery owns Max), and that there would be a commercial-free version as well as one featuring ads. The companies did not announce prices or a date when the offering would become available.The monthly retail price for subscribing to commercial-free versions of all three services is currently $48; the plans with ads cost a combined $25. A bundled offering is likely to cost less.Media executives have been vexed in recent years as the extremely profitable cable bundle has come undone by cord cutting, and as viewers have rapidly turned to on-demand streaming entertainment. The transition to streaming has been difficult for the companies, which have been bleeding cash.Disney, for instance, announced this week that Disney+ was profitable last quarter for the first time, though its overall streaming division lost money.Adding to the uncertainty, consumers have shown a much greater willingness to cull and cut streaming services over the last year or so, further confounding executives who have slashed costs and reduced the number of television shows to get closer to making meaningful profits.Disney has introduced a bundle for Disney+, Hulu and ESPN+. The company has said it has seen good results from that offering.Executives have been flirting with the idea of cobbling together a streaming offering across media companies to give consumers less incentive to cancel. The Disney+, Hulu and Max offering is a significant step in that direction.Joe Earley, the president of Disney Entertainment’s direct-to-consumer division, said in a statement that the “new partnership puts subscribers first.” JB Perrette, the chief executive of Warner Bros. Discovery’s global streaming unit, called it “a powerful new road map for the future of the industry.”In February, Disney, Warner Bros. Discovery and Fox said they were forming a joint venture to create a streaming service dedicated to their sports offerings. It is expected to debut in the fall. More

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      ‘Bodkin’ Review: Crime in a Small Town? Send in the Podcasters

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      This Netflix series is about a true-crime podcast but plays more like a mopey murder show.There are worse shows to imitate than “Only Murders in the Building,” and perhaps “Bodkin,” premiering Thursday on Netflix, would be better if it had tried. It too is about the creation of a true-crime podcast, set in an enclave where quirky conflicts simmer for decades. It too pokes fun at the inanity of some podcasts, and it tries to weave a comedic pep into its pathos.But “Bodkin,” created by Jez Scharf and executive produced by Barack and Michelle Obama, among others, takes more inspiration from mopey foreign murder shows. It has that common pervasive dampness along with plenty of clannish townspeople who resent these nosy Nellies poking around where they have no business. None! [Cue the jangling of the bells hung above the doorway in a quaint shop.]Yes, there is a spooky local festival, and yes, the town’s top pastime is keeping dark secrets. No one asks direct questions, nor can anyone speak for long without drifting into a dreamy parable. The show is set in the present day, but the surroundings feel ancient.Our town here is Bodkin, a (fictional) Irish village where years ago, during the annual celebration of Samhain (a Gaelic proto-Halloween), three people disappeared. Now our podcasters are on the case: Gilbert (Will Forte), a mostly cheery American with some successful podcasts under his belt; Dove (Siobhan Cullen), a Dublin-raised, London-based reporter who perceives this assignment as a banishment; and Emmy (Robyn Cara), the eager research assistant who tolerates their shabby treatment. Gilbert is vaguely dopey but ingratiating. Dove is so sour she could pickle a sociopath. To the show’s credit, at least they do not hook up with each other.Dove says that true-crime stories aren’t real journalism, and while we’re led to believe she is an ace reporter, she seems unfamiliar with one of the core aspects of news gathering: earning the trust of potential sources. She is surly and rude to nearly everyone she meets. She breaks into a library after hours just because she’s impatient. Back in London, she had promised to protect a whistle-blower’s identity, but his name leaked somehow, and he later killed himself. This arc never fully meshes with the rest of the show, and it plays out mostly in terse phone calls. But everything with Dove is so one-note, it’s hard to see the specifics of her disrespect. Similarly, Gilbert’s money trouble and failing marriage — more phone calls — feel like tacked-on inventions rather than enriching character depth.Will there ever be a show in which a female journalist doesn’t sleep with a source or subject? The search continues. Emmy falls for the local tech wunderkind and Dove for the sharp funeral director. Gilbert too becomes awfully enmeshed, befriending Seamus (David Wilmot), a local fisherman with a, yes, fishy past. Forte and Wilmot have the most interesting chemistry in the show: Gilbert is eager for good sound bites and Seamus loves to pontificate, but their deeper purposes are at odds. Neither can fully mask his prickly distrust, but both are desperate for the connection anyway. It’s a dangerous, fruitful combo.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ian Gelder, ‘Game of Thrones’ Actor, Dies at 74

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      He played Kevan Lannister, the brother of feared patriarch Tywin, and was diagnosed with bile duct cancer five months ago.Ian Gelder, the British actor who capped his half-century career by appearing in the hit series “Game of Thrones” as Kevan Lannister, brother of feared patriarch Tywin Lannister, died on Monday. He was 74.His death was announced by his husband, fellow actor Ben Daniels, who said in a social media post that Mr. Gelder had been diagnosed with bile duct cancer in December. Mr. Gelder’s agent, Daniel Albert, also confirmed his death.Over a 50-year career in television, film and theater, Mr. Gelder appeared in the beloved British sci-fi show “Doctor Who” and its spinoff “Torchwood,” as well as in a television adaptation of “His Dark Materials,” the trilogy of fantasy novels by Philip Pullman.He appeared in 12 episodes of “Game of Thrones” as Kevan Lannister, starting in the first season when his character was a military adviser for his older brother, Tywin, as the House Lannister battled House Stark.He reprised the role in the fifth season as a player in the power struggle that resulted from Tywin’s death. Kevan Lannister was killed off at the end of the sixth season alongside many other characters when Cersei Lannister blew up the Sept of Baelor.Born June 3, 1949, Mr. Gelder began appearing in television shows in the 1970s, including “New Scotland Yard” and “Edward the King.” He also starred in theater productions such as “Gods and Monsters” and “Titus Andronicus” at London’s Globe Theater.He and Mr. Daniels started dating in 1993, when they were both cast in the play “Entertaining Mr. Sloane,” according to IMDb. Mr. Daniels appeared in “The Crown” and a 2016 television adaptation of “The Exorcist.”Information about Mr. Gelder’s survivors was not immediately available.His final TV appearance was this year, on an episode of “Father Brown.” More