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    Nicholas Galitzine Wants to Prove He’s More Than Just a Pretty Face

    Known for playing princes and their modern equivalents, this British actor hopes his steamy new drama, “Mary & George,” will change how Hollywood sees him.“I’ve often found that the way people see me is very different from how I see myself,” Nicholas Galitzine said. “People attribute a pristineness to me.”This was on a recent morning in a rococo hotel room, just west of Madison Square Park. (How rococo? Imagine Fragonard macrodosing on psilocybin.) Galitzine, who recently relocated from London to Los Angeles, was in New York for a few days to promote “Mary & George,” a steamy historical drama in which he stars as George Villiers, the ambitious lover of King James I. It premieres Friday on Starz. Next month, he will also appear as Hayes, a boy-band sensation in an age-gap romance, in the giddy Amazon rom-com “The Idea of You.”Boyishly handsome, with lips like plumped throw pillows and a jawline that is frankly ridiculous, Galitzine, 29, is often cast as princes (“Cinderella,” “Red, White & Royal Blue”), straight and gay, or as modern-day prince equivalents — a pop phenom, a football star. That’s how Hollywood has seen him: patrician, elegant.“Refined, maybe, is a word,” he said. (That upmarket English accent? It helps.) But refined is not an adjective he applies. He described himself instead as “chaotic,” as “messy,” which princes aren’t always allowed to be.“That’s a tricky thing sometimes, playing princes and people expecting that,” he said. “The reality is very different.”In the Starz period drama “Mary & George,” Julianne Moore and Galitzine play a scheming mother and son.StarzWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Shogun’ Episode 7 Recap: Death Wish

    As the walls close in around Lord Toranaga, his vassals and family look for ways out.Season 1, Episode 7: ‘A Stick of Time’“When the legend becomes fact, print the legend.” Few cinematic genres have had as fruitful a conversation with one another as the samurai film and the western, so it’s only fitting to use an epigraph from “The Man Who Shot Liberty Valance” to sum up the central conflict in this week’s episode.It begins in full “print the legend mode,” as the director Takeshi Fukunaga brings us a dreamlike flashback depicting the aftermath of Lord Toranaga’s first victory in battle, achieved before he’d have been bar mitzvah’d. The rogue warrior whose forces he defeats calls for the young Toranaga himself to serve as his second in the ritual of seppuku. An overhead shot shows us the lad preparing to strike the deathblow from a point of view that feels a million miles away, less a bird’s-eye view than a god’s.But looks can be deceiving. Ask Saeki (Eita Okuno), Toranaga’s estranged half brother, upon whose support the lord of Edo is counting if his fight against Lady Ochiba and the Regents is to be successful. He’s happy to tell Toranaga’s adoring son, Nagakado, that his pops severed the head of the rebel with a single stroke at the tender age of 12. No such thing occurred — Toranaga hacked away nine times like a miniature ax murderer before finally decapitating the man.But Saeki isn’t doing this to flatter his older brother. He’s doing it to taunt him. He knows Toranaga’s sense of honor will make hearing exaggerated accounts of his exploits uncomfortable. And he knows that by elevating Nagakado’s image of his father, he can send it crashing back down all the more easily. So he tosses in the tale of how young Toranaga soiled himself when he was sent away as a hostage. That’s not the kind of story that makes it into the legendarium.It’s also not the kind of story you tell if you plan to ally yourself with the boy who fouled his breeches. Indeed, despite initially giving every appearance to the contrary, Saeki has no intention of taking up his older brother’s cause. He announces that he has accepted Lord Ishido’s offer of membership on the Council of Regents, and has been dispatched to summon Toranaga to his impeachment and execution. It takes everything the lord has left in him to prevent his Nagakado from blindly accepting Ishido’s order to commit seppuku over the cannon attack he ordered in Episode 4.The Toranaga of decades past wasn’t fit to deliver the coup de grâce to the rebel lord, and the Toranaga of today refuses to do the same to his country. He could defend himself, issue the order for Crimson Sky, make war on Osaka, declare himself shogun — but he won’t. “No one has the right to tear the realm apart,” he tells his assembled vassals as he agrees to surrender to the Council.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Late Night Takes Stock of Donald Trump’s Tanking Media Company

    Jimmy Fallon joked that “Truth Social stock tanked so fast, they’re changing the name to Twitter.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Trump’s Stock SinksShares of Trump Media & Technology Group, the owner of Truth Social, tanked on Monday. That cut the value of Donald Trump’s majority share to about $3.7 billion, down from its peak of $6 billion last week.“Yeah, Truth Social stock tanked so fast, they’re changing the name to Twitter,” Jimmy Fallon joked.“When he heard another one of his businesses was tanking, Trump was, like, ‘[imitating Trump] They blow up so fast.’” — JIMMY FALLON“As a result of the stock tanking, Trump’s net worth dropped $2 billion. Trump’s so panicked, he’s now selling copies of the Torah.” — JIMMY FALLON“How could that be? They have such a solid business model: Old rapist yells at Easter.” — STEPHEN COLBERT“What a shock that the stock price of a company with no profits or success of any kind is falling. The way things are going, Trump is going to have to start selling a deluxe Bible with a dictionary attached.” — SETH MEYERS“He posted 70 times on Easter — what’s in the baskets at the Trump family Easter egg hunt, Cadbury meth eggs?” — SETH MEYERSThe Punchiest Punchlines (Easter Egg Roll Edition)“The White House hosted the 144th annual Easter egg roll today, and about 40,000 people were expected to participate. Forty thousand! But, then again, where else can you get free eggs?” — SETH MEYERS“Forty thousand, or as the hands that laid those eggs put it, ‘An entire generation lost, and for what?’” — STEPHEN COLBERT“It’s the one day of the year where Joe Biden says, ‘You kids get on my lawn!’ And he did.” — JIMMY KIMMEL“Biden came out and said, ‘Look, I know I’m mentally stable, but everyone else can see this six-foot bunny next to me, right?’” — JIMMY FALLON“Then the president handed out baskets filled with his two favorite Easter treats, rhubarb and Polident, and a good time was had by all.” — JIMMY KIMMEL“Donald Trump also had a beautiful Easter message. April fools!” — STEPHEN COLBERTThe Bits Worth WatchingJon Stewart explored the promise of A.I. on Monday’s “Daily Show.”What We’re Excited About on Tuesday NightJames Cordon will return to late night, this time as a guest, on Tuesday’s “Jimmy Kimmel Live.”Also, Check This Out“She wanted more from life, and, ultimately, life lost interest in her,” the director Rachel Chavkin said of the painter Tamara de Lempicka, whose artistic reputation remains mixed.Bettmann via, Getty ImagesA new biographical musical about the unsung artist Tamara de Lempicka opens on April 14. More

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    Betty Cole Dukert, Top ‘Meet the Press’ Producer, Dies at 96

    She worked as a secretary before being hired as an associate producer at the NBC News public affairs show in 1956. She went on to spend 41 years there.Betty Cole Dukert, who began her career in Washington as a secretary in the 1950s and later became the top producer of the weekly NBC News public affairs program “Meet the Press,” died on March 16 at her home in Bethesda, Md. She was 96.Her late husband’s niece Barbara Dukert Smith said the cause was complications of Alzheimer’s disease.In her 41 years at “Meet the Press,” a Sunday-morning fixture on the NBC schedule, Mrs. Dukert booked politicians, diplomats, foreign dignitaries, cultural figures and heart surgeons to be interviewed by a moderator and a panel of journalists; sought out the most capable reporters for the panel; and researched the subjects to be discussed.“She was the main point of contact on Capitol Hill for the show,” said Betsy Fischer Martin, who started on “Meet the Press” as an intern and became the program’s executive producer in 2002. “She worked the phones constantly. It wasn’t an era when you could send off an email to book someone.”As she rose in the “Meet the Press” hierarchy, Mrs. Dukert collaborated with a long list of moderators: Ned Brooks, Lawrence Spivak, Bill Monroe, Roger Mudd, Marvin Kalb, Chris Wallace, Garrick Utley and Tim Russert.“I have never found anyone who is nicer to work with, more intelligent, and whose judgment and tact are so superb,” Mr. Spivak told the Missouri newspaper The Springfield Leader and Press in 1970.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Barbara Rush, Award-Winning TV and Film Actress, Dies at 97

    She received a Golden Globe in 1954 as that year’s rising star and appeared in movies alongside Dean Martin, Frank Sinatra and Paul Newman.Barbara Rush, the supremely poised actress who rose to fame with supporting roles in 1950s films like “Magnificent Obsession” and “The Young Lions,” died on Sunday at her home in Westlake Village, Calif., in Los Angeles County. She was 97.The death, in a senior care facility, was confirmed by her daughter, Claudia Cowan.If Ms. Rush’s portrayals had one thing in common, it was a gentle, ladylike quality, which she put to use in films of many genres. She was Jane Wyman’s concerned stepdaughter in the 1954 romantic drama “Magnificent Obsession” and Dean Martin’s loyal wartime girlfriend in “The Young Lions” (1958), set during World War II. In 1950s science fiction pictures like “It Came From Outer Space” and “When Worlds Collide,” she was the small-town heroine, the scientist’s daughter, the Earthling most likely to succeed.Ms. Rush with Frank Sinatra in the 1963 film “Come Blow Your Horn,” about a swinging Manhattan bachelor’s life.Paramount Pictures, via Silver Screen Collection/Getty ImagesIn both “The Young Philadelphians” (1959), with Paul Newman, and “The World in My Corner,” a 1956 boxing film with Audie Murphy, Ms. Rush was the prized rich girl. In “Bigger Than Life” (also 1956), with James Mason, she played a vapid but supportive wife. And in “Come Blow Your Horn” (1963), with Frank Sinatra, she played the only “nice girl” in a swinging Manhattan bachelor’s life.But she did transcend type occasionally, as an Indian agent’s bigoted wife, for instance, in the western “Hombre” (1967), with Paul Newman. She also played Kit Sargent, the Hollywood screenwriter attracted to and repelled by the ruthless title character in the classic 1959 television production of “What Makes Sammy Run?”Ms. Rush in 1966. Her stage work became a second career. John Downing/Express, via Hulton Archive, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Best Movies and TV Shows Coming to Netflix in April

    “Sex and the City” and a new adaptation of “The Talented Mr. Ripley” highlight the new offerings this month.Every month, Netflix adds movies and TV shows to its library. Here are our picks for some of April’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)‘Sex and the City’ Seasons 1-6Starts streaming: April 1The latest HBO original to land on Netflix is one of the network’s most popular and influential series: a fast-paced and quippy dramedy that helped prove a cable TV show could be at the center of the cultural conversation. Adapted from a Candace Bushnell newspaper column by the writer-producer Darren Star (in close collaboration with the writer-director Michael Patrick King), “Sex and the City” premiered in 1998. It stars Sarah Jessica Parker as the columnist Carrie, who meets up regularly with her friends Samantha (Kim Cattrall), Charlotte (Kristin Davis) and Miranda (Cynthia Nixon) to dine at New York hot spots and dish about their love lives. With its romantic melodrama, raunchy jokes and fabulous fashions, this show has been a comfort watch for women and men for over 25 years.‘Ripley’Starts streaming: April 4The writer-director Steven Zaillian becomes the latest filmmaker to adapt Patricia Highsmith’s novel “The Talented Mr. Ripley,” turning the book into an eight-episode mini-series that aims to capture more of the nuances of Highsmith’s slippery antihero. Andrew Scott plays Tom Ripley, a small-time New York con artist who is hired by a shipping magnate to travel to Italy and check in on the idle heir Dickie Greenleaf (Johnny Flynn), a man Ripley barely knows. Clumsily at first — and then more confidently — Ripley integrates himself into the life of Dickie and his girlfriend, Marge (Dakota Fanning), before mapping out a way that he could live the couple’s jet-setting lifestyle forever. Shot in black-and-white, Zaillian’s “Ripley” takes the character back to his pulp-noir roots, emphasizing the dark desperation at his core.‘Scoop’Starts streaming: April 5In 2019, Prince Andrew tried to quell a growing scandal about his relationship with the convicted sex offender Jeffrey Epstein by sitting for an hourlong TV interview with BBC Two’s “Newsnight.” The interview went horribly for the prince, who suspended his royal duties not long after it aired. The movie “Scoop” is about that bombshell “Newsnight” special. Rufus Sewell plays Prince Andrew, while Gillian Anderson plays Emily Maitlis, the journalist who calmly, persistently grilled him. The director Philip Martin and the screenwriter Peter Moffat cover the prep that the royal family and the Maitlis team put in before the conversation. “Scoop” though is primarily about Sam McAlister (Billie Piper), the producer who landed the interview by persuading all concerned that, whatever the outcome, this was a story that needed to be told, for the sake of Epstein’s victims.‘The Antisocial Network: Memes to Mayhem’Starts streaming: April 5During the 20-plus years that 4chan has been online, the website has rarely gone more than a few months without being at the center of some radical social movement — or some disturbing controversy. The directors Giorgio Angelini and Arthur Jones (who previously collaborated on the documentary “Feels Good Man,” about the Pepe the Frog meme) try to make sense of 4chan’s turbulent existence in “The Antisocial Network,” a film that traces how some adolescent jokes and pranks evolved into conspiracy theories, public protests and cyberterrorism. Through interviews with some of the most influential 4chan (and 8chan) users, Angelini and Jones end up covering topics as far-reaching and significant as Rickrolling, Anonymous, Occupy Wall Street, Gamergate, QAnon and the Jan. 6 riots.‘City Hunter’Starts streaming: April 25Tsukasa Hojo’s “City Hunter” franchise started as a manga serial in 1985 and has since been adapted into multiple anime series and animated movies, along with video games and a few live-action movies. The latest live-action film comes from the director Yuichi Satoh and the screenwriter Tatsuro Mishima, who make it easy on “City Hunter” newcomers by starting at the beginning of the story, when the suave private detective Ryo Saeba (Ryohei Suzuki) begins working with his late ex-partner’s tomboy sister Kaori Makimura (Misato Morita). The two of them patrol the flashy, modern streets of Tokyo’s Shinjuku area, looking cool as they offer help to the helpless.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What’s on TV This Week: ‘Blade’ and the CMT Music Awards

    Syfy airs the 1998 vampire movie. The CMT Music Awards are live in Austin, Texas.For those like myself who still haven’t cut the cord, here is a selection of cable and network TV shows, movies and specials that broadcast this week, April 1-7. Details and times are subject to change.MondayAMERICAN IDOL 8 p.m. on ABC. At this point in the season, most contestants are headed home. But for a lucky handful, the journey continues. This week, the famed singing competition show will reach its final showcase round, where the remaining hopeful vocalists have one last chance to impress the judges Katy Perry, Luke Bryan and Lionel Richie and earn a spot in the Top 24.TuesdaySENSE AND SENSIBILITY (1995) 8 p.m. on TCM. Emma Thompson, Kate Winslet and Hugh Grant are just a few noteworthy names to star in Ang Lee’s adaptation of Jane Austen’s first novel. “Mr. Lee is after something more broadly accessible, a sparkling, colorful and utterly contemporary comedy of manners,” Janet Maslin wrote in her review for The New York Times. “He achieves this so pleasantly that ‘Sense and Sensibility’ matches the Austen-based ‘Clueless’ for sheer fun. Not bad, considering that these characters respond to any awkward social circumstance by talking about the weather.”WednesdayRick Harrison, center, with his son Corey as they are filmed appraising an item at their pawn shop in Las Vegas.Isaac Brekken for The New York TimesPAWN STARS DO AMERICA 8 p.m. on History. Step out from behind the glass and join Rick Harrison, Corey Harrison and Austin Russell (known as Chumlee), the proprietors of Gold & Silver Pawn Shop in Las Vegas, as they pound the pavement in search of unique items with supreme historical — and monetary — value. The family-owned and -operated shop was made famous when “Pawn Stars” first premiered on History in 2009 and fans have been lining up in front of the store to take a peek inside ever since. From the Vegas Strip to all corners of the United States, their search for collectibles continues. While you may not always see them strike a deal, you’re always guaranteed a chuckle and a reminder that all that glitters is not gold.TWISTER (1996) 8 p.m. on AMC. “Dorothy and Toto Had It Easier,” reads the headline of the review of “Twister” for The Times. Shall we compare the tornado that gingerly transports Dorothy — and her little dog, too — from Kansas into the land of Oz to the Oklahoman superstorms in this film that explode diesel trucks, turn barns into toothpicks and level entire towns within seconds? While there’s no shortage of courage or brains in Dr. Jo Harding (Helen Hunt) and Bill Harding (Bill Paxton), two spirited storm chasers, heart is the element in question here, with a divorce looming much like the darkening clouds in the distance. Keep a weather eye on the horizon as they navigate their failing romance and battle against the forces of nature.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Ewan McGregor and Mary Elizabeth Winstead Check In to ‘A Gentleman in Moscow’

    The first time that Ewan McGregor and Mary Elizabeth Winstead shot a scene together, they were in a bathtub, mostly naked. McGregor, in a maximally unflattering wig, was sticking his gut out as far as it would go.“You were just trying to be as grotesque as you could be,” Winstead said affectionately.This was on a recent afternoon in the chilly basement of a midtown hotel where McGregor and Winstead perched on a love seat, his jacket over his shoulders, his hand on her knee. They met in 2017, on the set of the third season of “Fargo,” co-starring as Ray Stussy, a hapless parole officer, and Nikki Swango, his grifter sweetheart. (McGregor also played Emmit Stussy, Ray’s twin.) Two years later, in 2019, they filmed “Birds of Prey” but did not share scenes. They are also both participants in the “Star Wars” franchise — McGregor in the ’90s and ’00s films and the more recent “Obi-Wan Kenobi” series, Winstead in “Ahsoka” — though again they did not share scenes. In 2021, Winstead gave birth to their son. The next year, they married.Now, they have reunited onscreen for “A Gentleman in Moscow,” which premiered Friday on Paramount+ and debuts Sunday on Showtime. An adaptation of Amor Towles’s novel, it stars McGregor as Count Alexander Ilyich Rostov, a mustached aristocrat sentenced to house arrest in a luxury hotel in the years following the Russian Revolution. Winstead appears as Anna Urbanova, an actress and the count’s sometimes girlfriend. Somehow, in the confines of the hotel, they make a life.McGregor plays a Russian count imprisoned in a luxury hotel and Winstead an actress who becomes his companion.Ben Blackall/Paramount+ with ShowtimeIn an hourlong conversation, in a hotel somewhat more modest than Moscow’s Metropol, they discussed claustrophobia, facial hair and the benefits and detriments of working with a spouse. These are edited excerpts from the conversation.How did you get involved with “A Gentleman in Moscow”?EWAN MCGREGOR It came to me first. I loved the grand nature of the drama, the love and loss and romance. I feel like it’s rarer and rarer to get a chance to play that stuff. At the heart of it, it’s about a man who’s learning to be a husband and learning to be a dad and crawling out of his ideas of the aristocratic way of life to find who he really is.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More