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      6 Faces of Diana, Princess of Wales, to Stream Online

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      The film “Spencer” is the latest in a long line of TV and movie depictions of Diana. Here’s a selection.LONDON — Nearly 25 years after her death, Diana, Princess of Wales, remains a fixture in British culture and on screens both sides of the pond.Her life is often remembered as tragic: an unhappy marriage to Prince Charles, a complex private life hounded by paparazzi, a shocking death in a car crash at the age of 36. But she was also, truly, beloved, earning the moniker “the people’s princess” for her charity work and candor.This complexity has inspired countless television and film adaptations of her life. The latest, in theaters Friday, is “Spencer.” Starring Kristen Stewart as Diana and directed by Pablo Larraín, the film takes place over one Christmas holiday with the royal family, as Diana’s marriage (and possibly her mental health) unravel. Each Diana production — made in every decade since she became a public figure — takes a different perspective on the princess. Here’s a list of six varied examples, all available to watch online.‘Diana: Her True Story’ (1993)Serena Scott Thomas in “Diana: Her True Story,” which aired on NBC in 1993.NBCIn the early 1990s, U.S. television networks scrambled to make small-screen movies depicting Charles and Diana’s much-publicized unhappy marriage.Andrew Morton’s explosive biography “Diana: Her True Story” was published in 1992, and a year later NBC aired a movie adaptation of the book, starring Serena Scott Thomas as Diana and David Threlfall as Charles.This is a soapy rendering of Diana’s marriage, but the plot generally sticks to the story that “The Crown” later explored with more nuance, and the differences between the couple are evident from the start. Charles is explicit that he doesn’t see love as a prerequisite for marriage, seeing it as a “partnership.” Scott Thomas’s Diana, meanwhile, believes that her role is to support her husband and that, with time, she can make Charles love her.Scott Thomas doesn’t quite embody Diana’s looks or mannerisms, but she does capture the personable nature that made her so popular. Her portrayal of the princess is sympathetic and she frequently reacts to Charles’s mistreatment, screaming at him after she finds a photograph of Camilla on their honeymoon and throwing herself down the stairs while pregnant with her first child. Sticking to revelations in Morton’s book, Diana’s struggle with an eating disorder is also depicted. (Stream via Amazon Prime Video; rent or buy on Amazon.)‘Diana: The Musical’ (2021)In Netflix’s “Diana: The Musical,” Jeanna de Waal plays the princess. Netflix“Diana: The Musical,” written by Joe DiPietro and Bon Jovi’s David Bryan, had its Broadway run swiftly shuttered because of the pandemic. Earlier this year a filmed version landed on Netflix.Starting with her initial courtship of Prince Charles, the two-hour musical flies through notable events in Diana’s life at a dizzying pace. There are numbers on her paparazzi intrusion (with lyrics like “Ain’t nothin’ like the hunt, Ain’t nothin’ like the thrill. Find the right bird, Then go in for the kill”) and contrasting Diana’s common touch with the public with the royal family’s stuffiness (“All right, I’m no intellect,” she sings while watching a cello performance with Charles. “But maybe there’s a discotheque, where the prince could hear some Prince and we’d all get funkadelic.”)This version of Diana (played by Jeanna de Waal) is particularly one-dimensional. There isn’t much of an opportunity to dwell on her emotions, or provide insight on her mental state, and the filmed musical was not well received. “This is a Rocky Horror Picture Show of cluelessness and misjudged Judy Garlandification,” wrote Peter Bradshaw in The Guardian. (Stream on Netflix.)‘King Charles III’ (2017)Katie Brayben plays the ghost of Diana in “King Charles III.”BBCBased on the play of the same name by Mike Bartlett, “King Charles III” is set following the death of Queen Elizabeth II and sees Charles (Tim Pigott-Smith) grappling with the death of his mother and his transition to king.In the vein of a Shakespearean tragedy, the ghost of Diana (Katie Brayben) appears several times in the made-for-TV movie. Always kept distant from other characters and wearing white, she reassures a stubborn Charles (“You think I didn’t love you. It’s not true”) and a pained William, upset at his rebellious father (“You’re now the man I never lived to see”).The ghost of Diana sparked a British tabloid storm, particularly when it was set to be broadcast soon after Prince Harry spoke about the impact losing his mother had on his mental health. Bartlett defended her inclusion: “It’s a genuine investigation of what it is to be that family and in that role in the country,” he told the TV magazine Radio Times. “Diana is part of that.” (Rent or buy on Amazon and iTunes.)‘The Crown’ (2020)When we meet Emma Corrin’s Diana in Season 4 of “The Crown,” she is a teenager.NetflixThe posters for the fourth season of “The Crown” marked the show’s arrival in the 1980s by sandwiching the face of the queen (now played by Olivia Colman) between two new characters: Margaret Thatcher (Gillian Anderson) and Diana (a newcomer, Emma Corrin).We meet Diana as a teenager, and while Corrin perfectly captures the future princess’s look and subtle mannerisms, the show also emphasizes the down-to-earth quality that made Diana so popular with the public through scenes of her roller skating through the palace and going out dancing with friends.We see her struggling with an eating disorder, and with feeling isolated from Charles and the rest of his family, as well as with the complicated social rules around interacting with royalty.Corrin received a Golden Globe for her portrayal, and as is typical on “The Crown,” the role of Diana will be taken over by a new actress, Elizabeth Debicki, for the show’s fifth season.Five Movies to Watch This WinterCard 1 of 51. “The Power of the Dog”: More

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      6 TV Tie-In Podcasts to Enhance Your Next Binge

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      Who’ll be the last one standing in “Succession”? Is “The Good Place” heaven or hell? These are the audio companions to keep the conversation going around some of your favorite shows.For a true TV devotee, watching the latest episode is just the beginning. Depending on the show at hand, there are plot twists and character revelations to dissect, theories to discuss and historical context to plumb. Fans have been gathering online to do all this since before the turn of the century, but in recent years, shows have started producing their own post-episode debriefs.Starting in the early 2010s, the TV “after-show” became a subgenre. Immediately after a new episode aired, a host would interview the stars and creators about what just happened, in programs like AMC’s “Talking Dead” and “Talking Bad,” HBO’s “After the Thrones,” and more recently Netflix’s “The Netflix Afterparty.” But as Hollywood seems to be realizing, the format works just as well (if not better) in audio form.As a result, there’s now a huge selection of official tie-in podcasts for your favorite TV shows. Some of these offer real added value, while others are skippable puffery. These six are worth your time.‘HBO’s Succession Podcast’Since fans of HBO’s towering, dramatic family tragicomedy have had to wait a full two years for new episodes, audio stepped in to fill the void. Beginning last summer, the host Roger Bennett (best known for the soccer podcast “Men in Blazers”) conducted interviews with the “Succession” ensemble, diving into the psychology of the power-hungry, emotionally stunted Roy clan. Now that the long-awaited third season has finally debuted, the podcast has switched up its format, swapping out Bennett for the veteran Silicon Valley journalist Kara Swisher (host of The New York Times podcast “Sway”). The focus now is less on the show itself, and more on the realities of the kind of power it depicts — Episode 1 features a conversation with Jennifer Palmieri, a former White House communications director, who weighs in on a politically charged moment from the season premiere. Though it may not please every fan, this shift in focus sets it apart from other tie-in podcasts.Starter episode: “Rich Doesn’t Equal Smart (With Jennifer Palmieri)”‘The Crown: The Official Podcast’One of the great pleasures of watching Netflix’s richly drawn royal drama “The Crown” is looking up the real historical events portrayed in each episode, and identifying what’s fact versus fiction. Hosted by the Scottish broadcaster Edith Bowman, this companion podcast helps to scratch that itch, offering additional context on the research that goes into depicting figures like Princess Diana and the divisive British prime minister Margaret Thatcher. Each episode features Bowman alongside a variety of guests from the cast and creative team, who share behind-the-scenes stories and insights into the vast scale of the production. Sadly for fans of Claire Foy’s era, the podcast didn’t debut until Season 3 of the show, but will continue through its already-confirmed fifth and sixth seasons.Starter episode: “Episode 1: Goldstick”‘Better Call Saul Insider Podcast’Way back in 2009, when podcasts were still niche and held no interest for TV networks, the team behind AMC’s then under-the-radar drama “Breaking Bad” started putting out a roundtable podcast called “Breaking Bad Insider Podcast.” As the series gradually snowballed to become one of the most iconic series of all time, the podcast remained charmingly unchanged — with Kelley Dixon, an editor on both dramas, and Vince Gilligan, the creator of both, hosting an affable weekly chat about every aspect of the production. This dynamic continued with the introduction of the also acclaimed prequel series “Better Call Saul.” The hosts genuine warmth and camaraderie distinguishes this from many similar roundtable-style podcasts, and their insights into the nitty-gritty of production are invaluable for fans and aspiring creatives alike.Starter episode: “101 Better Call Saul Insider”‘The Good Place: The Podcast’There are layers upon layers to peel back in Michael Schur’s existential NBC sitcom “The Good Place,” which follows a ragtag group of recently deceased characters trying to navigate a zany afterlife where the rules keep changing. So it’s not surprising that the show makes ideal fodder for a podcast, which is hosted by the actor Marc Evan Jackson (best known to fans for playing a mysterious demon named Shawn). Offering episode-by-episode conversations spanning the entire series, the podcast features a revolving door of actors, writers and producers, as well as set decorators, props masters, and costume and production designers.Starter episode: “Ch. 1: Michael Schur”‘Late Night With Seth Meyers Podcast’Late-night talk shows aren’t generally first in line to get the podcast treatment, but this is less of a companion show than an alternative way to enjoy Meyers’s incarnation of “Late Night,” on NBC. New episodes typically drop two or three times a week, and feature highlights from the satirical nightly show, including Meyers’s opening monologues, interviews and signature recurring segments like “A Closer Look.” Guests run the cultural gamut — interviews from the last few weeks include Senator Elizabeth Warren, the cast of “Ted Lasso,” and Meyers’s onetime “SNL” colleague Colin Jost. Some episodes of the program are devoted to a sub-podcast, “Late Night Lit,” which features the “Late Night” producer Sarah Jenks-Daly discussing books and interviewing authors. Throw in the odd behind-the-scenes segment with Meyers and the producer Mike Shoemaker, and there’s something here to entertain just about anyone.Starter episode: “Sen. Elizabeth Warren | Southwest Contradicts Fox News, Says Chaos Not Caused by Vaccine Mandate: A Closer Look”‘The Chernobyl Podcast’If you devoured HBO’s riveting 2019 mini-series “Chernobyl” but skipped the tie-in podcast, you’re missing out on the full experience. Peter Sagal, best known as the host of NPR’s beloved quiz show “Wait Wait … Don’t Tell Me!,” led this five-part conversation with the “Chernobyl” writer Craig Mazin, who co-hosts the long-running screenwriting podcast “Scriptnotes.” Their combined audio experience is evident in their effortless back-and-forth, which blends behind-the-scenes anecdotes with fascinating historical insights into the 1986 nuclear disaster and its fallout. Mazin’s enthusiasm for the subject matter is palpable, and the episode-by-episode discussion allows for a detailed breakdown of key moments. If you’re the kind of die-hard TV fan who pines for DVD audio commentaries, this is the next best thing.Starter episode: “1:23:45” More

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      Emmy Awards 2021: Watch to Watch For

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      “The Crown” and Netflix could have a big night and bring the streaming service its first top award for a series. Here’s what else to expect, and a look at the favorites and potential upsets.At long last, it should be the year that a streaming platform is triumphant at the Emmys.The tech companies upended the entertainment industry years ago but they’ve had mixed results breaking through with members of the Television Academy, who vote on the winners.That will likely come to an end on Sunday when the envelopes are unsealed at the 73rd Emmy Awards, which will be broadcast on CBS — and, fittingly, streamed live on Paramount+.“The Crown,” the lush Netflix drama chronicling the British royal family, is the heavy favorite to win one of night’s the biggest awards — best drama — on the strength of its fourth season, which took viewers into the 1980s as it portrayed the relationship of Prince Charles and Princess Diana.Seven of the show’s cast members landed acting nominations, including Josh O’Connor (Prince Charles) for best actor and Emma Corrin (Princess Diana) and Olivia Colman (Queen Elizabeth II) for best actress. Gillian Anderson (Margaret Thatcher) and Helena Bonham Carter (Princess Margaret) are among the nominees for best actress in a supporting role.“The Crown” already picked up four Emmys in the first batch of awards handed out during last weekend’s Creative Arts Emmy Awards, which recognizes achievements in technical categories.Netflix built a considerable lead over its television and streaming rivals at the Creative Arts Emmys, all but guaranteeing that it will win more awards than any other studio, streaming platform or TV network. A best drama win for “The Crown” would also be a significant first for Netflix. The streaming service has never won a top series award, despite a whopping 30 nominations in best drama, comedy and limited series from 2013 to 2020. Only one streaming service, Hulu, has won best drama, an award that went to “The Handmaid’s Tale” four years ago.It would be a fitting win in a ceremony that is recognizing the best shows aired or streamed amid the pandemic. During the stay-at-home months last year and early this year, people increasingly turned away from cable and embraced streaming video entertainment, accelerating a trend that was already underway.While “The Crown” is the favorite, keep an eye out for spoilers in the best drama race. “The Mandalorian,” the Star Wars action adventure show on Disney+, picked up seven technical awards last weekend, and Television Academy voters love themselves some popular, action-packed entertainment, as evinced by “Game of Thrones” winning the best drama category a record-tying four times.A show with an outside shot is “Bridgerton,” the popular Netflix bodice-ripper from the super producer Shonda Rhimes. FX’s “Pose,” nominated for its final, emotional season, has the best chance at an upset of any of the cable or network series nominated.‘Ted Lasso’ and Jason Sudeikis are favorites.It looks like Apple’s streaming service, not quite two years old, is on the verge of getting its first major Emmys win, thanks to an aphorism-spouting, fish-out-of-water soccer coach.The feel-good Apple TV+ comedy, “Ted Lasso,” is the favorite in the comedy category. Nominated for its rookie season, which had its premiere in August 2020, the show already won best cast in a comedy last weekend. The winner of that award has gone on to win best comedy six years in a row. “Ted Lasso” also cleaned up at the Television Critics Association Awards earlier this month, winning best new series, best comedy and best overall show.Jason Sudeikis and his feel-good Apple TV+ comedy, “Ted Lasso,” are expected to take home multiple awards. Apple TV Plus, via Associated PressJason Sudeikis, the former “Saturday Night Live” stalwart, is poised to win multiple Emmys, including for best writing and best actor in a comedy series. Those would represent his first Emmy wins.A long shot competitor for best comedy is the HBO Max series “Hacks,” starring Jean Smart, who is also likely to win her fourth acting Emmy for her role as a Joan Rivers-like stand-up comic.When it comes to comedy this year, the broadcast and cable networks are on the outside looking in: They earned only one nomination in the category, from ABC’s “black-ish,” its lowest combined total in the history of the Emmys.Cedric the Entertainer hosts a potentially boozy ceremony.The Emmys will be an in-person event for the first time in two years, but it won’t be up to the level, in crowd size or spectacle, of the Before Time. Instead of taking place at the 7,100-seat Microsoft Theater, the ceremony will take place in a tent in downtown Los Angeles, with a few hundred people attending.Most nominees will be seated at tables, with food and drink, à la the Golden Globes, a dash of glamour that the show’s producers hope will provide a jolt to sagging ratings, which last year hit a new low. Some casts and production staffs plan to gather remotely. Nominees from “The Crown” will be ready to celebrate at a party in London, similar to the one “Schitt’s Creek” had last year in Toronto.Cedric the Entertainer will preside over the event, which have nominees seated at tables, with food and drink, à la the Golden Globes.G L Askew II for The New York TimesCedric the Entertainer, the stand-up comedian and star of the CBS sitcom “The Neighborhood,” will host. He has suggested that he won’t go for the kind of lacerating political commentary that figured in the onstage comments made by the recent Emmys hosts Jimmy Kimmel, Stephen Colbert, Michael Che and Colin Jost.“I want to bring a familiarity that comes with my brand of stand-up,” he told The New York Times. “I’m somebody you know. I’m your cousin or your uncle, and we’re here to celebrate each other.”The downsized ceremony matches the reduced circumstance of the TV industry over the last year. Because of production delays during the pandemic, the number of shows submitted for the best drama and comedy races was down 30 percent.Michael K. Williams could win.Michael K. Williams, the beloved star of “The Wire” who was found dead on Sept. 6, is nominated for best supporting actor in a drama for the recently canceled HBO series, “Lovecraft Country.” If he does win — and he’s a slight favorite over Tobias Menzies from “The Crown” — it will not be because Emmys voters wanted to give him the award posthumously. The Emmy voting period ended before Williams’s death.Michael K. Williams, who died earlier this month, could win an Emmy for “Lovecraft Country.”HBO, via Associated PressA win for Mj Rodriguez could be one of the night’s biggest moments. Rodriguez’s performance as Blanca Evangelista on FX’s “Pose” earned her a nomination in the best actress in a drama race, the first time a transgender person has been up for the award. To pull it off, Rodriguez would have to beat Corrin, the favorite for her role as a young Princess Diana in “The Crown.”‘The Queen’s Gambit’ vs. ‘Mare of Easttown’As usual, the Emmys tightest race will come down to best limited series.Months ago, Netflix’s “The Queen’s Gambit” seemed like a sure bet, especially after it claimed limited series honors at the Golden Globes and the Critics’ Choice Television Awards.Anya Taylor-Joy is nominated for her role as a chess prodigy in “The Queen’s Gambit.”Phil Bray/Netflix, via Associated PressKate Winslet could win an Emmy for her role as a detective in “Mare of Easttown.”Michele K. Short/HBOBut there are signs the race has turned into a dead heat. At the Television Critics Association Awards on Sept. 15, HBO’s gritty whodunit “Mare of Easttown” took best limited series honors, and Michaela Coel, the creator and star of another HBO limited series, “I May Destroy You,” won for best performer in any television drama.The best actress in a mini-series will be a showdown, pitting Coel against Kate Winslet, who played the weary detective of “Mare of Easttown,” and Anya Taylor-Joy, who played the chess prodigy in “The Queen’s Gambit.” More

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      Emma Corrin Is Fine With Not Playing Diana to the Bitter End

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      The British actor, who received an Emmy nomination for playing Diana in “The Crown,” is happy to be handing off the role as it takes a darker turn. “I feel very protective over her,” she said.Voting is underway for the 73rd Primetime Emmys, and this week we’re talking to several first-time Emmy nominees. The awards will be presented Sept. 19 on CBS.Fans of Netflix’s “The Crown” awaited Season 4 with particular interest — it would be the Diana Season. Emma Corrin won the key role and soon found herself, not long out of Cambridge University, starring in one of TV’s most popular shows as modern history’s most beloved royal, portraying Diana Spencer as she evolved from a precocious and playful 16-year-old into the Princess of Wales.Corrin’s was an arc not unlike Diana’s — a mostly unknown young woman thrust suddenly into a global spotlight. Fans and critics were generally taken with Corrin’s turn, which displayed a charming, grounded accessibility and grace that mirrored Diana’s public image and offered a sympathetic portrayal of her often chaotic personal life.Corrin, 25, has since followed the accolade-laden path of an earlier “Crown” breakout star, Claire Foy, whose performance as a young Queen Elizabeth II nabbed her two Screen Actors Guild awards, a Golden Globe and an Emmy before she was replaced by Olivia Colman as an older Elizabeth. Corrin won the Golden Globe in February, thanking her cast and crewmates in her video acceptance speech, and now has an Emmy nomination for lead actress in a drama. And like Foy, Corrin will exit “The Crown” as the show ages up — Elizabeth Debicki plays Diana next season, in production now, and Corrin wishes her nothing but the best. (Dominic West takes over Charles from Josh O’Connor, another Emmy nominee.)Playing a bona fide icon has afforded Corrin plenty of attention, but perhaps not as much as she might have received had there been no pandemic. She has several high-profile films lined up, including a just-wrapped “My Policeman!” adaptation opposite Harry Styles, as well as female lead in a new version of “Lady Chatterley’s Lover,” directed by Laure de Clermont-Tonnerre. But because production on Corrin’s season of “The Crown” ended early because of Covid and then debuted during the shut-in fall of 2020, its impact hasn’t quite felt tangible, she said in a recent interview.That changed recently, while on holiday in Spain, when she was tickled to be recognized by a boat full of Italian men.“It was so weird; we’re in the middle of the sea, and there are guys floating toward me calling out, ‘Oh Lady Di!’” Corrin said with a laugh. “Those moments still feel very strange. So maybe it will never really sink in. And that’s maybe quite a good thing because it could be very overwhelming.”Corrin tried to funnel the emotions she felt from becoming famous into her performance as Diana.Des Willie/NetflixIn a video interview, Corrin discussed saying goodbye to Diana and the significance of having a nonbinary queer person play such an internationally beloved figure. These are edited excerpts from the conversation.Your season of “The Crown” was generally well liked and received 24 Emmy nominations, the most of any series this year (tied with “The Mandalorian”). How has its reception felt to you? Is it different from your expectations?It’s a weird thing, expectation. I don’t know what I expected. I was sort of waiting in trepidation to see what it would be like, and then with the pandemic, I think that things were just so different. Because we didn’t get to have a wrap party together to actually celebrate the end of filming, and then when the series came out, we’ve all been in isolation for a year, and then obviously we haven’t been able to go to award shows together. So it’s very strange. I think in normal circumstances, it would have been very hard to comprehend everything, and the pandemic made it even weirder. So it doesn’t feel real, especially awards stuff.I remember in the midst of everything, when the series was coming out and the whole cast was feeling sad that we weren’t together, and it was strange I wasn’t experiencing anything in real time. My friend who I live with said, “The most important thing is the work that you’ve done — that at that moment, everyone’s at home watching the series, and it means that everyone’s 100 percent focused on your work and not what you’re wearing at different press interviews, or where you’re going.”Diana’s relationship to the press and the tabloids is explored in “The Crown.” What is it like to become a known person? Does that make you identify more with Diana?It’s a very weird thing to get your head around. It’s a very invasive, intrusive sort of thing to happen. And I remember when I got the part, Benjamin Caron, the producer, said: “Life’s going to change a lot when this comes out. And even when the role is announced, if there’s moments that you feel overwhelmed by it or scared by it, or if you get followed or if your picture ends up in a newspaper or anything, use it, because that’s exactly how she would have been feeling. Use all the emotions around it, use the excitement, use the curiosity, use the fear.” So it was very helpful.I remember there was this one scene we were filming outside her flat when she’s leaving for the last time, saying goodbye to her flat mates. We had loads of supporting actors being the press, and then beyond the cameras are film cameras as well — actual paparazzi. And it was such a weird double world. I was like, no acting required.We’ve seen the new photos of the new Diana and Charles. What was your initial reaction? Is there any sadness about not having the opportunity to continue playing the role?I feel so happy to have done the arc of her life that I did, but for me it feels like a very closed chapter. I went into it knowing I wouldn’t continue. I saw the picture of Elizabeth [Debicki], and I just think she looks absolutely brilliant. And then there were our photos side by side, and I felt really special — almost like a sort of sister feeling that there’s this continued likeness. She came to see the play that I just did in London because she’s friends with the director. We hadn’t met before, and it was wonderful. It was a bit of that thing where we felt like we knew each other so well, even though we didn’t.Is this the type of relationship where you would share information or tips?We haven’t actually. We haven’t done that, and we didn’t speak about it when we met. It would have to come from her because she wants to do that, and I’m assuming that she wants to do her own thing, which is good. She knows I’m here.Diana’s story presumably takes a darker turn next season. “I’m grateful that I don’t have to do that because I know how attached I feel to the person I played,” Corrin said.Des Willie/NetflixHow you feel about not having to go through the end with Diana, which is to say her death?I hadn’t thought about it, to be honest, but I don’t know — it feels like someone else’s thing. I’m grateful that I don’t have to do that because I know how attached I feel to the person I played. I feel very protective over her.You recently came out as queer and nonbinary. What do you think is the significance of a queer nonbinary person playing someone that’s so prominent, a princess so beloved the world over?I think it’s such a joy. My journey with that is still evolving and quite recent. It’s wonderful to know that I’ve played someone who was such a help to so many people in that community and so supportive to that community. I think I’d be lying if I said it didn’t help me in my journey with everything to play someone like Diana. She was so openhearted to everything and explored so much. I feel like Diana helped me explore so many depths of myself and really do a big internal discovery of what I was feeling about everything because she was a very complex person. It feels great. I was very honored.What kinds of roles are you being sent now? Is there any sense that you’re being typecast, or are you reading only things that are completely different?Initially, we were being sent a lot of royal princess sort of things. Wonderful parts, but we decided very early that we need to be clear in like, “We’re not going to do this kind of thing.” But to be honest, for me it’s always going to be about the story, and it’s always going to be about how I feel about the work.I remember saying, “I want to do some contemporary stuff now,” but then getting the “Chatterley” scripts, which I start in a few weeks, and thinking “Oh, my God.” I wanted to work with Laure so badly, and when I saw her vision for it and what they wanted to do with it, I was just like, “I’m in!” And that’s a period piece, so I eat my words. It’s a good lesson to sort of keep an open mind, not pigeonhole yourself. More

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      SAG Awards Go to ‘The Trial of the Chicago 7,’ Chadwick Boseman and Viola Davis

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      Daniel Kaluuya and Yuh-Jung Youn took supporting actor honors. On the TV side, “The Crown” and “Schitt’s Creek” won top honors.Aaron Sorkin’s courtroom drama “The Trial of the Chicago 7” finally notched a significant award-season victory Sunday night, winning the Screen Actors Guild Award for best cast in a motion picture.Over the last decade, five of the films that won SAG’s top prize went on to take the best-picture Oscar, including last year, when a big win for “Parasite” gave it a gust of momentum going into the Academy Awards. After “The Trial of the Chicago 7” lost the Golden Globe for best drama to “Nomadland” and the Writers Guild Award for original screenplay to “Promising Young Woman,” the film’s triumph at the SAG Awards could give it a similar jolt.Two men who’ve been sweeping the season continued to steamroll at SAG: The late Chadwick Boseman won the best-actor award for his work in “Ma Rainey’s Black Bottom,” while “Judas and the Black Messiah” star Daniel Kaluuya won the supporting-actor trophy.The actress and supporting-actress races have been more suspenseful this season, and SAG delivered two notable victories in the form of best-actress winner Viola Davis for “Ma Rainey’s Black Bottom” and “Minari” scene-stealer Yuh-Jung Youn, who won the supporting-actress award.Last year, all four SAG acting winners went on to repeat at the Oscars. If that happens this year, it will be the first time that all the acting Oscars were won by people of color. “Ma Rainey’s Black Bottom” would also become the first film since “As Good as It Gets” (1997) to win both the best-actor and best-actress Oscars — though unlike that film, “Ma Rainey’s Black Bottom” missed out on a best-picture nomination. (“As Good as It Gets” lost that prize to “Titanic.”)In the television categories, “Schitt’s Creek” and “The Crown” continued their award-season dominance, winning the comedy and drama categories, respectively.Here is a complete list of winners:FilmOutstanding Cast: “The Trial of the Chicago 7”Actor in a Leading Role: Chadwick Boseman, “Ma Rainey’s Black Bottom”Actress in a Leading Role: Viola Davis, “Ma Rainey’s Black Bottom”Actress in a Supporting Role: Yuh-Jung Youn, “Minari”Actor in a Supporting Role: Daniel Kaluuya, “Judas and the Black Messiah”Stunt Ensemble in a Movie: “Wonder Woman 1984”TelevisionEnsemble in a Drama Series: “The Crown”Actor in a Drama Series: Jason Bateman, “Ozark”Actress in a Drama Series: Gillian Anderson, “The Crown”Ensemble in a Comedy Series: “Schitt’s Creek”Actor in a Comedy Series: Jason Sudeikis, “Ted Lasso”Actress in a Comedy Series: Catherine O’Hara, “Schitt’s Creek”Actor in a TV movie or limited series: Mark Ruffalo, “I Know This Much Is True”Actress in a TV movie or limited series: Anya Taylor-Joy, “The Queen’s Gambit”Stunt Ensemble in a TV Series: “The Mandalorian” More

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      For Many Golden Globe Winners, the London Stage Came First

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      #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedBest and Worst MomentsWinners ListStream the WinnersRed Carpet ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyCritic’s NotebookFor Many Golden Globe Winners, the London Stage Came FirstAt Sunday’s ceremony, a whole host of British winners and nominees got their training in the theater before they made it to the screen.At the Golden Globes, the actor John Boyega accepted an award for best supporting actor in a series, mini-series or television film for “Small Axe.”Credit…Christopher Polk/NBC, via ReutersMarch 2, 2021, 1:36 p.m. ETLONDON — Where would this year’s Golden Globes be without the English stage? Greatly diminished. As the winners John Boyega and Daniel Kaluuya (who took home trophies for best supporting actor in a television and movie role, respectively) and nominees like Olivia Colman and Carey Mulligan evidence, a pipeline of talent runs directly from London theater to onscreen renown at the highest levels in Hollywood.Many of the other British winners at Sunday night’s ceremony also got their training onstage. Although we may now know Emma Corrin as the latest person bold enough to embody Princess Diana, Sunday night’s 25-year-old winner for actress in a drama series accrued plenty of dramatic credits while studying at Cambridge. Her “Crown” co-star and fellow winner Josh O’Connor graduated from the Bristol Old Vic Theater School before shifting his attention to the screen. He was expecting to make a high-profile return to the London stage last year in a National Theater production of “Romeo and Juliet.” Because of the pandemic, the production has been reimagined for the screen with a notably starry supporting cast, and will be airing in Britain and the United States next month.Josh O’Connor, who plays Prince Charles in “The Crown,” graduated from the Bristol Old Vic Theater School.Credit…Alex Bailey/Netflix, via Associated PressEmma Corrin, who plays Princess Diana, accrued dramatic credits while studying at Cambridge.Credit…Des Willie/Netflix, via Associated PressMichaela Coel’s absence may have commandeered attention at this year’s Globes after her HBO show “I May Destroy You” was snubbed by the Hollywood Foreign Press Association, but keen-eyed London playgoers will have spotted this graduate of Guildhall School at the National Theater’s now-defunct Shed theater, first in the all-female ensemble of “Blurred Lines” and then in her self-penned monologue, “Chewing Gum Dreams,” a project she began while still a student. That title was shortened and the work’s concept expanded to create “Chewing Gum,” Coel’s first TV show. Her fiery talent, first seen in embryo by London theater audiences, has now found the larger audience it deserves.On occasion, a small play itself becomes a celluloid sensation. There’s no other way to describe the leap made by “Fleabag,” which premiered at the Edinburgh Festival Fringe in 2013 and which I caught within the intimate confines of the Soho Theater in London the following year. Before long, its creator and star, Phoebe Waller-Bridge, had found a new and welcoming home for her sexually unbridled Londoner on television.An astonishing success story followed, and when Waller-Bridge returned with her character to a mainstream West End perch in 2019, there were House Full signs from its first performance onward. Before long the show’s second season had also won six Emmys, as well as a best actress Golden Globe for its creator. As a sign of quite how high her Tinseltown star has risen, Waller-Bridge was brought on with much fanfare to work on the script of the upcoming Bond film “No Time to Die.”Phoebe Waller-Bridge received a Golden Globe award in 2020 for her work on “Fleabag.”Credit…Paul Drinkwater/NBC, via Associated PressIndeed, scratch most British TV and film names and you’ll find a theater-trained talent, most of whom are happy to return to the stage and regularly do: Ralph Fiennes, a movie star by anyone’s definition, was quick to brave the London stage last year during the brief mid-pandemic window when theaters here were open. His chosen vehicle was David Hare’s solo play, “Beat the Devil,” appearing as the playwright himself.Fiennes graduated, as have many well-known actors here, from the prestigious Royal Academy of Dramatic Art. The widely shared belief, at least in Britain, is that some sort of stage training sets you up for a profession that demands versatility and flexibility (not to mention technique), all of which are surely useful onscreen as well as onstage. Nor can one deny that theater training here has long seemed like a rite of passage, conferring legitimacy on those who submit to the rigors of the stage.Not everyone follows this path: I’ve yet to see yet another of Sunday’s Globe recipients, Sacha Baron Cohen, on a London stage, though that prospect is hugely enticing, and such actors as Hugh Grant and Kate Winslet seem to have leapt to onscreen stardom without paying this country’s seemingly obligatory dues onstage. (Winslet has done theater in the regions but not in London.)Awards Season More

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      Golden Globes: The Projectionist’s Takeaways

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      Golden Globes: The Projectionist’s TakeawaysSacha Baron Cohen with his wife, Isla Fisher.Christopher Polk/Agence France-Presse — Getty ImagesWant a catch-up on last night’s Golden Globes? It was a weird one — and considering how weird a typical Globes ceremony is, that’s saying something.Watch the standout moments → More

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      Golden Globes 2021: Where to Stream the Winners

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      #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedBest and Worst MomentsWinners ListStream the WinnersRed Carpet ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyGolden Globes 2021: Where to Stream the WinnersNearly all of the big winners from the evening are available to stream. Here’s a look at where to find them and what The Times first had to say about them.Sacha Baron Cohen in “Borat Subsequent Moviefilm,” which won the award for best musical or comedy at the Golden Globes.Credit…Amazon StudiosMarch 1, 2021, 11:31 a.m. ETDuring a normal year, when many of the awards-contending movies are released late in the season, home viewers often have to wait for a month or two to catch the winners on various streaming services. But the one benefit to an awards show during a pandemic year is that all the winners are immediately available — or so we might have assumed.To the surprise of many Golden Globes prognosticators — and to the actress herself — Jodie Foster won best supporting actress for “The Mauritanian,” a 9/11-themed legal drama that’s currently in theaters, but will arrive on VOD on Tuesday, March 2nd. (Our critic, Jeannette Catsoulis, would advise you to proceed with caution.) Otherwise, the night’s big winners on the film side are scattered among the streaming giants, with “Nomadland” and “The United States vs. Billie Holiday” on Hulu, “Borat Subsequent Moviefilm” on Amazon Prime and “The Trial of the Chicago 7,” “Ma Rainey’s Black Bottom” and “I Care a Lot” on Netflix.The awards were not distributed quite so democratically for the TV slate, where the fourth season of Netflix’s “The Crown” took best drama as well as prizes for three of the four acting categories. Netflix also has The Queen’s Gambit,” which won for best limited series or TV movie and for Anya Taylor-Joy’s performance as an American chess grandmaster of humble origins. And the service is streaming all six seasons of the best musical or comedy winner “Schitt’s Creek.”Here’s a guide to the major-category winners that are currently a click away, along with excerpts from their New York Times reviews or features.Movies‘Nomadland’Won for: Best picture, drama; best director“In a fine Emersonian spirit, the movie rebels against its own conventional impulses, gravitating toward an idea of experience that is more complicated, more open-ended, more contradictory than what most American movies are willing to permit.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Hulu.‘Borat Subsequent Moviefilm’Won for: Best musical or comedy; best actor, musical or comedy“Would I call this the best movie of 2020, from the standpoint of cinematic art? Look, I don’t know. It’s been a weird year. But I would insist that this sequel to a cringey, pranky, 14-year-old classic is undeniably the most 2020 movie of all time.” (Read the full Times article on the Best Movies of 2020, in which A.O. Scott put Sacha Baron Cohen’s satire at #1.)Where to watch: Stream it on Amazon Prime.‘The Trial of the Chicago 7’Won for: Best screenplay“‘The Trial of the Chicago 7’ is a mixed bag. While [Aaron] Sorkin draws some of his dialogue from court transcripts, he also exercises the historical dramatist’s prerogative to embellish, streamline and invent. Some of the liberties he takes help to produce a leaner, clearer story, while others serve no useful purpose.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Netflix.‘Ma Rainey’s Black Bottom’Won for: Best actor, drama“Of course it’s hard to watch Levee — to marvel at [Chadwick] Boseman’s lean and hungry dynamism — without feeling renewed shock and grief at Boseman’s death earlier this year. And though ‘Ma Rainey’s Black Bottom’ has been around for a long while and will endure in the archive, the algorithm and the collective memory, there is something especially poignant about encountering it now.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Netflix.‘The United States vs. Billie Holiday’Won for: Best actress, drama“Andra Day, who plays Holiday, is a canny and charismatic performer, and the film’s hectic narrative is punctuated with nightclub and concert-hall scenes that capture some of the singer’s magnetism. Rather than lip-sync the numbers, Day sings them in a voice that has some of Holiday’s signature breathy rasp and delicate lilt, and suggests her ability to move from whimsy to anguish and back in the space of a phrase.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Hulu.‘I Care a Lot’Won for: Best actress, musical or comedy“An unexpectedly gripping thriller that seesaws between comedy and horror, “I Care a Lot” is cleverly written (by the director, J Blakeson) and wonderfully cast. Marla is an almost cartoonish sociopath, and [Rosamund] Pike leans into her villainy with unwavering bravado.” (Read the full Times review by Jeannette Catsoulis here.)Where to watch: Stream it on Netflix.‘Judas and the Black Messiah’Won for: Best supporting actor“‘Judas and the Black Messiah’ represents a disciplined, impassioned effort to bring clarity to a volatile moment, to dispense with the sentimentality and revisionism that too often cloud movies about the ’60s and about the politics of race.” (Read the full Times review by A.O. Scott.)Awards Season More