The Day of the Jackal (TV Program)

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    ‘The Agency’ and ‘Black Doves’: Spy Dramas in Touch With Their Feelings

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    ‘The Agency’ and ‘Black Doves’ are part of a new crop of espionage series whose biggest battles take place within the hearts and minds of their agents.Ukraine and Russia are at war. Political instability and civil war rage in Sudan. Iran is ramping up its nuclear capabilities. The world is basically a mess in “The Agency,” the new espionage series that inundates the viewer with rapidly intersecting story lines set on an increasingly complicated geopolitical playing field.The series, which premiered last week on Paramount+ (with the Showtime tier), is part of a surge in spy shows that also includes “The Day of the Jackal,” on Peacock; “Black Doves,” premiering Dec. 5 on Netflix; and “Slow Horses,” which wrapped up its fourth season on Apple TV+ this fall.True to the genre, these series jet all over the globe (though mostly Europe) and unfold in high-tech command centers and in dark urban alleyways, via thrilling shootouts and furtive meetups. Some operatives pursue sanctioned missions as others go rogue. Multiple cats chase multiple mice, and it’s not always clear who is which.The most pitched battles, however, happen within the hearts and minds of the individual players. Even as the new spy shows reflect a fraught, tangled and mercenary post-Cold War world, the existential threats and conflicts are more interior, intimate and, in many ways, timeless.“It’s the agency,” a Central Intelligence Agency honcho (Jeffrey Wright) tells a field agent (Michael Fassbender) in “The Agency.” “Nothing is personal.” Nothing, that is, except everything.Jeffrey Wright, right, with John Magaro, plays a C.I.A. boss in “The Agency,” based on the French series “The Bureau.”Luke Varley/Paramount+ with ShowtimeWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Best TV Shows of 2024

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      “English Teacher,” “My Brilliant Friend,” “Shogun,” “Babylon Berlin” and “Somebody Somewhere” were among the series that stood out in a year when television felt more mid than ever.As you browse, keep track of how many shows you’ve seen or want to see. Find and share your personalized watch list at the bottom of the page.Best Shows of 2024 | Best International | Best Shows That EndedJames PoniewozikBest Shows of 2024We live in the Age of Like. You can click stars and hearts from one end of the internet to the other to express your contentment. Like is fine. Like is good. But like isn’t the same as love. Love is more challenging. It asks more of you and it risks more. Like can’t break your heart.The good news is, there was a ton of TV to like in 2024. But it was harder this year than most to find those special, challenging, distinctive shows to l-o-v-e, which is what I think year-end lists like this are all about.All this is an outgrowth of a phenomenon I wrote about earlier this year: “Mid TV,” the burgeoning category of well-cast, professionally produced shows that look like the groundbreaking TV of the past but don’t actually break ground of their own. This TV has its place — I watch a lot of it, happily — but that place is not on this list. (The shows that did make it are arranged alphabetically.)Farewell, 2024; here’s to a more-than-mid 2025!‘English Teacher’ (FX)There’s a popular “Simpsons” meme in which the school principal, Seymour Skinner, wonders to himself, “Am I so out of touch?,” and concludes, “No, it’s the children who are wrong.” What the rookie-of-the-year sitcom “English Teacher” posits is: Maybe the children are wrong, and so are the adults, but we’re all also sort of right, and all this is part of life. Less apocalyptic than “Euphoria,” more acerbic than “Abbott Elementary,” the series surveys the post-Covid educational culture wars with more curiosity than judgment. That, it turns out, is one of the best ways to learn. (Streaming on Hulu.) More

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      ‘The Day of the Jackal’ Is a Cat-and-Mouse Thriller

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      The new Peacock series, starring Eddie Redmayne and Lashana Lynch, adapts the 1971 Frederick Forsyth novel and sets the action in the present day.Eddie Redmayne is one of our most curious actors. The British star, who won an Oscar for his portrayal of Stephen Hawking in “The Theory of Everything,” takes big swings that sometimes are captivatingly odd. (If you haven’t seen his bellowing villain in “Jupiter Ascending,” from 2015, check it out.) But Redmayne’s innate slipperiness is well-suited to his latest role: an unknowable and deadly assassin in “The Day of the Jackal,” premiering Thursday on Peacock with five episodes (of 10).You spend much of the series wondering what exactly makes the Jackal tick. Is he simply a monstrous, unfeeling killer? A family man in disguise? A straight-up psychopath? Redmayne is fascinatingly coy — warm one moment and then haunting the next.The series is an adaptation of the 1971 Frederick Forsyth novel, which was also made into a film in 1973. Created by Ronan Bennett, this version sets the action in the present day and opens with Redmayne’s gun for hire targeting a German politician. This piques the interest of an MI6 officer named Bianca (Lashana Lynch), who has an almost perverse fascination with weapons.As Bianca runs around trying to uncover the Jackal’s identity, the assassin gets a new high-profile assignment. These two characters operate on parallel tracks, just missing one another time and time again. If Redmayne’s portrayal of the Jackal is steeped in mystery, Lynch’s take on Bianca is a stirring mix of impulsivity and cunning. They are the twin engines propelling the plot.As is often the case with streaming dramas, there is some bloat in the narrative — it takes multiple episodes for Bianca and the Jackal to even end up in the same place. But there is a compelling focus on the collateral damage these two inflict. The Jackal has a beautiful Spanish wife who slowly becomes more suspicious of her husband’s activities. At the same time, Bianca is willing to put innocents in danger, including her own daughter, because she believes she is serving the greater good. Some of this material can feel like filler, but much of it deepens “The Day of the Jackal” and its depiction of the human cost of global intrigue. More