John Conklin, Designer of Fantastical Opera Sets, Dies at 88
Realizing a childhood dream, he created scenery that was highly conceptual yet playful for the Glimmerglass Festival, New York City Opera and other companies.John Conklin, a celebrated designer of scenery for opera and theater, who tapped a boundless knowledge of music and art history, as well as an instinct for disruption, to create memorable sets for New York City Opera, the Metropolitan Opera, the San Francisco Opera and, most notably, the Glimmerglass Festival in upstate New York, died on June 24 in Cooperstown, N.Y. He was 88.His death was confirmed in a statement by Glimmerglass, the nonprofit summer opera company in Cooperstown.Mr. Conklin was the scenic designer for all four shows of this year’s summer season at the Glimmerglass Festival, including “Tosca,” above.Kayleen Bertrand/the Glimmerglass FestivalMr. Conklin designed the scenery — and, in some cases, the costumes — for more than 40 Glimmerglass productions, starting in 1991. He remained active with the company even after his retirement in 2008, and he served as the scenic designer for all four shows of this summer’s season: “Tosca,” “Sunday in the Park With George,” “The House on Mango Street” and “The Rake’s Progress.”Mr. Conklin also designed the 2025 Glimmerglass production of “Sunday in the Park With George.”Brent DeLanoy/the Glimmerglass FestivalThe term “prodigy” rarely applies to set designers, but Mr. Conklin’s instincts were on full display in his youth. Growing up in Hartford, Conn., he attended symphonies and operas with his family, and by 10, he was building his own models, based on photographs he found perusing the magazine Opera News.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More