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    ‘The Idea of You’ Review: Surviving Celebrity

    Anne Hathaway headlines a movie that’s got a lot to say about the perils of fame.Women of a certain age (that is, my age) feel like they grew up alongside Anne Hathaway, because, well, we did. We were awkward teens together when she made “The Princess Diaries” in 2001. We felt ourselves to be put-upon entry-level hirelings right when “The Devil Wears Prada” came out in 2006. We understood her broken-down narcissistic addict in “Rachel Getting Married,” because who couldn’t? And we watched the Hathaway backlash, pegged to public perception that she was trying too hard, and worried that people saw us the same way.Now we’re 40-ish. We know for sure that Gen Z considers millennials to be cringe, and, thankfully, we no longer feel the need to care. The greatest gift of reaching middle age is having settled into yourself, and that is apparently what Hathaway, age 41, has done. She has been through the celebrity wringer (and more) and come out the other side looking radiant, with a long list of credits in movies that swing from standard commercial fare to auteurist masterpieces.This is perhaps why it’s so satisfying to see her name come first — alone, before the title credit — in “The Idea of You,” which is on its surface a relatively fluffy little film. Based on the sleeper hit novel by Robinne Lee, “The Idea of You” is plainly fantasy, in the fan fiction mold, that poses the question: What if Harry Styles, the British megastar and former frontman of One Direction, fell madly in love with a hot 40-year-old mom? In this universe, the Styles character is Hayes Campbell (Nicholas Galitzine), the British frontman of a five-member boy band called August Moon.Hathaway plays Solène Marchand, an art gallery owner whose arrogantly useless ex-husband, Daniel (Reid Scott), buys v.i.p. meet-and-greet tickets for their 16-year-old daughter, Izzy (Ella Rubin), and her two best friends, all of whom were huge August Moon fans … in the seventh grade. The event is at Coachella, and Daniel is set to take the teenagers but backs out at the last second, citing a work emergency. Solène reluctantly agrees to take them, and while at the festival, mistakes Hayes’s trailer for the bathroom. They meet, it’s cute, and you can guess what happens next.Or can you? It was clear about 10 minutes into the movie that what was required for enjoyment was to surrender to the daydreaming, and so, with very little internal protest, I did. How could I resist? Solène is smart, competent, kind and secure; she has great hair and a great wardrobe; and most important, she seems like a real person, even if the situation in which she finds herself greatly stretches the bonds of credibility. More than once, I was struck by how authentically 40 Solène seemed to me — a woman capable of making her own decisions, even ones she thinks might be ill-advised — and how weirdly rare it is to see that kind of character in a movie. She has a kid, and friends, and a career. She reads books and looks at art, and she is flattered by this 24-year-old superstar’s attention but takes a long time to come around to the idea that it may not be a joke.Solène also feels real shame and real resolve in the course of the winding fairy tale story, which predictably has to go south. But most of all, she’s in a movie that doesn’t try to shame her, or patronize her, or make her appear ridiculous for having desires and fantasies of her own. She’s just who she is, and it’s simple to understand her appeal to someone whose life has never been his own.Directed by Michael Showalter, who wrote the adapted screenplay with Jennifer Westfeldt, “The Idea of You” succeeds mostly because of Hathaway’s performance, though she and Galitzine spark and banter pleasurably (and he can dance and sing, too). It tweaks the novel in a number of ways — Hayes is older than the book’s character, for one thing — and also seems to implicitly know it’s a movie, and that movies have a strange relationship with age-gap romances.In fact, that’s one of its strengths. Several times, characters remark on the double standard attached to people’s judgment of Solène and Hayes’s relationship, hypothesizing that in a gender-swapped situation, people would be high-fiving the older man who landed the hot younger star. Sixteen years looks like a lot on paper, but in the movies, at least, it is barely a blip.That musing is interesting enough, if a familiar one. More fascinating in “The Idea of You” is its treatment of the cage of celebrity. Hayes seems mature compared with his bandmates and the girls who follow them around, but he’s also clearly stuck in some kind of arrested development. And I do mean stuck: He is self-aware enough to tell Solène, plaintively, that he auditioned for the band when he was 14 and not much has changed beyond his level of fame. He wants a life beyond the spotlight, badly.And that’s just what he can’t get. Neither can Solène, nor, eventually, anyone around her. The idea of living a quiet life might obviously be out of reach, but the added elements of tabloid news and rabid fans unafraid to treat Hayes as if they know him make things far worse. The film starts to feel a little like the tale of a monster, but the monster is parasociality, encouraged by the illusion of intimacy that the modern superstar machine relies on to keep selling tickets and merch and albums and whatever else keeps the star in the spotlight.It’s probably coincidental that “The Idea of You” comes on the heels of Taylor Swift’s latest album, “The Tortured Poets Department,” on which she strongly implies that her carefully cultivated fandom has made her love life a nightmare. But spiritually, at least, they’re of a piece — even if the origins of the film’s plot seem as much borne of parasociality as a critique of it. And that makes Hathaway’s performance extra poignant. She’s been dragged into that buzz saw before. And somehow, she’s figured out how to make a life on the other side of it.The Idea of YouRated R for getting hot and heavy, plus some language. Running time: 1 hour 55 minutes. Watch on Prime Video. More

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    The Best Movies and TV Shows Streaming in May

    “The Idea of You,” “Scrublands,” “The Big Cigar” and “Hacks” are streaming.Every month, streaming services add movies and TV shows to its library. Here are our picks for some of May’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘The Idea of You’Starts streaming: May 2Anne Hathaway plays a middle-age woman on a wild, globe-hopping adventure with a new lover in this romantic dramedy, based on Robinne Lee’s best-selling novel. Hathaway stars as Solène, who accompanies her teenage daughter to Coachella, where she meets and discovers an instant rapport with Hayes Campbell (Nicholas Galitzine), a 24-year-old lead singer of a mega-popular boy band. The movie’s director, Michael Showalter — who also co-wrote the screenplay with Jennifer Westfeldt — has shown a facility with blending low-key humor and realistic relationship angst in his films “The Big Sick” and “Spoiler Alert.” So while “The Idea of You” features fabulous-looking people and catchy songs, it’s mostly about how the two leads’ genuine yearning for each other helps them withstand some uncomfortable public scrutiny.Also arriving:May 9“The GOAT” Season 1“Maxton Hall: The World Between Us”May 16“Outer Range” Season 2May 23“The Blue Angels”“The 1% Club”May 24“Dom”May 31“The Outlaws” Season 3Jay Ryan in “Scrublands.”Sundance NowNew to AMC+‘Scrublands’ Season 1Starts streaming: May 2In the opening sequence of this Sundance Now mystery series, a priest (Jay Ryan) in a run-down Australian Outback town pulls out a rifle after Sunday services and kills five of his congregants. One year later, a burned-out investigative journalist (Luke Arnold) is assigned to write a short article about how the community is recovering from the trauma. But thanks to a helpful local (Bella Heathcote), the reporter quickly realizes that the official story about what happened that Sunday may be wrong. Based on a Chris Hammer novel and directed by Greg McLean (best-known for the Aussie horror classic “Wolf Creek”), the moody and twisty “Scrublands” is about a town with dark secrets and a man who risks his life and career to expose them.Also arriving:May 3“Skeletons in the Closet”May 12“Anne Rice’s Interview With the Vampire” Season 2May 13“Harry Wild” Season 3May 15“In the Kitchen With Harry Hamlin” Season 1May 17“Nightwatch: Demons Are Forever”May 27“The Truth”May 31“Stopmotion”André Holland in “The Big Cigar.”Apple TV+New to Apple TV+‘Dark Matter’Starts streaming: May 8Based on a novel by Blake Crouch (who also serves as the series’ showrunner), this trippy science fiction thriller stars Joel Edgerton as Jason, a physics professor who has a happy life with his wife (Jennifer Connelly) and their teenage son (Oakes Fegley). When Jason is attacked one night by a masked stranger, he finds himself transported to an alternate reality where he has no wife and no son — but where he does have the kind of prestigious reputation that his brilliant scientist brother (Jimmi Simpson) has always enjoyed. Once he shakes off the initial disorientation, Jason faces a choice: to accept that this new version of himself is who he was always meant to be, or to use his knowledge of quantum theory and inter-dimensional travel to embark on a quest through infinite worlds, to find his way back to his family.‘The Big Cigar’Starts streaming: May 17The magnificent actor André Holland plays the Black Panther Party founder Huey P. Newton in “The Big Cigar,” which tells the strange but mostly true tale of his friendship with the politically progressive Hollywood producer Bert Schneider (Alessandro Nivola). When Newton was wanted for murder, Schneider reportedly helped him escape to Cuba, using a fake movie production as a cover. The mini-series recreates the headiness of the early 1970s, when various artistic, social and cultural movements were pushing hard against the establishment. This historical drama is based on a magazine article by the reporter Joshuah Bearman, whose work previously inspired the Oscar-winning movie “Argo,” a similar story about the worlds of showbiz and politics colliding.Also arriving:May 1“Acapulco” Season 3May 8“Hollywood Con Queen”May 22“Trying” Season 4Jim Henson, in “Jim Henson Idea Man,” a documentary.Disney+New to Disney+‘Jim Henson Idea Man’Starts streaming: May 31Jim Henson will always be remembered for creating the Muppets, which have been beloved since they debuted on television in 1955. But Henson was also a filmmaker, a visual artist, and a businessman shrewd enough to use the commercial appeal of his creations to bankroll his more ambitious projects, most of which were made to celebrate to the warmer side of the human spirit. For the documentary “Jim Henson Idea Man,” the director Ron Howard and his team were allowed extensive access to the Henson archives. The film combines archival clips of the Muppets with rare home-movie footage and diary entries — along with behind-the-scenes photos and sketches and new interviews with some of Henson’s collaborators — to tell the story of a visionary who built an empire out of feelings and felt.Also arriving:May 4“Star Wars: Tales of the Empire”May 5“Monsters at Work” Season 2May 8“Let It Be”May 10“Doctor Who” Season 14May 22“Chip ’n’ Dale: Park Life” Season 2May 24“The Beach Boys”Tomoaki Hamatsu, or Nasubi, in “The Contestant.”DisneyNew to Hulu‘The Contestant’Starts streaming: May 2In 1998, an aspiring comedian named Tomoaki Hamatsu — nicknamed Nasubi, the Japanese word for eggplant, because of his long face — won the opportunity to compete on an extreme kind of game show. Locked in a spartan apartment and stripped naked, Nasubi was challenged to survive off whatever he could win from mail-in contests advertised in magazines. Unbeknown to him, his ordeal was broadcast to a rapt nation. Clair Titley’s documentary “The Contestant” looks back at Nasubi’s year of deprivation and isolation, which was framed for the TV audience as a hilarious and heartwarming adventure. The truth, of course, was far more complicated, which Titley covers in a film that examines how fans of reality TV can sometimes forget they’re watching — and judging — real people.Also arriving:May 1“Elvis”“Shardlake” Season 1May 2“Welcome to Wrexham” Season 3May 3“Prom Dates”May 7“Billy & Molly: An Otter Love Story”May 8“In Limbo” Season 1May 9“Black Twitter: A People’s History”May 10“Biosphere”“Eileen”“Past Lies” Season 1May 12“Where the Crawdads Sing”May 14“The Killing Kind” Season 1May 15“Uncle Samsik” Season 1May 17“Birth/Rebirth”“The Sweet East”May 22“Chief Detective 1958” Season 1May 24“Ferrari”Jean Smart in Season 3 of “Hacks.”Hilary Bronwyn Gayle/MaxNew to Max‘Hacks’ Season 3Starts streaming: May 2The first two seasons of the dramedy “Hacks” followed the codependent relationship between a complacent stand-up comic, Deborah Vance (Jean Smart), and the cynical, self-sabotaging comedy writer Ava Daniels (Hannah Einbinder), hired to help add edge to Deborah’s Las Vegas act. Season 2 ended with the ladies parting ways after working together on a hit comedy special; but they reunite in Season 3 as Deborah makes plans to right some old wrongs by landing a gig as a late-night talk show host. “Hacks” is about the sometimes wildly varying values of two different generations of comedians. It’s also about two women who have made a lot of messes in their lives — and have come to rely on each other to help with the cleanup.Also arriving:May 2“Turtles All the Way Down”May 3“Stop Making Sense”May 9“Pretty Little Liars: Summer School”May 10“The Iron Claw”May 11“Nikki Glaser: Someday You’ll Die”May 20“Stax: Soulsville U.S.A.”May 23“Thirst with Shay Mitchell”May 29“MoviePass, Moviecrash”From left: Katja Herbers, Aasif Mandvi and Mike Colter in “Evil.”Elizabeth Fisher/Paramount+New to Paramount+‘Evil’ Season 4Starts streaming: May 23One of TV’s most unusual and entertaining dramas comes to an end with its latest season, which finds its demon-hunting heroes dealing with satanic cults and devil babies. Katja Herbers returns as Dr. Kristen Bouchard, a forensic psychologist who works alongside the Catholic priest David Acosta (Mike Colter) and the tech whiz Ben Shakir (Aasif Mandvi) to investigate paranormal phenomena. The job frequently puts them at odds with the mysterious sociopath and impish mischief-maker Dr. Leland Townsend (Michael Emerson). Created by Michelle and Robert King (the team behind “The Good Fight” and “Elsbeth”), “Evil” is a witty and often genuinely creepy horror procedural, which considers whether the modern world’s wickedness is supernatural in nature or just a case of humans being humans.Also arriving:May 1“Behind the Music” Season 2May 7“Kiss the Future”May 10“The Chi” Season 6, Part 2May 14“Pillowcase Murders”May 17“Mourning in Lod”“RuPaul’s Drag Race All Stars” Season 9“RuPaul’s Drag Race All Stars: Untucked” Season 9May 21“LOLLA: The Story of Lollapalooza”May 30“Pyramid Game”Harvey Keitel in “The Tattooist of Auschwitz.”Martin Mlaka/Sky UKNew to Peacock‘The Tattooist of Auschwitz’Starts streaming: May 2In this historical drama based on a true story, an older Jew named Lali Sokolov (Harvey Keitel) meets regularly with the aspiring author Heather Morris (Melanie Lynskey) to tell her a story he had previously kept to himself, for almost his entire life: all about how he survived Auschwitz by making himself useful to his jailers. Based on the book that the real-life Morris produced from interviews with Sokolov — a blend of unflinching Holocaust testimony and page-turning fiction — “The Tattooist of Auschwitz” portrays the moral compromises required to endure an atrocity. But it’s also about an unlikely love affair, which develops between Lali (played by Jonah Hauer-King in flashbacks) and Gita (Anna Prochniak), a woman he befriends while he’s tattooing her arm.‘We Are Lady Parts’Starts streaming: May 30One of Peacock’s best foreign TV acquisitions, this British sitcom is the brainchild of the writer-director Nida Manzoor, whose work draws on her love of pop culture and her experiences growing up in a Pakistani Muslim family. Last year she released her debut feature film “Polite Society,” a martial arts comedy; and now Manzoor returns with a second season of the wonderful “We Are Lady Parts,” which stars Anjana Vasan as Amina, a dorky college student and observant Muslim who joins a radical all-female, all-Muslim punk band. In Season 1, this eclectic group of ladies became a cult success. In Season 2, they have an opportunity to record an album and grow their audience but find themselves unsure if that’s what they really want.Also arriving:May 3“The American Society of Magical Negroes”May 7“Eurovision Song Contest 2024”May 9“Love Undercover” Season 1 More