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‘The Walking Dead’ Ends With a Promise of More Life
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‘Fall TV’ Is Dead. But Buzz Will Always Be With Us.
Two television critics ponder what fall TV even means in the streaming era and discuss the series they’re most looking forward to this season.Each fall brings an onslaught of new television shows, but now so does every other season of the year. As another autumn approaches, James Poniewozik and Margaret Lyons, television critics at The New York Times, discussed what “fall TV” even means in the streaming era, along with the new and returning series they’re most looking forward to.JAMES PONIEWOZIK Remember fall TV? I do!I am old enough to remember when there was not just fall TV season, but fall-TV-season season. Come summer’s end, the big networks would roll out splashy prime-time TV preview specials that had the fresh, promising smell of new school supplies. My pop-cultural Christmas was the Saturday-morning preview special, when Kristy McNichol or Kaptain Kool and the Kongs would unveil the latest junk food for preteen eyeballs.Now, what even is fall? This year, big premieres like HBO’s “House of the Dragon” and “The Lord of the Rings: The Rings of Power,” on Amazon, will have landed before Labor Day. I’m not even talking about the eternal “death of broadcast TV” here — it’s still around and even has a few decent shows — but just the general shift in how and when people watch new TV. In the streaming era, premiere season (which really is all year round) is less about what you’re going to watch immediately, and more about adding to your to-do list of shows to watch eventually.I mean, it still feels like fall, by the rhythm of the sidereal calendar I had imprinted in me by Sid and Marty Krofft. But if fall falls in a forest of year-round content, does it make a sound?Sheryl Lee Ralph, left, and Janelle James in “Abbot Elementary.” The acclaimed ABC sitcom returns in September for its second season.Gilles Mingasson/ABCMARGARET LYONS In addition to the year-round scheduling and overall increase in the number of new shows each year, new series aren’t just competing against one another — they’re up against the entire streaming catalog. The buffet has gotten bigger and more elaborate, but also the kitchen is open and the pantry is stocked, and you know how to cook.Do we lose anything when we “lose” “fall TV”? Pour one out for the people who for some reason relish being marketed to en masse, but from where I sit (on the couch), year-round scheduling is good! I want to be delighted by a show that comes out the week between Christmas and New Year’s Day; I want intense summer fare for muggy nights. Buzz knows no season, and schedule diffusion enables smaller shows that might have been buried during glut times to break through during more fallow weeks.Reboot culture has given us the end of endings. I wonder if streaming and year-round scheduling contribute to the end of beginnings.PONIEWOZIK Yes, chef! (Sorry. Kitchen metaphor = obligatory “The Bear” reference. I don’t make the rules.)The networks’ traditional approach of premiering dang near everything on TV the week after the Emmys was not great either for TV watchers or TV makers. So much material at once! So many cancellations! And then vast periods of nothing. Now there is always TV. But also, There. Is. Always. TV. If I’m nostalgic for anything, it’s that rare seasonal sugar rush of “My shows are coming back!”Yet I still feel a tiny bit of that. “Abbott Elementary” — a straight-up, joke-packed broadcast sitcom that makes a bunch of episodes a year and is actually good — is coming back on ABC in September, just as the framers of the Constitution intended. I’m glad we now have cable and streaming shows of all lengths and styles (again, I watched “The Bear”), but it’s nice to see the old machine can still occasionally work.Anything you’re looking forward to? Or is “forward” meaningless in the eternal present of streaming?A new season of “The White Lotus,” premiering in October, is set in Italy. With, from left, Michael Imperioli, Adam DiMarco and F. Murray Abraham.Fabio Lovino/HBOLYONS I think “Abbott Elementary” is a good example of an ambiguous beginning: ABC aired a preview of “Abbott Elementary” in December, after which the episode was available on Hulu, and then the pilot re-aired in January — a one-off on a Monday before the show moved to its Tuesday time slot for the remainder of its run. Now it’s getting a well-deserved fancier rollout, segueing from sleeper hit to crown jewel; a reintroduction of sorts.In terms of looking forward, I’m counting the days for the returns of Apple TV+’s “Mythic Quest,” IFC’s “Sherman’s Showcase” and “Los Espookys” on HBO. The final seasons of “Atlanta” on FX and “The Good Fight” on Paramount+ are nigh.I’m also wondering if we’re about to go through another vampire moment, with “Anne Rice’s Interview With the Vampire,” on AMC, and Showtime’s series adaptation of “Let the Right One In” both coming out this fall. And I am curious about Susan Sarandon and Hilary Swank both starring in network dramas, of all things (Fox’s “Monarch” and ABC’s “Alaska Daily,” respectively). My guess is our tastes overlap pretty heavily here.PONIEWOZIK Indeed, “Atlanta” and “The Good Fight” are two of the shows I’m most anticipating this season. Both captured, in very different ways, the surrealness of life in America this past six years or so.I’m hoping “The White Lotus,” on HBO, can be as strong as an ongoing anthology as it was when I thought it would be a one-off limited series. And as a former ’80s fantasy nerd, I’m at least … curious about the Disney+ series version of “Willow.” The Ron Howard movie, which opened in theaters in 1988, was not the blockbuster its producers hoped it would be. (Its current TV legacy is lending a name to a character, Elora Danan, on FX’s “Reservation Dogs.”) Now that fantasy is almost as ubiquitous a genre as cop shows, maybe its time has finally come.As always, I also just want to laugh. So I agree about “Sherman’s Showcase” — welcome back, it has been too long!Warwick Davis returns for a series version of “Willow,” premiering in November on Disney+. (With Graham Hughes, right.)Lucasfilm/Disney+LYONS Yes, “Willow” is very high on my “hmmm” list, as well. Is this a title people have been clamoring for? Perhaps!Another thing I wonder about is whether the diminished primacy of the fall season is part of television becoming less standardized in general. How many episodes are in a “season”? How long do shows go between seasons? How many seasons do we consider a good run? Are there still prestigious time slots or needle-moving lead-ins? What are the rules?PONIEWOZIK Things were simpler when the rule was, “You make TV from September to May, and you keep doing it until the ratings give out.” It’s better, in theory, that shows can now be the length that a story requires. In practice, TV isn’t always sure what size it should be anymore.Some invisible standards committee recently decided that eight to 10 episodes is the optimal length for a streaming series. Often, it is! (I was one of those critics who used to praise British TV for making two six-episode, no-filler seasons and calling it a day.) But sometimes a show feels compressed. I really liked Jason Katims’s “As We See It” for eight episodes on Amazon, but it felt like it once would have been a 22-episode Jason Katims dramedy on NBC.On the more-is-not-always-more front, this fall we’ll get the finale of AMC’s “The Walking Dead,” which began in the first Obama administration, when Netflix was somewhere you watched old movies. I don’t know how many marathon runs like that we’ll see again.Christine Baranski in “The Good Fight,” back for its final season in September.Elizabeth Fisher/Paramount+LYONS And of course “The Walking Dead” can’t actually die: There are already two current spinoffs and a few more in the works.I doubt we will see another show with that kind of ratings success. But I think the long-running series is a hallmark of network and cable now, which both sometimes feel like they’re mostly forever shows. “The Simpsons” is going into its 34th season, “Law & Order: SVU” into its 24th, “NCIS” into its 20th and “Grey’s Anatomy” into its 19th. “The Challenge” debuted in 1998 and was recently renewed for a 38th and 39th season.“South Park” is in its 25th season. “Bob’s Burgers” is going into its 13th and “The Goldbergs” into its 10th. “Curb Your Enthusiasm” has been airing on and off since 2000. “It’s Always Sunny in Philadelphia” started in 2005. “The Real Housewives of Orange County” started in 2006 and “Diners, Drive-Ins and Dives” in 2007. These are all still prime-time mainstays!Streaming platforms haven’t been around long enough to have any truly long-running shows, but I wonder if their models are designed to ever generate or support one. Is “Love Is Blind” going to follow a “Bachelor”/“Bachelorette” model and outlive us all? Stranger things have happened … but also, “Stranger Things” has happened, and it’s hard to picture that show running for 10 seasons.PONIEWOZIK I don’t know, those last “Stranger Things” episodes sure felt 10 seasons long.But yeah, there’s a divide between your deathless animated sitcoms, procedurals and game/reality shows — I’ll be there for “Survivor” Season 43 — and highly serial shows, which have started to tend toward shorter runs or one-season limited series. Maybe “L.O.T.R.” could bring back the long-running serial. Elves are immortal!And then there’s … well, whatever Disney’s Marvel and “Star Wars” shows are. They’re sort of anthological, often running a single season each. But they’re also chapters in these interconnected, multiplatform, decades-spanning intellectual-property blobs, which are both sprawling and static. You know what to expect from the brand, and that’s what they give you. I had hoped these mega franchises might be freer to be weird and experimental on TV, but now “WandaVision” seems like the exception.Film critics wonder whether movies in the streaming era are becoming TV. Maybe — at least when it comes to recycling big-ticket I.P. — TV is becoming the movies. More
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Brandon Lee and Other Deaths on Set
Accidents on sets have resulted in numerous deaths and injuries over the years, some bringing about lawsuits or changes in safety guidelines.Behind the magic of movies and television are actors and props, crew members, stunt performers and a sometimes dangerous set of circumstances for the people filming scenes.On Thursday, the potential danger on some sets made news around the world, after the actor Alec Baldwin discharged a gun that was used as a prop on the set of a western in New Mexico, killing the film’s director of photography and wounding the movie’s director.The authorities said the shooting took place in the middle of a scene that was either being rehearsed or filmed. Many other details of what happened remained unclear on Friday.Accidents on movie and television sets, like stuntmen and stuntwomen being injured during action sequences or actors getting killed when props malfunction, have occurred with some regularity over the last several decades. There have been at least 194 serious television- and film-set accidents in the United States from 1990 to 2014, and at least 43 deaths, according to The Associated Press.Here’s a partial list of set accidents from recent history.‘Twilight Zone: The Movie’The actor Vic Morrow on the set of the ABC series “Combat!”Moviestore Collection Ltd / Alamy Stock PhotoA helicopter crash on the Los Angeles set of the “Twilight Zone” movie killed the actor Vic Morrow and two child actors, Renee Shinn Chen and My-ca Dinh Lee, in July 1982.The tail rotor of the helicopter was hit by debris from explosives detonated in a scene depicting the Vietnam War. The main rotor of the helicopter struck and killed Mr. Morrow and the children as the aircraft pitched into a river on the set.The film’s director, John Landis, was charged with involuntary manslaughter in connection with the deaths, as were with four other members of the film crew, including the helicopter pilot. After a trial that lasted nearly a year and nine days of deliberation by a jury, all five were acquitted in May 1987. In the aftermath of the accident, the Directors Guild of America created a safety committee to put in place safety guidelines.‘Cover Up’Jon-Erik Hexum in “Cover Up,” a CBS detective action television series, in 1984.CBS, via Getty ImagesThe actor Jon-Erik Hexum accidentally shot himself in the head while playing Russian roulette on the set of the television series “Cover Up” in October 1984.Mr. Hexum, 26, had loaded three empty cartridges and two gunpowder-filled blanks into a high-powered handgun before firing the gun, according to a detective on the case.Mr. Hexum sustained a fractured skull and underwent five hours of surgery. He died several days later. The police ruled the shooting an accident.‘The Crow’Brandon Lee in “The Crow.”Allstar Picture Library Ltd. / Alamy Stock PhotoBrandon Lee, an actor and the son of the martial-arts star Bruce Lee, died in March 1993 during the filming of “The Crow,” after being shot at with a gun that was supposed to fire blank cartridges.The tip of a .44-caliber bullet had become lodged in the gun’s barrel in filming a close-up scene, and dislodged when a blank cartridge was fired. The bullet pierced Mr. Lee’s abdomen, damaging several organs and lodging in his spine.Mr. Lee, 28, was the star of the film, about a rock musician who is killed by a street gang and then comes back to life with supernatural powers.An executive producer of the movie said at the time that when a blank is fired, a piece of soft wadding normally comes out of the gun, but in this instance, a metallic projectile came out. A police investigation into the shooting found no evidence of criminal wrongdoing and no charges were filed.‘Midnight Rider’Richard and Elizabeth Jones at a memorial for their daughter, Sarah Jones, who was killed in 2014 by a train while shooting the film “Midnight Rider.”David Mcnew/Getty ImagesSarah Jones, a camera assistant, died on the set of the independent film “Midnight Rider,” about the musician Gregg Allman, in Georgia in February 2014. Ms. Jones was killed while helping prepare a shot that involved placing a bed across the tracks of a CSX railroad line.After two trains passed, crew members on the film believed they would have a safe interval to get the shot, part of a planned dream sequence. But a third train appeared, moving at high speed through the set, killing Ms. Jones and injuring others.Later that year, the family of Ms. Jones reached a settlement with 11 defendants in a lawsuit over her death. The terms of the settlement were not disclosed. In 2015, the film’s director, Randall Miller, pleaded guilty to involuntary manslaughter and served a year in jail. He was also sentenced to 10 years of probation.‘Resident Evil: The Final Chapter’Olivia Jackson, a stuntwoman for the actor Milla Jovovich, was severely injured while filming a sequence for “Resident Evil: The Final Chapter” in South Africa in September 2015. While riding a motorcycle, Ms. Jackson collided with a piece of camera equipment, according to Deadline.The accident nearly killed Ms. Jackson, leaving her with multiple injuries including disfigurement, several nerves torn out of her spinal cord and a partly amputated left arm.In April 2020, the High Court in South Africa ruled in favor of Ms. Jackson and against a company involved in the movie.Two months after Ms. Jackson was injured, another crew member, Ricardo Cornelius, died after a Humvee slid off a rotating platform and crushed him against a wall, Deadline reported.‘The Walking Dead’A scene from “The Walking Dead” featuring, from left, Andrew Lincoln, Danai Gurira and Melissa Ponzio.Gene Page/AMC , via Associated PressJohn Bernecker, a stuntman for AMC’s “The Walking Dead,” died in July 2017 after falling on a balcony set in Georgia.Mr. Bernecker, who had been an active stuntman since at least 2009 and had appeared in films such as “Get Out” and “The Fate of the Furious,” died of blunt-force trauma, a coroner said. Production of the show’s eighth season was temporarily shut down after the accident.Mr. Bernecker’s family filed a wrongful-death lawsuit in early 2018 against AMC Networks, the production company Stalwart Films and other parties in Georgia, claiming they had failed to make the show with appropriate safety measures. The suit claimed that some fall protection was in place but that airbags and spotters were not used, and that the padding did not fully cover the area below the fall. Mr. Bernecker landed on his head or shoulder area.In December 2019, a jury found AMC Networks not to be negligent but awarded more than $8 million in civil damages. The Georgia Court of Appeals overturned the decision in March 2021.‘Deadpool 2’A woman was killed while attempting a stunt on a motorcycle on the set of “Deadpool 2” in Vancouver, British Columbia, in August 2017. The woman, Joi Harris, was acting in her first film as a stuntwoman, according to Deadline.Ms. Harris, 40, had worked as a motorcycle racer before joining the crew of the film, and was serving as a stunt double for the actor Zazie Beetz. More
