The White Lotus (TV Program)

As this season heads into its supersized conclusion on Sunday night, here are a few questions that need answers.Season 3 of “The White Lotus” has been the show’s longest, with the creator Mike White spending eight episodes instead of six or seven to tell the stories of superrich tourists and their messed-up personal problems. The extra time has allowed White to slow the pace a bit, to match the more meditative vibes of the high-end Thailand resort where this season takes place.But has there been violence? Oh yes. Kinky sex? The kinkiest. Unsolved mysteries? Of course. Everything fans have come to expect from “The White Lotus” has been abundant this season. Episode 1 began with gunshots, and in the weeks since we have seen armed robbery, white-collar crime, multiple violent threats and arguments and — yikes — fraternal incest.As this season heads into its supersized finale on Sunday night — at around 90 minutes, it will be the show’s longest episode to date — here are a few of the questions we hope will get some answers.Will Gaitok get a promotion?This may not seem like the most urgent issue facing the “White Lotus” characters this year, but I think that by the time the season ends, it will turn out to be very important. Granted, one of the biggest complaints about this season — especially as compared with Seasons 1 and 2 — is that White has not integrated the resort’s staff into the action as well as he usually does. But from week to week, the front gate security guard Gaitok (Tayme Thapthimthong) has been moving closer to the heart of the plot. In Episode 7, he realized that a major heist at the resort earlier this season was likely perpetrated by a fellow employee, Valentin (Arnas Fedaravicius), and his two Russian friends.Gaitok has been in trouble with his bosses since the robbery. He has wrestled with self-doubt, wondering if he is too soft to follow his dream and become one of the well-paid bodyguards to the resort’s married owners, Jim (Scott Glenn) and Sritala Hollinger (Patravadi Mejudhon). Busting the Russians could be just what Gaitok’s career needs — and could also win the heart of his love interest, Mook (Lalisa Manobal), a co-worker with ambitions of her own.Is landing a plum job with a sizable salary the key to happiness? This is one of the big questions “The White Lotus” asks every season, and it is also why Gaitok’s story line matters.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

“The White Lotus” tells us only enough about the characters’ pasts to explain some of the choices they make. Sometimes this works; sometimes it doesn’t.Season 3, Episode 7: ‘Killer Instincts’One unusual quality of “The White Lotus” is that the show’s creator, Mike White, keeps his characters’ back stories to a minimum. He mainly traffics in types: the swaggering North Carolina money-manager, the vain celebrity, and so on.White tells us only enough about their pasts to explain some of the choices they make. We know a lot about Rick’s past, because his tragic childhood led directly to every move he has made this season. But we know very little about the Ratliff kids beyond the personas they project: the cocky older brother, the rebellious lefty sister and whatever the heck Lochlan is supposed to be. As for what made them this way? We can use our imaginations to shade in the finer details.Most of the time, this approach works well enough. There is a wonderfully wry comic moment in this week’s episode, when Piper gets embarrassed while watching Lochlan struggle awkwardly with his monastery dinner. We know just enough about her to guess what she is thinking. She suddenly seems a lot like her mother, concerned less with her brother’s feelings than with how his clumsiness reflects on her. (See also: Piper’s mildly dismayed expression when Lochlan says he wants to spend the year in Thailand with her.)On the other hand, Saxon’s overall blankness becomes a problem in this episode, leading to one of the season’s clumsiest scenes. The moment occurs at Gary’s party, when Saxon watches his father swill down yet another large glass of whiskey. He asks Tim again if something is wrong back at the office, reminding him that, “My career is totally tied to yours.” Saxon has no interests, no hobbies. “I put my whole life into this basket,” he says. “Into your basket.”Given what we have seen of Saxon this season, I am not sure he is the kind of guy who would give such a self-aware speech, saying things like, “If I’m not a success, I’m nothing, and I can’t handle being nothing.” (I can, however, believe that Tim would answer his son’s very real concerns with a mumbled, “Nothing’s up, kid. We’re all good. It’s a party, get out there.”)It’s a tricky balancing act for White, trying to show more than he tells and letting the audience make assumptions. I thought about this also this week during the Bangkok scenes with Rick and Frank. I figured these two were seasoned old pros, skilled at running cons, and that they would know what they were doing when they met up with Sritala and her ailing husband, Jim (Scott Glenn), at the Hollingers’ house. Instead, Rick and Frank are surprisingly — and ridiculously — unprepared. They try to get by on improvisation; Frank in particular is really bad at it.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Drinks were drunk, decisions were made. This week’s episode was all about the consequences.Season 3, Episode 6: ‘Denials’This “White Lotus” season moved at a lulling pace early on, putting the viewers in the same head space as the vacationers, feeling equal parts enchanted and dazed by an exotic, sun-splashed locale. The show’s creator, Mike White, then cranked up the energy considerably over Episodes 4 and 5, in which several characters made sudden, fateful choices — perhaps without fully understanding what they were doing.This week? It’s hangover time.In terms of narrative progress, this episode inches along. It ends just before three significant events begin. Saxon and his parents (and maybe Belinda?) are about to attend a dinner party hosted by the dangerous Gary. Rick and Frank are walking into their meeting with Sritala’s husband in Bangkok, which could very well turn violent if Rick follows through on his need for revenge. And Piper and Lochlan are spending a night at the Buddhist temple, at Victoria’s request.But while there is more anticipation-building than action this week, White does develop the season’s major themes in ways that help them strike a little deeper. Over and over, as they face crises mostly of their own making, many of these characters find themselves asking: Is there a better way to live?The Ratliffs are the most in need of a new path. When last we saw Tim, he had Gaitok’s pistol by his side and had just finished writing a suicide note. By the end of this day, he still has not pulled the trigger. But he does imagine shooting himself, and he perhaps stops himself from doing it for real only because he also imagines Victoria and Piper finding his body. Later, he imagines shooting Victoria and then killing himself, thus sparing his wife from having to live on in shame and poverty.At the moment though, Tim is leaving his options open. He stashes the gun in a chest of drawers and spends the day on an assignment handed to him by Victoria. She wants him to check out Luang Por Teera (Suthichai Yoon), the senior monk whom Piper is planning to spend a year following. (“He better be the best Buddhist in China,” Victoria harrumphs.)Victoria expects that Tim — her confident, successful, morally upright husband — will give this phony guru a good dressing-down. But instead, Tim is captivated by Teera’s thoughts on the inescapable pain of everyday existence, which he blames on an insatiable hunger for self-gratification born of a spiritual emptiness and a loss of connection with nature. Teera also describes death as the end of suffering (“a happy return, like coming home”). Which may not be the best thing to say to a suicidal man.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More