The White Lotus (TV Program)

“The White Lotus” tells us only enough about the characters’ pasts to explain some of the choices they make. Sometimes this works; sometimes it doesn’t.Season 3, Episode 7: ‘Killer Instincts’One unusual quality of “The White Lotus” is that the show’s creator, Mike White, keeps his characters’ back stories to a minimum. He mainly traffics in types: the swaggering North Carolina money-manager, the vain celebrity, and so on.White tells us only enough about their pasts to explain some of the choices they make. We know a lot about Rick’s past, because his tragic childhood led directly to every move he has made this season. But we know very little about the Ratliff kids beyond the personas they project: the cocky older brother, the rebellious lefty sister and whatever the heck Lochlan is supposed to be. As for what made them this way? We can use our imaginations to shade in the finer details.Most of the time, this approach works well enough. There is a wonderfully wry comic moment in this week’s episode, when Piper gets embarrassed while watching Lochlan struggle awkwardly with his monastery dinner. We know just enough about her to guess what she is thinking. She suddenly seems a lot like her mother, concerned less with her brother’s feelings than with how his clumsiness reflects on her. (See also: Piper’s mildly dismayed expression when Lochlan says he wants to spend the year in Thailand with her.)On the other hand, Saxon’s overall blankness becomes a problem in this episode, leading to one of the season’s clumsiest scenes. The moment occurs at Gary’s party, when Saxon watches his father swill down yet another large glass of whiskey. He asks Tim again if something is wrong back at the office, reminding him that, “My career is totally tied to yours.” Saxon has no interests, no hobbies. “I put my whole life into this basket,” he says. “Into your basket.”Given what we have seen of Saxon this season, I am not sure he is the kind of guy who would give such a self-aware speech, saying things like, “If I’m not a success, I’m nothing, and I can’t handle being nothing.” (I can, however, believe that Tim would answer his son’s very real concerns with a mumbled, “Nothing’s up, kid. We’re all good. It’s a party, get out there.”)It’s a tricky balancing act for White, trying to show more than he tells and letting the audience make assumptions. I thought about this also this week during the Bangkok scenes with Rick and Frank. I figured these two were seasoned old pros, skilled at running cons, and that they would know what they were doing when they met up with Sritala and her ailing husband, Jim (Scott Glenn), at the Hollingers’ house. Instead, Rick and Frank are surprisingly — and ridiculously — unprepared. They try to get by on improvisation; Frank in particular is really bad at it.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

Drinks were drunk, decisions were made. This week’s episode was all about the consequences.Season 3, Episode 6: ‘Denials’This “White Lotus” season moved at a lulling pace early on, putting the viewers in the same head space as the vacationers, feeling equal parts enchanted and dazed by an exotic, sun-splashed locale. The show’s creator, Mike White, then cranked up the energy considerably over Episodes 4 and 5, in which several characters made sudden, fateful choices — perhaps without fully understanding what they were doing.This week? It’s hangover time.In terms of narrative progress, this episode inches along. It ends just before three significant events begin. Saxon and his parents (and maybe Belinda?) are about to attend a dinner party hosted by the dangerous Gary. Rick and Frank are walking into their meeting with Sritala’s husband in Bangkok, which could very well turn violent if Rick follows through on his need for revenge. And Piper and Lochlan are spending a night at the Buddhist temple, at Victoria’s request.But while there is more anticipation-building than action this week, White does develop the season’s major themes in ways that help them strike a little deeper. Over and over, as they face crises mostly of their own making, many of these characters find themselves asking: Is there a better way to live?The Ratliffs are the most in need of a new path. When last we saw Tim, he had Gaitok’s pistol by his side and had just finished writing a suicide note. By the end of this day, he still has not pulled the trigger. But he does imagine shooting himself, and he perhaps stops himself from doing it for real only because he also imagines Victoria and Piper finding his body. Later, he imagines shooting Victoria and then killing himself, thus sparing his wife from having to live on in shame and poverty.At the moment though, Tim is leaving his options open. He stashes the gun in a chest of drawers and spends the day on an assignment handed to him by Victoria. She wants him to check out Luang Por Teera (Suthichai Yoon), the senior monk whom Piper is planning to spend a year following. (“He better be the best Buddhist in China,” Victoria harrumphs.)Victoria expects that Tim — her confident, successful, morally upright husband — will give this phony guru a good dressing-down. But instead, Tim is captivated by Teera’s thoughts on the inescapable pain of everyday existence, which he blames on an insatiable hunger for self-gratification born of a spiritual emptiness and a loss of connection with nature. Teera also describes death as the end of suffering (“a happy return, like coming home”). Which may not be the best thing to say to a suicidal man.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

It was a big week for cutting loose and confessions, for sex as a metaphor but also just for sex.Season 3, Episode 5: ‘Full-Moon Party’The HBO publicity department is pretty good at keeping secrets, huh? Last week, the season premiere of “The Righteous Gemstones” featured an unexpected guest star: the 12-time Oscar nominee Bradley Cooper. This week, “The White Lotus” brings in the Oscar-winning actor Sam Rockwell, whose participation in this season had been kept pretty tightly under wraps, right up to the moment he appeared onscreen as Frank, Rick’s old friend in Bangkok.Rockwell is not this episode’s main character. But he does deliver a knockout monologue that is one of the season’s standout scenes. And his speech would likely be the most talked about “White Lotus” moment this week, were it not for the rather shocking kiss at the end of the episode.I will get to the smooching, I promise. But I want to start with Frank, who meets Rick at a nice hotel, bringing with him something Rick needs for when he confronts his father: a heavy bag containing a big gun. We are not told how these two men know each other or why one of them is holding on to an arsenal. But clearly they have a close friendship, which has apparently involved some violent exploits.This episode is a direct continuation of last week’s, which had several characters heading out to various decadent parties, joining the locals in celebrating the full moon. The “White Lotus” creator and director Mike White does a lot more intercutting between the story lines than usual, creating a feeling that night itself has its own dark, strange momentum as people across Thailand get increasingly intoxicated.But the episode breaks from that delirium for one long speech from Frank, who has to explain to his old friend why he has embraced Buddhism and given up booze, drugs and sex.Frank’s story is too raunchy to repeat in fine detail. It involves him interrogating the nature of desire and the role gender identity plays in lust — all of which led to him experimenting with cross-dressing and gay orgies before coming to the conclusion that “sex is a poetic act; it’s a metaphor.” But for what? That remained frustratingly unclear to Frank, which is why he become a Buddhist, detaching himself from the wheel of lust and suffering.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

The gal pals finally moved out of their hermetic bubble this week in search of a little fun. The results were questionable.Season 3, Episode 4: ‘Hide or Seek’There is something about the experience of being on a luxury vacation that can get into the vacationers’ heads. Mike White understands this. Through three seasons of “The White Lotus,” he has focused on the nagging dissatisfaction of the privileged — especially when they are supposed to be at leisure. Are they really enjoying themselves? Are they getting the escape from the everyday they needed? Most important: Are they getting their money’s worth?White seems to love characters who are earnestly searching for something, who could be on the precipice of a real change in their lives if they could just get past their doubts, their fears, their patterns of behavior, the general sense that they are being cheated. White clearly empathizes with these people. He also manages to make them hilarious.With that in mind, I want to start again this week with the gal pals, who have been this season’s most reliable source of pure, pitiless comedy. In this episode, the ladies finally move out of their hermetic bubble of giggles and gossip and start trying to engage more with their surroundings. The experiment does not go well.Jaclyn, as always, drives the action. Frustrated that her husband is not responding to her texts, she decides to do a little misbehaving. The resort is too staid, too serious. She asks Valentin to suggest someplace she and her friends can go that has “more of a vibe.”Valentin directs them to what seems to be a more party-friendly hotel. The music is loud, and the drinks are large and colorful. But when Jaclyn gets roped into a conversation with two very un-“posh” Australian widows who recognize her from TV, she senses something is off. They appear to be at “a bargain hotel for retirees.” They return to Valentin, feeling insulted.Valentin next recommends a fun club that will open in the evening for the local community’s full moon celebration. But when the ladies try to kill time by shopping in the marketplace, they are chased by hordes of children armed with water pistols. Jaclyn, Kate and Laurie take refuge in a convenience store. The children lurk outside, like ravenous zombies.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More