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      Second Stage Becomes First Broadway Nonprofit in Decades to Name New Leader

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      The organization, which won this year’s best play revival Tony Award for “Appropriate,” has chosen Evan Cabnet as its next artistic director.Second Stage Theater, one of the four nonprofit organizations with Broadway houses, on Thursday named a new artistic director as the sector braces for a wave of leadership turnover.Founded in 1979 and distinguished by its commitment to presenting work by living American writers, Second Stage said that its board had chosen Evan Cabnet as its next artistic director. Cabnet is currently the artistic director of LCT3, Lincoln Center Theater’s program for emerging writers, directors and designers. Cabnet will succeed Carole Rothman, one of the theater’s founders, who led the organization for 45 years and is stepping down in August.Second Stage has a proud history of presenting acclaimed work, including the Pulitzer-winning shows “Between Riverside and Crazy,” “Water by the Spoonful” and “Next to Normal.” Its plays and musicals have won multiple other honors; most recently, the organization’s production of “Appropriate” won this year’s Tony Award for best play revival.Second Stage owns Broadway’s smallest house, the 600-seat Hayes Theater. Like many nonprofit theaters, Second Stage has reduced its footprint since the pandemic — it let go of its Off Off Broadway space on the Upper West Side, and at the end of this year is letting go of its Off Broadway venue in Times Square, although it plans to continue to produce such work in other spaces, starting next spring at the Pershing Square Signature Center. The organization currently has 47 staffers and an annual budget of $27 million; this season it is planning to stage two Broadway shows, two Off Broadway shows and a Next Stage Festival for early-career work.The leadership of the four Broadway nonprofits has not changed for decades, and the industry is closely watching to see how a new generation of leaders might differ from its predecessors. Two of the other nonprofits will also be looking for new artistic leaders: Lincoln Center Theater’s producing artistic director, André Bishop, is ending his 33-year tenure next spring, and Roundabout Theater Company’s artistic director and chief executive, Todd Haimes, died last year after 40 years at that organization. (The fourth Broadway nonprofit, Manhattan Theater Club, is led by Lynne Meadow, who has been that organization’s artistic director for 52 years.)Cabnet, 46, is a Philadelphia native who has lived in New York since 1996 and currently resides in Brooklyn. He has led LCT3 since 2016; previously he was a freelance director and an artistic associate at Roundabout. He will start his new job on Sept. 1; the first season to feature shows he chooses will begin in the fall of 2025. In an interview, he talked about his plans; these are edited excerpts from the conversation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      After a Brief Run, ‘Tommy’ Revival to Close on Broadway

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      “The Who’s Tommy,” which has a rock score by Pete Townshend, will end on July 21. A national tour is in the works.A revival of “The Who’s Tommy” that arrived on Broadway three decades after a successful original production will end its run on July 21. The show opened strong but faced dwindling sales at the box office.The production, which had a successful pre-Broadway run in Chicago, will now pin its hopes on a national tour, beginning in Providence, R.I., in the fall of 2025.With a rock score by Pete Townshend, “Tommy” dates back to a 1969 album from the Who; the original Broadway production opened in 1993 and ran for a little more than two years.Set in London, the show has a wild plot: A young man who loses the ability to hear, speak and see in response to childhood trauma develops a gift for pinball that allows him to attract a cultlike following.The revival began its life last year at the Goodman Theater in Chicago; the Broadway production began previews on March 8 and opened on March 28 at the Nederlander Theater. At the time of its closing, the revival will have played 20 previews and 132 regular performances on Broadway.Des McAnuff, who directed the original production, returned to direct the revival. Townshend and McAnuff collaborated on the show’s book.The revival, starring Ali Louis Bourzgui in the title role, scored mostly positive reviews, but The New York Times, which can have an outsize influence, was an outlier: Jesse Green, its chief theater critic, characterized the show as featuring “relentless noise and banal imagery.”The production was nominated for a Tony Award for best musical revival but lost to “Merrily We Roll Along.”“Tommy,” with Stephen Gabriel and Ira Pittelman as lead producers, was capitalized for $15.7 million, according to a spokesman. That money has not been recouped.The show is the third musical to announce a closing since the start of May, following “Lempicka” and “The Heart of Rock and Roll.” More

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      ‘I Might Be Real-Life Good at This’: Shooting for Broadway at the Jimmy Awards

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      The awards, which celebrated excellence in high school musical theater on Monday, have become a launchpad for future stars and Tony nominees.Shortly after Damson Chola Jr. sang the powerful “Ragtime” anthem “Make Them Hear You,” in a commanding performance that drove the Minskoff Theater to delirium on Monday night, the young singer accepted the Jimmy Award for best actor. He gave an equally poised acceptance speech, expressing gratitude with a calm cadence and the occasional wry chuckle of someone who’s seen and heard it all.“Is he 40?” my neighbor mused.Hardly. The Jimmys celebrate excellence in high school musical theater, and Chola, a recent graduate, is 18. The winner for best actress, Gretchen Shope, perhaps more expected for their age group, included in her thanks “the girl on TikTok that said I looked like Chappell Roan.” Then again, Shope had just killed with “The Music That Makes Me Dance,” from “Funny Girl,” so who’s to say what’s typical when it comes to theater kids?The actor Telly Leung led group coaching sessions at the Juilliard School, which was also home for the Jimmy Award nominees during their stay in New York.Bess Adler for The New York TimesFormally known as the National High School Musical Theater Awards, the Jimmys were founded in 2009 by the theater organization Pittsburgh CLO and a division of the Nederlander Organization. (The nickname derives from that company’s onetime chairman, James M. Nederlander.) The awards have since grown significantly in size. This year, tens of thousands of participants from across the country were narrowed down, through regional awards programs, to 102 nominees.The Jimmys have also grown in esteem: Casting agents for Broadway and national tours see them as a prime way to scout for promising performers. And you don’t even have to win to be noticed. Eva Noblezada, a 2013 finalist, went on to earn Tony Award nominations for “Miss Saigon” and “Hadestown” in 2017 and 2019, and she currently stars in “The Great Gatsby.” Casey Likes, a 2019 finalist, made his Broadway debut as the lead in “Almost Famous” and is now playing Marty McFly in “Back to the Future.” The guest presenters at the Minskoff included Justin Cooley, a 2021 finalist whose Tony nomination for his performance in “Kimberly Akimbo” came just two years later.During a whirlwind week that included intensive rehearsals, the young nominees attended the Tony Awards. “I went back to my dorm and I just cried,” said Theo Rickert, a rising senior from Illinois.Bess Adler for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Leslye Headland’s ‘Cult of Love’ to Open on Broadway in the Fall

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      The play will be produced by Second Stage, which is also planning an Off Broadway production of a two-character drama by Donald Margulies.“Cult of Love,” a play about a fractious holiday gathering of a Christian family, will come to Broadway this fall via Second Stage Theater, one of the four nonprofits with Broadway houses.The announcement on Tuesday is a further sign that the current season is shaping up to be a robust one for plays, which had been considered an endangered species on Broadway, but which seem to be proliferating as the economic climate for musicals worsens.“Cult of Love” is written by Leslye Headland, a creator of the Netflix series “Russian Doll” and the Disney+ series “The Acolyte.” She has also written and directed films including “Sleeping With Other People.”The play is scheduled to begin previews Nov. 20 and to open Dec. 12 at the Hayes Theater.“Cult of Love” is Headland’s final work in a series, called “Seven Deadly Plays,” that is inspired by the seven deadly sins; this one is about pride. The play was staged in 2018 at IAMA Theater Company in Los Angeles and there was a run early this year at Berkeley Repertory Theater in California. (A planned 2020 production at Williamstown Theater Festival in Massachusetts was canceled because of the pandemic.)The Broadway production, like the Berkeley production, will be directed by Trip Cullman. The play has 10 characters and casting has not been announced.Second Stage also said on Tuesday that it would stage an Off Broadway production of “Lunar Eclipse,” a two-character play by Donald Margulies (a Pulitzer winner for “Dinner With Friends”) that had a run last year at Shakespeare & Company in Lenox, Mass.The new production, directed by Kate Whoriskey, is to star Reed Birney (a Tony winner for “The Humans”) and Lisa Emery as a long-married couple. It is to begin previews Oct. 9 and to open Oct. 30 at the Tony Kiser Theater.“Lunar Eclipse” is expected to be Second Stage’s final production in that space, which the company is exiting at the end of the year, citing financial considerations. Second Stage expects to present its spring season at the Pershing Square Signature Center while it explores options for an Off Broadway home. More

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      Meet The Sisters Who Turned “Merrily We Roll Along” Into a Tony Winner

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      Maria and Sonia Friedman discussed their long history with “Merrily We Roll Along,” after a bittersweet Tony Awards.The Friedman sisters have been making art together since they were little girls. Their London childhood was chaotic — they were often left to their own devices — but the family’s four children found solace in storytelling.Now Sonia, 59, is one of the most successful theater producers in the English-speaking world. Maria, 64, is a celebrated actress and singer. Their sister is a scientist, and their brother, who died last year, was a violinist.Sonia and Maria have occasionally worked together over the years, but rarely with as much emotional investment as on the current Broadway revival of “Merrily We Roll Along,” which Maria is directing and Sonia is producing. The revival has been transformative for the show, which, despite much-loved songs by Stephen Sondheim, was a famous flop when it first ran in 1981, and is now one of the hottest tickets in town.On Sunday night the Friedman sisters’ production won a Tony Award for best musical revival, as well as acting prizes for two of its stars, Daniel Radcliffe and Jonathan Groff, and another for its orchestrations. It did not, however, win for Maria’s direction, which made their evening bittersweet.“My heart went into 2,000 pieces,” said Sonia Friedman, who has a shelf full of Tony Awards, but just wanted recognition for her sister. She said she had to step out of the theater to collect herself. “The little sister in me was in agony for an older sister who’s only ever held me and supported me.”“Winning the Tony was fantastic, for Steve and for the legacy,” Maria Friedman said, but added that losing out on the best director award “was painful.”Sara Krulwich/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Huey Lewis Musical to Close on Broadway as New Shows Struggle

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      “The Heart of Rock and Roll” is the first new Broadway musical to announce a closing plan following Sunday’s Tony Awards.“The Heart of Rock and Roll,” a new jukebox musical powered by the songs of Huey Lewis and the News, will close on Broadway on Sunday.The show is the second to announce plans to close in the wake of this year’s Tony nominations, joining “Lempicka” on the list of productions that could not find an audience during this jam-packed spring. “The Heart of Rock and Roll” opened on April 22 to better-than-expected reviews, but picked up zero Tony nominations. The show will have played 24 previews and 72 performances.During a very crowded period on Broadway, the show was unable to break through: It grossed $272,051 in the week ending June 9, which is not nearly enough to cover the running costs of a full-size Broadway musical.“The Heart of Rock and Roll” is a freewheeling romantic comedy about a young man (played by Corey Cott) working at a Milwaukee cardboard factory but feeling the tug of his old band and developing a crush on the boss’s daughter (McKenzie Kurtz). The show, directed by Gordon Greenberg, features a witty book by Jonathan A. Abrams and even wittier choreography by Lorin Latarro; there was a pre-Broadway production at the Old Globe in San Diego in 2018.The musical, playing at the James Earl Jones Theater, features multiple Huey Lewis and the News hits, including “The Power of Love” and “Do You Believe in Love” as well as the title song. Huey Lewis, now 73, remains a nostalgic favorite for fans of 1980s culture, and he threw himself into promoting the show.The lead producers are Hunter Arnold, Tyler Mitchell and Kayla Greenspan; it was capitalized for up to $19 million, according to a filing with the Securities Exchange Commission, and that money has not been recouped.The closing comes at a challenging time for Broadway, where production costs have risen and attendance has fallen since the coronavirus pandemic. There are now 32 shows running on Broadway, and many of them are losing money each week. More

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      First-Time Tony Winners on Their Awards: Daniel Radcliffe, Kecia Lewis and More

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      All of the actors who took home Tonys were first-time winners. Here’s what they had to say after their wins.All of the performers who received Tony Awards last night have one thing in common: they were all first-time honorees. After accepting their prizes, the winners trekked across the Lincoln Center plaza to a press room where they answered questions from The New York Times and reporters from other news outlets. Here’s a sampling of what they said.Daniel Radcliffe, “Merrily We Roll Along”Radcliffe won best featured actor in a musical for his performance as the lyricist Charley Kringas in a revival of Sondheim’s “Merrily We Roll Along.” It’s Radcliffe’s fifth Broadway show, but the first for which he was nominated for a Tony.What has the “Merrily” journey been like for you?It’s been a dream, especially with it ending like this. My singing teacher, who I mentioned, one of the first things he ever had me sing to him was “Good Thing Going” whenever I worked with him for “Equus.” Going from singing that for the first time in his office in London to singing it onstage and now this, it’s insane.What’s it like to find new success after spending so much of your career in your childhood on “Harry Potter?”When I finished “Potter,” I had no idea what my career was going to be. I had already started doing some stage stuff, but I didn’t know what the future held. To have had the last year with playing Weird Al [in the 2022 movie “Weird: The Al Yankovic Story”] and also doing “Merrily We Roll Along,” it’s been awesome. And I do think playing a character for a long time builds up in you a desire to sort of do as many things as you possibly can. I’m doing that right now.Talk a little bit about the process of learning “Franklin Shepard, Inc.?” It’s a huge moment in the show and a huge patter song.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Daniel Radcliffe, Pete Townshend and Sarah Paulson Party for the Tonys

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      The actress Kara Young stood surrounded by admirers inside David Geffen Hall at Lincoln Center around 1 a.m. on Monday morning, fielding a swarm of well-wishers after winning her first Tony Award, for featured actress in the comedy “Purlie Victorious.” Her older brother hovered close by and periodically fanned out the train of her lime chiffon dress.Branden Jacobs-Jenkins, the 39-year-old playwright who penned the night’s best play revival, the searing family drama “Appropriate” — and a fellow first-time Tony winner — was next in line to compliment Ms. Young and her gown from the designer Bibhu Mohapatra.“This is a forever iconic Tonys look,” Mr. Jacobs-Jenkins told the actress. “When we’re like 70 years old, they’re going to show you in this.”The performers Kecia Lewis and Camille A. Brown.Nina Westervelt for The New York TimesThe actresses Sarah Paulson and Elle Fanning.Nina Westervelt for The New York TimesBranden Jacobs-Jenkins, the playwright.Nina Westervelt for The New York TimesThe performers Shaina Taub and Matt Gehring.Nina Westervelt for The New York TimesIt was a flash forward on a night when, for many of the Tony Award winners, anything seemed possible. All eight of the acting honorees, across plays and musicals, earned their first-ever Tony wins on Sunday — some for their first major Broadway role or their first nomination, others after four decades in the theater.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More