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    Jennifer Lopez and ‘This Is Me … Now’: Is She for Real?

    “This Is Me … Now: A Love Story,” a movie built on her latest album, is a showcase for the exhausting, never-ending, hazardous work of being Jennifer Lopez.Nobody who winds up at a “what’s the strangest moment in this new J. Lo thingy” contest should worry. There are no wrong answers.The parts in which Fat Joe plays Dr. Melfi to Jennifer Lopez’s Tony Soprano bewilder as intensely as the too-many scenes in which Jane Fonda, Trevor Noah, Keke Palmer, Post Malone, Kim Petras and Neil deGrasse Tyson (to pick merely six of a dozen names) bickeringly represent the astrological signs. None of these people appears to have been on the set at the same time. The only performers persuasively sharing the screen are Jenifer Lewis and Jenifer Lewis, and that’s only because she’s doing Gemini.A number about a quickie wedding is called “Midnight Trip to Vegas,” but the groom has already hand-delivered Lopez’s invitation. It’s “Midnight Trip to Vegas,” but first with a stop at what could be Westeros or Themyscira or “The Cell.” Least forgettable is the sight of our star, in a tank top and up to her neck in elbow warmers, riding a headache ball to squelch a power-plant disaster.Lopez has titled these 53 minutes (and an additional 10-minute-plus credits sequence) “This Is Me … Now: A Love Story.” She’s released it, on Amazon, alongside an album of new songs, a few of which provide grist for the visual component. The album is a so-so buffet of sounds that get called contemporary or urban: music that could have been produced at any point in the last 25 years, which isn’t the same as calling it timeless. Lopez has been never on any sort of cutting edge. She’s often where music just was; and that can leave her stranded the way she is here.For “This Is Me … Now: A Love Story,” she gives “just was” both frenetic cinematic accompaniment and her physical all. In addition cowriting, Lopez goes out on a limb and takes the role of what can rightly be called “Me,” a husband-hunter jailed in such metaphorical music-video scenarios as “glass house” and “love factory.” In that second one, she and two dozen coveralled co-workers bang out some electrocuted, hydraulic choreography while the operation’s giant, once-malfunctioning heart sputters back to life and spews radioactive positivity. These are the only vaguely satisfying numbers. If the wishy-washy, parable-making and haywire everything else won’t cohere into true beauty or credible horror, then camp it is. Ladies and gentlemen: Jennifer Lopez and her Oppenheimer Dancers!We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What Exactly Is Jennifer Lopez’s “This Is Me … Now: A Love Story?”

    Yes, Ben Affleck is in it, as are many of J. Lo’s famous friends. Here’s what to know about “This Is Me … Now: A Love Story.”At one point during “This is Me … Now: A Love Story,” a character observes that watching Jennifer Lopez’s love life is like bingeing “Vanderpump Rules” — eventually you stop judging the people you’re seeing and start judging yourself. But in the case of this self-financed multimedia project, you might also question what exactly it is that you have watched. Is it a movie, a collection of music videos, a simple vanity project? Is it a therapy session, or a new genre entirely — the therapy musical? Lopez, who co-wrote and produced this 65-minute spectacle, which is now available on Amazon Prime Video, tries to keep you guessing. You might have a few questions. We have some answers.Jennifer Lopez and Ben Affleck embrace, mostly, at the premier of “This Is Me … Now.”Mario Anzuoni/ReutersHow much of Ben Affleck is in there?Ben Affleck flits in and out of this like a little-seen hummingbird.He bookends the story as a lost love, a character called the Biker, but he’s a barely glimpsed mystery. Could that be his jawline? Is that his chest? It’s definitely his voice we hear telling a sleeping Lopez, “You know how much I love you?” Going incognito to play cable-news pundit Rex Stone, Affleck dons a bad blonde wig, a prosthetic nose and a Trumpian spray tan. He also adopts a folksy accent that recalls Gary Busey, and a delivery that’s part Tucker Carlson and part Keith Olbermann (a man Affleck once memorably mocked on “Saturday Night Live”). But instead of ranting about politics, ol’ Rexy is concerned with the state of love and connection in the world — a topic of great interest to Lopez’s character, who is simply called the Artist. He’s the anchor of her love, but she’s barely tuning in.It might have served the project better to have less of Affleck on the screen and more of him on the page. After all, this is the guy who co-wrote “Good Will Hunting” — one of the best of all therapy movies. Did the real-life Affleck try to encourage his wife to open up, the way Robin Williams’s therapist, Sean, wanted his patient to do? Did he urge her to think a little more deeply about love and vulnerability? It’s hard to guess from his mid-credits monologue.Can we play Name That Ex?Yes, we can.Marriage might be a sacred union that should only be entered into with the utmost care, as Jane Fonda’s character told Lopez’s in “Monster-in-Law,” but that didn’t stop either Fonda in that film or Lopez in real life from giving it a try four times.In the past, Lopez has used her position as a movie producer to comment on her own marital history. In 2002’s “Marry Me,” for instance, she played an artist who had been married three times. In this new project, she has a whirlwind rom-com sequence, set to the song “Can’t Get Enough,” in which she cycles through three weddings with three interchangeable husbands (played by Tony Bellissimo, Derek Hough and Trevor Jackson). Could this game of musical grooms be a commentary on her past marriages to Ojani Noa (1997-1998), Cris Judd (2001-2003) and Marc Anthony (2004-2014)?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More