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    What’s Next for MrBeast? Class Consciousness.

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    On YouTube, he’s long prompted people to do extreme tasks for money. But on his new reality show and in social media posts, MrBeast is showing a new motivation.In the eighth episode of the reality competition show “Beast Games,” released last week, the YouTube superstar MrBeast — the show’s host, co-executive producer and mischief-maker-in-chief — asked the 10 remaining contestants to choose their share of a $1 million split.By this stage of “Beast Games,” which streams on Amazon Prime Video, there was a surprising amount of good will and trust among the players, who are all competing to be the lone winner of a $5 million prize in next week’s finale, the largest amount ever given away on television.The money was presented in a preposterous stack of bills, an almost cartoonlike array. The first contestant took one-tenth. The second took a little more. The third contestant to stake a claim was J.C., a man with a sob-story background who had previously appeared to be beyond ethical reproach. But the combination of quite reasonable greed and quite tragic desperation led him to take $650,000 for himself, leaving barely anything for the remaining players, to their collective repugnance.The subsequent shots of J.C., alone in his bunk, weeping and surrounded by duffel bags of cash, was the first truly affecting note of this season. He was a villain, but a completely reasonable one. Resources are scarce, competition is everywhere — all you can do is grab what’s in front of you.J.C. anguished after taking the bulk of a $1 million pot split among nine other contestants.Amazon Prime StudiosTypically, the YouTube videos for which MrBeast, born Jimmy Donaldson, is known steer clear of such psychic weight. He is 26, and has been the dominant star on YouTube for several years now, with 357 million subscribers. His stunt videos, in which people are prompted to do extreme tasks for money, are often viewed hundreds of millions of times.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      TikTok True Crime to Stream: ‘Dancing for the Devil’ and More

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      Across television, film and social media itself, here are four picks that explore crime stories associated in some way with the imperiled app.TikTok continues to be on shaky ground in the United States. Earlier this month, the Supreme Court upheld a law passed by Congress last year that required a ban of the Chinese-owned app unless it was sold to a government-approved buyer.Hours before the law took effect, TikTok went dark briefly, then flickered back to life when President Trump, a day before his inauguration, indicated support for the app. He then signed an executive order stalling the ban for 75 days.Whether the app will disappear for good is unclear, but in the meantime, here are four true-crime stories associated with TikTok — the most downloaded app in the United States and the world in 2020, 2021 and 2022 — that captured broader attention.Documentary Series“Dancing for the Devil: The 7M TikTok Cult”It’s of course no secret that the glossy dance videos that have populated TikTok since its inception, along with much online content, is more fantasy than reality. But that’s little comfort to the revelations uncovered in this 2024 Netflix series.“Dancing for the Devil” primarily spends time with dancers who were managed by the talent company 7M Films and were members of Shekinah Church — both entities founded and led by Pastor Robert Shinn — as well as desperate family members of those still involved with 7M. These families claim that their loved ones are essentially trapped.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares109 Views

      in Music

      The Year in Pop: Hits Without Stars, Stars Without Hits

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      This past spring, Tommy Richman got famous off a TikTok.Well, not famous exactly. Popular. Let’s say popular. Tommy Richman got popular off a TikTok.Or maybe that’s not quite right either. How about: This past spring, a snippet of a song used in a video on TikTok catapulted Richman, a young soul singer with some promising earlier releases, onto the path to fame.The snippet was of “Million Dollar Baby,” a deliciously saccharine pop-funk thumper, and the TikTok it soundtracked was a loose clip of Richman and his friends having a fantastic time in the studio one night — a warm little bolt of you-shoulda-been-there fun. This was in April, and before long, the clip had millions of views, and the audio was inescapable. Eventually, it appeared in over nine million videos on the app. Radio play followed quickly, leading to a No. 2 debut for the song on the Billboard Hot 100, followed by a few months in the Top 10.Stardom secured, right? Not quite. While “Million Dollar Baby” is one of this year’s defining singles, Richman remains largely a cipher. He hasn’t done many interviews; he had a needless social-media kerfuffle over how people taxonomize his sound; and his debut studio album, “Coyote” — which pointedly and stubbornly did not include “Million Dollar Baby” or its follow-up cousin, “Devil Is a Lie” — arrived with a whisper in September, and disappeared even more quietly.Tommy Richman’s “Million Dollar Baby” blew up on TikTok and hit the Hot 100, but didn’t appear on his debut studio album.Craig Barritt/Getty ImagesThis isn’t to consign Richman to pop’s deep bin of one-hit wonders. If anything, the current pathway for breakout successes, especially via TikTok, is more insidious than that. Viral smashes like “Million Dollar Baby” often feel like hits without stars — potent for soundtracking and sticking to content made by others rather than attached to the artist who actually created it.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 88 Shares129 Views

      in Movies

      Singing ‘Wicked’ Fans Are Anything but Popular

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      Some fans who have attended early screenings of the film adaptation of the hit Broadway musical have treated it as a singalong. Not everyone is thrilled.Angela Weir went into a screening of “Wicked” on Monday night ready to be transported to the Land of Oz. But when Glinda (Ariana Grande) began to sing “Popular,” one of the musical’s early numbers, she was not the only one singing.“It started slow. Then people heard each other — it was like they encouraged each other,” Weir said on Tuesday. “It was a beautiful scene, and then you’re taken out of it.”As anticipation builds for the film’s release on Friday, some fans who have attended early screenings have ignored theater norms to sing right along with their favorite characters, much to the chagrin and annoyance of other “Wicked” enthusiasts. Many have taken to social media to issue a strict edict: Shush.As a debate grew on TikTok and Reddit, a possible solution emerged this week: For those who want to join in on the duet “What Is This Feeling?” between Grande and Cynthia Erivo, who plays Elphaba, more than 1,000 theaters across North America will host singalong screenings starting on Christmas Day.A representative for Universal said the company would not comment on the debate, and the off-key serenades have continued in the meantime.Weir, 35, said the singing at a screening in the suburbs of Charlotte, N.C., was particularly distracting during the movie’s finale, when Elphaba belts out the show’s most famous ballad, “Defying Gravity.”

      @arweirr i did like it tho #wicked #pleasedontsing #oscars ♬ original sound – Angela 🙂↔️

      @jordycray Time and place! #fyp #foryou #wicked #wickedmovie #arianagrande #cynthiaerivo #musical #popculture #popculturenews ♬ original sound – jordycray We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 175 Shares169 Views

      in Television

      How Did ‘Dancing With the Stars’ Become a Gen Z Hit? TikTok, Of Course.

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      After almost 20 years on air, the reality competition series made changes that brought a surge of younger viewers.The world has changed around “Dancing With the Stars” since the competition series became a hit after its 2005 premiere. Though producers have periodically experimented with casting, canned hosts and tweaked the elimination process, the heart of the show — pairs of professional dancers and celebrities performing weekly and facing elimination based on scores from judges and fan votes — has remained intact.That formula meant “D.W.T.S.” had an audience with a median age of 63.5 in 2022. But in the past two seasons — after almost 20 years and 500 episodes — the show has grabbed hold of Gen Z viewers through its canny use of TikTok, casting of younger dance pros and the chance virality of “wow moments” from routines.“We’ve kind of hit this tipping point where now we feed TikTok, TikTok feeds back to us,” said Conrad Green, the showrunner.Ahead of the Season 33 semifinals, Green and two of the show’s professional dancers, Rylee Arnold, 19, and Witney Carson, 31, explained their parts in making “Dancing With the Stars” a hit with Gen Z.Charli D’Amelio was an influencer contestant for the streaming era.In 2022, Disney execs removed “Dancing With the Stars” from network TV, making it available only via the Disney+ streaming app, a move aimed at drawing older viewers to the service, which predominantly catered to children from the ages 2 to 17.

      @officialdwts The countdown to #DisneyNight is on! Join us in ONE HOUR – 8/7c on ABC and Disney+. 🐭✨ #DWTS ♬ original sound – Dancing with the Stars #DWTS We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares139 Views

      in Television

      ‘English Teacher’ Gets TikTok Boost from Brian Jordan Alvarez

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      Brian Jordan Alvarez’s career started on social media. His mastery of the form, and a ridiculous dance trend, have drawn viewers to his show, “English Teacher.”The start of a new TV show is a fraught time for its creators and stars. Years of work have gone into its debut, yet the window of time in which to attract viewers is brief. Add a splintered media environment and an oxygen-sucking presidential election, and the chances for cultural relevancy slip further.Most showrunners make the press rounds and hope for the best. Brian Jordan Alvarez unwittingly came up with another strategy: becoming a meme.In September, shortly after the debut of “English Teacher,” an FX show that Mr. Alvarez created and stars in, a TikTok user with the handle @clozvr posted a clip from an old “Gilmore Girls” episode mashed up with the song “Breathe” by Olly Alexander.In the “Gilmore” clip, Kirk Gleason, the awkward character played by Sean Gunn, has made a black-and-white art-house movie. In it, Kirk tells his girlfriend’s father, “I love your daughter.” When the father says, “What do you have to offer her?” Kirk replies, “Nothing. Only this,” before breaking into a goofy break dance.Mr. Alvarez saw another TikTok user dancing in an apartment to the clip and found it “weirdly captivating,” he said. He decided to film his own version in the Nashville airport, lip-syncing to the dialogue and the song and dancing as he rolled his suitcase.

      @brianjordanalvarez Wow ♬ afilmbykirk – ꫂ ၴႅၴ

      @brianjordanalvarez ♬ afilmbykirk – ꫂ ၴႅၴ We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares199 Views

      in Music

      ‘It’s Time!’ Mariah Carey Reflects on 30 Years as Queen of Christmas

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      Getting her usual early start on the holiday, the powerhouse vocalist and songwriter looks back on the phenomenon she created.When the record company came knocking, Mariah Carey wasn’t sure about making a Christmas album.“I felt it was too early in my career,” she said in a recent interview, recalling the early ’90s. But she had always loved Christmas, and so she got to work on arrangements for some of her favorite seasonal classics, like “Joy to the World” and “Silent Night,” and filled her recording studio with vibrant decorations like trees and lights. All she and her writing partner Walter Afanasieff needed were some original songs.Then one late night, she recalled, the distinctive opening melody line of one song came to her as she tapped it out on a small Casio keyboard — “ding ding ding ding ding ding ding ding,” she sang over Zoom. For the lyrics, she said, she racked her brain for something that felt meaningful. Then, “I started thinking about: ‘I don’t want a lot for Christmas.’”Carey performing Christmas songs at St. John the Divine in Manhattan in December 1994.Kevin.Mazur/Archive, via WireimageAnd at Madison Square Garden in December 2019.Kevin Mazur/Getty Images for McThirty years after its release in 1994, that song, “All I Want for Christmas Is You,” has become one of the longest-charting singles in any genre, spending 65 weeks on Billboard’s Hot 100, and perhaps the best-known original holiday song of the last half-century. The album, “Merry Christmas,” has sold 18 million copies and would become synonymous with the season, blasting from cars, mall speakers and party playlists, and cementing Carey’s role as the Queen of Christmas. And the season? Well, that begins on Nov. 1 — when Carey has declared, “It’s time.”Carey spoke with The New York Times ahead of a 21-date holiday tour that starts this month. It comes as she is teasing new, non-Christmas music, in what would be her first studio album in six years.

      View this post on Instagram A post shared by Mariah Carey (@mariahcarey) We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares199 Views

      in Music

      Their Songs Blew Up on TikTok, So These Musicians Tweaked Their Sets

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      Social media platforms and streaming services are leading younger listeners to new (and old) music. Artists are making sure they feel at home at live shows.DJ Paul, a founder of the Oscar-winning Memphis hip-hop group Three 6 Mafia, was enjoying some tequila at a pool party in the Hollywood Hills two years ago when a friend shoved a cellphone in front of him. The rapper was surprised to see TikTok videos uploaded by “young white girls” dancing and rhyming along to one of the coarser moments from “Half on a Sack,” a slightly menacing song the group released 17 years earlier. The lyrics described sex and drug use on a tour bus.“I’m like, ‘Whoa,’” he remembered in an interview, laughing. “And when I do my concerts, you see the same kind of girls out there singing that line. They go crazy.”Paul said that “Half on a Sack” had long been a staple of the group’s live set lists, but the crowd response has been more uproarious in the wake of its viral moment.The rapper Project Pat, who has been touring with Three 6 Mafia this year, said he regularly performed “Life We Live,” his 23-year-old song that’s been used in almost three million TikTok videos. It’s seen a 130 percent increase in Spotify streams, as well.Project Pat has seen “Life We Live,” a song he released in 2001, gain a new life on TikTok.Aaron J. Thornton/FilmMagic, via Getty Images“I always looked at the rap game as a business,” Pat said. “I didn’t never look at it like I’m putting my pain and all that” into the art. “If you gon’ pay for this, I’m gonna tell you what you want to hear,” he added in his distinctive Memphis accent.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares99 Views

      in Music

      6 Social Media Accounts That Changed How I Rediscover Music

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      Hear songs surfaced by Ryley Walker, Drumeo and other feeds from Bring Me the Horizon, Lil Tecca and more.Ryley Walker’s X account is filled with wild (true) stories and a pure love of rock.Astrida Valigorsky/Getty ImagesDear listeners,Sometimes, to listen to music, you have to do something more than just listen.Personally, I spend a significant — disproportionate? unhealthy? — amount of time on social media, and I find myself drawn to accounts that are music-adjacent, or perhaps music-enhancing. They’re not criticism or reporting, but through a hammered-home gimmick (all great accounts have them) they serve up extremely engaging information about certain styles and scenes that you might otherwise allow to float on by.Here’s a list of some of the accounts that fill my screen, along with a song that each one either brought me back to or introduced into my life.Get your scroll on,JonListen along while you read.1. Drumeo (TikTok, YouTube)Drumeo’s videos are created as an extension of a drumming-education platform. The clips feature drummers talking about their craft, and the account’s most intriguing recurring series forces well-established drummers to invent a part for a song they’ve never heard and which is outside of their usual style. The results can be chaotic: Dennis Chambers, a jazz fusion and funk legend, treats a Tool song like an unwelcome pop quiz that he then casually rewrites; Dirk Verbeuren from Megadeth takes a surprisingly patient approach to “Mr. Brightside,” perhaps finding the Killers not quite muscular enough; and Liberty DeVitto, who played for decades with Billy Joel, takes a wry joy in pounding along to Deftones, as if unleashing a lifetime’s worth of backlogged pugnacity.A rediscovered song: Bring Me the Horizon, “Can You Feel My Heart”▶ Listen on Spotify, Apple Music or YouTubeWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More