Ariana DeBose on Hosting the Tonys: ‘Whatever We Do Is Going to Be Fun’
The Broadway ensemble member turned Oscar winner vows that the ceremony will celebrate the often unsung actors who have stepped in so often during the pandemic.A decade ago, Ariana DeBose made her Broadway debut as an understudy in the musical adaptation of “Bring It On.”This weekend she’s hosting the Tony Awards.DeBose’s rise to prominence, due in large part to her Oscar-winning performance in Steven Spielberg’s movie remake of “West Side Story,” has been hard-won. She was an understudy, an ensemble member, and struggled before breaking through; in 2018 she was nominated for a Tony Award as one of three actresses playing Donna Summer in “Summer,” and since then she has had multiple film and television projects, including “The Prom” and “Schmigadoon!”This year she became the first Afro Latina and first openly queer woman of color to win an Academy Award. Next, she will be featured in the action film “Argylle,” the superhero film “Kraven the Hunter” and the space thriller “I.S.S.”DeBose, 31, is now rehearsing the three-hour broadcast portion of the Tony Awards ceremony, which starts on Sunday night at 8 p.m. Eastern on CBS. (An earlier hour, starting at 7 p.m., will be streamed on Paramount+.)In an interview this week, DeBose talked about her determination to honor Broadway’s unsung heroes and her desire to return to the stage. These are edited excerpts from the conversation.The 2022 Tony AwardsThis year’s awards, the first to recognize shows that opened after a long Broadway shutdown during the pandemic, will be given out on June 12.Ruth Negga: The actress, who is nominated for her role as Lady Macbeth in Sam Gold’s staging of the play, infuses the character with intensity, urgency and vitality.Hugh Jackman: The actor may potentially win his third Tony Award for his role in “The Music Man.” He shared some thoughts on his life between film and theater.A New Star: Myles Frost is drawing ovations nightly on Broadway with his performance in “MJ,” a musical about Michael Jackson’s creative process.Choreography: Musicals like “MJ” and “Paradise Square” take on dances of the past but miss some opportunities to elevate the dancing; “For Colored Girls” effectively weaves language and motion.What are your goals for Sunday night?This is the first time we’re back at Radio City. The community is still coming out of what has been an extremely challenging time. I do look at this as an opportunity to try and provide a real moment of celebration, because I think it’s a gosh-darn feat and a triumph to have been able to make work at all and get to this moment in time.You’re new to this. Are you nervous?I would like to throw up, if I’m honest. But I love a challenge. And I just feel like whatever we do is going to be fun.You’ve talked a lot about your identity. Tell me what you hope that prompts for people watching you?If I do my job right, it will be a reminder to young people out there watching that there is a place for us. And, to be perfectly frank, Broadway was the place that gave me freedom to explore my identity, freedom to explore my artistry. It was the place of love and acceptance that helped create the woman that you see now.There’s been a lot of discussion this season about the role of understudies and standbys, who kept many shows going when other performers tested positive for the coronavirus. Can you talk about what your intention is for Sunday on that front?In three of my six Broadway shows, I was an understudy. And I began in this industry in the ensemble. There’s no way in the world that a host like me is going to let this moment go by without acknowledging swings and understudies, but also the myriad groups of people that put in the work to keep this industry going, and that includes stage managers, dance captains, associates, hair and makeup departments, musicians. There’s not a version of the world where I don’t have something up my sleeve. I’m not going to tell you what it is, but what I am going to tell you is if it doesn’t happen, you can hold me accountable.One of the other important developments this season was the death of Stephen Sondheim. Should we expect to see that acknowledged?Well, we wouldn’t have the American theater as we know it without him. So while I will not tell you what we are doing, there will be a beautiful moment for the man that is Stephen Sondheim.Tony Awards: The Best New Musical NomineesCard 1 of 7The 2022 nominees. More