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      in Music

      A New ‘Red Hot’ Album Tackles a Hot Topic: Transgender Awareness

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      “Transa,” with 46 tracks due Nov. 22, brings together artists including Sam Smith, Sade, André 3000 and Jayne County.Over a soft piano riff wafts the unmistakable voice of Sade, singing a song to her son. The lyrics she wrote for the piece — her first new track in 14 years, titled “Young Lion” — are steeped in empathy and regret. “Young man, it’s been so heavy for you/You must have felt so alone,” she sings. “I should have known.”She’s addressing her real-life son, Izaak, whose identity as a transgender man escaped her perception for some time. “Shine like a sun,” she sings to him. “You have everything you need.”Massima Bell, a musician, model and activist who is transgender, said she’d never heard a song like that before. “It’s amazing to hear a legendary musician like Sade sing about her heartfelt experience as the parent of a trans child,” she said in an interview. “It’s incredibly powerful.”It’s also humanizing, nailing a key goal for the sprawling new musical project that contains it. Titled “Transa,” the album, which Bell worked on as a creative producer, is the latest venture from Red Hot, the organization co-founded 35 years ago by John Carlin at the peak of the AIDS epidemic. The organization started with a star-studded album titled “Red Hot + Blue,” designed to raise funds for the fight against the disease.In the decades since, Red Hot has released more than two dozen sets, involving hundreds of top musicians, to benefit a wealth of related causes. (The organization said it has given away $15 million over its lifetime, primarily raised by record sales.) Still, it’s been years since it has focused on an issue with the topicality of “Transa,” a project due Nov. 22, which was partly inspired by the death of the producer Sophie in 2021.Beverly Glenn-Copeland, left, and Sam Smith. Both musicians contribute to “Transa.”Eleanor PetryWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares199 Views

      in Movies

      Karla Sofía Gascón of ‘Emilia Pérez’ Could Make Oscar History

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      There has never been a movie quite like “Emilia Pérez,” so it’s fitting that its star Karla Sofía Gascón is one of a kind, too.In the film from the director Jacques Audiard, Gascón plays a Mexico City cartel kingpin who fakes death in order to transition abroad in secret. Years after her gender-affirming surgery, the newly rechristened Emilia contacts the lawyer who helped arrange it (Zoe Saldaña) and has one more request: a reunion with the unsuspecting wife (Selena Gomez) and children she left behind, even though returning to the scene of her old crimes could have dire consequences.The multitude of genres suggested by this synopsis — a gritty drug-world exposé, a family melodrama, a trans-empowerment narrative — are further complicated by the fact that “Emilia Pérez” is a musical, meaning the characters are liable to break into song whether they’re in a love scene or clashing in a heated gunfight. In a film full of big swings, it’s hard to imagine any of the wild ideas holding together if it weren’t for Gascón, who can contain all of those multitudes in a single freighted look. Many pundits believe that after Netflix releases “Emilia Pérez” in November, Gascón will make history as the first openly trans actress nominated for an Oscar.In May, the 52-year-old Gascón was the breakout star of the Cannes Film Festival, where “Emilia Pérez” won a best actress award that was shared among all of the movie’s leading women. Since her castmates had returned home before the awards ceremony, an overcome Gascón took the stage on their behalf, and her emotional speech was the night’s highlight. At the microphone for nearly six minutes, Gascón flitted between Spanish and English as she tearfully asserted the humanity of trans people, joked about bribing the jurors, paid romantic tribute to her co-star Gomez, then apologized to Gomez’s boyfriend for her ardor.Afterward, Gascón tried to explain her speech’s breathless sprawl. “I’ve never been given a prize,” she told reporters. “I’ve mostly been given blows and kicks.”Spanish-speaking audiences may already be familiar with Gascón, a veteran of Mexican telenovelas who starred in the hit 2013 film “Nosotros los Nobles” and transitioned six years ago while in the public eye. “It was very difficult,” she told me recently over lunch in Los Angeles. “People knew me a certain way and then I changed, so I constantly felt that I had to justify myself. I was always fighting with everyone.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      This Is My Voice One Year on T

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      A transgender music critic explores the change in their singing voice after taking testosterone.When I started taking testosterone last year, I was eager for the effects it would have on my speaking voice. I imagined talking in a voice that was low, smooth, soothing. But my high singing voice felt somehow sacrosanct. I didn’t really want it to change.Maybe that’s because growing up listening to opera I was always drawn to the sound of countertenors — the highest of male voice types — like Anthony Roth Costanzo and Klaus Nomi. In that ethereal, almost genderless sound, I recognized myself.What is it about the voice that carries such emotional weight? Such potential for self-recognition? The word “voice” is so tied up with identity as to be nearly synonymous with it. My writing has a voice. The cello, my primary instrument, is sometimes described as closest to the human voice.All voices evolve over the course of a lifetime. Boys’ voices drop during puberty. Opera singers have noticed how their voices change during and after pregnancy. And menopause brings hormonal changes that can lower voices. Our voices can even fluctuate in pitch over the course of a day, depending on whom we’re speaking to, whether that’s a child or a friend.When I started taking testosterone as part of my transition, I wondered not just how my voice would change, but also what that shift would mean. Would I be the same person with a different voice?I’m a cellist-turned-critic but I’ve always sung for pleasure. It wasn’t until two years ago, though, at 26, that I started voice lessons with a countertenor. I was already thinking about taking testosterone, but before that I wanted to experience my voice, as it was, at its full potential.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares119 Views

      in Movies

      Why Levan Akin Won’t Show His New Movie ‘Crossing’ in Georgia

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      The director Levan Akin is worried that his latest film, “Crossing,” will inflame tensions around L.G.B.T. visibility in the post-Soviet nation.When Levan Akin’s movie “And Then We Danced,” a romance between men in a Georgian folk-dance troupe, premiered at Cannes in 2019, it became a festival hit and later an Oscars submission. But when it screened in Georgia later that year, the movie’s combination of traditional Georgian culture and gay love sparked violent protests from conservative groups.Akin’s latest film, “Crossing,” which opens in U.S. theaters Friday, also deals with L.G.B.T. themes, though the filmmaker said recently that he had hoped its reception in Georgia would be smoother. Its plot, about a woman who travels from Georgia to Turkey to search for her estranged trans niece, seemed unlikely be perceived as an attack Georgian culture in the same way, he said.But this spring, when Georgia’s capital, Tbilisi, erupted in weeks of protests against a law on foreign influence that critics said would hamper Georgia’s chances of joining the European Union, Akin decided against releasing the movie there in such a polarized climate.“There is such political turmoil,” Akin said, “and we don’t want the film to be used as fodder in the debate. I don’t want that to repeat.”In “Crossing,” Lia (Mzia Arabuli), a retired and unmarried history teacher, travels to Istanbul from the city of Batumi, on Georgia’s Black Sea coast, searching for her niece Tekla, who has fled after her family rejected her. Lia is assisted in scouring the city’s narrow streets and packed rooming houses by Evrim (Deniz Dumanli), a trans rights activist and lawyer. They form an unlikely bond — but finding Tekla proves difficult.Lucas Kankava as Achi, and Mzia Arabuli at Lia in “Crossing.”via MUBIWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares99 Views

      in Music

      Brazil’s Pabllo Vittar is the World’s Next Big Drag Queen

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      São Paulo’s main avenue was packed this month with thousands of people draped in the yellow and green of the Brazilian flag and captivated by a commanding figure atop a tractor-trailer rigged with speakers.From above, the scene could have maybe passed for one of the many political rallies held in the same spot by former President Jair Bolsonaro, the Brazilian far-right leader who has infamously declared that he could never love a gay son.(Though, to be fair, the enormous rainbow flag would be a giveaway.)It was, in fact, one of the world’s largest Pride parades, and the person atop the sound truck was Phabullo Rodrigues da Silva, 30, the gay son of a working-class single mother in Brazil’s north.Yet everyone in the crowd knew him as Pabllo Vittar, a 6-foot-2-inch drag queen in a glittering cutoff Brazilian soccer jersey and shredded jean shorts — one of the biggest pop stars in this nation of 203 million.“It’s so beautiful to see you in yellow and green!” Pabllo Vittar shouted to those in the crowd, many wearing fishnet and G-strings. She had called on the revelers to wear Brazil’s national colors to reclaim the Brazilian flag from Mr. Bolsonaro’s right-wing movement. “Let’s dance!”RuPaul may still be the queen of queens, but the heir to the global crown has arrived.Fans and digital influencers visiting the Brazilian drag queen Pabllo Vittar, center left, in her dressing room before a concert.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares169 Views

      in Television

      Gabbi Tuft, First Openly Trans Former W.W.E. Star, Returns to Wrestling

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      Ms. Tuft, who retired from the W.W.E. more than a decade ago and came out as transgender in 2021, will return to the ring on Tuesday, she said on social media.Gabbi Tuft, a former World Wrestling Entertainment star and the first current or former member of the organization to come out as transgender, will return to the ring this month, she said on social media on Sunday.Ms. Tuft, who retired more than a decade ago, fought in the W.W.E. under the name Tyler Reks, a dreadlocked gladiator who weighed 250 pounds. She left the organization shortly after the birth of her child, and has since become an online personal fitness and nutrition coach and a TikTok personality with more than a million followers.On Sunday, Ms. Tuft announced that she would be performing for West Coast Pro Wrestling on Tuesday at the Irvine Improv, a venue in Irvine, Calif., which hosts professional wrestling events. The match, she said, would air at a later date on YouTube and other national TV stations.“Mother Arrives,” Ms. Tuft said on social media. “Everything that is unfolding is per the plan,” she added. “Stay faithful. There is more to the plan than what you see or what you think.” Her opponent was not announced.In an interview with The New York Times last year, Ms. Tuft, who came out publicly as transgender in 2021, said she first began dressing as a woman during the pandemic, but was initially in denial, believing it was similar to adopting a persona in the ring and justifying it as another “form of role play.”Months later, she came out to her wife. The following year, she posted a photograph of herself in front of a portrait of her old W.W.E. persona, Tyler Reks, to Instagram.“This is me. Unashamed, unabashedly me. This is the side of me that has hidden in the shadows, afraid and fearful of what the world would think; afraid of what my family, friends, and followers would say or do,” Ms. Tuft wrote in the accompanying caption. “I am no longer afraid and I am no longer fearful.”In Sunday’s social media posts announcing her return to wrestling, Ms. Tuft wrote, “Mother will guide her children to salvation.” More

    • 100 Shares159 Views

      in Television

      How ‘Couples Therapy’ Gets People to Go There

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      The Showtime series gives audiences an intimate look inside real relationships. Its couples are still navigating the aftermath.One night after a blowout fight with his fiancée, Josh Perez was lying in bed, typing silently on his phone.He was searching for contacts for the producers behind “Couples Therapy,” a documentary series he and his fiancée began watching during the pandemic. The show, which follows real couples in the New York area as they undergo about five months of therapy, had become a conduit for having difficult conversations about their own relationship. Perez hoped that being selected for the show could help them even more.Months later, Perez and his fiancée, Natasha Marks, sat on a couch inside a soundstage in the Brooklyn neighborhood of Greenpoint. Across from them, on a TV set built to look like a therapist’s office, was Orna Guralnik, the psychoanalyst and therapeutic maestro of “Couples Therapy.”“I guess if I was to sum up why we’re here,” Marks said, searching Perez’s face as she spoke, “we just recently had a little baby boy, and our emotional and physical intimacy, for a while, has taken a tank.”Across the show’s four seasons — the latest was recently released on Paramount Plus with Showtime — a total of 20 couples and one polyamorous trio have revealed the kind of intimacies that Marks shared for the dissection of Guralnik and, by extension, a national TV audience. Online, the show has an active fandom that probes its relationships as if trading gossip inside a friend group. The attention has left most of the show’s couples grappling with both anticipated and unexpected consequences of televised therapy.Orna Guralnik, the psychoanalyst and therapeutic maestro of “Couples Therapy.”Paramount+ with ShowtimeWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More