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    What to Do in Miami, According to the ‘Griselda’ and ‘Narcos’ Creator Eric Newman

    The magic of Miami is that “you can still discover places,” said the writer and producer Eric Newman. “It doesn’t feel like people have a chip on their shoulder. There’s a healthy civic pride and gratitude.”Mr. Newman, who created the Netflix show “Narcos” and produced “Griselda,” starring Sofia Vergara, has, over the years, spent months at a time on location in Miami. To Mr. Newman, a California native, the appeal of this southern Florida playground isn’t just what it is — it’s also what it’s not. “There’s an appreciation in Miami that you don’t see in other places,” he said. “Maybe it’s because a lot of people here came from somewhere else. Maybe you came to escape East Coast winters, or you came to escape Castro, or you came to escape taxes. People in Miami are genuinely happy to be here.”Mr. Newman, 53, produced the Academy Award-winning movie “Children of Men” and, more recently, was the executive producer of “Painkiller” and “Narcos: Mexico.” He favors a side of Miami not easily found in guidebooks. An after-hours salsa club, a Xanadu hiding in plain sight, the best Cuban sandwich around: These are the secrets that Miami has slowly revealed to him.Over the years, Eric Newman has spent months at a time on location in Miami.Scott Baker for The New York Times“The diversity of Miami makes it feel like the least American city, which is kind of what makes it incredibly American,” Mr. Newman said. “It feels wonderfully foreign and yet uniquely American.”Here, his five favorite spots in the city.1. Café La TrovaLa Trova is beloved for its impeccable drinks and its theatricality.Scott Baker for The New York TimesThe décor is deliberate — a long bar lined with red barstools, low lighting and an impressive wall of spirits.Scott Baker for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    36 Hours in Austin: Things to Do and See

    9 a.m.
    Embrace Austin’s breakfast taco addiction
    Breakfast tacos are essential in Austin, and Veracruz All Natural is a top spot for them; the yummy smoothies are a gratifying bonus. The sisters Reyna and Maritza Vazquez opened their first Austin food trailer in 2008, and now there are seven Veracruz locations, including East Austin, South Austin and inside the Line hotel — visit whichever is closest. The meat is consistently tender and well seasoned, and the tortillas are pillowy. Try the popular migas taco, with fluffy eggs and avocado, or the (somewhat) healthier La Reyna, which is loaded with veggies. Pair with fresh juices like the Mr. Verde, a combo of celery, green apple, spinach and more, or smoothies like the Mexico Lindo, with lime juice and cantaloupe, for an ideal, all-in-one morning stop. Most tacos and smoothies cost around $5. More

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    How Flight Attendants Fought Back Against Sexism in the Airline Industry

    Decades ago, “stewardesses” earned less than men, couldn’t get married or gain weight, and had to retire at 32. A key figure in a landmark lawsuit looks back at a not-so-golden era.In 1958, when Mary Pat Laffey Inman became a stewardess — as they were then called — for Northwest Airlines, she was 20 years old and the clock was already ticking. At 32, she would be forced to retire. That is, if she didn’t marry, get pregnant or even gain too much weight before that: All were grounds for termination. It was the golden age of aviation for everyone except, perhaps, the women serving in-flight meals to the nattily dressed passengers.Six years later, President Lyndon Johnson signed the Civil Rights Act, outlawing discrimination based on race, color, religion, sex or national origin, and female flight attendants began to join forces against sexism.In 1970, Ms. Laffey Inman, a union leader and Northwest’s first female purser — the lead attendant on a flight — spearheaded a class-action suit, Laffey v. Northwest Airlines Inc., that resulted in the airline paying more than $30 million in damages and back wages in 1985. It also set the precedent for nondiscriminatory hiring of flight attendants across the industry. But even then, not everything changed: Flight attendants on some airlines were still subjected to “weigh-ins” into the 1990s. (Northwest merged with Delta Air Lines in 2008.)Now, decades after the landmark decision, Ms. Laffey Inman, 86, is one of several former flight attendants featured in “Fly With Me,” an “American Experience” documentary that chronicles how women fought to overcome discrimination in the airline industry. It premieres on PBS on Feb. 20. The New York Times spoke to Ms. Laffey Inman about how she made history. This interview has been edited for length and clarity.Ms. Laffey Inman in her Northwest uniform in 1968, around the time she became the airline’s first female purser, or lead attendant on a flight.Courtesy of Mary Pat Laffey InmanWhat inspired your career in the airline industry?I was working at Montefiore Hospital, in Pittsburgh. I always wanted to travel, ever since I was a kid. As a flight attendant, I could travel — all expenses paid. I thought it was wonderful. Other stewardesses and I laugh about how lucky we were to be in the industry at that time. We would bid for three-day layovers in Paris, London, Amsterdam, Tokyo. A limo would be there to pick you up and take you to the hotel.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Welcome to Japan, Taylor Swift Fans. Please Remain Seated as You Cheer.

    Some Japanese spectators are grumbling that foreign concertgoers visiting Tokyo don’t share their rather restrained local approach to taking in a show.Taylor mania has landed in Tokyo. But the enthusiasm of some of the Swifties arriving with her has clashed with local sensibilities.Thousands of visitors from across Asia and beyond have flooded into Japan’s capital as Taylor Swift performs at the Tokyo Dome for four nights this week. The problem, as some domestic concertgoers see it, is that these foreign fans don’t share the rather restrained Japanese approach to taking in a show.In a post on the platform X, a Japanese holder of a V.I.P. ticket wrote that even paying 130,000 yen — about $870 — and being seated in the third row didn’t guarantee a clear view, given that so many foreign fans had stood up.“It’s too sad,” the post said. “It’s crazy that, if you follow the rules, you won’t be able to watch it.”While Japanese are praised abroad for their pristine behavior at soccer matches and other sporting events, their exacting standards at home can make them hostile to visitors. Another post on X, accompanied by a short video of audience members hoisting up their cellphones to capture the scene onstage, complained that “there were many foreigners who couldn’t respect manners.”The grumbling is in some ways a microcosm of Japan’s mixed reception to the international tourists who have helped restore the country’s economy, the world’s third largest, after the pandemic. More than 25 million people visited Japan last year, according to the Japan National Tourism Organization, nearly 80 percent of the number who visited in 2019.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    5 Places to Visit in Tucson, Arizona, With Singer Linda Ronstadt

    In the course of becoming a Rock & Roll Hall of Famer, a Grammy Lifetime Achievement Award winner and the subject of a forthcoming biopic set to star Selena Gomez, Linda Ronstadt has packed theaters around the globe. But her favorite sits on a one-way side street in Tucson, Ariz.Ms. Ronstadt in Tucson in September 2022. She still makes occasional trips to the city, where she was born and raised.Cassidy Araiza for The New York TimesWith a courtyard draped in vines and string lights and a main stage the size of “a good little opera house,” the 1927 Temple of Music and Art is “just magic,” said Ms. Ronstadt. Before the onset of progressive supranuclear palsy — a Parkinson’s-like disorder that ended her singing career in 2009 — she could fill the auditorium with her unamplified voice (little surprise to anyone who’s ever heard her belt out “Blue Bayou” or “Long Long Time,” for the legions who may have just discovered her on “The Last of Us”). She also loves the theater’s proscenium: a stage-framing arch that instantly focuses the eye — “like that fireplace,” she explained, gesturing toward a wall near the sofa where we chatted in her cozy San Francisco living room.At 77, Ms. Ronstadt now lives in the Bay Area, close to her kids, but the Sonoran Desert borderlands where she was born and raised will always be home. And despite the changes she sees when she returns every six months or so, plenty of familiar local pleasures remain, for starters: bubbling-hot cheese crisps at El Minuto Cafe, ice-chilled shrimp cocktail at Hotel Congress, giant saguaros at every turn and live entertainment of all kinds at the Fox Tucson Theater, where her father — a businessman with a renowned baritone — used to perform as Gil Ronstadt and His Star-Spangled Megaphone.The Ronstadts have been part of the Tucson music scene since her grandfather arrived from Mexico in 1882 and helped found the Club Filarmónico Tucsonense civic band. And perhaps no place highlights the family’s cultural legacy like the former Tucson Music Hall, rechristened the Linda Ronstadt Music Hall in May 2022. The naming ceremony took place during a mariachi spectacular that featured Jesús “Chuy” Guzmán, who’d recorded with Ms. Ronstadt on the 1987 “Canciones de Mi Padre” — still the best-selling non-English album in U.S. history. This ode to the borderland classics she’d grown up on was remastered and rereleased last fall, and there may be no better soundtrack for exploring her hometown.Here are five of her favorite places to visit in Tucson:1. Barrio BreadMs. Ronstadt always stops at the artisanal bakery Barrio Bread on her way from the airport when she visits.Cassidy Araiza for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    A Pilgrimage to the Land of Giuseppe Verdi

    I was 15 when I went to my first Verdi opera, “Il Trovatore,” at the Met, the old Met, in 1964. I could barely figure out what was going on but didn’t care. Leontyne Price sang Leonora, and I was in awe of her plush, beautiful voice. The singing, the chorus, the orchestra, the emotional drama, the music with its mixture of soaring melody, intensity and structure (though I couldn’t have expressed this back then) all hooked me. Two months later I was back at the Met for Verdi’s “Otello” starring, no less, Renata Tebaldi as Desdemona. I still remember the poignant warmth and uncanny bloom of her voice as she sang the sighing refrain of “salce, salce” in the “Willow Song.”I would go on to hear, and eventually review, most of the Verdi operas in productions around the world. I studied the scores in music classes and on my own at the piano. I read biographies that emphasized his deep ties to the rural region of northern Italy he came from and never really left. To me, that devotion seemed of a piece both with Verdi’s character — he was a crusty, principled man with a built-in hypocrisy detector who was suspicious of urban elites — and his respect for the heritage of Italian opera. If Wagner brought a radical agenda to remaking German opera, Verdi was a reformer who worked from within the traditions and conventions of Italian opera while subtly, steadily introducing ingenious innovations that would, over time, transform it. So I wanted to see for myself where he came from, and how his roots shaped his life and art.This fall, at long last, I made my Verdi pilgrimage, retracing his steps from his birthplace in Roncole to the crypt where he is buried in Milan. More

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    36 Hours in Joshua Tree, California: Things to Do and See

    7 a.m.
    Hike to the site of a real-life Western drama
    California’s high-desert scenery often feels like the backdrop of an old western (in Pioneertown, northwest of the park, a set used for many films of the western genre still stands). For the nonfiction version of Wild West-like drama, enter the park via the west entrance and hike to the site of a showdown near the Wall Street Mill, once used to process gold mined in the area. In 1943, two neighbors entered into a fatal duel over a property line disagreement along what’s now the trail. On the path, a sign commemorating the shootout reads, “Here is where Worth Bagley bit the dust at the hand of W.F. Keys.” The sign is a replica of the original one that Keys, the mill’s owner, made and installed himself. At the end of the path, you’ll reach the ruins of the mill, flanked by rusted-out antique cars. The relatively easy hourlong round-trip feels like traveling back in time. More

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    36 Hours in Melbourne, Australia: Things to Do and See

    12 p.m.
    Explore a lane that’s gone from rags to riches
    Flinders Lane was the center of Melbourne’s rag trade, as its textile industry was known, until production moved offshore starting in the 1960s. Today, it’s home to a number of gorgeous shops and restaurants. The city’s most beautiful retail space must belong to Alpha60, a local brother-sister fashion label (think boxy shirts and breezy culottes), whose store inside the Chapter House building occupies a cathedral-like space with lofty, vaulted ceilings, pointed-arch windows and a baby grand piano. Across the road, Craft Victoria, a subterranean gallery and store, features experimental Australian ceramics and textile art. After your shopping, drop into Gimlet at Cavendish House, a glamorous restaurant where crisply dressed waiters sail by with caviar and lobster roasted in a wood-fired oven, but you don’t have to go all out: Squeeze in at the bar right after the doors open at noon for an expertly made gin martini (29 dollars) before the lunch rush. More