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    The Octagon Inside the Sphere: Bloody Fights and Soaring Films

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    To amplify the first live athletic competition at the Las Vegas landmark, the Ultimate Fighting Championship turned to Hollywood.After an animated vignette of conquistadors ransacking Indigenous Mexican temples played on the Sphere’s enormous video screen and the venue’s haptic seats shook violently, two mixed martial arts fighters approached each other on Mexican Independence Day weekend. As they battled in the Ultimate Fighting Championship’s caged octagon, birds soared across a backdrop of temple ruins.The Sphere — a futuristic orb-like structure with more than 700,000 square feet of programmable screens inside and out — has primarily hosted musicians, keynote speakers and filmmakers since opening its radiant gaze upon the Las Vegas Strip in July 2023.It was one of those concerts last year, part of U2’s nearly six-month residency, that amazed and inspired Dana White, the U.F.C.’s chief executive. For months he has grandiosely proclaimed that he would hold the first live athletic competition at the Sphere, which can typically seat about 17,000 people.The company invested $20 million into Saturday night’s spectacle, called Noche U.F.C., as White challenged his staff to mesh a brutal, polarizing blood sport with pageantry and flair by working with award-winning Hollywood creators.“We showed everybody tonight what’s possible,” White said after the fight, which he said broke U.F.C. records for ticket and merchandise sales. “You can do more than just concerts here and pull them off and make them great. So who’s next?”The U.F.C. filled more than 700,000 square feet of programmable screens with tributes on Mexican Independence Day weekend.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Taylor Wily, ‘Hawaii Five-0’ and ‘Forgetting Sarah Marshall’ Actor, Dies at 56

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      He spent his early career as a professional sumo wrestler.Taylor Wily, who played a shrimp truck vendor and police informant on the television reboot of “Hawaii Five-0,” and who in his earlier years was an acclaimed professional sumo wrestler, died on Thursday. He was 56.Paul Almond, a legal representative for Mr. Wily, confirmed his death. A location and cause of death were not immediately available.Mr. Wily starred as Kamekona in more than 170 episodes of “Hawaii Five-0,” a reimagining of the 1970s crime drama that followed the escapades of state police officers on the island. His character became a fan favorite, gradually morphing into the show’s resident entrepreneur, running a shaved ice business and a helicopter tour company alongside his shrimp venture.“‘Hawaii Five-0’ could become ‘Kamekona Five-0,’” Masi Oka, who played Dr. Max Bergman on the series, said in a 2012 interview with CBS.The series, which ran from 2010 to 2020, followed a fictional state police unit that seemed to routinely crave shrimp. Mr. Wily’s character was a warm and comedic presence onscreen that resonated with fans across the world as well as with residents in Hawaii.Peter Lenkov, a producer of the series, said on social media that he was drawn to Mr. Wily from his first audition, and that he was impressed enough with Mr. Wily to write in his character as a recurring role.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Reporter Whose Beat Blends Sports and Culture

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      Emmanuel Morgan is enticed by how athletes and sports leagues are increasingly dipping into music, television and other media.Times Insider explains who we are and what we do and delivers behind-the-scenes insights into how our journalism comes together.When Emmanuel Morgan was hired as a sports reporter covering the N.F.L. and combat sports for The New York Times in 2021, the job felt familiar. After all, Mr. Morgan, who grew up playing football, had been writing about the sport since high school. He went on to cover the N.F.L. for The Los Angeles Times for nearly two years.“I knew the N.F.L. and the U.F.C. and all these other sports so well,” said Mr. Morgan, 27, who also covered high school sports and basketball for The Los Angeles Times, including helping report on the death of Kobe Bryant in 2020.So when The Times disbanded its Sports department last year, he took the opportunity to stretch himself and pitch a new beat: the intersection of sports and pop culture.“I’m not a movie critic or a Broadway-goer, but I follow pop culture, I watch Netflix and I listen to music constantly — in the shower every day, on the subway,” he said. “I had my pulse on it.” Over the past eight months, Mr. Morgan, now on the Culture desk, has written about the pop culture phenomenon of Taylor Swift and Travis Kelce, the growing relationship between the N.F.L. and streaming services and the rise of athlete podcasts.In an interview, he discussed how his daily news consumption has changed and what his favorite reporting experience so far has been. These are edited excerpts from the conversation.You’ve been in the role for a little over eight months now. How is it going so far?I have definitely had to be a lot more creative when it comes to finding story ideas. When I was with the Sports desk, I knew the N.F.L. and the U.F.C. so well — covering sports is very formulaic. You know you have to have previews for big events like the Super Bowl and the N.F.L. draft, and as the season goes on the major story lines and the targets for profiles and features become pretty clear. But with this new beat, I’m reporting on stuff you don’t see on TV or Twitter, and there are a lot more options, since I’m not just focusing on the N.F.L. and U.F.C. anymore. I have to make a lot more phone calls and talk to more people.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How a Reality TV Show Turned the U.F.C. From Pariah to Juggernaut

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      The Ultimate Fighting Championship, whose 300th numbered pay-per-view fight card is this weekend, was once effectively banned on television because of its violence.Twenty years ago, the Ultimate Fighting Championship was on life support. Broadcasters scoffed at the idea of televising half-naked men pummeling each other inside a caged octagon, engaged in a sport where broken bones and dislodged teeth were common. Venues closed their doors and advertisers their wallets.The extreme violence meant there was no way to monetize the mixed martial arts promotion, Kevin Kay, who was then an executive at Spike TV, explained to the U.F.C.’s owners and its president, Dana White, in a 2004 meeting.“I really like it but I don’t see how I’m going to get Budweiser to put their logo on the mat when there’s blood on it,” Kay recalled saying.This weekend, T-Mobile Arena on the Las Vegas Strip will host U.F.C. 300, a pay-per-view milestone for a sport that was once effectively banned from television. And it has television to thank for its longevity.After being spurned by networks large and small, the U.F.C. leadership devised a last-ditch plan to become profitable: a reality TV show in which 16 athletes would live together in a Las Vegas house, training and fighting one another with a six-figure contract on the line.If it did not work, the U.F.C. would crater.But the first season of “The Ultimate Fighter,” which aired on Spike TV in 2005, succeeded in humanizing the athletes as actual people instead of mindless punching bags. Viewers appreciated the behind-the-scenes looks at training regimens and cutting weight.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More