Unforgiven (Movie)

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    Morgan Freeman Honors Gene Hackman at Oscars

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    Morgan Freeman honored Gene Hackman at the Academy Awards on Sunday, opening the telecast’s in memoriam segment by saying that the film community had “lost a giant.”Last week, Hackman, 95, and his wife, Betsy Arakawa, 65, were found dead in their home in New Mexico. In recent days, the question of how they died has consumed Hollywood and bewildered the community of Santa Fe.Freeman appeared with Hackman in the 1992 western “Unforgiven,” which won Hackman his second Oscar, and the 2000 thriller “Under Suspicion.”“Like everyone who ever shared a scene with him, I learned he was a generous performer and a man whose gifts elevated everyone’s work,” Freeman said.Calling Hackman a “dear friend,” Freeman noted that the actor often said that he did not think about his legacy but hoped that people would remember him “as someone who tried to do good work.”“So I think I speak for us all when I say, Gene, you’ll be remembered for that, and for so much more,” Freeman said.The producers of the telecast had only a few days to decide how they would honor one of the giants of acting. On Wednesday, law enforcement found Mr. Hackman’s body in the mud room of his home outside Santa Fe, next to his cane and sunglasses. Ms. Arakawa’s body was discovered in a bathroom, near an open prescription bottle and pills scattered on the countertop.An examination of Mr. Hackman’s pacemaker indicated that the actor had died on Feb. 17, the Santa Fe County sheriff said. A detective wrote in an affidavit that Ms. Arakawa’s body had shown signs of decomposition and that Mr. Hackman showed signs of death “similar and consistent” with his wife.It could take weeks or longer for investigators to piece together a timeline as they interview the couple’s contacts and wait for toxicology results and autopsy reports. More

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      Gene Hackman’s Smile Could Give You Shivers

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      In “Bonnie and Clyde” and “Unforgiven,” the actor used his charm to great disarming effect, flashing a smile before abruptly shifting to a sneer.When Clint Eastwood needed a performer who could persuasively go boot-toe to boot-toe with him in his brutal 1992 western “Unforgiven,” he needed an actor who was his towering equal onscreen. Eastwood needed a performer with strange charisma, one who could at once effortlessly draw the audience to his character and repulse it without skipping a beat. This actor didn’t need the audience’s love, and would never ask for it. He instead needed to go deep and dark, playing a villain of such depravity that he inspired the viewer’s own blood lust. Eastwood needed a legend who could send shivers up spines. He needed Gene Hackman.Hackman, whose death at 95 was announced on Thursday, was one of the defining actors of New Hollywood, that roughly decadelong, feverish period of artistic ferment that began with films like “Bonnie and Clyde,” Arthur Penn’s 1967 gangster drama. The era was famously defined by directors who helped rejuvenate the industry but was also known for male stars who didn’t conform to old studio ideals. With their unfixed noses and rough edges, these were men who once would have been largely confined to character roles. The glamorous-looking Warren Beatty played the male lead in “Bonnie and Clyde,” but it was Hackman’s striking supporting turn as Clyde’s brother, Buck, that heralded something new.Hackman holds your gaze the moment that Buck jumps out of a jalopy in “Bonnie and Clyde” into his brother’s arms; Buck is soon in Clyde’s gang, too. Buck is an outsized character, given to flailing and whooping, and Hackman delivers a suitably full-bodied, demonstrative performance that instantly gives you a sense of the character without once edging into scene stealing. His slight whine thickened with a deep-fried accent, Hackman also smiles a great deal as Buck, which humanizes the character so wholly that it lulls you into brief complacency, leaving you unprepared — almost — for the violence that rapidly engulfs him.Hackman, left, and Warren Beatty as thieving brothers in “Bonnie and Clyde” (1967). Screen Archives/Getty ImagesHackman’s smiles were one of his signature moves, and he used them to great disarming effect, deploying them to put other characters (and you) at ease before he abruptly shifted gears. It’s one reason he was such an effective villain. (His restraint as a surveillance expert in Francis Ford Coppola’s 1974 thriller, “The Conversation,” is one reason the film is so unnerving.) Hackman used smiles to charm and seduce, but also to obfuscate. Some actors let you see the rage boiling in their characters, the throbbing veins of hate. If you made a study of Hackman’s work, you might note that when one of his characters draws you to him with an upward curve of his mouth, something bad might happen soon. You would also divine that, thanks to his superb control, you could never predict when that false front would drop.There’s something sublimely fitting then in the fact that Hackman is dressed as Santa when he appears in his star-making role in William Friedkin’s “The French Connection,” the 1971 thriller that earned him a best actor Oscar. Hackman plays Popeye Doyle, a New York detective helping to bring down a heroin-smuggling outfit. Popeye is undercover in the opener, watching a suspect while ringing Santa’s bell and charming some kids with his patter, a smile peeping out from under his ill-fitting white beard. All of a sudden, Popeye and another cop (Roy Scheider) are chasing the suspect through the city’s derelict, litter-strewn streets. As soon as the detectives tackle the runaway in an empty lot, Popeye begins hitting the guy savagely. “I wanna bust him,” he says repeatedly, blood smeared on his Santa sleeve.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Gene Hackman, Hollywood’s Consummate Everyman, Dies at 95

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      Gene Hackman, who never fit the mold of a Hollywood movie star but became one all the same, playing seemingly ordinary characters with deceptive subtlety, intensity and often charm in some of the most noted films of the 1970s and ’80s, has died, the authorities in New Mexico said on Thursday. He was 95.Mr. Hackman and his wife were found dead on Wednesday afternoon at the home in Santa Fe., N.M., where they had been living, according to a statement from the Santa Fe County Sheriff’s Department. The cause of death was unclear and under investigation. Sheriff’s deputies found the bodies of Mr. Hackman; his wife, Betsy Arakawa; and a dog, according to the statement, which said that foul play was not suspected.Mr. Hackman was nominated for five Academy Awards and won two during a 40-year career in which he appeared in films seen and remembered by millions, among them “Bonnie and Clyde,” “The French Connection,” “The Poseidon Adventure,” “Mississippi Burning,” “Unforgiven,” “Superman,” “Hoosiers” and “The Royal Tenenbaums.”The familiar characterization of Mr. Hackman was that he was Hollywood’s perfect Everyman. But perhaps that was too easy. His characters — convict, sheriff, Klansman, steelworker, spy, minister, war hero, grieving widower, submarine commander, basketball coach, president — defied pigeonholing, as did his shaded portrayals of them.Still, he did not deny that he had a regular-Joe image, nor did he mind it. He once joked that he looked like “your everyday mine worker.” And he did seem to have been born middle-aged: slightly balding, with strong but unremarkable features neither plain nor handsome, a tall man (6-foot-2) more likely to melt into a crowd than stand out in one.It was Mr. Hackman’s gift to be able to peel back the layers from characters who carried the weight of middle age.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Gene Hackman: 5 Memorable Performances to Stream

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      He played a complicated hero in “The French Connection” and an arch-villain in “Superman.” Here are some of Hackman’s career highlights.Although Gene Hackman, who died at age 95, was one of Hollywood’s most enduring and recognizable stars, it was nearly impossible to put the actor in a box. In a five-decade career, he portrayed cops, villains and men of the cloth, in thrillers, comedies and superhero blockbusters.His accolades included two Academy Awards and four Golden Globes, including, in 2003, the Cecil B. DeMille Award for outstanding contributions to entertainment.Here are some of his most notable performances.‘The French Connection’Hackman’s breakout role was as Jimmy “Popeye” Doyle, a cop investigating a heroin deal in William Friedkin’s “The French Connection.” Hackman won the best actor Academy Award for this performance, and critics immediately recognized his star quality. Stephen Farber, reviewing the movie for The Times, said that Hackman had brought “a new kind of police hero” to the screen. His character was “brutal, racist, foulmouthed, petty, compulsive, lecherous,” Farber wrote, “but even at his most appalling, he is recognizably human.”Stream, rent or buy it on Prime, YouTube, Apple TV or Fandango.‘The Poseidon Adventure’Hackman followed up “The French Connection” with three movies in 1972, including “The Poseidon Adventure,” directed by Ronald Neame, about an ill-fated ocean liner’s final voyage. Hackman played a minister who leads the other frantic passengers to safety.Stream, rent or buy it on Apple TV, Prime, Fandango or YouTube.“Superman”In the 1970s, Hackman became known as one of Hollywood’s hardest-working actors, completing movies at a frenetic pace, as shown by his appearances in the “Superman” franchise. While filming his role as arch-villain Lex Luthor for the first installment, Hackman simultaneously shot his scenes for that movie’s sequel, “Superman II.”Stream, rent or buy it on Max, YouTube, Fandango, Apple TV or Prime.‘Unforgiven’Hackman won his second Oscar — a best supporting actor award in 1993 — for “Unforgiven,” in which he played a sadistic small-town sheriff who comes up against a string of bounty hunters, including one played by Clint Eastwood. In The Times review of the film, Vincent Canby said that Hackman “delights” in the role, and he noted a shift for the performer: “No more Mr. Good Guy.”Stream, rent or buy it on Prime, Fandango, Apple TV or YouTube.‘The Royal Tenenbaums’James Hamilton/Touchstone Pictures, via The Kobal CollectionHackman also won acclaim playing in comedies. In 2001, he starred in Wes Anderson’s “The Royal Tenenbaums” as a disbarred lawyer who tries to reconcile with his eccentric children. A.O. Scott, reviewing the movie for The Times, said that Hackman had “the amazing ability to register belligerence, tenderness, confusion and guile within the space of a few lines of dialogue. You never know where he’s going, but it always turns out to be exactly the right place.”Stream, rent or buy it on Apple TV, Prime, Fandango or YouTube. More