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      Spotify Defends Handling of Joe Rogan Controversy Amid Uproar

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      The company released earnings figures a week after Neil Young and others pulled their music to protest what they called vaccine misinformation on Rogan’s podcast.As Spotify released an earnings report Wednesday underscoring the importance of podcasts to its business model, company officials said that they did not expect their subscriber numbers to be affected by the uproar over accusations that its most popular podcaster, Joe Rogan, had spread misinformation about Covid-19 and vaccines.The company has been embroiled in controversy since Neil Young removed his music from the streaming platform last week, citing Rogan’s podcast and calling Spotify “the home of life- threatening Covid misinformation.” Joni Mitchell and several other artists and podcasters followed suit amid widespread calls on social media to boycott the company. Officials responded by publishing the service’s platform rules and saying that Spotify would begin adding content advisories to podcasts about the coronavirus.But in an earnings call on Wednesday afternoon, Daniel Ek, Spotify’s chief executive and co-founder, said that the company’s expectations of premium users in the current quarter did not anticipate “churn” caused by the controversy over “The Joe Rogan Experience.”“In general, what I would say is, it’s too early to know what the impact may be,” Ek said in the call. “And usually when we’ve had controversies in the past, those are measured in months and not days. But I feel good about where we are in relation to that and obviously top line trends looks very healthy still.”Ek defended the measures the streaming service is taking to combat misinformation, and spoke of “supporting greater expression while balancing it with the safety of our users.”“I think the important part here is that we don’t change our policies based on one creator nor do we change it based on any media cycle, or calls from anyone else,” he said. “Our policies have been carefully written with the input from numbers of internal and external experts in this space. And I do believe they’re right for our platform. And while Joe has a massive audience — he is actually the number one podcast in more than 90 markets — he also has to abide by those policies.”Spotify has been facing pressure over Rogan’s podcast since late December, when a coalition of 270 medical professionals published an open letter criticizing an episode featuring an interview with Dr. Robert Malone, who had been previously banned from Twitter for repeatedly posting misinformation about Covid-19. The letter said Rogan had a history of propagating “false and societally harmful assertions” about the virus, including discouraging vaccination among young people and promoting an unproven treatment for the virus, and called on Spotify to “establish a clear and public policy to moderate misinformation.”The situation reached a boiling point when Young announced he would be removing his catalog, leading several artists to follow, including Mitchell and the guitarist Nils Lofgren. The R&B artist India Arie said Tuesday that she, too, would be pulling her music from the service, citing Rogan’s comments on race. And on Wednesday several of Young’s former bandmates, David Crosby, Graham Nash, and Stephen Stills, asked their record labels to remove their recordings from Spotify.Pushback also came from several of the company’s other high-profile podcast hosts. On Saturday, Brené Brown, the influential author and host of the Spotify exclusive podcasts “Unlocking Us” and “Dare to Lead,” said she would pause releasing new episodes. On Monday, another popular Spotify podcast, “Science Vs.,” said it would cease publishing new episodes other than those meant to “counteract misinformation being spread on Spotify.” In recent days, the podcast hosts Mary L. Trump, Roxane Gay and Scott Galloway have also said they would either remove their shows from the platform or cease publishing.The company reported strong performance overall in the fourth quarter of 2021, including year-over-year growth in both paid subscribers — up 16 percent for a total of 180 million — and monthly active users — up 18 percent for a total of 406 million. It also said revenue from advertisements had reached a record 15 percent of total revenue. Podcasts — Spotify says there are now over 3.6 million episodes on its platform — have been an important part of its revenue strategy.Whether that trajectory will continue is uncertain. The company’s stock dropped in after-hours trading.“Obviously, it’s been a few notable days here at Spotify,” Ek said during the call. He added that “there’s no doubt that the last several weeks have presented a number of learning opportunities.” More

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      Joni Mitchell Plans to Follow Neil Young Off Spotify, Citing ‘Lies’

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      Joni Mitchell said Friday that she would remove her music from Spotify, joining Neil Young in his protest against the streaming service over its role in giving a platform to Covid-19 vaccine misinformation.Mitchell, an esteemed singer-songwriter of songs like “Big Yellow Taxi,” and whose landmark album “Blue” just had its 50th anniversary, posted a brief statement on her website Friday saying that she would remove her music from the streaming service. “Irresponsible people are spreading lies that are costing people their lives,” she wrote. “I stand in solidarity with Neil Young and the global scientific and medical communities on this issue.”Her statement adds fuel to a small but growing revolt over Spotify, with few major artists speaking out but fans commenting widely on social media. The debate has also brought into relief questions about how much power artists wield to control distribution of their work, and the perennially thorny issue of free speech online.Spotify took Young’s music down on Wednesday, two days after he posted an open letter calling for its removal as a protest against “The Joe Rogan Experience,” Spotify’s most popular podcast, which has been criticized for spreading misinformation about the coronavirus and vaccines.He did so after a group of hundreds of scientists, professors and public health experts had asked Spotify to take down an episode of Rogan’s show from Dec. 31 that had featured Dr. Robert Malone, an infectious-disease expert. The scientists wrote in a public letter that the program promoted “several falsehoods about Covid-19 vaccines.”Mitchell is the first major artist to follow Young, after a couple of days of speculation and rumors on social media.Young and Mitchell have a deep history together. Both are Canadians who helped lead the singer-songwriter revolution in Southern California in the late 1960s and 1970s.On Spotify, Mitchell is listed as having 3.7 million monthly listeners, with two of her songs — “Big Yellow Taxi” and “A Case of You” — getting over 100 million streams.While few other major artists have spoken out so far, Young’s stance has resonated widely with fans. Twitter was dotted with the announcements of listeners saying they were canceling their subscriptions, and screenshots from Spotify’s app showed a message from its customer support team saying that it was “getting a lot of contacts so may be slow to respond.” Spotify has not said how many customers canceled their subscriptions.Tech rivals have also pounced on the controversy, with SiriusXM restarting a Neil Young channel and Apple Music calling itself “the home of Neil Young.”In a statement on his website on Friday, Young reiterated his objections to Rogan’s podcast and took a swipe at Spotify’s sound quality. He also said he supported free speech.“I support free speech. I have never been in favor of censorship,” it said. “Private companies have the right to choose what they profit from, just as I can choose not to have my music support a platform that disseminates harmful information.” More

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      Spotify Removes Neil Young's Music After Complaints About Joe Rogan

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      Neil Young wasn’t bluffing.Spotify said on Wednesday that it had begun removing the singer’s music from the streaming service, two days after he briefly posted a public letter calling on Spotify to choose between him and Joe Rogan, the star podcast host who has been accused of spreading misinformation about the coronavirus and vaccines.Young’s challenge to Spotify has become a high-profile, if unexpected, flash point in the battle over misinformation and free speech online. It also raised questions about the power of performing artists to control where their work is heard.In a statement posted to his website on Wednesday, Young called Spotify “the home of life threatening Covid misinformation.” He added: “Lies being sold for money.”His criticism of Rogan — a comedian and actor who has become Spotify’s most popular podcast host, sometimes speaking at great length with controversial figures — came after a group of hundreds of scientists, professors and public health experts asked Spotify to take down an episode of Rogan’s show from Dec. 31. That episode, featuring Dr. Robert Malone, an infectious-disease expert, promoted “several falsehoods about Covid-19 vaccines,” according to the group’s public letter, which was issued on Jan. 10.Spotify said in a statement on Wednesday: “We want all the world’s music and audio content to be available to Spotify users. With that comes great responsibility in balancing both safety for listeners and freedom for creators. We have detailed content policies in place and we’ve removed over 20,000 podcast episodes related to Covid since the start of the pandemic.”“We regret Neil’s decision to remove his music from Spotify,” the service added, “but hope to welcome him back soon.”Young’s most popular songs, like “Heart of Gold,” “Harvest Moon” and “Old Man,” have been radio staples for decades, and have attracted hundreds of millions of streams on Spotify. In his statement on Wednesday, Young said that Spotify represented 60 percent of the streams of his music around the world.Young’s music was expected to be fully removed from Spotify within hours. The news that the service was removing his songs was earlier reported by The Wall Street Journal.In his original letter, which Young addressed to his label, Warner Records, and his manager, he said: “Spotify has a responsibility to mitigate the spread of misinformation on its platform. I want you to let Spotify know immediately TODAY that I want all my music off their platform.”He added: “They can have Rogan or Young. Not both.”That letter was removed from Young’s website soon after it was posted, though it drew wide news media attention.The Coronavirus Pandemic: Key Things to KnowCard 1 of 4Omicron in retreat. More

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      Met Opera to Mandate Booster Shots for Staff and Audiences

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      It is the first major performing arts institution to require boosters, as concern mounts over rising coronavirus cases and the spread of the Omicron variant. The rule will take effect Jan. 17.The Metropolitan Opera announced Wednesday that it would require all eligible adult employees and audience members to get Covid booster shots in order to enter the opera house, making its safety measures stricter than those on Broadway or at other venues.The Met is the first major performing arts organization in the city to announce a booster-shot mandate that will apply to audiences as well as staff members; the new rule will take effect Jan. 17. The policy was announced as concern about rising caseloads and the spread of the Omicron variant is mounting: The average daily number of coronavirus cases in the city has more than doubled over the past two weeks.“We think we should be setting an example,” Peter Gelb, the general manager of the Met, said in an interview. “Hopefully we will have an influence on other performing arts companies as well. I think it’s just a matter of time — everyone is going to be doing this.”It is not the first time that performing arts organizations, eager to reassure audiences that they could safely visit theaters, have imposed virus prevention measures that went beyond government mandates. When Broadway theaters announced over the summer that they would require audiences to be vaccinated and masked, it was several days before Mayor Bill de Blasio announced that New York City would impose a vaccine mandate for a variety of indoor spaces, including performing arts venues.Since the Met reopened after losing more than a full season to the pandemic, it has required that staff members and patrons be fully vaccinated to enter the opera house. But Gelb said that it had become “obvious” to him that even stronger safeguards were now necessary.“It’s of paramount importance that the audience members and employees feel safe when they enter the building,” he said. “To me, there is no question — this is the right move.”Since November, the Centers for Disease Control and Prevention has recommended booster shots — either six months after people receive a second Pfizer or Moderna shot, or two months after a single dose of the Johnson & Johnson vaccine.When the Met’s new rules take effect Jan. 17, people eligible for booster shots will be required to have them to enter the opera house. (There will be a short grace period: People will be allowed in unboosted if the performance falls within two weeks of the date they become eligible for boosters. People who are not yet eligible for their booster shots will still be allowed in.) Inside the opera house, people will be required to wear face masks, except when they are eating or drinking in the limited areas where that is allowed.Met officials said that they reviewed their new policy with leaders of the various unions that represent its workers in advance of Wednesday’s announcement and described the union response to the rules as “very positive.”Len Egert, the national executive director of the American Guild of Musical Artists, said that union officials had determined that at the Met, “boosters are warranted,” and had subsequently bargained to make sure its members’ rights were protected.Adam Krauthamer, the president of Local 802 of the American Federation of Musicians, said his union “applauds the Met’s plan to make vaccine boosters mandatory” and called the move “a necessary step forward to ensure the public’s safety and keep N.Y.C. as a beacon of live performance.”The company has adopted strict safety measures since reopening; in October, choristers wore masks backstage during a performance of “Die Meistersinger von Nürnberg.” Todd Heisler/The New York TimesIt was not immediately clear whether other arts institutions would follow the Met. Gelb said he had informed the leaders of Carnegie Hall, the New York Philharmonic and Lincoln Center that the Met would soon be adding a booster-shot mandate.Synneve​ Carlino, a spokeswoman for Carnegie Hall, said late Wednesday afternoon that officials there were “currently looking at boosters, but have not yet put new requirements into place.” The New York Philharmonic and Lincoln Center did not immediately say whether they would change their Covid policies. The Coronavirus Pandemic: Key Things to KnowCard 1 of 4U.S. surpasses 800,000 deaths. More

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      Covid Restrictions Are Back at Some of Europe's Theaters

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      Strict controls on playhouses and music venues are returning as the continent deals with a new coronavirus wave.For months, Europe’s opera, music and theater fans have been flocking to packed venues as if the coronavirus pandemic was fading from view. Now that feeling of freedom is receding for many.In Vienna, all performances are now banned until at least Dec. 13, after Austria imposed a lockdown to deal with a rise in coronavirus cases. The Dec. 5 premiere of the Vienna State Opera’s new production of “Don Giovanni,” directed by Barrie Kosky, will be televised from an empty house.In Munich, performances are still taking place at the city’s storied Bavarian State Opera despite a surge in cases in Bavaria. Only vaccinated patrons or those who have recovered from Covid-19 are allowed in, and they must also all show proof of a negative coronavirus test and wear a medical-grade mask. According to new rules announced Tuesday, venues in Bavaria can admit only 25 percent of their maximum capacity.In Milan, there are no restrictions on audience numbers at venues including La Scala, and no social distancing requirements — but only vaccinated audience members are allowed in.The confusing picture across the continent has been getting more complicated by the day in recent weeks as national and regional governments respond to a new wave of cases and as an alert about a new variant prompts concern. On Wednesday, Germany reported 79,051 new cases — its highest daily number since the pandemic began.After months of relative normalcy, Europe’s opera houses, concert halls and theaters are reintroducing measures all too familiar from earlier phases of the pandemic, restricting audience numbers and mandating testing, if not canceling shows outright. Some cultural workers at venues where the doors are still open are concerned that they might not stay that way for long.Leipzig Opera’s production of “Hänsel and Gretel” has been canceled for the rest of the company’s season because of coronavirus measures.Oper LeipzigDespite the new prevention measures, the mood was “very different” from previous lockdowns, said Ulf Schirmer, the general music director of Leipzig Opera, in eastern Germany. All performances in the city of Leipzig are banned until Jan. 9.“We’ve learned so much from past lockdowns,” Schirmer said, “we now know what to do.”Leipzig Opera would lose 1 million euros, about $1.1 million, by refunding tickets for canceled performances across all shows, Schirmer added. The company could cope with that, he said, because it receives a significant government subsidy and has sufficient reserves.Other venues throughout the continent, where the pace of cancellations and restrictions has been accelerating since last month, might not be in such a secure position. Latvia was one of the first countries to impose new restrictions on cultural life, when it ordered performance venues shut from late October as part of a national lockdown. Since then many other countries and regions have imposed new, if varied, restrictions. This month, the Netherlands went into a partial lockdown that let performances continue in front of seated audiences but forced other venues such as bars and restaurants to close by 8 p.m. Austria initially introduced a lockdown for unvaccinated people that included barring them from attending cultural events, before announcing a nationwide lockdown days later.Some venues that remain open in Europe are putting in place extra safety measures, even without government mandates. In Berlin, performance venues are allowed to operate at full capacity, as long as attendees show proof that they are vaccinated, recovered or provide a negative test, and wear a mask. But Sarah Boehler, a spokeswoman for the Sophiensaele, a theater in the city, said her venue would also require a negative test in addition to either proof of vaccination or recovery. The theater expected that city officials would require such a measure “in a week or two anyway,” she said, adding it was better to get ahead of the curve.There is one place that looks unlikely to see new restrictions on cultural life: Britain, where governing lawmakers have spoken since July of the need to live with the virus. New coronavirus cases have averaged around 40,000 a day for the past month, and one of the government’s leading scientific advisers this week said the country was “almost at herd immunity.”In England, theater and opera goers are not required to wear masks, or show proof of vaccination. Instead, each venue can decide its own requirements. Many West End theaters ask for proof of vaccination, and most encourage spectators to wear masks, but enforcement varies.This month, a revival of “Cabaret,” starring Eddie Redmayne at the Playhouse Theater, went further than other London shows by requiring attendees to show a negative test result to gain entry. The Ambassador Theater Group, which owns the venue, said in a statement that “the intimacy of the production,” in which the audience sits close to the actors, was behind the decision. But no other theaters have appeared to follow its lead.The composer and theater impresario Andrew Lloyd Webber on Tuesday told the BBC he would be happy to mandate masks and proof of vaccination at the six theaters he owns in London. “If that was what was necessary to keep our theaters open without social distancing, I think that’s a very small price to pay,” he said.Even if few in Britain’s theater world anticipate new restrictions, elsewhere in Europe, where governments are weighing actions to curb rising case numbers, industry figures are worried that more closures are on the way.“Everyone is still very concerned there will be another lockdown soon,” said Boehler of the Sophiensaele. “We just hope vaccinated people will be in a position to keep going to the theater.” More

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      in Television

      'General Hospital' Loses Actors Who Opposed Vaccination Mandate

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      Two actors have left one of America’s most popular soap operas after declining to comply with an on-set vaccination mandate.The actors, Steve Burton and Ingo Rademacher, were fixtures of ABC’s “General Hospital,” a long-running daytime drama set in the fictional town of Port Charles, N.Y.About one in five American adults has not received a single dose of a coronavirus vaccine. Mr. Burton and Mr. Rademacher were outspoken opponents of a coronavirus vaccine mandate that applied to a part of the set where actors work unmasked, known in the industry as Zone A. The mandate took effect on Nov. 1.“Unfortunately, ‘General Hospital’ has let me go because of the vaccine mandate,” Mr. Burton, who tested positive for the virus in August and filmed his last episode on Oct. 27, said in an Instagram video on Tuesday.“I did apply for my medical and religious exemptions and both of those were denied — which, you know, hurts,” he added. “But this is also about personal freedom to me. I don’t think anyone should lose their livelihood over this.”Mr. Rademacher’s departure from the show was made public earlier this month. He had also refused to comply with the show’s vaccine mandate. “I will stand with you to fight for medical freedom,” he wrote in an Instagram post.Mr. Rademacher has also been criticized on social media in recent weeks for making comments that his critics perceived to be transphobic, a suggestion he has forcefully denied.Representatives for ABC declined to comment on the record. Publicists for the actors could not be reached for comment late Tuesday.Other Hollywood productions have imposed similar on-set mandates, but there is no universal vaccination requirement for people who work in film and television.“General Hospital” has been on the air since 1963. Its episodes are filmed weeks before they air.Mr. Rademacher played the character Jasper “Jax” Jacks on the show for 25 years. In his last episode, which aired on Monday, the character said — spoiler alert — that he would be returning to Australia.“I’m kind of on the outs with everyone in Port Charles right now,” the character said. Some fans interpreted that as a reference to the actor’s real-life tension with his castmates.In the same episode, Mr. Burton’s character, Jason Morgan, was caught up in a tunnel collapse.Mr. Burton said in his Instagram video on Tuesday that he hoped the show’s vaccine mandate would be lifted so that he could finish his career playing Jason Morgan.“And if not,” he added, “I’m going to take this experience, move forward and be forever grateful.” More

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      in Theater

      At the Radio City Christmas Show, Some Workers Worry About Covid Rules

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      Employees must all be vaccinated, but some are upset that the upcoming show is not also testing them for the virus, as is done on Broadway and at other major performing venues.Some of the people who put on the Radio City Music Hall Christmas show are expressing concerns about the Covid-19 protocols in place for workers as the show prepares to open on Friday night.All the employees for the “Christmas Spectacular Starring the Radio City Rockettes” must be vaccinated. But other aspects of the annual Christmas pageant’s policy are not in line with those put in place by Broadway theaters, the Metropolitan Opera and some other live performance spaces across the city, according to email correspondence and a policy document reviewed by The New York Times.Unlike on Broadway, at the New York Philharmonic and the New York City Ballet, for example, the Madison Square Garden Entertainment company that produces the show and owns the theater is not requiring employees to be tested for the virus. Unions representing some of the employees of the show have raised the matter of testing to the show’s management, according to an email reviewed by The Times.Management at the Music Hall says the protocols it has in place are completely safe, were developed in conjunction with health and safety experts and have been used successfully at a roster of shows in the venue since late summer.“We believe our protocols are more than adequate to protect people in our building,” a spokeswoman for Madison Square Garden Entertainment, Kimberly Kerns, said. “The show has more than 1,000 employees. While there are a vocal few that don’t agree, the vast majority are excited about coming to work.”Under the Music Hall’s policy, masks are recommended but not required for artists, cast and crew members, which differs from the protocol at many performing arts institutions like Carnegie Hall. In addition, at Radio City, not all audience members must wear masks as is the case with all Broadway shows. (The “Christmas Spectacular” is admitting audience members with one dose of a two-dose vaccine, and they will have to wear masks. But fully vaccinated audience members who are 12 or older will not be required to wear a face covering.)Kerns emphasized that Radio City Music Hall is a vastly different kind of venue than a Broadway theater. It is far bigger, with 6,000 seats and more space between the stage and the audience, she said. And, importantly, she said, company officials believe the venue’s air filtration system is “just as good — and most likely better” than any system at any performance venue in the city.The spokeswoman also noted that management does recommend wearing a mask. She said the show has provided information on where and how to get a test off site. And she reiterated that the company is using the same protocols for the “Christmas Spectacular” that it has used effectively for other events at Radio City and other properties the company owns. (Madison Square Garden, another of its venues, has been home to Knicks games and concerts at which vaccinated audience members did not have to wear a mask.)Four unions representing the show’s musicians, stagehands, dressers and its dancers, the Rockettes, did not respond to requests for comment.The “Christmas Spectacular” runs for roughly eight weeks, employs more than 1,000 people, and delights several thousand audience members at each show. On some days during the run, the “Christmas Spectacular” is performed four times in a single day..css-1kpebx{margin:0 auto;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-1kpebx{font-size:1.25rem;line-height:1.4375rem;}}.css-1gtxqqv{margin-bottom:0;}.css-k59gj9{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-flex-direction:column;-ms-flex-direction:column;flex-direction:column;width:100%;}.css-1e2usoh{font-family:inherit;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-box-pack:justify;-webkit-justify-content:space-between;-ms-flex-pack:justify;justify-content:space-between;border-top:1px solid #ccc;padding:10px 0px 10px 0px;background-color:#fff;}.css-1jz6h6z{font-family:inherit;font-weight:bold;font-size:1rem;line-height:1.5rem;text-align:left;}.css-1t412wb{box-sizing:border-box;margin:8px 15px 0px 15px;cursor:pointer;}.css-hhzar2{-webkit-transition:-webkit-transform ease 0.5s;-webkit-transition:transform ease 0.5s;transition:transform ease 0.5s;}.css-t54hv4{-webkit-transform:rotate(180deg);-ms-transform:rotate(180deg);transform:rotate(180deg);}.css-1r2j9qz{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-e1ipqs{font-size:1rem;line-height:1.5rem;padding:0px 30px 0px 0px;}.css-e1ipqs a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;}.css-e1ipqs a:hover{-webkit-text-decoration:none;text-decoration:none;}.css-1o76pdf{visibility:show;height:100%;padding-bottom:20px;}.css-1sw9s96{visibility:hidden;height:0px;}.css-1in8jot{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;font-family:’nyt-franklin’,arial,helvetica,sans-serif;text-align:left;}@media (min-width:740px){.css-1in8jot{padding:20px;width:100%;}}.css-1in8jot:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1in8jot{border:none;padding:10px 0 0;border-top:2px solid #121212;}What to Know About Covid-19 Booster ShotsThe F.D.A. has authorized booster shots for millions of recipients of the Pfizer-BioNTech, Moderna and Johnson & Johnson vaccines. Pfizer and Moderna recipients who are eligible for a booster include people 65 and older, and younger adults at high risk of severe Covid-19 because of medical conditions or where they work. Eligible Pfizer and Moderna recipients can get a booster at least six months after their second dose. All Johnson & Johnson recipients will be eligible for a second shot at least two months after the first.Yes. The F.D.A. has updated its authorizations to allow medical providers to boost people with a different vaccine than the one they initially received, a strategy known as “mix and match.” Whether you received Moderna, Johnson & Johnson or Pfizer-BioNTech, you may receive a booster of any other vaccine. Regulators have not recommended any one vaccine over another as a booster. They have also remained silent on whether it is preferable to stick with the same vaccine when possible.The C.D.C. has said the conditions that qualify a person for a booster shot include: hypertension and heart disease; diabetes or obesity; cancer or blood disorders; weakened immune system; chronic lung, kidney or liver disease; dementia and certain disabilities. Pregnant women and current and former smokers are also eligible.The F.D.A. authorized boosters for workers whose jobs put them at high risk of exposure to potentially infectious people. The C.D.C. says that group includes: emergency medical workers; education workers; food and agriculture workers; manufacturing workers; corrections workers; U.S. Postal Service workers; public transit workers; grocery store workers.Yes. The C.D.C. says the Covid vaccine may be administered without regard to the timing of other vaccines, and many pharmacy sites are allowing people to schedule a flu shot at the same time as a booster dose.Several company members, who asked not to be named because they said they were concerned about possible retaliation, said they worried about working in cramped spaces backstage; they also noted that they have family members at home who are at risk.Infectious-disease experts say the best way to protect the health and wellness of theater cast and crew members involves a combination of vaccination, air filtration, frequent testing and mandatory masking backstage.At some other venues, employers are requiring, providing and paying for Covid tests for their vaccinated arts workers. Broadway employees are currently being tested at least twice a week. People who work regularly at the Met Opera are expected to take one weekly test between Saturday and Tuesday and another between Wednesday and Friday. The New York Philharmonic tests members of its orchestra as well as crew and staff members who interact with the orchestra once per week.“Not having people mask in a full theater — I’m not ready for that yet,” said Dr. Danielle Ompad, an infectious-disease epidemiologist at New York University. “For a group of employees who are walking around without masks because that’s part of the performance — I would still want to be able to get tested.”Though transmission has been rare at live performance venues so far this fall season, Broadway productions like “Aladdin” caught positive cases within its company through testing and were able to resume performances in relatively short order. More

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      in Movies

      Labor Board Looking Into Complaints at Sean Penn Vaccination Site

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      Two online commenters complained of working 18-hour days and not getting food from Krispy Kreme or Subway. Penn saw “narcissism” and “betrayal.”A nonprofit group co-founded by Sean Penn is facing a National Labor Relations Board hearing over an accusation that he implicitly threatened employees after complaints about long hours and the food served during a Covid-19 vaccination effort.In January the group, Community Organized Relief Effort, played a key role in an operation to administer vaccines in a parking lot of Dodger Stadium in Los Angeles.The work drew praise, but an anonymous online comment posted in response to a New York Times article late that month about the vaccinations said that employees were working up to 18 hours a day. A second comment, also anonymous, said there had been a lack of Krispy Kreme doughnuts and Subway sandwiches — food described by the Times report as being at the site.Soon, CORE employees were sent a long, impassioned email by Penn. He wrote that he was grateful for their work and mindful of his responsibilities in “the race against mutations and the fight against the current strains of Covid-19.”He also appeared to suggest that the online commenters were guilty of “reckless narcissism” and “broad betrayal.”And Penn proposed that those who might feel inclined to gripe online amid a pandemic ought to simply leave the group instead.“Any of us who might find themselves predisposed to a culture of complaint, have a much simpler avenue than broad-based cyber whining,” he wrote. “It’s called quitting.”A labor lawyer in Los Angeles read the message after it was published, in early February, along with an accompanying article, by The Los Angeles Times. That lawyer, Daniel B. Rojas, said Penn’s remarks struck him as unlawful and that he quickly filed a charge with the N.L.R.B. The N.L.R.B. process calls for a charge to be followed by an investigation, which can lead to a complaint or a dismissal.In this instance, the N.L.R.B. issued a complaint, dated Oct. 25, saying Penn’s email violated federal labor law. Penn had, the complaint added, “impliedly threatened” employees with reprisals or discharge.A hearing before an administrative law judge has been scheduled for January.A lawyer for CORE and for Penn said that “on principle and merit,” both had rejected a settlement offer from the N.L.R.B. that did not involve any fine or monetary payment, and will “vigorously contest and fight” the charge.“Despite its utter lack of legal merit, the N.L.R.B.’s General Counsel and Regional Director have decided to waste federal resources and taxpayer dollars by filing an ill‐advised and meritless lawsuit, even as CORE continues its groundbreaking work,” a statement from the lawyer, Mathew S. Rosengart, said. “The N.L.R.B.’s actions to distract CORE from its crucial mission for a case where no employees were harmed, are shameful.”In May, Rosengart and two colleagues sent a letter to the N.L.R.B. saying the complaint about long hours was false and that charges by Rojas were “utterly frivolous” and should be dismissed. Penn’s email, the lawyers added, was “a motivational rallying cry.”The N.L.R.B. general counsel, Jennifer Abruzzo, said in a statement on Thursday: “Although CORE engages in important and admirable work, like all employers, it must respect the right of its employees under the National Labor Relations Act to engage in protected concerted activities, such as discussing matters of mutual concern with one another and bringing workplace concerns to the public, federal agencies, or other third parties.”This week, Rojas explained his motive in filing the charge, writing in an email: “It’s neither selfish nor un-American to discuss your wages or working conditions with the public.”.css-1kpebx{margin:0 auto;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-1kpebx{font-size:1.25rem;line-height:1.4375rem;}}.css-1gtxqqv{margin-bottom:0;}.css-k59gj9{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-flex-direction:column;-ms-flex-direction:column;flex-direction:column;width:100%;}.css-1e2usoh{font-family:inherit;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-box-pack:justify;-webkit-justify-content:space-between;-ms-flex-pack:justify;justify-content:space-between;border-top:1px solid #ccc;padding:10px 0px 10px 0px;background-color:#fff;}.css-1jz6h6z{font-family:inherit;font-weight:bold;font-size:1rem;line-height:1.5rem;text-align:left;}.css-1t412wb{box-sizing:border-box;margin:8px 15px 0px 15px;cursor:pointer;}.css-hhzar2{-webkit-transition:-webkit-transform ease 0.5s;-webkit-transition:transform ease 0.5s;transition:transform ease 0.5s;}.css-t54hv4{-webkit-transform:rotate(180deg);-ms-transform:rotate(180deg);transform:rotate(180deg);}.css-1r2j9qz{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-e1ipqs{font-size:1rem;line-height:1.5rem;padding:0px 30px 0px 0px;}.css-e1ipqs a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;}.css-e1ipqs a:hover{-webkit-text-decoration:none;text-decoration:none;}.css-1o76pdf{visibility:show;height:100%;padding-bottom:20px;}.css-1sw9s96{visibility:hidden;height:0px;}.css-1in8jot{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;font-family:’nyt-franklin’,arial,helvetica,sans-serif;text-align:left;}@media (min-width:740px){.css-1in8jot{padding:20px;width:100%;}}.css-1in8jot:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1in8jot{border:none;padding:10px 0 0;border-top:2px solid #121212;}What to Know About Covid-19 Booster ShotsThe F.D.A. has authorized booster shots for millions of recipients of the Pfizer-BioNTech, Moderna and Johnson & Johnson vaccines. Pfizer and Moderna recipients who are eligible for a booster include people 65 and older, and younger adults at high risk of severe Covid-19 because of medical conditions or where they work. Eligible Pfizer and Moderna recipients can get a booster at least six months after their second dose. All Johnson & Johnson recipients will be eligible for a second shot at least two months after the first.Yes. The F.D.A. has updated its authorizations to allow medical providers to boost people with a different vaccine than the one they initially received, a strategy known as “mix and match.” Whether you received Moderna, Johnson & Johnson or Pfizer-BioNTech, you may receive a booster of any other vaccine. Regulators have not recommended any one vaccine over another as a booster. They have also remained silent on whether it is preferable to stick with the same vaccine when possible.The C.D.C. has said the conditions that qualify a person for a booster shot include: hypertension and heart disease; diabetes or obesity; cancer or blood disorders; weakened immune system; chronic lung, kidney or liver disease; dementia and certain disabilities. Pregnant women and current and former smokers are also eligible.The F.D.A. authorized boosters for workers whose jobs put them at high risk of exposure to potentially infectious people. The C.D.C. says that group includes: emergency medical workers; education workers; food and agriculture workers; manufacturing workers; corrections workers; U.S. Postal Service workers; public transit workers; grocery store workers.Yes. The C.D.C. says the Covid vaccine may be administered without regard to the timing of other vaccines, and many pharmacy sites are allowing people to schedule a flu shot at the same time as a booster dose.By many measures, CORE’s pandemic work has been a success. The group, which Penn co-founded after the 2010 earthquake in Haiti, has provided free coronavirus testing in California and beyond. At Dodger stadium, CORE assisted the Los Angeles Fire Department, which led an operation that administered nearly 56,000 vaccinations in its first nine days.The description of the parking-lot scene in The Times article in late January included: “There is Krispy Kreme for breakfast and Subway for lunch (the fruit on the tables is for poking with syringes during training sessions). At the trailers marked ‘Vaccine Draw,’ runners elbow past Mr. Penn, slide their empty coolers inside and await a fresh batch of syringes.”Among 150 comments in response to the story were the two that purported to come from CORE workers. One, attributed to “CORE staff,” referred to the federal Occupational Safety and Health Administration, writing: “We have staff working 18 hour days, 6 days a week,” adding: “This is an OSHA violation.”A second commenter, “staff #2,” wrote: “We do NOT get krispy kreme for breakfast. In fact, we usually DON’T get breakfast, just coffee,” that commenter wrote. “And the lunch is NOT subway. It’s the same old lettuce wraps every day. It’s free lunch for staff/volunteers so I’m not complaining but still … not subway.”The day after the article ran, Penn’s message addressed to “All CORE Staff” went out, citing “a pair of highly visible comments on a major news outlet’s platform.” He began by commending CORE workers and wrote that he is consumed with the fight against Covid: “I awaken pre-dawn and pass out post-midnight every morning and every night, pulling at my hair and pounding pavement.”Penn wrote that CORE has strong complaint procedures and complies with OSHA regulations, but also warned against “obscene critiques” and stated that “valuable, organized response is most vulnerable to destruction from within.”And although he wrote that he had “taken counsel” and would refrain from using certain language, Penn left little doubt about his feelings toward the commenters.“And to whoever authored these,” he wrote, “understand that in every cell of my body is a vitriol for the way your actions reflect so harmfully upon your brothers and sisters in arms.” More